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Ticket Limit<\/strong>
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SCALING<\/strong>
This show is GENERAL ADMISSION with a RESERVED East or West Balcony configuration
Please see below for the different ticket options available on this event
*Access is granted based on your purchased ticket type
*All East and West Balcony tickets have access to the general admission areas<\/p>\r\n

GENERAL ADMISSION TICKETS<\/strong>
First-come, First-served Access to the Floor and Bowl Areas<\/p>\r\n

RESERVED TICKETS<\/strong>
Seated Balcony Access in the East or West Sections with Nearby Bar and Exclusive Restrooms<\/p>","venue":{"venueId":"127278","active":true,"locale":"en-US","localeAvailable":{"1":"en-US"},"title":"Mission Ballroom","address_line":"4242 Wynkoop Street, Denver, CO 80216","address":"4242 Wynkoop Street","city":"Denver","state":"CO","postalCode":"80216","country":"United States","countryCode":"US","timezone":"America\/Denver","ada":null,"keywords":[],"skinCode":"missionballroom","currency":"USD","media":{"21":{"media_id":"4830317","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_21_657a2b73bc5e2.jpg"},"10":{"media_id":"4830318","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_10_657a2b73ef178.jpg"},"11":{"media_id":"4830319","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_11_657a2b7428ddb.jpg"},"12":{"media_id":"4830320","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_12_657a2b74482a2.jpg"},"22":{"media_id":"4830321","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_22_657a2b746875e.jpg"},"60":{"media_id":"4830322","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_60_657a2b7488bb6.jpg"},"61":{"media_id":"4830323","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_61_657a2b74a8968.jpg"}},"links":[{"link_id":1120409,"link_title":"Twitter","link_type_id":"25","link_href":"https:\/\/twitter.com\/missionballroom","link_target":"_blank"},{"link_id":1120411,"link_title":"Facebook Page Co-Host","link_type_id":"24","link_href":"https:\/\/www.facebook.com\/AEGPresentsRM\/","link_target":"_blank"}]},"associations":{"performerIds":["949711"],"headliners":[{"performerId":"949711","active":true,"locale":"en-US","keywords":[],"bio":"

Embark on a journey through radiant musical waters with Yacht Rock Revue, the band Rolling Stone hails as the “world’s premier soft-rock party band.” Their repertoire, spanning from the sun-kissed melodies of Steely Dan and Michael McDonald to the velvety harmonies of Hall & Oates, evokes memories of palm trees, ocean breezes, and carefree summers. The group continues to transport audiences back to the golden era of the ’70s and ’80s while charting bold new horizons in the present day.
Founded in Atlanta, GA, Yacht Rock Revue features Nicholas Niespodziani (vocals, guitars, keyboards, percussion), Peter Olson (vocals, guitars, keyboards, percussion), Greg Lee (bass, vocals), Mark Dannells (guitars, vocals), Mark Bencuya (keyboards, vocals), David B. Freeman (saxophones, keyboards, flute, piccolo, percussion, vocals), Kourtney Jackson (vocals, percussion), Jason Nackers (drums), and Ganesh Giri Jaya (drums). Their collective musicianship elevates each performance into an immersive, joy-filled escape.
Released in late 2024, their original concept album, Escape Artist, marked a major milestone for the band as their first release of original music since Hot Dads In Tight Jeans. After an unforgettable 2023 run with Kenny Loggins and a 2024 touring season that included a 44-city Summer Road Trip Tour with Train and REO Speedwagon, Yacht Rock Revue continues to build momentum in 2025 with a run of sold-out shows, including The Paramount in Huntington (two nights), Ryman Auditorium, Humphrey’s in San Diego (two nights), Pier 17 in New York, Wolf Trap, Leader Bank Pavilion in Boston (two nights), and the Salt Shed in Chicago. Their live shows remain unabashedly joyous affairs, praised by The New York Times for their liberating energy and by Entertainment Weekly for their ability to turn any venue into a sea of dancing fans.
From humble beginnings in a basement in 2007 to sharing stages with legends like Robbie Dupree, Elliot Lurie, Matthew Wilder, John Oates, and the late Eddie Money, Yacht Rock Revue has transformed what was once considered a guilty pleasure into a thriving, respected art form.
At the heart of Yacht Rock Revue’s success is their devoted fanbase, the “Anchorheads”—a vibrant community celebrating music, nostalgia, and connection. Niespodziani describes them as “wonderful people, musical omnivores and exactly the kind of fans you dream about having as a young musician.”
Whether you’re a longtime aficionado of the yacht rock era or a newcomer to its smooth grooves, Yacht Rock Revue promises an unforgettable journey across the azure waters of musical history. So, don your captain’s hat and set sail with Yacht Rock Revue for a melodic adventure like no other.<\/p>","media":{"103":{"media_id":"3999934","width":860,"height":400,"file_name":"https:\/\/images.discovery-prod.axs.com\/2018\/04\/yacht-rock-revue_04-10-18_103_5acd27ffa124f.jpg"},"90":{"media_id":"4011089","width":3000,"height":3000,"file_name":"https:\/\/images.discovery-prod.axs.com\/2018\/05\/yacht-rock-revue_05-07-18_90_5af0cd9b97d95.jpg"},"19":{"media_id":5352692,"width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/03\/yacht-rock-revue_03-25-26_19_69c4371c43de9.png"},"5":{"media_id":5352693,"width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/03\/yacht-rock-revue_03-25-26_5_69c4371ca5901.png"},"6":{"media_id":5352694,"width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/03\/yacht-rock-revue_03-25-26_6_69c4371cf0c20.png"},"9":{"media_id":5352695,"width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/03\/yacht-rock-revue_03-25-26_9_69c4371d30d04.png"},"20":{"media_id":5352696,"width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/03\/yacht-rock-revue_03-25-26_20_69c4371da3f58.png"},"7":{"media_id":5352697,"width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/03\/yacht-rock-revue_03-25-26_7_69c4371de5852.png"},"24":{"media_id":5352698,"width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/03\/yacht-rock-revue_03-25-26_24_69c4371e3a1be.png"},"88":{"media_id":5352699,"width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/03\/yacht-rock-revue_03-25-26_88_69c4371ea3550.png"}},"links":[{"link_id":"1050015","link_title":"Official 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\n
\n
 <\/div>\n
\n
Born from a chance encounter between two musicians from opposite coasts, Sons of Legion (S\u00d8L) is the embodiment of serendipity in sound. This dynamic duo chose to walk the same musical path, creating a unique blend that defies geographical boundaries and genre constraints.<\/span><\/div>\n
 <\/span><\/div>\n
At its core, Sons of Legion is a powerhouse of rock 'n' soul, seamlessly fusing the raw, unbridled energy of country and rock with the deep, emotive currents of blues and the timeless allure of soul. Their sound is a delicate balance of rugged grit and sophisticated class, evoking memories of rock's greatest legends while carving out a distinct identity all their own.<\/span><\/div>\n
 <\/span><\/div>\n
Known for their electrifying performances and thought-provoking lyrics, Sons of Legion has built a reputation that resonates far beyond their Nashville roots. Their music speaks to the heart and ignites the spirit, with tracks like \"Brand New Day,\" \"Power,\" and \"Firestarter\" serving as testaments to their songwriting prowess.<\/span><\/div>\n
 <\/span><\/div>\n
The band's impact extends well beyond the stage. With nearly 1.8 million monthly listeners on Spotify, Sons of Legion has found its way into the mainstream consciousness. Their music has become the soundtrack to pivotal moments, featured on ESPN broadcasts, Dodge Ram commercials, Netflix productions, and NBC programming.<\/span><\/div>\n
 <\/span><\/div>\n
As Sons of Legion continues to evolve and push boundaries, they remain true to their ethos of authenticity and musical integrity. Each note, each lyric, each performance is a reflection of their journey - two paths converged, creating a musical force that continues to inspire and captivate audiences worldwide.<\/span><\/div>\n<\/div>\n<\/div>\n<\/div>","description":"

Ticket Transfer Delay <\/strong> <\/p>\n

The event organizer has decided that ticket transfer will be delayed for this event. Ticket transfer will be available on or about 7\/10\/2026. Please review the terms of AXS\u2019s Purchase Agreement (axs.com\/purchaseagreement) for more information. <\/p>
\n

This show is GENERAL ADMISSION with a RESERVED East or West Balcony configuration<\/p>\n

Please see below for the different ticket options available on this event<\/p>\n

*Access is granted based on your purchased ticket type <\/p>\n

*All East and West Balcony tickets have access to the general admission areas<\/p>\n
\n

GENERAL ADMISSION TICKETS<\/p>\n

First-come, First-served Access to the Floor and Bowl Areas<\/p>\n
\n

RESERVED TICKETS<\/p>\n

Seated Balcony Access in the East or West Sections with Nearby Bar and Exclusive Restrooms<\/p>

\n
\n<\/p>","venue":{"venueId":"127278","active":true,"locale":"en-US","localeAvailable":{"1":"en-US"},"title":"Mission Ballroom","address_line":"4242 Wynkoop Street, Denver, CO 80216","address":"4242 Wynkoop Street","city":"Denver","state":"CO","postalCode":"80216","country":"United States","countryCode":"US","timezone":"America\/Denver","ada":null,"keywords":[],"skinCode":"missionballroom","currency":"USD","media":{"21":{"media_id":"4830317","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_21_657a2b73bc5e2.jpg"},"10":{"media_id":"4830318","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_10_657a2b73ef178.jpg"},"11":{"media_id":"4830319","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_11_657a2b7428ddb.jpg"},"12":{"media_id":"4830320","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_12_657a2b74482a2.jpg"},"22":{"media_id":"4830321","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_22_657a2b746875e.jpg"},"60":{"media_id":"4830322","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_60_657a2b7488bb6.jpg"},"61":{"media_id":"4830323","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_61_657a2b74a8968.jpg"}},"links":[{"link_id":1120409,"link_title":"Twitter","link_type_id":"25","link_href":"https:\/\/twitter.com\/missionballroom","link_target":"_blank"},{"link_id":1120411,"link_title":"Facebook Page Co-Host","link_type_id":"24","link_href":"https:\/\/www.facebook.com\/AEGPresentsRM\/","link_target":"_blank"}]},"associations":{"performerIds":["1121173"],"headliners":[{"performerId":"1121173","active":true,"locale":"en-US","keywords":["Sons of Legion"],"bio":"

\r\n
\r\n
 <\/div>\r\n
\r\n
Born from a chance encounter between two musicians from opposite coasts, Sons of Legion (SØL) is the embodiment of serendipity in sound. This dynamic duo chose to walk the same musical path, creating a unique blend that defies geographical boundaries and genre constraints.<\/span><\/div>\r\n
 <\/span><\/div>\r\n
At its core, Sons of Legion is a powerhouse of rock 'n' soul, seamlessly fusing the raw, unbridled energy of country and rock with the deep, emotive currents of blues and the timeless allure of soul. Their sound is a delicate balance of rugged grit and sophisticated class, evoking memories of rock's greatest legends while carving out a distinct identity all their own.<\/span><\/div>\r\n
 <\/span><\/div>\r\n
Known for their electrifying performances and thought-provoking lyrics, Sons of Legion has built a reputation that resonates far beyond their Nashville roots. Their music speaks to the heart and ignites the spirit, with tracks like \"Brand New Day,\" \"Power,\" and \"Firestarter\" serving as testaments to their songwriting prowess.<\/span><\/div>\r\n
 <\/span><\/div>\r\n
The band's impact extends well beyond the stage. With nearly 1.8 million monthly listeners on Spotify, Sons of Legion has found its way into the mainstream consciousness. Their music has become the soundtrack to pivotal moments, featured on ESPN broadcasts, Dodge Ram commercials, Netflix productions, and NBC programming.<\/span><\/div>\r\n
 <\/span><\/div>\r\n
As Sons of Legion continues to evolve and push boundaries, they remain true to their ethos of authenticity and musical integrity. Each note, each lyric, each performance is a reflection of their journey - two paths converged, creating a musical force that continues to inspire and captivate audiences 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Hailing from Chicago, IL, Levity is an electronic trio that captivates audiences with their multi-genre sound. The trio is recognized for their hip-hop-inspired drum patterns and melodically rich drops, which make their music distinctive and their live performances engaging. Formed in 2019, Levity has quickly become a global presence, accumulating over 20 million streams and consistently appearing at major festivals and venues. Levity\u2019s festival appearances include Electric Forest, North Coast, Summer Camp, Lollapalooza (featuring a guest appearance by Chance The Rapper), EDC Las Vegas, and DoLab at Coachella.<\/p>\n

As they gearing up for a busy 2026, Levity is set to embark on their breakout 2025\/26 Lasership Tour<\/em>, playing sold-out shows at iconic venues such as The Shrine and The Eastern. The trio has also gone back-to-back with other high-class DJs like Crankdat and Tape B, commonly referred to as Crankity B. The Levity boys, with their rapidly expanding fanbase and upcoming new music, are poised to continue their iconic performances and release a series of new tracks.<\/p>","description":"

TRANSFER DELAY<\/strong>: Fans may begin to transfer tickets 1 month after public onsale<\/p>\n

TICKET LIMIT<\/strong>: There is a 6 ticket limit per household. Orders exceeding this limit may be cancelled without notification<\/p>\n

Method of Delivery is AXS Mobile ID for all tickets<\/p>","venue":{"venueId":"127278","active":true,"locale":"en-US","localeAvailable":{"1":"en-US"},"title":"Mission Ballroom","address_line":"4242 Wynkoop Street, Denver, CO 80216","address":"4242 Wynkoop Street","city":"Denver","state":"CO","postalCode":"80216","country":"United States","countryCode":"US","timezone":"America\/Denver","ada":null,"keywords":[],"skinCode":"missionballroom","currency":"USD","media":{"21":{"media_id":"4830317","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_21_657a2b73bc5e2.jpg"},"10":{"media_id":"4830318","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_10_657a2b73ef178.jpg"},"11":{"media_id":"4830319","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_11_657a2b7428ddb.jpg"},"12":{"media_id":"4830320","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_12_657a2b74482a2.jpg"},"22":{"media_id":"4830321","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_22_657a2b746875e.jpg"},"60":{"media_id":"4830322","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_60_657a2b7488bb6.jpg"},"61":{"media_id":"4830323","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_61_657a2b74a8968.jpg"}},"links":[{"link_id":1120409,"link_title":"Twitter","link_type_id":"25","link_href":"https:\/\/twitter.com\/missionballroom","link_target":"_blank"},{"link_id":1120411,"link_title":"Facebook Page Co-Host","link_type_id":"24","link_href":"https:\/\/www.facebook.com\/AEGPresentsRM\/","link_target":"_blank"}]},"associations":{"performerIds":["1116792"],"headliners":[{"performerId":"1116792","active":true,"locale":"en-US","keywords":[],"bio":"

Hailing from Chicago, IL, Levity is an electronic trio that captivates audiences with their multi-genre sound. The trio is recognized for their hip-hop-inspired drum patterns and melodically rich drops, which make their music distinctive and their live performances engaging. Formed in 2019, Levity has quickly become a global presence, accumulating over 20 million streams and consistently appearing at major festivals and venues. Levity’s festival appearances include Electric Forest, North Coast, Summer Camp, Lollapalooza (featuring a guest appearance by Chance The Rapper), EDC Las Vegas, and DoLab at Coachella.<\/p>\r\n

As they gearing up for a busy 2026, Levity is set to embark on their breakout 2025\/26 Lasership Tour<\/em>, playing sold-out shows at iconic venues such as The Shrine and The Eastern. The trio has also gone back-to-back with other high-class DJs like Crankdat and Tape B, commonly referred to as Crankity B. 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\u201cWhen Alejandro and I play together, it\u2019s like we are driving a car,\u201d says Estevan Guti\u00e9rrez, one half of the guitar duo Hermanos Guti\u00e9rrez. \u201cIt\u2019s like we are taking a road trip. Sometimes we\u2019re driving through a desert. Sometimes we\u2019re traveling up the coast. But always we are in nature, and we see the most beautiful landscapes, sunrises, sunsets.\u201d The music these two brothers make evokes expansive plains and rough wildernesses, saguaros and surfs, spaghetti westerns and Morricone soundtracks, Lynch and Jarmusch. With their guitars they travel through landscapes haunted by vaqueros, cancioneros, wanderers, fugitives, lovers, family\u2014and whatever ghosts their listeners bring to the music. \u201cEach album is a journey on its own,\u201d says Alejandro Guti\u00e9rrez. \u201cWe just have to go with the music, trust in ourselves, and see where it takes us.\u201d<\/span><\/div>\n

<\/span><\/div>\n
El Bueno Y El Malo is their most epic journey yet: Working with the Black Keys\u2019 Dan Auerbach at his Easy Eye Sound Studio in Nashville, they\u2019ve crafted ten vivid compositions that highlight their intimate guitar playing, where one brother\u2019s rhythms and the other brother\u2019s melodies twine around each other so that they become inextricable. Together, they generate what Estevan calls a \u201cdeeper, darker energy\u201d defined by complex arrangements, sophisticated playing, and most of all their very close relationship. \u201cWe have such different personalities and such different approaches,\u201d says Alejandro,\u201d but in the end we have a strong balance. Because we\u2019re brothers and because we love each other, there\u2019s always this connection.\u201d<\/span><\/div>\n

<\/span><\/div>\n
The sons of a Swiss father and an Ecuadorian mother, Hermanos Guti\u00e9rrez have only been playing together for a few years, but music has always been a point of connection for them. \u201cI started playing guitar because of my brother,\u201d Alejandro says. \u201cHe was always playing, and I loved the sound of it. Then he went to Ecuador for a year, and as an expression of missing him, I started playing the guitar as well. I learned by trying to imitate other songs, but soon realized that I didn\u2019t like playing covers. I wanted to play my own music.\u201d<\/span><\/div>\n

<\/span><\/div>\n
In the mid 2010s Alejandro moved to Zurich, not too far from the small village where his brother lived. One night he invited Estevan over and told him to bring his guitar. Together, they worked out a few melodies that quickly turned into fully realized songs. They didn\u2019t intend to start a band together, but soon decided to record an album. They booked time in a studio and soon emerged with their full-length debut, 8 A\u00f1os, named for the age difference between them. Their only ambition was to make a keepsake for themselves and their families: \u201cWe love collecting old vinyl, so we thought we should make our own,\u201d says Alejandro. \u201cBut it was also a moment for us to reconnect. Music helped us to be together in the same moment and create something new. So let\u2019s just do a record for us.\u201d<\/span><\/div>\n

<\/span><\/div>\n
Their success is proof that unique and imaginative music will find its audience. \u201cMy brother and I,\u201d says Estevan, \u201cwe did everything by ourselves\u2014 all the music, even the artwork. But during Covid, our music was streamed all over the world,\u201d especially their 2020 album, Hijos del Sol. Perhaps because people were looking for an escape from their worries or were traveling to new landscapes without leaving their homes, the music of Hermanos Guti\u00e9rrez spread by word of mouth, eventually finding its way to Auerbach. After a twenty-minute conversation, they signed with Auerbach\u2019s Easy Eye Sound Records and started writing songs for their forthcoming album.<\/span><\/div>\n

<\/span><\/div>\n
\u201cWe didn\u2019t know what it would be like working with someone else,\u201d says Alejandro. \u201cBut sometimes those moments can be crucial. They can bring new energy into a project. That can be very inspiring, but still, how is it going to work?\u201d<\/span><\/div>\n

<\/span><\/div>\n
Their misgivings were quelled as soon as they arrived at Easy Eye Sound Studio, and within twenty minutes they were already recording\u2014not that they were even aware that the sessions had started. As Estevan recalls, \u201cWe just plugged our guitars in and started playing, just to present the music to the whole team. When we stopped, Dan says, Okay, from the top. We didn\u2019t even realize that he was recording. Alejandro and I looked at each other and said, \u201che really feels the music. He\u2019s not looking for perfection. He\u2019s looking for feelings. He\u2019s looking for a moment. We\u2019re the same.\u2019\u201d That first song was the title track, with Alejandro\u2019s delicate fretwork like a mirage on the horizon and Estevan\u2019s chords rumbling like thunder in the distance. Together, the brothers evoke a landscape that\u2019s all the more beautiful for being slightly forbidding.<\/span><\/div>\n

<\/span><\/div>\n
That initial take set the tone for the sessions: They worked on the fly, hewing closely to the songs they had brought over from Switzerland while remaining open to any and all new ideas. \u201cWe came to Nashville with a clear sense of what we wanted to do,\u201d says Alejandro. \u201cThe more structure you have, the more you can improvise. You can feel prepared, but also open to changes. Nobody tried to impose an idea or change our essence. It was all about adding subtle things and enriching the whole\u2014expanding this universe we had created.\u201d El Bueno Y El Malo gently expands their sound, retaining the foundation while adding drums, castanets, strings, and congas. The additions are more than subtle; they\u2019re subliminal. They focus the attention on the two main figures and the intricate, almost telepathic interplay of their instruments.<\/span><\/div>\n

<\/span><\/div>\n
\u201cThey move so quickly when they\u2019re working in the studio,\u201d says Auerbach. \u201cThey have such a vision for what they\u2019re doing and a good sense of what belongs and what doesn\u2019t.\u201d In perhaps the most significant addition to their two-guitar sound, their producer even played on one song. As the brothers struggled with an arrangement, Auerbach suggested an idea for a melody, even plugging in and playing it for them. They loved it so much they invited him to record it for them, even retitling that song \u201cTres Hermanos.\u201d He settles into the band easily, as they all trade lead back and forth among each other, each guitar with its own tone, its own personality, its own motivation and mission. \u201cI was just hearing something in the song and was flattered that they invited me to play and even renamed it,\u201d he says. \u201cIt was definitely an honor to be brought into that very tight circle.\u201d<\/span><\/div>\n

<\/span><\/div>\n
The title of the album is, of course, a reference to Sergio Leone\u2019s legendary 1966 spaghetti western The Good, the Bad, and the Ugly and especially its score by Ennio Morricone. But the phrase has a deeper meaning: \u201cWe think that everybody has a good side and a bad side,\u201d says Estevan. \u201cIt\u2019s every person, every moment, every situation. Everybody has these two faces.\u201d It\u2019s not a cynical idea, but one that celebrates the depths and dualities of humanity, and music\u2014even music that does not include vocals or lyrics\u2014is the perfect vehicle to explore such big ideas. \u201cInstrumental music is so powerful,\u201d says Alejandro. \u201cIt\u2019s there, but it\u2019s not there. You can immerse yourself in it, or it can just be in the background. We love the idea of taking up however much space the listener wants. There\u2019s potential for everyone putting a little of themselves into the music.\u201d<\/span><\/div>","description":"

This show is GENERAL ADMISSION with a GA VIP East or West Balcony configuration<\/p>\n

Please see below for the different ticket options available on this event<\/p>\n

*Access is granted based on your purchased ticket type<\/p>\n

*All East and West Balcony tickets have access to the general admission areas<\/p>\n

GENERAL ADMISSION TICKETS<\/p>\n

First-come, First-served Access to the Floor and Bowl Areas<\/p>\n

GA VIP TICKETS<\/p>\n

First-come, First-served Preferred Standing Room Only Balcony Viewing Area in the East or West Sections with Nearby Bar and Exclusive Restrooms<\/p>","venue":{"venueId":"127278","active":true,"locale":"en-US","localeAvailable":{"1":"en-US"},"title":"Mission Ballroom","address_line":"4242 Wynkoop Street, Denver, CO 80216","address":"4242 Wynkoop Street","city":"Denver","state":"CO","postalCode":"80216","country":"United States","countryCode":"US","timezone":"America\/Denver","ada":null,"keywords":[],"skinCode":"missionballroom","currency":"USD","media":{"21":{"media_id":"4830317","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_21_657a2b73bc5e2.jpg"},"10":{"media_id":"4830318","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_10_657a2b73ef178.jpg"},"11":{"media_id":"4830319","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_11_657a2b7428ddb.jpg"},"12":{"media_id":"4830320","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_12_657a2b74482a2.jpg"},"22":{"media_id":"4830321","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_22_657a2b746875e.jpg"},"60":{"media_id":"4830322","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_60_657a2b7488bb6.jpg"},"61":{"media_id":"4830323","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_61_657a2b74a8968.jpg"}},"links":[{"link_id":1120409,"link_title":"Twitter","link_type_id":"25","link_href":"https:\/\/twitter.com\/missionballroom","link_target":"_blank"},{"link_id":1120411,"link_title":"Facebook Page Co-Host","link_type_id":"24","link_href":"https:\/\/www.facebook.com\/AEGPresentsRM\/","link_target":"_blank"}]},"associations":{"performerIds":["1111957","692937"],"headliners":[{"performerId":"1111957","active":true,"locale":"en-US","keywords":[],"bio":"

“When Alejandro and I play together, it’s like we are driving a car,” says Estevan Gutiérrez, one half of the guitar duo Hermanos Gutiérrez. “It’s like we are taking a road trip. Sometimes we’re driving through a desert. Sometimes we’re traveling up the coast. But always we are in nature, and we see the most beautiful landscapes, sunrises, sunsets.” The music these two brothers make evokes expansive plains and rough wildernesses, saguaros and surfs, spaghetti westerns and Morricone soundtracks, Lynch and Jarmusch. With their guitars they travel through landscapes haunted by vaqueros, cancioneros, wanderers, fugitives, lovers, family—and whatever ghosts their listeners bring to the music. “Each album is a journey on its own,” says Alejandro Gutiérrez. “We just have to go with the music, trust in ourselves, and see where it takes us.”<\/span><\/div>\r\n

<\/span><\/div>\r\n
El Bueno Y El Malo is their most epic journey yet: Working with the Black Keys’ Dan Auerbach at his Easy Eye Sound Studio in Nashville, they’ve crafted ten vivid compositions that highlight their intimate guitar playing, where one brother’s rhythms and the other brother’s melodies twine around each other so that they become inextricable. Together, they generate what Estevan calls a “deeper, darker energy” defined by complex arrangements, sophisticated playing, and most of all their very close relationship. “We have such different personalities and such different approaches,” says Alejandro,” but in the end we have a strong balance. Because we’re brothers and because we love each other, there’s always this connection.”<\/span><\/div>\r\n

<\/span><\/div>\r\n
The sons of a Swiss father and an Ecuadorian mother, Hermanos Gutiérrez have only been playing together for a few years, but music has always been a point of connection for them. “I started playing guitar because of my brother,” Alejandro says. “He was always playing, and I loved the sound of it. Then he went to Ecuador for a year, and as an expression of missing him, I started playing the guitar as well. I learned by trying to imitate other songs, but soon realized that I didn’t like playing covers. I wanted to play my own music.”<\/span><\/div>\r\n

<\/span><\/div>\r\n
In the mid 2010s Alejandro moved to Zurich, not too far from the small village where his brother lived. One night he invited Estevan over and told him to bring his guitar. Together, they worked out a few melodies that quickly turned into fully realized songs. They didn’t intend to start a band together, but soon decided to record an album. They booked time in a studio and soon emerged with their full-length debut, 8 Años, named for the age difference between them. Their only ambition was to make a keepsake for themselves and their families: “We love collecting old vinyl, so we thought we should make our own,” says Alejandro. “But it was also a moment for us to reconnect. Music helped us to be together in the same moment and create something new. So let’s just do a record for us.”<\/span><\/div>\r\n

<\/span><\/div>\r\n
Their success is proof that unique and imaginative music will find its audience. “My brother and I,” says Estevan, “we did everything by ourselves— all the music, even the artwork. But during Covid, our music was streamed all over the world,” especially their 2020 album, Hijos del Sol. Perhaps because people were looking for an escape from their worries or were traveling to new landscapes without leaving their homes, the music of Hermanos Gutiérrez spread by word of mouth, eventually finding its way to Auerbach. After a twenty-minute conversation, they signed with Auerbach’s Easy Eye Sound Records and started writing songs for their forthcoming album.<\/span><\/div>\r\n

<\/span><\/div>\r\n
“We didn’t know what it would be like working with someone else,” says Alejandro. “But sometimes those moments can be crucial. They can bring new energy into a project. That can be very inspiring, but still, how is it going to work?”<\/span><\/div>\r\n

<\/span><\/div>\r\n
Their misgivings were quelled as soon as they arrived at Easy Eye Sound Studio, and within twenty minutes they were already recording—not that they were even aware that the sessions had started. As Estevan recalls, “We just plugged our guitars in and started playing, just to present the music to the whole team. When we stopped, Dan says, Okay, from the top. We didn’t even realize that he was recording. Alejandro and I looked at each other and said, “he really feels the music. He’s not looking for perfection. He’s looking for feelings. He’s looking for a moment. We’re the same.’” That first song was the title track, with Alejandro’s delicate fretwork like a mirage on the horizon and Estevan’s chords rumbling like thunder in the distance. Together, the brothers evoke a landscape that’s all the more beautiful for being slightly forbidding.<\/span><\/div>\r\n

<\/span><\/div>\r\n
That initial take set the tone for the sessions: They worked on the fly, hewing closely to the songs they had brought over from Switzerland while remaining open to any and all new ideas. “We came to Nashville with a clear sense of what we wanted to do,” says Alejandro. “The more structure you have, the more you can improvise. You can feel prepared, but also open to changes. Nobody tried to impose an idea or change our essence. It was all about adding subtle things and enriching the whole—expanding this universe we had created.” El Bueno Y El Malo gently expands their sound, retaining the foundation while adding drums, castanets, strings, and congas. The additions are more than subtle; they’re subliminal. They focus the attention on the two main figures and the intricate, almost telepathic interplay of their instruments.<\/span><\/div>\r\n

<\/span><\/div>\r\n
“They move so quickly when they’re working in the studio,” says Auerbach. “They have such a vision for what they’re doing and a good sense of what belongs and what doesn’t.” In perhaps the most significant addition to their two-guitar sound, their producer even played on one song. As the brothers struggled with an arrangement, Auerbach suggested an idea for a melody, even plugging in and playing it for them. They loved it so much they invited him to record it for them, even retitling that song “Tres Hermanos.” He settles into the band easily, as they all trade lead back and forth among each other, each guitar with its own tone, its own personality, its own motivation and mission. “I was just hearing something in the song and was flattered that they invited me to play and even renamed it,” he says. “It was definitely an honor to be brought into that very tight circle.”<\/span><\/div>\r\n

<\/span><\/div>\r\n
The title of the album is, of course, a reference to Sergio Leone’s legendary 1966 spaghetti western The Good, the Bad, and the Ugly and especially its score by Ennio Morricone. But the phrase has a deeper meaning: “We think that everybody has a good side and a bad side,” says Estevan. “It’s every person, every moment, every situation. Everybody has these two faces.” It’s not a cynical idea, but one that celebrates the depths and dualities of humanity, and music—even music that does not include vocals or lyrics—is the perfect vehicle to explore such big ideas. “Instrumental music is so powerful,” says Alejandro. “It’s there, but it’s not there. You can immerse yourself in it, or it can just be in the background. We love the idea of taking up however much space the listener wants. 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Page","link_type_id":"12","link_href":"https:\/\/www.facebook.com\/hermanosgutierrezofficial\/","link_target":"_blank"}],"olympics":null,"keywords":[]},{"eventId":"1342097","active":true,"createdUTC":"2026-02-18T23:39:57","modifiedUTC":"2026-09-23T22:01:24","locale":"en-US","localeAvailable":{"1":"en-US"},"title":{"presentedBy":null,"presentedByText":null,"headliners":"Social Distortion<\/a>","headlinersText":"Social Distortion","supporting":"Descendents<\/a>","supportingText":"Descendents","tour":null,"eventTitle":"Social Distortion<\/a>","eventTitleText":"Social Distortion"},"age":"16 & Over","publishStatus":1,"private":false,"currency":"USD","currencySymbol":"$","eventDateTime":"2026-10-06T20:00:00","eventDateTimeZone":"America\/Denver","eventDateTimeZoneAbbr":"MDT","eventDateTimeUTC":"2026-10-07T02:00:00","eventDateTimeISO":"2026-10-06T20:00:00-06:00","additionalDates":[],"expirationDateTime":null,"expirationDateTimeUTC":null,"doorDateTime":"2026-10-06T19:00:00","doorDateTimeUTC":"2026-10-07T01:00:00","announceDateTime":"2026-02-24T08:00:00","announceDateTimeTimeZone":"America\/Denver","announceDateTimeUTC":"2026-02-24T15:00:00","presaleDateTime":null,"presaleDateTimeTimeZone":"America\/Denver","presaleDateTimeUTC":null,"presaleEndDateTime":null,"presaleEndDateTimeTimeZone":"America\/Denver","presaleEndDateTimeUTC":null,"onsaleDateTime":"2026-02-27T10:00:00","onsaleDateTimeTimeZone":"America\/Denver","onsaleDateTimeZoneAbbr":"MDT","onsaleDateTimeUTC":"2026-02-27T17:00:00","ticketing":{"statusId":6,"status":"Get Tickets","presaleURL":null,"ticketURL":"https:\/\/shop.axs.com\/?c=axs&e=20174867066769564","url":"https:\/\/www.axs.com\/events\/1342097\/social-distortion-tickets","eventUrl":"https:\/\/www.axs.com\/events\/1342097\/social-distortion-tickets","ticketLinkExists":true},"ticketPrice":null,"ticketPriceLow":"$0","ticketPriceHigh":"$0","doorPrice":null,"doorPriceLow":"$0","doorPriceHigh":"$0","bio":"

Since emerging from the streets of Fullerton CA in the late \u201870s, Social Distortion have become the unquestioned standard bearers for punk bands. Beginning with their classic 1983 debut album Mommy\u2019s Little Monster<\/em> and stretching through 2011\u2019s Hard Times and Nursery Rhymes<\/em>, the band, led by Mike Ness, continues to reinvent itself while remaining true to its punk rock roots.<\/p>\n

 <\/p>\n

A lifelong devotee and student of rock\u2019n\u2019roll dating back to a childhood spent obsessively listening to the likes of The Rolling Stones, T.Rex, David Bowie, Creedence Clearwater Revival, and eventually the Sex Pistols and Ramones, Ness always maintained that Social Distortion would be more than just a punk band. That theme is evident in the band\u2019s first seven records, with tales of outlaws, outcasts, love lost, and a hard life lived. It\u2019s with this earnestness and viewpoint that Ness is lionized as a truth-telling songwriter to fans all around the world.<\/p>\n

 <\/p>\n

Now, 15 years after the release of Hard Times\u2026<\/em> and a couple of years after Ness faced a life-threatening illness, comes Born To Kill<\/em>. The album, a few years in the works, sees Ness take a long look inside and reflect on a well-worn journey where nothing was given and everything earned. Despite the notable timespan between albums, Ness has never stopped writing. Recorded at Sunset Sound then finished at Hillside Manor Studio with Ness co-producing with producer Dave Sardy, Social Distortion plowed through 11 bone-rattling songs (which include guest appearances from Lucinda Williams and Heartbreakers keyboardist Benmont Tench), and a couple of unreleased songs going back 30 years.<\/p>\n

 <\/p>\n

\u201cI have to dispel the myth that it took us 15 years to write an album,\u201d Ness says. \"I kept writing after Hard Times\u2026<\/em>, so when it was time to pick the songs for this record, we had over 40 songs to choose from. \u201c<\/p>\n

 <\/p>\n

Ness aimed to capture the spirit of his formative years, describing Born To Kill<\/em> as an \u201chomage to the beginning of my career, going out every night and watching bands, listening to records over and over again, and eventually starting my own band despite society\u2019s volatile reaction to this new style of music and culture. Ninety-nine percent of the world was telling us we couldn\u2019t do this. Well, now we have something to prove!\u201d<\/em><\/p>\n

 <\/p>\n

The album\u2019s opening salvo blazes by in just under four minutes, serving as title track and mission statement not just for this record, but also succinctly summarizing the band\u2019s 40+ year career. With fiery guitars accompanied by defiant lyrics, combined with Social Distortion\u2019s trademark melodic flair and Ness\u2019s knack for creating thick grooves, \u201cBorn To Kill\u201d takes no prisoners. \u201cI\u2019m the underdog who ends up on top\/ The rebel poet with the peacock strut\/ Gonna make a change gonna rearrange\/Look out man you\u2019re in my pissing range!\" Ness proclaims bombastically in a lyric that sums up his career.<\/p>\n

 <\/p>\n

In rapid fire succession and with the trademark raw intensity that has defined Social Distortion for nearly 50 years, Born To Kill<\/em> peels back the curtain on Ness\u2019s experiences. \u201cNo Way Out\u201d sees Ness examine the confluence of events that have defined his life, while the nostalgic \u201cThe Way Things Were\u201d sees him reminisce about a hell-raising youth in Fullerton. Meanwhile, the rollicking, swinging rocker \u201cTonight\u201d has all the qualities of a Social Distortion classic. Developed from an idea from the Hard Times...<\/em> sessions, Ness confronts the realities of losing the most important relationship of his life but not succumbing to despair, choosing to fight for love and rebuild instead. \u201cPartners In Crime ,\u201c a Ness favorite, layers heartfelt lyrics atop a three-chord crunch and primitive mid-tempo groove, resulting in what he describes as a \u201cpunk anthem.\u201d And \u201cOver You\u201d sounds like the best Heartbreakers song Johnny Thunders never wrote.<\/p>\n

 <\/p>\n

Over the years, Social Distortion has carefully chosen cool cover songs, transforming them into Social D classics, most notably their version of \u201cRing of Fire\u201d from the band\u2019s self-titled breakthrough third album. They continue this tradition with Ness\u2019s take on Chris Isaak\u2019s 1989 brooding hit \u201cWicked Game,\u201d on which they achieve their goal of creating an interpretation of the song like no other.<\/p>\n

 <\/p>\n

All these years later, Social Distortion is more than a gang of punk rock survivors: it remains one of the world\u2019s most respected and revered and still relevant rock \u2018n\u2019 roll bands far beyond its Southern California home. Sharing the stage with the likes of Bruce Springsteen, Pearl Jam and Neil Young has found the band attracting a more diverse range of ages and lifestyles. Yet unlike many other bands that have stuck it out as long as they have, Social Distortion not only survives but thrives. Through mostly word of mouth, with their devoted fan base preaching the band\u2019s gospel, the music has been passed down three generations now. Parents bringing their kids to shows, sometime kids bringing parents and grandparents to shows. This has become commonplace, speaking to what Ness calls a universal message echoed in his songs.<\/p>\n

 <\/p>\n

\u201cI write about feelings, struggles, and hardship. I also write about love and joy. I try and keep it human. We were a part of the soundtrack to their life. We were one of the bands they grew up with, and they felt they needed to pass it on to their kids, which is a gift and an honor to us.\u201d<\/p>","description":"

\nDue to unforeseen circumstances, the Social Distortion show scheduled for September 22, 2026<\/strong> has been Postponed until October 6, 2026<\/strong>.<\/p> \n\n

Originally purchased tickets will be valid for the new date.<\/p> ","venue":{"venueId":"127278","active":true,"locale":"en-US","localeAvailable":{"1":"en-US"},"title":"Mission Ballroom","address_line":"4242 Wynkoop Street, Denver, CO 80216","address":"4242 Wynkoop Street","city":"Denver","state":"CO","postalCode":"80216","country":"United States","countryCode":"US","timezone":"America\/Denver","ada":null,"keywords":[],"skinCode":"missionballroom","currency":"USD","media":{"21":{"media_id":"4830317","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_21_657a2b73bc5e2.jpg"},"10":{"media_id":"4830318","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_10_657a2b73ef178.jpg"},"11":{"media_id":"4830319","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_11_657a2b7428ddb.jpg"},"12":{"media_id":"4830320","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_12_657a2b74482a2.jpg"},"22":{"media_id":"4830321","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_22_657a2b746875e.jpg"},"60":{"media_id":"4830322","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_60_657a2b7488bb6.jpg"},"61":{"media_id":"4830323","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_61_657a2b74a8968.jpg"}},"links":[{"link_id":1120409,"link_title":"Twitter","link_type_id":"25","link_href":"https:\/\/twitter.com\/missionballroom","link_target":"_blank"},{"link_id":1120411,"link_title":"Facebook Page Co-Host","link_type_id":"24","link_href":"https:\/\/www.facebook.com\/AEGPresentsRM\/","link_target":"_blank"}]},"associations":{"performerIds":["104733","112816"],"headliners":[{"performerId":"104733","active":true,"locale":"en-US","keywords":["cial Distortion","Mike Ness","Kids of the Black Hol"],"bio":"

Since emerging from the streets of Fullerton CA in the late ‘70s, Social Distortion have become the unquestioned standard bearers for punk bands. Beginning with their classic 1983 debut album Mommy’s Little Monster<\/em> and stretching through 2011’s Hard Times and Nursery Rhymes<\/em>, the band, led by Mike Ness, continues to reinvent itself while remaining true to its punk rock roots.<\/p>\r\n

 <\/p>\r\n

A lifelong devotee and student of rock’n’roll dating back to a childhood spent obsessively listening to the likes of The Rolling Stones, T.Rex, David Bowie, Creedence Clearwater Revival, and eventually the Sex Pistols and Ramones, Ness always maintained that Social Distortion would be more than just a punk band. That theme is evident in the band’s first seven records, with tales of outlaws, outcasts, love lost, and a hard life lived. It’s with this earnestness and viewpoint that Ness is lionized as a truth-telling songwriter to fans all around the world.<\/p>\r\n

 <\/p>\r\n

Now, 15 years after the release of Hard Times…<\/em> and a couple of years after Ness faced a life-threatening illness, comes Born To Kill<\/em>. The album, a few years in the works, sees Ness take a long look inside and reflect on a well-worn journey where nothing was given and everything earned. Despite the notable timespan between albums, Ness has never stopped writing. Recorded at Sunset Sound then finished at Hillside Manor Studio with Ness co-producing with producer Dave Sardy, Social Distortion plowed through 11 bone-rattling songs (which include guest appearances from Lucinda Williams and Heartbreakers keyboardist Benmont Tench), and a couple of unreleased songs going back 30 years.<\/p>\r\n

 <\/p>\r\n

“I have to dispel the myth that it took us 15 years to write an album,” Ness says. \"I kept writing after Hard Times…<\/em>, so when it was time to pick the songs for this record, we had over 40 songs to choose from. “<\/p>\r\n

 <\/p>\r\n

Ness aimed to capture the spirit of his formative years, describing Born To Kill<\/em> as an “homage to the beginning of my career, going out every night and watching bands, listening to records over and over again, and eventually starting my own band despite society’s volatile reaction to this new style of music and culture. Ninety-nine percent of the world was telling us we couldn’t do this. Well, now we have something to prove!”<\/em><\/p>\r\n

 <\/p>\r\n

The album’s opening salvo blazes by in just under four minutes, serving as title track and mission statement not just for this record, but also succinctly summarizing the band’s 40+ year career. With fiery guitars accompanied by defiant lyrics, combined with Social Distortion’s trademark melodic flair and Ness’s knack for creating thick grooves, “Born To Kill” takes no prisoners. “I’m the underdog who ends up on top\/ The rebel poet with the peacock strut\/ Gonna make a change gonna rearrange\/Look out man you’re in my pissing range!\" Ness proclaims bombastically in a lyric that sums up his career.<\/p>\r\n

 <\/p>\r\n

In rapid fire succession and with the trademark raw intensity that has defined Social Distortion for nearly 50 years, Born To Kill<\/em> peels back the curtain on Ness’s experiences. “No Way Out” sees Ness examine the confluence of events that have defined his life, while the nostalgic “The Way Things Were” sees him reminisce about a hell-raising youth in Fullerton. Meanwhile, the rollicking, swinging rocker “Tonight” has all the qualities of a Social Distortion classic. Developed from an idea from the Hard Times...<\/em> sessions, Ness confronts the realities of losing the most important relationship of his life but not succumbing to despair, choosing to fight for love and rebuild instead. “Partners In Crime ,“ a Ness favorite, layers heartfelt lyrics atop a three-chord crunch and primitive mid-tempo groove, resulting in what he describes as a “punk anthem.” And “Over You” sounds like the best Heartbreakers song Johnny Thunders never wrote.<\/p>\r\n

 <\/p>\r\n

Over the years, Social Distortion has carefully chosen cool cover songs, transforming them into Social D classics, most notably their version of “Ring of Fire” from the band’s self-titled breakthrough third album. They continue this tradition with Ness’s take on Chris Isaak’s 1989 brooding hit “Wicked Game,” on which they achieve their goal of creating an interpretation of the song like no other.<\/p>\r\n

 <\/p>\r\n

All these years later, Social Distortion is more than a gang of punk rock survivors: it remains one of the world’s most respected and revered and still relevant rock ‘n’ roll bands far beyond its Southern California home. Sharing the stage with the likes of Bruce Springsteen, Pearl Jam and Neil Young has found the band attracting a more diverse range of ages and lifestyles. Yet unlike many other bands that have stuck it out as long as they have, Social Distortion not only survives but thrives. Through mostly word of mouth, with their devoted fan base preaching the band’s gospel, the music has been passed down three generations now. Parents bringing their kids to shows, sometime kids bringing parents and grandparents to shows. This has become commonplace, speaking to what Ness calls a universal message echoed in his songs.<\/p>\r\n

 <\/p>\r\n

“I write about feelings, struggles, and hardship. I also write about love and joy. I try and keep it human. We were a part of the soundtrack to their life. We were one of the bands they grew up with, and they felt they needed to pass it on to their kids, which is a gift and an honor to us.”<\/p>","media":{"19":{"media_id":5329266,"width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/02\/social-distortion_02-18-26_19_69962e9f42c28.jpg"},"5":{"media_id":5329267,"width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/02\/social-distortion_02-18-26_5_69962e9f89d14.jpg"},"6":{"media_id":5329268,"width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/02\/social-distortion_02-18-26_6_69962e9fbfb81.jpg"},"9":{"media_id":5329269,"width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/02\/social-distortion_02-18-26_9_69962ea00586b.jpg"},"20":{"media_id":5329270,"width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/02\/social-distortion_02-18-26_20_69962ea08d060.jpg"},"7":{"media_id":5329271,"width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/02\/social-distortion_02-18-26_7_69962ea0c5603.jpg"},"24":{"media_id":5329272,"width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/02\/social-distortion_02-18-26_24_69962ea10908c.jpg"},"88":{"media_id":5329273,"width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/02\/social-distortion_02-18-26_88_69962ea142e77.jpg"}},"links":[{"link_id":"904353","link_title":"Amazon","link_type_id":"11","link_href":"http:\/\/www.amazon.com\/gp\/redirect.html?ie=UTF8&location=http:\/\/www.amazon.com\/Social-Distortion\/e\/B000APXJTY&tag=aeglive0a-20&linkCode=ur2&camp=1789&creative=9325","link_target":"_none"},{"link_id":"904354","link_title":"Facebook Page","link_type_id":"12","link_href":"https:\/\/www.facebook.com\/socialdistortion\/","link_target":"_none"},{"link_id":"904355","link_title":"Twitter","link_type_id":"13","link_href":"https:\/\/twitter.com\/SocialD1","link_target":"_none"},{"link_id":"909556","link_title":"Official Website","link_type_id":"8","link_href":"http:\/\/www.socialdistortion.com\/","link_target":"_none"},{"link_id":"915756","link_title":"Youtube","link_type_id":"14","link_href":"https:\/\/www.youtube.com\/user\/socialdistortion\/","link_target":"_none"},{"link_id":"935358","link_title":"Featured Video","link_type_id":"15","link_href":"http:\/\/www.youtube.com\/watch?v=Qs-s0_yGpyg","link_target":"_none"},{"link_id":"1087292","link_title":"Instagram","link_type_id":"49","link_href":"https:\/\/www.instagram.com\/socialdistortion\/","link_target":"_none"}]}],"supportingActs":[{"performerId":"112816","active":true,"locale":"en-US","keywords":[],"bio":"

Milo Aukerman: Vocals, Ph.D.<\/p>\r\n

Stephen Egerton: Guitar<\/p>\r\n

Bill Stevenson: Drum Ogre<\/p>\r\n

Karl Alvarez: Bassmaster General<\/p>\r\n

The DESCENDENTS invented pop punk. Overstatement? Perhaps, but spend ten minutes scanning FM or the idiot box and you're bound to witness a ditty or video that tips its hat to a musical genre that was refined to a high art -- if not created outright -- by the 'Dents. Formed in 1978 against the fertile musical backdrop of Los Angeles' South Bay scene (see: Black Flag, Minutemen, SST Records, etc.), the caffeine-addled crew released their first 7\" single \"Ride The Wild\" as a trio in 1979. Not long after, the boys recruited one Milo Aukerman (microbiology Ph.D. in waiting and poster boy for adolescent ne'er-do-well alienation) for vocal duties.<\/p>\r\n

Milo's fervent mic delivery coupled with his knack for hitting the lyrical nail on its heartrending head plunged him headfirst into the band's fold, and together they released the \"FAT\" EP in 1981. 1982 saw the release of the stellar \"Milo Goes To College,\" a penultimate fusion of hooks and heartache which inspired the LA Times to write, \"perfect for the little guy who was ever called a nerd and never got the girl... (its) earthy humor conveys what is often an inarticulate rage\". And Milo really did go to college, leaving the practice room for the hallowed halls of higher education. Drummer Bill Stevenson went on to beat the skins for Black Flag while the guys temporarily hung up the DESCENDENTS moniker, only to reunite with Aukerman for 1985's \"I Don't Want To Grow Up\" and 1986's \"Enjoy!\"<\/p>\r\n

The two releases comprise the perfect case study in the dualistic, yin\/yang nature of the band's output. While the former is a veritable user's manual for post-pubescent angst, sizing up the themes of life, love, and uncertainty with infectious wit and dizzying energy, the latter is perhaps most notable for its testaments to the, umm... follies of flatulence. Their cover of the Beach Boy's \"Wendy\" on \"Enjoy!\" is at once familiar and revelatory, the perfect amalgam of pop sensibilities and punk execution that would earn them fans the world over.<\/p>\r\n

With the introduction of new members Karl Alvarez and Stephen Egerton on bass and guitar respectively, the release of 1987's \"ALL\" full-length saw a band that had truly come into its own. While the tongue in cheek delivery remained intact, the music had become at once visceral and from the gut, a complex balance of straightforward delivery (\"Clean Sheets\", \"Coolidge\") and fringe-y, free jam inflections (\"Schizophrenia\", \"Uranus\"). The band toured incessantly throughout the mid and late '80s; all that time on the road paid off in spades in the form of two live albums, \"Liveage!\" and \"Hallraker.\" And then Milo went back to college. The extant members went on to form the band ALL with ex-Dag Nasty vocalist Dave Smalley, continuing their prodigious musical output while maintaining a hectic tour schedule. It was not until 1996 that we'd see another DESCENDENTS release with \"Everything Sucks,\" a perfect return to the pop punk form that the band had become known for.<\/p>\r\n

Fast forward to 2003, and lo and behold, the DESCENDENTS are back in the saddle with two new efforts slated for the release in 2004: a four song EP entitled \"'Merican,\" and a bona fide full-length LP's worth of new material that goes by the name \"Cool To Be You.\" Seeing as how punk is now a household name, and the ubiquitous \"girl song\" milieu infests the airwaves, will the DESCENDENTS reclaim their title as Kings of the Lovelorn Anthem? Only time will tell, but this much is certain: If imitation is the sincerest form of flattery, the DESCENDENTS must go to sleep with flushed cheeks every night of the week.<\/p>","media":{"90":{"media_id":"3796084","width":3000,"height":3000,"file_name":"https:\/\/images.discovery-prod.axs.com\/2017\/02\/descendents_02-08-17_90_589b992982be6.jpg"},"5":{"media_id":3970616,"width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2018\/02\/descendents_02-08-18_5_5a7c9d4ac0c49.jpg"},"7":{"media_id":3970612,"width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2018\/02\/descendents_02-08-18_7_5a7c9d4a5c5fb.jpg"},"24":{"media_id":3970613,"width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2018\/02\/descendents_02-08-18_24_5a7c9d4a70f86.jpg"},"19":{"media_id":3970615,"width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2018\/02\/descendents_02-08-18_19_5a7c9d4aa58c4.jpg"},"20":{"media_id":3970611,"width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2018\/02\/descendents_02-08-18_20_5a7c9d4a24907.jpg"},"103":{"media_id":3970614,"width":860,"height":400,"file_name":"https:\/\/images.discovery-prod.axs.com\/2018\/02\/descendents_02-08-18_103_5a7c9d4a8b699.jpg"},"6":{"media_id":3970617,"width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2018\/02\/descendents_02-08-18_6_5a7c9d4ae98ca.jpg"},"9":{"media_id":3970618,"width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2018\/02\/descendents_02-08-18_9_5a7c9d4b0e7fe.jpg"},"88":{"media_id":3970619,"width":851,"height":315,"file_name":"https:\/\/images.discovery-prod.axs.com\/2018\/02\/descendents_02-08-18_88_5a7c9d4b25891.jpg"}},"links":[{"link_id":"880682","link_title":"Official 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\u201cIt feels like I just came home from a giant trip, a vacation somewhere. I haven't communicated pretty much in any way since 'Shelter.' I just saved up my story for the past three years. And I'm gonna tell it now.\u201d \u2014Madeon<\/em><\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

Hugo Leclercq, the Grammy-nominated musician known as Madeon, first appeared to many as something like a teenaged fireball. In 2011, his frantic yet perfectly sculptural \u201cPop Culture\u201d famously sampled 39 hits, live, from Daft Punk to Solange, instantly propelling the then-17-year-old to the international stage. By the time of his debut album, Adventure<\/em>, in 2015, Madeon was a globally beloved artist with production credits for Lady Gaga and Coldplay.<\/p>\n

 <\/p>\n

Yet his first full-length, released via Columbia and his own popcultur, still evokes a bright sense of wonder about the world. \u201cI very purposefully stayed with my parents when I made Adventure<\/em> because I wanted to capture my life as a teenager in France,\u201d he says. \u201cListening back, it\u2019s a good reminder that it always works out best when you\u2019re sincere. I wasn\u2019t pandering, I was just really trying to make what I loved.\u201d A FADER review called it \u201cexpansive, impossibly beautiful... one of the most radiant pop albums in recent memory.\u201d Soon after, he teamed with longtime friend Porter Robinson for \u201cShelter,\u201d an immersive, ecstatic single he calls their \u201cvictory lap.\u201d<\/p>\n

 <\/p>\n

Now, a few years later, Madeon is perhaps a more deeply seasoned artist than wide-eyed dreamer from Nantes, France -- but he\u2019s just as ambitious as ever. \u201cI knew if I wanted to make something different, I needed to change my life around,\u201d he says, so he moved to Los Angeles to focus the project in a new way. \u201cI wanted to wake up in the morning and feel like every second of my life was about Madeon. My walls are covered with concept art and logo designs and instruments and references and records that I love. It\u2019s all I do from the minute I wake up to the minute I go to bed.\u201d<\/p>\n

 <\/p>\n

Good Faith <\/em>is this radiant new era. The songs from the album are the sort of pop songs that, by any other artist, would have required hard work from a team of writers and producers. Madeon, of course, wrote and produced them himself. Following the path he began on Adventure <\/em>with songs like \u201cHome,\u201d he is the sole lead vocalist on each of the new tracks. \u201cI love to make that kind of music mostly on my own -- you\u2019re not really supposed to be able to make it that way,\u201d he says.<\/p>\n

 <\/p>\n

Madeon began working on first single \u201cAll My Friends\u201d when he booked a studio for three days in New York \u201cjust to see what would happen,\u201d he says. \u201cI remember I was walking alone, and the sun was a particular shade. It struck me all at once, vividly. It was like a flavor: sounds and sights and smells. I felt impossibly confident and enthusiastic, and the song became like a premonition of what I had to do.\u201d<\/p>\n

 <\/p>\n

Often, Madeon can seem as much a musician as a world-building architect, and there\u2019s no question his full vision for Good Faith<\/em> is shining through in high definition, standing as a brilliant statement of new purpose.<\/p>\n

 <\/p>\n

Good Faith, <\/em>which debuted at #1 on Billboard\u2019s Dance\/Electronic Albums chart and received a Grammy nomination for Best Dance\/Electronic Album, was released on November 15, 2019.<\/p>","description":"

TRANSFER DELAY<\/strong>: Fans may begin to transfer tickets 1 month post onsale<\/p>

\n<\/p>

TICKET LIMIT<\/strong>: There is a 6 ticket limit per household. Orders exceeding this limit may be cancelled without notification<\/p>\n

Method of Delivery<\/strong> is AXS Mobile ID for all tickets<\/p>\n","venue":{"venueId":"127278","active":true,"locale":"en-US","localeAvailable":{"1":"en-US"},"title":"Mission Ballroom","address_line":"4242 Wynkoop Street, Denver, CO 80216","address":"4242 Wynkoop Street","city":"Denver","state":"CO","postalCode":"80216","country":"United States","countryCode":"US","timezone":"America\/Denver","ada":null,"keywords":[],"skinCode":"missionballroom","currency":"USD","media":{"21":{"media_id":"4830317","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_21_657a2b73bc5e2.jpg"},"10":{"media_id":"4830318","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_10_657a2b73ef178.jpg"},"11":{"media_id":"4830319","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_11_657a2b7428ddb.jpg"},"12":{"media_id":"4830320","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_12_657a2b74482a2.jpg"},"22":{"media_id":"4830321","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_22_657a2b746875e.jpg"},"60":{"media_id":"4830322","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_60_657a2b7488bb6.jpg"},"61":{"media_id":"4830323","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_61_657a2b74a8968.jpg"}},"links":[{"link_id":1120409,"link_title":"Twitter","link_type_id":"25","link_href":"https:\/\/twitter.com\/missionballroom","link_target":"_blank"},{"link_id":1120411,"link_title":"Facebook Page Co-Host","link_type_id":"24","link_href":"https:\/\/www.facebook.com\/AEGPresentsRM\/","link_target":"_blank"}]},"associations":{"performerIds":["120803","1122199"],"headliners":[{"performerId":"120803","active":true,"locale":"en-US","keywords":[],"bio":"

Better known to fans as Madeon, visionary French producer, singer, and songwriter Hugo Pierre Leclercq first went viral at 17 with his “Pop Culture” mashup, which saw him live-mixing samples from 39 different songs on a Novation Launchpad. With his work spreading like wildfire online, Leclercq began touring the world, playing iconic festivals like Coachella and Lollapalooza and sharing bills with the luminaries like Lady Gaga, who invited him to open a series of arena shows and record together. Leclercq would go on to collaborate with everyone from Coldplay and Ellie Goulding to Muse and Deadmau5, but it was his solo work that earned his biggest accolades, with his 2015 debut, Adventure, garnering rave reviews, and his 2019 follow-up, Good Faith, debuting at #1 on the Billboard Dance\/Electronic chart and earning a Grammy nomination for Best Electronic Album.<\/p>\r\n

Leclercq’s new record, Victory, is rapturous multi-media masterpiece that sits at the intersection of punk, indie rock, electro-clash, sci-fi, and high fashion. Leclercq’s writing is both brash and vulnerable, grappling with identity and reinvention in the wake of heartbreak and loss, and his productions are larger-than-life, transforming raw, personal revelations into epic, stadium-sized anthems that blur the line between fantasy and reality. The result is a bold, daring exploration of transformation and catharsis, an irresistible celebration of freedom and self-discovery from a singular artist at a pivotal crossroads.<\/p>","media":{"19":{"media_id":5382499,"width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/05\/madeon_05-07-26_19_69fbd832250e8.jpg"},"5":{"media_id":5382500,"width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/05\/madeon_05-07-26_5_69fbd8327abbd.jpg"},"6":{"media_id":5382501,"width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/05\/madeon_05-07-26_6_69fbd832b9ecb.jpg"},"9":{"media_id":5382502,"width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/05\/madeon_05-07-26_9_69fbd832f26d8.jpg"},"20":{"media_id":5382503,"width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/05\/madeon_05-07-26_20_69fbd83337e60.jpg"},"7":{"media_id":5382504,"width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/05\/madeon_05-07-26_7_69fbd833797d0.jpg"},"24":{"media_id":5382505,"width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/05\/madeon_05-07-26_24_69fbd833b151d.jpg"},"88":{"media_id":5382506,"width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/05\/madeon_05-07-26_88_69fbd833ee978.jpg"}},"links":[{"link_id":"913622","link_title":"Facebook 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\n

Whether he knows it or not, every man lives by a code. And for country provocateur Paul Cauthen, that code is simple. Always bet on yourself. A singer-songwriter with a well-documented distaste for playing by anyone else\u2019s rules, the East Texas native spent two decades clawing his way through the country underground, embodying the independent spirit with a monolithic Big Velvet vocal. Fusing classic-country grit, gospel power and a rhinestoned rock edge, four previous albums proclaimed his singular style with a booming baritone and near-biblical swagger. Taught to sing by his grandfather in a Church of Christ, Cauthen hit the scene with the duo Sons of Fathers in 2009, before <\/span>My Gospel<\/em>, <\/span>Room 41<\/em>, <\/span>Country Coming Down<\/em> and <\/span>Black on Black<\/em> unveiled a vulnerable, fire-and-brimstone songwriter with brazen Texas attitude \u2013 craving deliverance, yet possessed by a \u201cbird dog\u201d instinct for theatrical rapture. Cauthen has toured the world, collaborating with Margo Price, Orville Peck, Cody Jinks and Lana Del Rey. With favorites like \u201cCocaine Country Dancing\" and his GOLD-certified collab with Shaboozey on \u201cLast Of My Kind,\u201d he counts over 442 million global streams. Cauthen\u2019s fifth album, <\/span>Book of Paul<\/em>, takes him further down his path of utterly authentic country music; fearless, proud and with two middle fingers in the air. Co-writing 12 of 13 tracks, the troubadour confesses to his wild side and wrestles with the sin. He spares no detail \u2013 and makes no compromise. Cauthen\u2019s <\/span>Book of Paul<\/em> album arrives April 3.<\/span><\/p>\n<\/div>","description":"

This show is GENERAL ADMISSION with a RESERVED East or West Balcony configuration<\/p>\n

Please see below for the different ticket options available on this event<\/p>\n

*Access is granted based on your purchased ticket type <\/p>\n

*All East and West Balcony tickets have access to the general admission areas<\/p>\n
\n

GENERAL ADMISSION TICKETS<\/p>\n

First-come, First-served Access to the Floor and Bowl Areas<\/p>\n
\n\n

RESERVED TICKETS<\/p>\n

Seated Balcony Access in the East or West Sections with Nearby Bar and Exclusive Restrooms<\/p>

\n
<\/p>","venue":{"venueId":"127278","active":true,"locale":"en-US","localeAvailable":{"1":"en-US"},"title":"Mission Ballroom","address_line":"4242 Wynkoop Street, Denver, CO 80216","address":"4242 Wynkoop Street","city":"Denver","state":"CO","postalCode":"80216","country":"United States","countryCode":"US","timezone":"America\/Denver","ada":null,"keywords":[],"skinCode":"missionballroom","currency":"USD","media":{"21":{"media_id":"4830317","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_21_657a2b73bc5e2.jpg"},"10":{"media_id":"4830318","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_10_657a2b73ef178.jpg"},"11":{"media_id":"4830319","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_11_657a2b7428ddb.jpg"},"12":{"media_id":"4830320","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_12_657a2b74482a2.jpg"},"22":{"media_id":"4830321","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_22_657a2b746875e.jpg"},"60":{"media_id":"4830322","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_60_657a2b7488bb6.jpg"},"61":{"media_id":"4830323","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_61_657a2b74a8968.jpg"}},"links":[{"link_id":1120409,"link_title":"Twitter","link_type_id":"25","link_href":"https:\/\/twitter.com\/missionballroom","link_target":"_blank"},{"link_id":1120411,"link_title":"Facebook Page Co-Host","link_type_id":"24","link_href":"https:\/\/www.facebook.com\/AEGPresentsRM\/","link_target":"_blank"}]},"associations":{"performerIds":["1103966","1115071"],"headliners":[{"performerId":"1103966","active":true,"locale":"en-US","keywords":[],"bio":"

\r\n

Whether he knows it or not, every man lives by a code. And for country provocateur Paul Cauthen, that code is simple. Always bet on yourself. A singer-songwriter with a well-documented distaste for playing by anyone else’s rules, the East Texas native spent two decades clawing his way through the country underground, embodying the independent spirit with a monolithic Big Velvet vocal. Fusing classic-country grit, gospel power and a rhinestoned rock edge, four previous albums proclaimed his singular style with a booming baritone and near-biblical swagger. Taught to sing by his grandfather in a Church of Christ, Cauthen hit the scene with the duo Sons of Fathers in 2009, before <\/span>My Gospel<\/em>, <\/span>Room 41<\/em>, <\/span>Country Coming Down<\/em> and <\/span>Black on Black<\/em> unveiled a vulnerable, fire-and-brimstone songwriter with brazen Texas attitude – craving deliverance, yet possessed by a “bird dog” instinct for theatrical rapture. Cauthen has toured the world, collaborating with Margo Price, Orville Peck, Cody Jinks and Lana Del Rey. With favorites like “Cocaine Country Dancing\" and his GOLD-certified collab with Shaboozey on “Last Of My Kind,” he counts over 442 million global streams. Cauthen’s fifth album, <\/span>Book of Paul<\/em>, takes him further down his path of utterly authentic country music; fearless, proud and with two middle fingers in the air. Co-writing 12 of 13 tracks, the troubadour confesses to his wild side and wrestles with the sin. He spares no detail – and makes no compromise. Cauthen’s <\/span>Book of Paul<\/em> album arrives April 3.<\/span><\/p>\r\n<\/div>","media":{"103":{"media_id":"3866019","width":860,"height":400,"file_name":"https:\/\/images.discovery-prod.axs.com\/2017\/06\/paul-cauthen_06-30-17_103_5956d768b20f0.jpg"},"19":{"media_id":5338864,"width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/03\/paul-cauthen_03-05-26_19_69a9911bcf7fe.jpg"},"5":{"media_id":5338865,"width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/03\/paul-cauthen_03-05-26_5_69a9911c24485.jpg"},"6":{"media_id":5338866,"width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/03\/paul-cauthen_03-05-26_6_69a9911c53d38.jpg"},"9":{"media_id":5338867,"width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/03\/paul-cauthen_03-05-26_9_69a9911c8a66a.jpg"},"20":{"media_id":5338868,"width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/03\/paul-cauthen_03-05-26_20_69a9911cbab8a.jpg"},"7":{"media_id":5338869,"width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/03\/paul-cauthen_03-05-26_7_69a9911ceb0b8.jpg"},"24":{"media_id":5338870,"width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/03\/paul-cauthen_03-05-26_24_69a9911d2be33.jpg"},"88":{"media_id":5338871,"width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/03\/paul-cauthen_03-05-26_88_69a9911d5df4a.jpg"}},"links":[{"link_id":"1060104","link_title":"Facebook Page","link_type_id":"12","link_href":"https:\/\/www.facebook.com\/cauthenmusic","link_target":"_blank"},{"link_id":"1060105","link_title":"Official Website","link_type_id":"8","link_href":"http:\/\/www.paulcauthenmusic.com\/","link_target":"_blank"},{"link_id":"1060106","link_title":"Twitter","link_type_id":"13","link_href":"https:\/\/twitter.com\/cauthenmusic","link_target":"_blank"},{"link_id":"1094367","link_title":"Instagram","link_type_id":"49","link_href":"https:\/\/www.instagram.com\/paulcauthen\/?hl=en","link_target":"_blank"}]}],"supportingActs":[{"performerId":"1115071","active":true,"locale":"en-US","keywords":[],"bio":"

Swamp boys gonna do swamp things—even when you take ‘em to a city one thousand miles from home and a mile in the sky. So it goes with Rootbeer Richie and the Reveille, the most soulful rhythm & blue rockers west of the Mississippi. How far west of the Mississippi? As far as you can go without hitting the Rocky Mountains. Denver, Colorado, to be exact. If that seems like a funny birthplace for an eight-piece swamp-pop band soaked to the bone with bayou spirit, well, it’s not.<\/span><\/div>\r\n
 <\/div>\r\n
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“I’ve always written songs in my head as rhythm & blues and soul music,” says frontman Rootbeer Richie, a Louisiana native and seasoned veteran of garage and rock & roll bands across the country. “With the Reveille, I’m finally letting those songs come out in their natural form.”<\/span><\/div>\r\n
 <\/div>\r\n
 <\/div>\r\n
 <\/div>\r\n
 <\/div>\r\n
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And what a fine natural form that is—especially when brought to life by some of the hardest hitters in Denver’s diamond-in-the-rough rock & roll scene. The Reveille is a who’s who of Mile-High all-stars, each adding their own flavor to Rootbeer’s long, tall drink of soul-infused pop. Together, the Reveille brings decades of experience across bands and genres to the band’s signature sound, inspired but never derived from legends like Ray Charles, Lee Dorsey, Fats Domino, and Sam Cooke.<\/span><\/div>\r\n
 <\/div>\r\n
 <\/div>\r\n
 <\/div>\r\n
 <\/div>\r\n
 <\/div>\r\n
It all adds up to something irresistibly individual, just like the city it was brewed in. “I’ve played in so many different music scenes, but I’ve never been a part of one of that felt like Denver,” says Rootbeer. “Everyone lifts each other up, and the level of love and support can’t be beat.”<\/span><\/div>\r\n
 <\/div>\r\n
 <\/div>\r\n
 <\/div>\r\n
 <\/div>\r\n
 <\/div>\r\n
The same could be said for The Reveille’s live shows, which have quickly gained a reputation as some of the most raucous and soul-shaking occasions in Denver. “The point of the music is to help you feel whatever it is you need to feel,” says Rootbeer. Those who’ve been converted, though, know he’s being modest. After just one spiritual awakening at a Reveille live show, it’s damn near impossible to feel anything other than the unbridled joy of being alive.<\/span><\/div>","media":{"19":{"media_id":5067717,"width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2025\/01\/rootbeer-richie-the-reveille_01-13-25_19_678572b36fbf2.jpg"},"5":{"media_id":5067718,"width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2025\/01\/rootbeer-richie-the-reveille_01-13-25_5_678572b584ef3.jpg"},"6":{"media_id":5067719,"width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2025\/01\/rootbeer-richie-the-reveille_01-13-25_6_678572b624d32.jpg"},"9":{"media_id":5067720,"width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2025\/01\/rootbeer-richie-the-reveille_01-13-25_9_678572b8c097e.jpg"},"20":{"media_id":5067721,"width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2025\/01\/rootbeer-richie-the-reveille_01-13-25_20_678572b9afc6f.jpg"},"7":{"media_id":5067722,"width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2025\/01\/rootbeer-richie-the-reveille_01-13-25_7_678572ba5bfb5.jpg"},"24":{"media_id":5067723,"width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2025\/01\/rootbeer-richie-the-reveille_01-13-25_24_678572bb45341.jpg"},"88":{"media_id":5067724,"width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2025\/01\/rootbeer-richie-the-reveille_01-13-25_88_678572bbddbe0.jpg"}},"links":[{"link_id":"1109588","link_title":"Official 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Page","link_type_id":"12","link_href":"https:\/\/www.facebook.com\/cauthenmusic","link_target":"_blank"},{"link_id":"1060106","link_title":"Twitter","link_type_id":"13","link_href":"https:\/\/twitter.com\/cauthenmusic","link_target":"_blank"}],"olympics":null,"keywords":[]},{"eventId":"1313399","active":true,"createdUTC":"2026-01-27T19:50:58","modifiedUTC":"2026-09-08T22:09:07","locale":"en-US","localeAvailable":{"1":"en-US"},"title":{"presentedBy":"KUVO Presents<\/a>","presentedByText":"KUVO Presents","headliners":"Snarky Puppy<\/a>","headlinersText":"Snarky Puppy","supporting":"Varijashree Venugopal<\/a>","supportingText":"Varijashree Venugopal","tour":null,"eventTitle":"Snarky Puppy<\/a>","eventTitleText":"Snarky Puppy"},"age":"16 & Over","publishStatus":1,"private":false,"currency":"USD","currencySymbol":"$","eventDateTime":"2026-10-10T20:00:00","eventDateTimeZone":"America\/Denver","eventDateTimeZoneAbbr":"MDT","eventDateTimeUTC":"2026-10-11T02:00:00","eventDateTimeISO":"2026-10-10T20:00:00-06:00","additionalDates":[],"expirationDateTime":null,"expirationDateTimeUTC":null,"doorDateTime":"2026-10-10T19:00:00","doorDateTimeUTC":"2026-10-11T01:00:00","announceDateTime":"2026-02-09T08:00:00","announceDateTimeTimeZone":"America\/Denver","announceDateTimeUTC":"2026-02-09T15:00:00","presaleDateTime":null,"presaleDateTimeTimeZone":"America\/Denver","presaleDateTimeUTC":null,"presaleEndDateTime":null,"presaleEndDateTimeTimeZone":"America\/Denver","presaleEndDateTimeUTC":null,"onsaleDateTime":"2026-02-13T08:00:00","onsaleDateTimeTimeZone":"America\/Denver","onsaleDateTimeZoneAbbr":"MDT","onsaleDateTimeUTC":"2026-02-13T15:00:00","ticketing":{"statusId":1,"status":"Buy Tickets","presaleURL":null,"ticketURL":"https:\/\/shop.axs.com\/?c=axs&e=20174867066656288","url":"https:\/\/www.axs.com\/events\/1313399\/snarky-puppy-tickets","eventUrl":"https:\/\/www.axs.com\/events\/1313399\/snarky-puppy-tickets","ticketLinkExists":true},"ticketPrice":null,"ticketPriceLow":"$0","ticketPriceHigh":"$0","doorPrice":null,"doorPriceLow":"$0","doorPriceHigh":"$0","bio":"

After over a decade of relentless touring and recording in all but complete obscurity, the Texas-bred quasi-collective suddenly found itself held up by the press and public as one of the major figures in the jazz world. But as the category names for all four of the band\u2019s Grammy\u00ae awards would indicate (Best R&B Performance in 2014, Best Contemporary Instrumental Album in 2016, 2017, and 2021), Snarky Puppy isn\u2019t exactly a jazz band. It\u2019s not a fusion band, and it\u2019s definitely not a jam band. It\u2019s probably best to take Nate Chinen of the New York Times\u2019 advice, as stated in an online discussion about the group, to \u201ctake them for what they are, rather than judge them for what they\u2019re not.\u201d<\/p>\n

Snarky Puppy is a collective of sorts with as many as 20 members in regular rotation. At its core, the band represents the convergence of both black and white American music culture with various accents from around the world. Japan, Argentina, Canada and the United Kingdom, all have representation in the group\u2019s membership. But more than the cultural diversity of the individual players, the defining characteristic of Snarky Puppy\u2019s music is the joy of performing together in the perpetual push to grow creatively.<\/p>\n

September 30th<\/sup> 2022 Snarky Puppy sees the release of their eagerly anticipated 14th<\/sup> album - Empire Central. <\/em> It\u2019s sound is big and bold, chill and laid back, rooted in its native culture while reaching outward, forward bound. With 16 new compositions, the group looks fondly at where it\u2019s come from, confident in the polished power from which its members continue to build the unique Snarky Puppy sound.<\/p>\n

The sound now rises like a skyscraper from a 21st<\/sup> century orchestra comprising three guitarists, four keyboardists, two brass, two reeds, a violinist, multiple percussionists and drummers and the accomplished, yet modest Michael League keeping it all together with his bass.<\/p>\n

\u201cOur soundscape has expanded dramatically over the years\u201d says League. \u201cWhen the band started, we were jazzier, brainy and music oriented. Moving into the Dallas scene we became groovier, more emotional, deeper in a sense. We focused more on communicating a clear message, understandable to a listener without dumbing things down\u201d. <\/p>\n

 \u201cSnarky Puppy has always been a band that prioritizes the sound <\/em>of music\u201d says League. \u201cOn this record the songs ended up being a lot more direct and funkier than those on our previous records.  I think it reflects the many moods of the city\u2019s scene\u201d. \u201cOur rule is that it can\u2019t sound like it sounded before\u201d he continues, \u201cthe music has to feel like it\u2019s moving somewhere\u201d<\/p>\n

And moving somewhere it most definitely is. Empire Central <\/em>shouts from the rooftops how far Snarky Puppy have come since ten friends got together at the University of North Texas in 2004.  It also raises the question \u2013 where will Snarky Puppy go next? For Snarky Puppy fans, the answer to this question is a very exciting prospect.<\/p>","description":"

SCALING<\/strong>
This show is GENERAL ADMISSION with a RESERVED East or West Balcony configuration
Please see below for the different ticket options available on this event
*Access is granted based on your purchased ticket type
*All East and West Balcony tickets have access to the general admission areas<\/p>\n

GENERAL ADMISSION TICKETS<\/strong>
First-come, First-served Access to the Floor and Bowl Areas<\/p>\n

RESERVED TICKETS<\/strong>
Seated Balcony Access in the East or West Sections with Nearby Bar and Exclusive Restrooms<\/p>","venue":{"venueId":"127278","active":true,"locale":"en-US","localeAvailable":{"1":"en-US"},"title":"Mission Ballroom","address_line":"4242 Wynkoop Street, Denver, CO 80216","address":"4242 Wynkoop Street","city":"Denver","state":"CO","postalCode":"80216","country":"United States","countryCode":"US","timezone":"America\/Denver","ada":null,"keywords":[],"skinCode":"missionballroom","currency":"USD","media":{"21":{"media_id":"4830317","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_21_657a2b73bc5e2.jpg"},"10":{"media_id":"4830318","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_10_657a2b73ef178.jpg"},"11":{"media_id":"4830319","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_11_657a2b7428ddb.jpg"},"12":{"media_id":"4830320","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_12_657a2b74482a2.jpg"},"22":{"media_id":"4830321","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_22_657a2b746875e.jpg"},"60":{"media_id":"4830322","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_60_657a2b7488bb6.jpg"},"61":{"media_id":"4830323","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_61_657a2b74a8968.jpg"}},"links":[{"link_id":1120409,"link_title":"Twitter","link_type_id":"25","link_href":"https:\/\/twitter.com\/missionballroom","link_target":"_blank"},{"link_id":1120411,"link_title":"Facebook Page Co-Host","link_type_id":"24","link_href":"https:\/\/www.facebook.com\/AEGPresentsRM\/","link_target":"_blank"}]},"associations":{"performerIds":["251837","1123506"],"headliners":[{"performerId":"251837","active":true,"locale":"en-US","keywords":["Snarky Puppy live","Snarky Puppy tickets","Snarky Puppy concert","Snarky Puppy tour"],"bio":"

After over a decade of relentless touring and recording in all but complete obscurity, the Texas-bred quasi-collective suddenly found itself held up by the press and public as one of the major figures in the jazz world. But as the category names for all four of the band’s Grammy® awards would indicate (Best R&B Performance in 2014, Best Contemporary Instrumental Album in 2016, 2017, and 2021), Snarky Puppy isn’t exactly a jazz band. It’s not a fusion band, and it’s definitely not a jam band. It’s probably best to take Nate Chinen of the New York Times’ advice, as stated in an online discussion about the group, to “take them for what they are, rather than judge them for what they’re not.”<\/p>\r\n

Snarky Puppy is a collective of sorts with as many as 20 members in regular rotation. At its core, the band represents the convergence of both black and white American music culture with various accents from around the world. Japan, Argentina, Canada and the United Kingdom, all have representation in the group’s membership. But more than the cultural diversity of the individual players, the defining characteristic of Snarky Puppy’s music is the joy of performing together in the perpetual push to grow creatively.<\/p>\r\n

September 30th<\/sup> 2022 Snarky Puppy sees the release of their eagerly anticipated 14th<\/sup> album - Empire Central. <\/em> It’s sound is big and bold, chill and laid back, rooted in its native culture while reaching outward, forward bound. With 16 new compositions, the group looks fondly at where it’s come from, confident in the polished power from which its members continue to build the unique Snarky Puppy sound.<\/p>\r\n

The sound now rises like a skyscraper from a 21st<\/sup> century orchestra comprising three guitarists, four keyboardists, two brass, two reeds, a violinist, multiple percussionists and drummers and the accomplished, yet modest Michael League keeping it all together with his bass.<\/p>\r\n

“Our soundscape has expanded dramatically over the years” says League. “When the band started, we were jazzier, brainy and music oriented. Moving into the Dallas scene we became groovier, more emotional, deeper in a sense. We focused more on communicating a clear message, understandable to a listener without dumbing things down”. <\/p>\r\n

 “Snarky Puppy has always been a band that prioritizes the sound <\/em>of music” says League. “On this record the songs ended up being a lot more direct and funkier than those on our previous records.  I think it reflects the many moods of the city’s scene”. “Our rule is that it can’t sound like it sounded before” he continues, “the music has to feel like it’s moving somewhere”<\/p>\r\n

And moving somewhere it most definitely is. Empire Central <\/em>shouts from the rooftops how far Snarky Puppy have come since ten friends got together at the University of North Texas in 2004.  It also raises the question – where will Snarky Puppy go next? For Snarky Puppy fans, the answer to this question is a very exciting prospect.<\/p>","media":{"19":{"media_id":5465973,"width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/09\/snarky-puppy_09-11-26_19_6aa3eb6c161a0.jpg"},"5":{"media_id":5465974,"width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/09\/snarky-puppy_09-11-26_5_6aa3eb6c621a8.jpg"},"6":{"media_id":5465975,"width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/09\/snarky-puppy_09-11-26_6_6aa3eb6c9ea04.jpg"},"9":{"media_id":5465976,"width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/09\/snarky-puppy_09-11-26_9_6aa3eb6cdab02.jpg"},"20":{"media_id":5465977,"width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/09\/snarky-puppy_09-11-26_20_6aa3eb6d231a7.jpg"},"7":{"media_id":5465978,"width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/09\/snarky-puppy_09-11-26_7_6aa3eb6d5fa4f.jpg"},"24":{"media_id":5465979,"width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/09\/snarky-puppy_09-11-26_24_6aa3eb6d9bb90.jpg"}},"links":[{"link_id":"1013519","link_title":"Official Website","link_type_id":"8","link_href":"http:\/\/snarkypuppy.com\/","link_target":"_blank"},{"link_id":"1013520","link_title":"Myspace","link_type_id":"13","link_href":"https:\/\/twitter.com\/realsnarkypuppy?lang=en","link_target":"_blank"},{"link_id":"1013521","link_title":"Youtube VEVO","link_type_id":"14","link_href":"https:\/\/www.youtube.com\/user\/snarkypuppy","link_target":"_blank"},{"link_id":"1013522","link_title":"Featured Video","link_type_id":"15","link_href":"https:\/\/www.youtube.com\/watch?v=kk0WRHV_vt8","link_target":"_blank"},{"link_id":"1013523","link_title":"Facebook Page","link_type_id":"12","link_href":"https:\/\/www.facebook.com\/snarkypuppy\/","link_target":"_blank"},{"link_id":"1065652","link_title":"Instagram","link_type_id":"49","link_href":"https:\/\/www.instagram.com\/snarkypuppy\/?hl=en","link_target":"_blank"}]}],"supportingActs":[{"performerId":"1123506","active":true,"locale":"en-US","keywords":[],"bio":"

GroundUp artist Varijashree Venugopal is a Bangalore-based Grammy®-nominated singer, flautist, composer, songwriter, and music educator. She is celebrated for blending the techniques and essence of Carnatic music with global musical traditions, using her voice as a versatile instrument. Varijashree has collaborated with acclaimed artists including Bobby McFerrin, Michael League, Snarky Puppy, Herbie Hancock, Jacob Collier, Béla Fleck, Victor Wooten, Anoushka Shankar, and many others.<\/em><\/span><\/div>\r\n
 <\/span><\/div>","media":{"19":{"media_id":5463608,"width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/09\/varijashree-venugopal_09-08-26_19_6aa080a9b8adf.jpg"},"5":{"media_id":5463609,"width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/09\/varijashree-venugopal_09-08-26_5_6aa080aa2d9ce.jpg"},"6":{"media_id":5463610,"width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/09\/varijashree-venugopal_09-08-26_6_6aa080aa844bc.jpg"},"9":{"media_id":5463611,"width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/09\/varijashree-venugopal_09-08-26_9_6aa080aad82f8.jpg"},"20":{"media_id":5463612,"width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/09\/varijashree-venugopal_09-08-26_20_6aa080ab35a76.jpg"},"7":{"media_id":5463613,"width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/09\/varijashree-venugopal_09-08-26_7_6aa080ab8b4d3.jpg"},"24":{"media_id":5463614,"width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/09\/varijashree-venugopal_09-08-26_24_6aa080abdac29.jpg"},"88":{"media_id":5463615,"width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/09\/varijashree-venugopal_09-08-26_88_6aa080ac2673b.jpg"}},"links":[{"link_id":1122380,"link_title":"Instagram","link_type_id":"49","link_href":"https:\/\/www.instagram.com\/varijashree\/?hl=en","link_target":"_blank"},{"link_id":1122381,"link_title":"Spotify","link_type_id":"16","link_href":"https:\/\/open.spotify.com\/artist\/59GUnH7f4NlLkxSxtNNt0i?si=1c52s_BgRNGgjVGUoD0JxA&nd=1&dlsi=9ae8ad8a5cb64b42","link_target":"_blank"}]}],"additionalPerformers":[]},"media":{"17":{"media_id":"5321293","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/02\/snarky-puppy-tickets_10-10-26_17_69866d7aefcde.jpg"},"1":{"media_id":"5321294","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/02\/snarky-puppy-tickets_10-10-26_1_69866d7b3f9cb.jpg"},"2":{"media_id":"5321295","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/02\/snarky-puppy-tickets_10-10-26_2_69866d7b7113e.jpg"},"4":{"media_id":"5321296","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/02\/snarky-puppy-tickets_10-10-26_4_69866d7ba5746.jpg"},"18":{"media_id":"5321297","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/02\/snarky-puppy-tickets_10-10-26_18_69866d7bd8e86.jpg"},"3":{"media_id":"5321298","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/02\/snarky-puppy-tickets_10-10-26_3_69866d7c253e3.jpg"},"23":{"media_id":"5321299","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/02\/snarky-puppy-tickets_10-10-26_23_69866d7c58edf.jpg"},"86":{"media_id":"5321300","width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/02\/snarky-puppy-tickets_10-10-26_86_69866d7c8eaf9.jpg"},"121":{"media_id":"5321301","width":716,"height":896,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/02\/snarky-puppy-tickets_10-10-26_121_69866d7ce673b.png"}},"relatedMedia":{"1":{"media_id":"5321294","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/02\/snarky-puppy-tickets_10-10-26_1_69866d7b3f9cb.jpg"},"2":{"media_id":"5321295","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/02\/snarky-puppy-tickets_10-10-26_2_69866d7b7113e.jpg"},"3":{"media_id":"5321298","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/02\/snarky-puppy-tickets_10-10-26_3_69866d7c253e3.jpg"},"4":{"media_id":"5321296","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/02\/snarky-puppy-tickets_10-10-26_4_69866d7ba5746.jpg"},"23":{"media_id":"5321299","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/02\/snarky-puppy-tickets_10-10-26_23_69866d7c58edf.jpg"},"17":{"media_id":"5321293","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/02\/snarky-puppy-tickets_10-10-26_17_69866d7aefcde.jpg"},"18":{"media_id":"5321297","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/02\/snarky-puppy-tickets_10-10-26_18_69866d7bd8e86.jpg"},"86":{"media_id":"5321300","width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/02\/snarky-puppy-tickets_10-10-26_86_69866d7c8eaf9.jpg"},"81":{"media_id":0,"width":"1770","height":"580","file_name":"https:\/\/s.axs.com\/axs\/bundles\/aegaxs\/images\/defaults\/1\/1_1770_580.png"},"102":{"media_id":0,"width":"860","height":"400","file_name":"https:\/\/s.axs.com\/axs\/bundles\/aegaxs\/images\/defaults\/1\/1_860_400.png"}},"links":[{"link_id":"1013523","link_title":"Facebook Page","link_type_id":"12","link_href":"https:\/\/www.facebook.com\/snarkypuppy\/","link_target":"_blank"},{"link_id":"1013520","link_title":"Myspace","link_type_id":"13","link_href":"https:\/\/twitter.com\/realsnarkypuppy?lang=en","link_target":"_blank"},{"link_id":"1013522","link_title":"Featured Video","link_type_id":"15","link_href":"https:\/\/www.youtube.com\/watch?v=kk0WRHV_vt8","link_target":"_blank"}],"olympics":null,"keywords":[]},{"eventId":"1469435","active":true,"createdUTC":"2026-05-28T16:00:57","modifiedUTC":"2026-09-01T19:55:51","locale":"en-US","localeAvailable":{"1":"en-US"},"title":{"presentedBy":null,"presentedByText":null,"headliners":"Malcolm Todd<\/a>","headlinersText":"Malcolm Todd","supporting":"54 Ultra<\/a>","supportingText":"54 Ultra","tour":"Do That Again Tour","eventTitle":"Malcolm Todd<\/a>","eventTitleText":"Malcolm Todd"},"age":"16 & Over","publishStatus":1,"private":false,"currency":"USD","currencySymbol":"$","eventDateTime":"2026-10-11T20:00:00","eventDateTimeZone":"America\/Denver","eventDateTimeZoneAbbr":"MDT","eventDateTimeUTC":"2026-10-12T02:00:00","eventDateTimeISO":"2026-10-11T20:00:00-06:00","additionalDates":[],"expirationDateTime":null,"expirationDateTimeUTC":null,"doorDateTime":"2026-10-11T19:00:00","doorDateTimeUTC":"2026-10-12T01:00:00","announceDateTime":"2026-06-08T08:00:00","announceDateTimeTimeZone":"America\/Denver","announceDateTimeUTC":"2026-06-08T14:00:00","presaleDateTime":null,"presaleDateTimeTimeZone":"America\/Denver","presaleDateTimeUTC":null,"presaleEndDateTime":null,"presaleEndDateTimeTimeZone":"America\/Denver","presaleEndDateTimeUTC":null,"onsaleDateTime":"2026-06-11T10:00:00","onsaleDateTimeTimeZone":"America\/Denver","onsaleDateTimeZoneAbbr":"MDT","onsaleDateTimeUTC":"2026-06-11T16:00:00","ticketing":{"statusId":1,"status":"Buy Tickets","presaleURL":null,"ticketURL":"https:\/\/shop.axs.com\/?c=axs&e=20174867067497840","url":"https:\/\/www.axs.com\/events\/1469435\/malcolm-todd-tickets","eventUrl":"https:\/\/www.axs.com\/events\/1469435\/malcolm-todd-tickets","ticketLinkExists":true},"ticketPrice":null,"ticketPriceLow":"$0","ticketPriceHigh":"$0","doorPrice":null,"doorPriceLow":"$0","doorPriceHigh":"$0","bio":"

When Malcolm Todd graduated high school in 2022, he told his parents he would be taking a gap year to pursue music. They, unsurprisingly, were less than thrilled by the proclamation, but gave him a year to see if it could work. They learned what the rest of the music industry quickly realized: never bet against Malcolm Todd. \u201cEvery single day since I told my mom I wanted to do this, I have actively worked to grow my fanbase, to get better at music, to build this world,\u201d he explains. By the time he shared Sweet Boy in 2024, his day job at Cold Stone was in the rearview. Tracks like \u201cRoommates\u201d were racking up millions of streams daily. Fast forward a year, and Todd is more motivated than ever on his self-titled album, a declaration that he isn\u2019t a hype machine or a flash in the pan, but a generation-defining voice.<\/p>\n

That ambition is immediate on \u201cBleed,\u201d the first single from Malcolm Todd. It features Omar Apollo, who serves as the lone guest on the album. Buoyed by a bouncy bassline, crisp drums, and an intoxicating synth melody, Malcolm and his frequent collaborators Jonah Cochran and Charlie Ziman, tried to make something as poppy as they possibly could. With most of the album already locked when they began messing around with \u201cBleed,\u201d the trio pushed the envelope of what they were comfortable recording to tape, focused on crafting something sugary sweet but with the depth and subtlety that informs the rest of the album. \u201cWe had nothing to lose because we had so much of the album done,\u201d Todd explains. It ended up being one of his favorite songs on the project. This idea of having nothing to lose defines Malcolm Todd.<\/p>\n

As a restless, endlessly curious songwriter, Malcolm viewed his second album\u2014and growing notoriety\u2014as an opportunity to push himself, to bring his boldest ideas to the forefront. \u201cI definitely wanted to challenge myself. When you're making your first project and you're just working at an ice cream shop and you have nothing to lose, it\u2019s so pure. It's not as easy the second time around,\u201d Todd explains. It was a tightrope walk that took some time to master, but once able to scurry across without falling, he started writing his best songs to date.<\/p>\n

\u201cYou want to be better than you were the last time,\u201d Todd states matter of factly. \u201cYou have people who are investing money in you. You want to make them proud. I want to make my family proud. You have fans that want certain sounds and you want to do that. You want to make them happy, too.\u201d Malcolm had to figure out where his own interests fit in this increasingly complex puzzle. \u201cWith this album, I learned to find a space where I'm completely me, writing music without any fear, knowing that there are no bad consequences for doing exactly what I want.\u201d<\/p>\n

WIth Malcolm Todd, the Los Angeles-born songwriter has accomplished something rare: He\u2019s created something deeply aligned with the sound his core audience fell in love with, while relentlessly pushing the boundaries on what his music can be. He\u2019s done all this while making a project that is a front-to-back blast, a listen that is funny, anxious, proud, and unsettled all at once. In short, it\u2019s the platonic Malcolm Todd record. \u201cI just love making music so much,\u201d he gushes, before adding: \u201cI just want my fans to feel the care in it. That\u2019s all that matters.\u201d<\/p>","description":"

TICKET LIMIT<\/strong>: There is a 6 ticket limit per household. Orders exceeding this limit may be cancelled without notification<\/p>\n

SCALING<\/strong>
This show is GENERAL ADMISSION with a RESERVED East or West Balcony configuration
Please see below for the different ticket options available on this event
*Access is granted based on your purchased ticket type
*All East and West Balcony tickets have access to the general admission areas<\/p>\n

GENERAL ADMISSION TICKETS<\/strong>
First-come, First-served Access to the Floor and Bowl Areas<\/p>\n

RESERVED TICKETS<\/strong>
Seated Balcony Access in the East or West Sections with Nearby Bar and Exclusive Restrooms<\/p>","venue":{"venueId":"127278","active":true,"locale":"en-US","localeAvailable":{"1":"en-US"},"title":"Mission Ballroom","address_line":"4242 Wynkoop Street, Denver, CO 80216","address":"4242 Wynkoop Street","city":"Denver","state":"CO","postalCode":"80216","country":"United States","countryCode":"US","timezone":"America\/Denver","ada":null,"keywords":[],"skinCode":"missionballroom","currency":"USD","media":{"21":{"media_id":"4830317","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_21_657a2b73bc5e2.jpg"},"10":{"media_id":"4830318","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_10_657a2b73ef178.jpg"},"11":{"media_id":"4830319","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_11_657a2b7428ddb.jpg"},"12":{"media_id":"4830320","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_12_657a2b74482a2.jpg"},"22":{"media_id":"4830321","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_22_657a2b746875e.jpg"},"60":{"media_id":"4830322","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_60_657a2b7488bb6.jpg"},"61":{"media_id":"4830323","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_61_657a2b74a8968.jpg"}},"links":[{"link_id":1120409,"link_title":"Twitter","link_type_id":"25","link_href":"https:\/\/twitter.com\/missionballroom","link_target":"_blank"},{"link_id":1120411,"link_title":"Facebook Page Co-Host","link_type_id":"24","link_href":"https:\/\/www.facebook.com\/AEGPresentsRM\/","link_target":"_blank"}]},"associations":{"performerIds":["1114844","1120580"],"headliners":[{"performerId":"1114844","active":true,"locale":"en-US","keywords":[],"bio":"

When Malcolm Todd graduated high school in 2022, he told his parents he would be taking a gap year to pursue music. They, unsurprisingly, were less than thrilled by the proclamation, but gave him a year to see if it could work. They learned what the rest of the music industry quickly realized: never bet against Malcolm Todd. “Every single day since I told my mom I wanted to do this, I have actively worked to grow my fanbase, to get better at music, to build this world,” he explains. By the time he shared Sweet Boy in 2024, his day job at Cold Stone was in the rearview. Tracks like “Roommates” were racking up millions of streams daily. Fast forward a year, and Todd is more motivated than ever on his self-titled album, a declaration that he isn’t a hype machine or a flash in the pan, but a generation-defining voice.<\/p>\r\n

That ambition is immediate on “Bleed,” the first single from Malcolm Todd. It features Omar Apollo, who serves as the lone guest on the album. Buoyed by a bouncy bassline, crisp drums, and an intoxicating synth melody, Malcolm and his frequent collaborators Jonah Cochran and Charlie Ziman, tried to make something as poppy as they possibly could. With most of the album already locked when they began messing around with “Bleed,” the trio pushed the envelope of what they were comfortable recording to tape, focused on crafting something sugary sweet but with the depth and subtlety that informs the rest of the album. “We had nothing to lose because we had so much of the album done,” Todd explains. It ended up being one of his favorite songs on the project. This idea of having nothing to lose defines Malcolm Todd.<\/p>\r\n

As a restless, endlessly curious songwriter, Malcolm viewed his second album—and growing notoriety—as an opportunity to push himself, to bring his boldest ideas to the forefront. “I definitely wanted to challenge myself. When you're making your first project and you're just working at an ice cream shop and you have nothing to lose, it’s so pure. It's not as easy the second time around,” Todd explains. It was a tightrope walk that took some time to master, but once able to scurry across without falling, he started writing his best songs to date.<\/p>\r\n

“You want to be better than you were the last time,” Todd states matter of factly. “You have people who are investing money in you. You want to make them proud. I want to make my family proud. You have fans that want certain sounds and you want to do that. You want to make them happy, too.” Malcolm had to figure out where his own interests fit in this increasingly complex puzzle. “With this album, I learned to find a space where I'm completely me, writing music without any fear, knowing that there are no bad consequences for doing exactly what I want.”<\/p>\r\n

WIth Malcolm Todd, the Los Angeles-born songwriter has accomplished something rare: He’s created something deeply aligned with the sound his core audience fell in love with, while relentlessly pushing the boundaries on what his music can be. He’s done all this while making a project that is a front-to-back blast, a listen that is funny, anxious, proud, and unsettled all at once. In short, it’s the platonic Malcolm Todd record. “I just love making music so much,” he gushes, before adding: “I just want my fans to feel the care in it. That’s all that matters.”<\/p>","media":{"19":{"media_id":"4865217","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2024\/02\/malcolm-todd_02-14-24_19_65cd369535b83.jpg"},"5":{"media_id":"4865218","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2024\/02\/malcolm-todd_02-14-24_5_65cd369560890.jpg"},"6":{"media_id":"4865219","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2024\/02\/malcolm-todd_02-14-24_6_65cd369579158.jpg"},"9":{"media_id":"4865220","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2024\/02\/malcolm-todd_02-14-24_9_65cd3695942ee.jpg"},"20":{"media_id":"4865221","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2024\/02\/malcolm-todd_02-14-24_20_65cd3695af575.jpg"},"7":{"media_id":"4865222","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2024\/02\/malcolm-todd_02-14-24_7_65cd3695c9945.jpg"},"24":{"media_id":"4865223","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2024\/02\/malcolm-todd_02-14-24_24_65cd3695ee0a5.jpg"},"88":{"media_id":"4865224","width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2024\/02\/malcolm-todd_02-14-24_88_65cd369619c4c.jpg"}},"links":[{"link_id":"1109215","link_title":"Instagram","link_type_id":"49","link_href":"https:\/\/www.instagram.com\/malcolmtodd\/?hl=en","link_target":"_blank"},{"link_id":"1110517","link_title":"Youtube VEVO","link_type_id":"14","link_href":"https:\/\/www.youtube.com\/@malcolmtodd82","link_target":"_blank"}]}],"supportingActs":[{"performerId":"1120580","active":true,"locale":"en-US","keywords":[],"bio":"

In the kaleidoscopic world of music, 54 Ultra emerges as a beacon of sonic fusion, weaving synthy indie rock with a Latin soul heartbeat. Based out of New Jersey, 54 Ultra is the musical project of songwriter and producer JohnAnthony (Johnny) Rodriguez. Offering music that is both honest and melodic, with a charismatic stage presence to match, 54 Ultra is carving out a space uniquely his own, defined by a garage pop and soul sound.<\/p>\r\n

Through a combination of interning in a New Jersey studio and self-teaching, Johnny built a solid foundation in music production before stepping into the spotlight with his own artist project. In early 2025, Johnny headed to Miami to work with Kali Uchis on her latest album, Sincerely,<\/em> where he produced the track “All I Can Say.”<\/p>\r\n

In 2024, he shared his debut single, “Where Are You,” which quickly gained traction online, introducing listeners to a sound that feels both timeless and fresh. A year later, he released his debut EP First Works<\/em>, which Billboard named one of the Best Projects of the Year (So Far)<\/em>. The six-track collection features fan favorites like “Upside Down” and “No Tengo Valor”, and was followed by four sold-out shows in New York and Los Angeles.<\/p>\r\n

Most recently, 54 Ultra shared “I Won’t Go,” a Spanglish synth ballad that further showcases his ability to blend emotional depth with vibrant, genre-blurring soundscapes.<\/p>\r\n

Just a little over a year after releasing his first single, it was announced that 54 Ultra will perform at Coachella 2026. Leading up to the festival, he will be opening for Kali Uchis at her San Jose show, embarking on a nearly sold-out North American tour, and playing his first European headline shows in London, Amsterdam, and Paris, before closing out the year with a performance at Festival Color Caribe in Puerto Rico.<\/p>","media":{"88":{"media_id":"5171827","width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2025\/06\/54-ultra_06-12-25_88_684b076d8da3e.jpg"},"19":{"media_id":"5383500","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/05\/54-ultra_05-08-26_19_69fd9a4605f52.jpg"},"5":{"media_id":"5383501","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/05\/54-ultra_05-08-26_5_69fd9a464cb18.jpg"},"6":{"media_id":"5383502","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/05\/54-ultra_05-08-26_6_69fd9a4684d9a.jpg"},"9":{"media_id":"5383503","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/05\/54-ultra_05-08-26_9_69fd9a46bc909.jpg"},"20":{"media_id":"5383504","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/05\/54-ultra_05-08-26_20_69fd9a46f3fd4.jpg"},"7":{"media_id":"5383505","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/05\/54-ultra_05-08-26_7_69fd9a4739db8.jpg"},"24":{"media_id":"5383506","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/05\/54-ultra_05-08-26_24_69fd9a4772950.jpg"}},"links":[]}],"additionalPerformers":[]},"media":{"17":{"media_id":"5407100","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/malcolm-todd-tickets_10-11-26_17_6a284654e5f0b.jpg"},"1":{"media_id":"5407101","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/malcolm-todd-tickets_10-11-26_1_6a28465543c01.jpg"},"2":{"media_id":"5407102","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/malcolm-todd-tickets_10-11-26_2_6a28465585775.jpg"},"4":{"media_id":"5407103","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/malcolm-todd-tickets_10-11-26_4_6a284655c4805.jpg"},"18":{"media_id":"5407104","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/malcolm-todd-tickets_10-11-26_18_6a2846560f76a.jpg"},"3":{"media_id":"5407105","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/malcolm-todd-tickets_10-11-26_3_6a2846564f922.jpg"},"23":{"media_id":"5407106","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/malcolm-todd-tickets_10-11-26_23_6a2846568f71b.jpg"},"86":{"media_id":"5407107","width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/malcolm-todd-tickets_10-11-26_86_6a284656d77af.jpg"},"121":{"media_id":"5407108","width":716,"height":896,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/malcolm-todd-tickets_10-11-26_121_6a28465741fdb.png"}},"relatedMedia":{"1":{"media_id":"5407101","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/malcolm-todd-tickets_10-11-26_1_6a28465543c01.jpg"},"2":{"media_id":"5407102","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/malcolm-todd-tickets_10-11-26_2_6a28465585775.jpg"},"3":{"media_id":"5407105","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/malcolm-todd-tickets_10-11-26_3_6a2846564f922.jpg"},"4":{"media_id":"5407103","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/malcolm-todd-tickets_10-11-26_4_6a284655c4805.jpg"},"23":{"media_id":"5407106","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/malcolm-todd-tickets_10-11-26_23_6a2846568f71b.jpg"},"17":{"media_id":"5407100","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/malcolm-todd-tickets_10-11-26_17_6a284654e5f0b.jpg"},"18":{"media_id":"5407104","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/malcolm-todd-tickets_10-11-26_18_6a2846560f76a.jpg"},"86":{"media_id":"5407107","width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/malcolm-todd-tickets_10-11-26_86_6a284656d77af.jpg"},"81":{"media_id":0,"width":"1770","height":"580","file_name":"https:\/\/s.axs.com\/axs\/bundles\/aegaxs\/images\/defaults\/1\/1_1770_580.png"},"102":{"media_id":0,"width":"860","height":"400","file_name":"https:\/\/s.axs.com\/axs\/bundles\/aegaxs\/images\/defaults\/1\/1_860_400.png"}},"links":[],"olympics":null,"keywords":[]},{"eventId":"1483054","active":true,"createdUTC":"2026-06-08T21:24:20","modifiedUTC":"2026-09-01T19:56:32","locale":"en-US","localeAvailable":{"1":"en-US"},"title":{"presentedBy":null,"presentedByText":null,"headliners":"Malcolm 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Tickets","presaleURL":null,"ticketURL":"https:\/\/shop.axs.com\/?c=axs&e=20174867067538750","url":"https:\/\/www.axs.com\/events\/1483054\/malcolm-todd-tickets","eventUrl":"https:\/\/www.axs.com\/events\/1483054\/malcolm-todd-tickets","ticketLinkExists":true},"ticketPrice":null,"ticketPriceLow":"$0","ticketPriceHigh":"$0","doorPrice":null,"doorPriceLow":"$0","doorPriceHigh":"$0","bio":"

When Malcolm Todd graduated high school in 2022, he told his parents he would be taking a gap year to pursue music. They, unsurprisingly, were less than thrilled by the proclamation, but gave him a year to see if it could work. They learned what the rest of the music industry quickly realized: never bet against Malcolm Todd. \u201cEvery single day since I told my mom I wanted to do this, I have actively worked to grow my fanbase, to get better at music, to build this world,\u201d he explains. By the time he shared Sweet Boy in 2024, his day job at Cold Stone was in the rearview. Tracks like \u201cRoommates\u201d were racking up millions of streams daily. Fast forward a year, and Todd is more motivated than ever on his self-titled album, a declaration that he isn\u2019t a hype machine or a flash in the pan, but a generation-defining voice.<\/p>\n

That ambition is immediate on \u201cBleed,\u201d the first single from Malcolm Todd. It features Omar Apollo, who serves as the lone guest on the album. Buoyed by a bouncy bassline, crisp drums, and an intoxicating synth melody, Malcolm and his frequent collaborators Jonah Cochran and Charlie Ziman, tried to make something as poppy as they possibly could. With most of the album already locked when they began messing around with \u201cBleed,\u201d the trio pushed the envelope of what they were comfortable recording to tape, focused on crafting something sugary sweet but with the depth and subtlety that informs the rest of the album. \u201cWe had nothing to lose because we had so much of the album done,\u201d Todd explains. It ended up being one of his favorite songs on the project. This idea of having nothing to lose defines Malcolm Todd.<\/p>\n

As a restless, endlessly curious songwriter, Malcolm viewed his second album\u2014and growing notoriety\u2014as an opportunity to push himself, to bring his boldest ideas to the forefront. \u201cI definitely wanted to challenge myself. When you're making your first project and you're just working at an ice cream shop and you have nothing to lose, it\u2019s so pure. It's not as easy the second time around,\u201d Todd explains. It was a tightrope walk that took some time to master, but once able to scurry across without falling, he started writing his best songs to date.<\/p>\n

\u201cYou want to be better than you were the last time,\u201d Todd states matter of factly. \u201cYou have people who are investing money in you. You want to make them proud. I want to make my family proud. You have fans that want certain sounds and you want to do that. You want to make them happy, too.\u201d Malcolm had to figure out where his own interests fit in this increasingly complex puzzle. \u201cWith this album, I learned to find a space where I'm completely me, writing music without any fear, knowing that there are no bad consequences for doing exactly what I want.\u201d<\/p>\n

WIth Malcolm Todd, the Los Angeles-born songwriter has accomplished something rare: He\u2019s created something deeply aligned with the sound his core audience fell in love with, while relentlessly pushing the boundaries on what his music can be. He\u2019s done all this while making a project that is a front-to-back blast, a listen that is funny, anxious, proud, and unsettled all at once. In short, it\u2019s the platonic Malcolm Todd record. \u201cI just love making music so much,\u201d he gushes, before adding: \u201cI just want my fans to feel the care in it. That\u2019s all that matters.\u201d<\/p>","description":"

TICKET LIMIT<\/strong>: There is a 6 ticket limit per household. Orders exceeding this limit may be cancelled without notification<\/p>\n

SCALING<\/strong>
This show is GENERAL ADMISSION with a RESERVED East or West Balcony configuration
Please see below for the different ticket options available on this event
*Access is granted based on your purchased ticket type
*All East and West Balcony tickets have access to the general admission areas<\/p>\n

GENERAL ADMISSION TICKETS<\/strong>
First-come, First-served Access to the Floor and Bowl Areas<\/p>\n

RESERVED TICKETS<\/strong>
Seated Balcony Access in the East or West Sections with Nearby Bar and Exclusive Restrooms<\/p>","venue":{"venueId":"127278","active":true,"locale":"en-US","localeAvailable":{"1":"en-US"},"title":"Mission Ballroom","address_line":"4242 Wynkoop Street, Denver, CO 80216","address":"4242 Wynkoop Street","city":"Denver","state":"CO","postalCode":"80216","country":"United States","countryCode":"US","timezone":"America\/Denver","ada":null,"keywords":[],"skinCode":"missionballroom","currency":"USD","media":{"21":{"media_id":"4830317","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_21_657a2b73bc5e2.jpg"},"10":{"media_id":"4830318","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_10_657a2b73ef178.jpg"},"11":{"media_id":"4830319","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_11_657a2b7428ddb.jpg"},"12":{"media_id":"4830320","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_12_657a2b74482a2.jpg"},"22":{"media_id":"4830321","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_22_657a2b746875e.jpg"},"60":{"media_id":"4830322","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_60_657a2b7488bb6.jpg"},"61":{"media_id":"4830323","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_61_657a2b74a8968.jpg"}},"links":[{"link_id":1120409,"link_title":"Twitter","link_type_id":"25","link_href":"https:\/\/twitter.com\/missionballroom","link_target":"_blank"},{"link_id":1120411,"link_title":"Facebook Page Co-Host","link_type_id":"24","link_href":"https:\/\/www.facebook.com\/AEGPresentsRM\/","link_target":"_blank"}]},"associations":{"performerIds":["1114844","1120580"],"headliners":[{"performerId":"1114844","active":true,"locale":"en-US","keywords":[],"bio":"

When Malcolm Todd graduated high school in 2022, he told his parents he would be taking a gap year to pursue music. They, unsurprisingly, were less than thrilled by the proclamation, but gave him a year to see if it could work. They learned what the rest of the music industry quickly realized: never bet against Malcolm Todd. “Every single day since I told my mom I wanted to do this, I have actively worked to grow my fanbase, to get better at music, to build this world,” he explains. By the time he shared Sweet Boy in 2024, his day job at Cold Stone was in the rearview. Tracks like “Roommates” were racking up millions of streams daily. Fast forward a year, and Todd is more motivated than ever on his self-titled album, a declaration that he isn’t a hype machine or a flash in the pan, but a generation-defining voice.<\/p>\r\n

That ambition is immediate on “Bleed,” the first single from Malcolm Todd. It features Omar Apollo, who serves as the lone guest on the album. Buoyed by a bouncy bassline, crisp drums, and an intoxicating synth melody, Malcolm and his frequent collaborators Jonah Cochran and Charlie Ziman, tried to make something as poppy as they possibly could. With most of the album already locked when they began messing around with “Bleed,” the trio pushed the envelope of what they were comfortable recording to tape, focused on crafting something sugary sweet but with the depth and subtlety that informs the rest of the album. “We had nothing to lose because we had so much of the album done,” Todd explains. It ended up being one of his favorite songs on the project. This idea of having nothing to lose defines Malcolm Todd.<\/p>\r\n

As a restless, endlessly curious songwriter, Malcolm viewed his second album—and growing notoriety—as an opportunity to push himself, to bring his boldest ideas to the forefront. “I definitely wanted to challenge myself. When you're making your first project and you're just working at an ice cream shop and you have nothing to lose, it’s so pure. It's not as easy the second time around,” Todd explains. It was a tightrope walk that took some time to master, but once able to scurry across without falling, he started writing his best songs to date.<\/p>\r\n

“You want to be better than you were the last time,” Todd states matter of factly. “You have people who are investing money in you. You want to make them proud. I want to make my family proud. You have fans that want certain sounds and you want to do that. You want to make them happy, too.” Malcolm had to figure out where his own interests fit in this increasingly complex puzzle. “With this album, I learned to find a space where I'm completely me, writing music without any fear, knowing that there are no bad consequences for doing exactly what I want.”<\/p>\r\n

WIth Malcolm Todd, the Los Angeles-born songwriter has accomplished something rare: He’s created something deeply aligned with the sound his core audience fell in love with, while relentlessly pushing the boundaries on what his music can be. He’s done all this while making a project that is a front-to-back blast, a listen that is funny, anxious, proud, and unsettled all at once. In short, it’s the platonic Malcolm Todd record. “I just love making music so much,” he gushes, before adding: “I just want my fans to feel the care in it. That’s all that matters.”<\/p>","media":{"19":{"media_id":"4865217","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2024\/02\/malcolm-todd_02-14-24_19_65cd369535b83.jpg"},"5":{"media_id":"4865218","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2024\/02\/malcolm-todd_02-14-24_5_65cd369560890.jpg"},"6":{"media_id":"4865219","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2024\/02\/malcolm-todd_02-14-24_6_65cd369579158.jpg"},"9":{"media_id":"4865220","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2024\/02\/malcolm-todd_02-14-24_9_65cd3695942ee.jpg"},"20":{"media_id":"4865221","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2024\/02\/malcolm-todd_02-14-24_20_65cd3695af575.jpg"},"7":{"media_id":"4865222","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2024\/02\/malcolm-todd_02-14-24_7_65cd3695c9945.jpg"},"24":{"media_id":"4865223","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2024\/02\/malcolm-todd_02-14-24_24_65cd3695ee0a5.jpg"},"88":{"media_id":"4865224","width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2024\/02\/malcolm-todd_02-14-24_88_65cd369619c4c.jpg"}},"links":[{"link_id":"1109215","link_title":"Instagram","link_type_id":"49","link_href":"https:\/\/www.instagram.com\/malcolmtodd\/?hl=en","link_target":"_blank"},{"link_id":"1110517","link_title":"Youtube VEVO","link_type_id":"14","link_href":"https:\/\/www.youtube.com\/@malcolmtodd82","link_target":"_blank"}]}],"supportingActs":[{"performerId":"1120580","active":true,"locale":"en-US","keywords":[],"bio":"

In the kaleidoscopic world of music, 54 Ultra emerges as a beacon of sonic fusion, weaving synthy indie rock with a Latin soul heartbeat. Based out of New Jersey, 54 Ultra is the musical project of songwriter and producer JohnAnthony (Johnny) Rodriguez. Offering music that is both honest and melodic, with a charismatic stage presence to match, 54 Ultra is carving out a space uniquely his own, defined by a garage pop and soul sound.<\/p>\r\n

Through a combination of interning in a New Jersey studio and self-teaching, Johnny built a solid foundation in music production before stepping into the spotlight with his own artist project. In early 2025, Johnny headed to Miami to work with Kali Uchis on her latest album, Sincerely,<\/em> where he produced the track “All I Can Say.”<\/p>\r\n

In 2024, he shared his debut single, “Where Are You,” which quickly gained traction online, introducing listeners to a sound that feels both timeless and fresh. A year later, he released his debut EP First Works<\/em>, which Billboard named one of the Best Projects of the Year (So Far)<\/em>. The six-track collection features fan favorites like “Upside Down” and “No Tengo Valor”, and was followed by four sold-out shows in New York and Los Angeles.<\/p>\r\n

Most recently, 54 Ultra shared “I Won’t Go,” a Spanglish synth ballad that further showcases his ability to blend emotional depth with vibrant, genre-blurring soundscapes.<\/p>\r\n

Just a little over a year after releasing his first single, it was announced that 54 Ultra will perform at Coachella 2026. Leading up to the festival, he will be opening for Kali Uchis at her San Jose show, embarking on a nearly sold-out North American tour, and playing his first European headline shows in London, Amsterdam, and Paris, before closing out the year with a performance at Festival Color Caribe in Puerto Rico.<\/p>","media":{"88":{"media_id":"5171827","width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2025\/06\/54-ultra_06-12-25_88_684b076d8da3e.jpg"},"19":{"media_id":"5383500","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/05\/54-ultra_05-08-26_19_69fd9a4605f52.jpg"},"5":{"media_id":"5383501","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/05\/54-ultra_05-08-26_5_69fd9a464cb18.jpg"},"6":{"media_id":"5383502","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/05\/54-ultra_05-08-26_6_69fd9a4684d9a.jpg"},"9":{"media_id":"5383503","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/05\/54-ultra_05-08-26_9_69fd9a46bc909.jpg"},"20":{"media_id":"5383504","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/05\/54-ultra_05-08-26_20_69fd9a46f3fd4.jpg"},"7":{"media_id":"5383505","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/05\/54-ultra_05-08-26_7_69fd9a4739db8.jpg"},"24":{"media_id":"5383506","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/05\/54-ultra_05-08-26_24_69fd9a4772950.jpg"}},"links":[]}],"additionalPerformers":[]},"media":{"17":{"media_id":"5407091","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/malcolm-todd-tickets_10-12-26_17_6a2845df8d3a9.jpg"},"1":{"media_id":"5407092","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/malcolm-todd-tickets_10-12-26_1_6a2845dfd7fa5.jpg"},"2":{"media_id":"5407093","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/malcolm-todd-tickets_10-12-26_2_6a2845e0213b5.jpg"},"4":{"media_id":"5407094","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/malcolm-todd-tickets_10-12-26_4_6a2845e05d494.jpg"},"18":{"media_id":"5407095","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/malcolm-todd-tickets_10-12-26_18_6a2845e09de7d.jpg"},"3":{"media_id":"5407096","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/malcolm-todd-tickets_10-12-26_3_6a2845e0dcac6.jpg"},"23":{"media_id":"5407097","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/malcolm-todd-tickets_10-12-26_23_6a2845e12577e.jpg"},"86":{"media_id":"5407098","width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/malcolm-todd-tickets_10-12-26_86_6a2845e16b561.jpg"},"121":{"media_id":"5407099","width":716,"height":896,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/malcolm-todd-tickets_10-12-26_121_6a2845e1c62d4.png"}},"relatedMedia":{"1":{"media_id":"5407092","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/malcolm-todd-tickets_10-12-26_1_6a2845dfd7fa5.jpg"},"2":{"media_id":"5407093","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/malcolm-todd-tickets_10-12-26_2_6a2845e0213b5.jpg"},"3":{"media_id":"5407096","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/malcolm-todd-tickets_10-12-26_3_6a2845e0dcac6.jpg"},"4":{"media_id":"5407094","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/malcolm-todd-tickets_10-12-26_4_6a2845e05d494.jpg"},"23":{"media_id":"5407097","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/malcolm-todd-tickets_10-12-26_23_6a2845e12577e.jpg"},"17":{"media_id":"5407091","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/malcolm-todd-tickets_10-12-26_17_6a2845df8d3a9.jpg"},"18":{"media_id":"5407095","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/malcolm-todd-tickets_10-12-26_18_6a2845e09de7d.jpg"},"86":{"media_id":"5407098","width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/malcolm-todd-tickets_10-12-26_86_6a2845e16b561.jpg"},"81":{"media_id":0,"width":"1770","height":"580","file_name":"https:\/\/s.axs.com\/axs\/bundles\/aegaxs\/images\/defaults\/1\/1_1770_580.png"},"102":{"media_id":0,"width":"860","height":"400","file_name":"https:\/\/s.axs.com\/axs\/bundles\/aegaxs\/images\/defaults\/1\/1_860_400.png"}},"links":[],"olympics":null,"keywords":[]},{"eventId":"1513117","active":true,"createdUTC":"2026-07-02T17:30:08","modifiedUTC":"2026-09-01T18:02:48","locale":"en-US","localeAvailable":{"1":"en-US"},"title":{"presentedBy":null,"presentedByText":null,"headliners":"Highly Suspect<\/a> & Yelawolf<\/a>","headlinersText":"Highly Suspect & Yelawolf","supporting":"Passengers Unknown","supportingText":"Passengers Unknown","tour":"The War Within Tour","eventTitle":"Highly Suspect<\/a> & Yelawolf<\/a>","eventTitleText":"Highly Suspect & Yelawolf"},"age":"16 & Over","publishStatus":1,"private":false,"currency":"USD","currencySymbol":"$","eventDateTime":"2026-10-13T18:30:00","eventDateTimeZone":"America\/Denver","eventDateTimeZoneAbbr":"MDT","eventDateTimeUTC":"2026-10-14T00:30:00","eventDateTimeISO":"2026-10-13T18:30:00-06:00","additionalDates":[],"expirationDateTime":null,"expirationDateTimeUTC":null,"doorDateTime":"2026-10-13T17:30:00","doorDateTimeUTC":"2026-10-13T23:30:00","announceDateTime":"2026-07-14T08:00:00","announceDateTimeTimeZone":"America\/Denver","announceDateTimeUTC":"2026-07-14T14:00:00","presaleDateTime":null,"presaleDateTimeTimeZone":"America\/Denver","presaleDateTimeUTC":null,"presaleEndDateTime":null,"presaleEndDateTimeTimeZone":"America\/Denver","presaleEndDateTimeUTC":null,"onsaleDateTime":"2026-07-17T10:00:00","onsaleDateTimeTimeZone":"America\/Denver","onsaleDateTimeZoneAbbr":"MDT","onsaleDateTimeUTC":"2026-07-17T16:00:00","ticketing":{"statusId":1,"status":"Buy Tickets","presaleURL":null,"ticketURL":"https:\/\/shop.axs.com\/?c=axs&e=20174867067718037","url":"https:\/\/www.axs.com\/events\/1513117\/highly-suspect-yelawolf-tickets","eventUrl":"https:\/\/www.axs.com\/events\/1513117\/highly-suspect-yelawolf-tickets","ticketLinkExists":true},"ticketPrice":null,"ticketPriceLow":"$0","ticketPriceHigh":"$0","doorPrice":null,"doorPriceLow":"$0","doorPriceHigh":"$0","bio":"

Highly Suspect’s Johnny Stevens was in a dark place. His relationship had crashed and burned and so had his dirt bike after an ill-fated desert ride. “I lived recklessly — and I didn’t really care if I survived,” he says. “There was no difference between being above the dirt or below it.” After that near-death experience, though, Stevens woke up.<\/p>\r\n



The Earth, it turned out, needed Stevens topside, and new love was just around the corner. All those experiences, then, alchemized into the band’s fifth studio record, As Above, So Below, out July 19th on 300\/Elektra. A saga of an album, As Above, So Below meshes Mad Max grit with indie-rock innovation to tell a tale as old as time that nevertheless seems brand-new: love lost and found again, a purpose renewed.<\/p>\r\n



A Grammy-nominated five piece — Johnny Stevens [vocals, guitar], Ryan Meyer [drums, vocals], Rich Meyer [bass, vocals], Matt Kofos [guitar] and Mark Schwartz [synths] — Highly Suspect is nothing if not eclectic. Dabbling in hip-hip, electro-pop, and, of course, rock & roll, the band has spent the last 15 or so years melting faces and stealing hearts with their own brand of brutally honest swagger. With As Above, So Below, though, they’re firmly in their rock & roll pocket, though, cranking out grimy ragers and indie-rock opuses alike.<\/p>\r\n



“I don't want to try to pretend to be something that I'm not,” Stevens says. “I am so tired of fucking fake bullshit. Drop the curtain, it's time to be real.” Here’s to staying on the right side of the dirt.<\/p>","description":"

TICKET LIMIT<\/strong>: There is a 4 ticket limit per household. Orders exceeding this limit may be cancelled without notification<\/p>\r\n

TIERED PRICING<\/strong>: This event has a tiered pricing structure in the General Admission area. All General Admission tiers have the same access. Once a price level sells out it may no longer be visible or available for selection.
*Please note: multiple GA price levels may be available at the same time<\/p>\r\n

This show is GENERAL ADMISSION<\/strong> with a RESERVED East or West Balcony<\/strong> configuration
Please see below for the different ticket options available on this event
        *Access is granted based on your purchased ticket type
*All East and West Balcony tickets have access to the general admission areas<\/p>\r\n

GENERAL ADMISSION TICKETS<\/strong>: First-come, First-served Access to the Floor and Bowl Areas<\/p>\r\n

RESERVED TICKETS<\/strong>: Seated Balcony Access in the East or West Sections with Nearby Bar and Exclusive Restrooms<\/p>","venue":{"venueId":"127278","active":true,"locale":"en-US","localeAvailable":{"1":"en-US"},"title":"Mission Ballroom","address_line":"4242 Wynkoop Street, Denver, CO 80216","address":"4242 Wynkoop Street","city":"Denver","state":"CO","postalCode":"80216","country":"United States","countryCode":"US","timezone":"America\/Denver","ada":null,"keywords":[],"skinCode":"missionballroom","currency":"USD","media":{"21":{"media_id":"4830317","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_21_657a2b73bc5e2.jpg"},"10":{"media_id":"4830318","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_10_657a2b73ef178.jpg"},"11":{"media_id":"4830319","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_11_657a2b7428ddb.jpg"},"12":{"media_id":"4830320","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_12_657a2b74482a2.jpg"},"22":{"media_id":"4830321","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_22_657a2b746875e.jpg"},"60":{"media_id":"4830322","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_60_657a2b7488bb6.jpg"},"61":{"media_id":"4830323","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_61_657a2b74a8968.jpg"}},"links":[{"link_id":1120409,"link_title":"Twitter","link_type_id":"25","link_href":"https:\/\/twitter.com\/missionballroom","link_target":"_blank"},{"link_id":1120411,"link_title":"Facebook Page Co-Host","link_type_id":"24","link_href":"https:\/\/www.facebook.com\/AEGPresentsRM\/","link_target":"_blank"}]},"associations":{"performerIds":["1092482","111775"],"headliners":[{"performerId":"1092482","active":true,"locale":"en-US","keywords":[],"bio":"

Highly Suspect’s Johnny Stevens was in a dark place. His relationship had crashed and burned and so had his dirt bike after an ill-fated desert ride. “I lived recklessly — and I didn’t really care if I survived,” he says. “There was no difference between being above the dirt or below it.” After that near-death experience, though, Stevens woke up.<\/p>\r\n



The Earth, it turned out, needed Stevens topside, and new love was just around the corner. All those experiences, then, alchemized into the band’s fifth studio record, As Above, So Below, out July 19th on 300\/Elektra. A saga of an album, As Above, So Below meshes Mad Max grit with indie-rock innovation to tell a tale as old as time that nevertheless seems brand-new: love lost and found again, a purpose renewed.<\/p>\r\n



A Grammy-nominated five piece — Johnny Stevens [vocals, guitar], Ryan Meyer [drums, vocals], Rich Meyer [bass, vocals], Matt Kofos [guitar] and Mark Schwartz [synths] — Highly Suspect is nothing if not eclectic. Dabbling in hip-hip, electro-pop, and, of course, rock & roll, the band has spent the last 15 or so years melting faces and stealing hearts with their own brand of brutally honest swagger. With As Above, So Below, though, they’re firmly in their rock & roll pocket, though, cranking out grimy ragers and indie-rock opuses alike.<\/p>\r\n



“I don't want to try to pretend to be something that I'm not,” Stevens says. “I am so tired of fucking fake bullshit. Drop the curtain, it's time to be real.” Here’s to staying on the right side of the dirt.<\/p>","media":{"103":{"media_id":"3881282","width":860,"height":400,"file_name":"https:\/\/images.discovery-prod.axs.com\/2017\/08\/highly-suspect_08-03-17_103_59838694a3c9e.jpg"},"19":{"media_id":5249777,"width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2025\/10\/highly-suspect_10-14-25_19_68ee77c5ac87a.png"},"5":{"media_id":5249778,"width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2025\/10\/highly-suspect_10-14-25_5_68ee77c655951.png"},"6":{"media_id":5249779,"width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2025\/10\/highly-suspect_10-14-25_6_68ee77c6bc2da.png"},"9":{"media_id":5249780,"width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2025\/10\/highly-suspect_10-14-25_9_68ee77c727df0.png"},"20":{"media_id":5249781,"width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2025\/10\/highly-suspect_10-14-25_20_68ee77c7c2d50.png"},"7":{"media_id":5249782,"width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2025\/10\/highly-suspect_10-14-25_7_68ee77c850948.png"},"24":{"media_id":5249783,"width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2025\/10\/highly-suspect_10-14-25_24_68ee77c8c91ec.png"},"88":{"media_id":5249784,"width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2025\/10\/highly-suspect_10-14-25_88_68ee77c94d4e4.png"}},"links":[{"link_id":"1025455","link_title":"Facebook Page","link_type_id":"12","link_href":"https:\/\/www.facebook.com\/HighlySuspect\/","link_target":"_blank"},{"link_id":"1052423","link_title":"Official Website","link_type_id":"8","link_href":"http:\/\/www.highlysuspect.net\/","link_target":"_blank"},{"link_id":"1052424","link_title":"Instagram","link_type_id":"49","link_href":"https:\/\/www.instagram.com\/highlysuspect\/","link_target":"_blank"},{"link_id":"1052425","link_title":"Twitter","link_type_id":"13","link_href":"https:\/\/twitter.com\/Highly_Suspect","link_target":"_blank"},{"link_id":"1052426","link_title":"Featured Video","link_type_id":"15","link_href":"https:\/\/www.youtube.com\/watch?v=l5-gja10qkw","link_target":"_blank"},{"link_id":"1052427","link_title":"Youtube VEVO","link_type_id":"14","link_href":"https:\/\/www.youtube.com\/user\/TheHighlySuspectPage","link_target":"_blank"}]},{"performerId":"111775","active":true,"locale":"en-US","keywords":["lawolf","Catfish Billy","Michael Wayne At"],"bio":"

The very day Yelawolf was born, his teenage mother strapped him into a stroller and rolled him around the mall. The first week of his life, she took him to house parties, and by the time he left high school, the family had roamed to so many towns that Yelawolf had attended 15 different schools.<\/p>\r\n

“I really never ever stopped moving,” he says while driving around Nashville, his home of the past three years. “That’s my life story in a nutshell.”<\/p>\r\n

With his latest release, Love Story<\/em>, perhaps he can finally downshift. Since 2010’s Trunk Muzik<\/em>, his career has been on the fast track. His redneck appearance—his tattoos include a catfish swimming down his forearm and “Heart of Dixie” stamped on his stomach—and raps about Appalachian meth dealers might’ve made him a novelty act. But his rapid-fire delivery and intense live show ensured no one considered him a joke. As Pitchfork marveled, “Yelawolf is a powerful new rap voice, one that draws from all over the map without sounding much like anyone else.” Interscope Records agreed and within three months, he had a major label deal. Later that year, the tape was re-released as Trunk Muzik 0-60<\/em>, and Rolling Stone<\/em> praised him as “an MC whose liquid flow breathes life into genre clichés.” In January 2011, he signed to Eminem’s Shady Records, and his fan base grew even more rabid. Yet Wolf wasn’t satisfied.<\/p>\r\n

“The mullet and<\/em> Three 6 Mafia. How do you make that work?” he says. “What I’ve always been trying to do is figure out how to make that into a good mixture of music.”<\/p>\r\n

Yelawolf was born Michael Wayne Atha in Gadsden, Alabama, where his two musical loves grew organically. His mom dated a sound engineer, and Wolf remembers being onstage at age six with Dwight Yoakam, and Run DMC coming by his house to party after their local show when he was seven. “I woke up in this trailer park and figured out what was ironic about who I was and where I was from wasn’t that what I was experiencing was new. It was just that I recognized the extreme of it,” he says.<\/p>\r\n

After being homeless in Berkeley and working on a ship off the coast of Washington state, Yelawolf landed back in the South and started making mixtapes. He was purposefully rowdy, wearing head-to-toe deer hunting camouflage and gold teeth. In Atlanta, Wolf and his friend Malay (the producer who later won a Grammy for Frank Ocean’s Channel Orange<\/em>) started a “futuristic country hip-hop rock band” that included both a DJ and a black fiddle player.  Their self-described “arena rap” became popular in Atlanta, pulling huge crowds as well as the attention of Lil Wayne and L.A. Reid. But their idea was ahead of its time and fizzled.<\/p>\r\n

Wolf was poor, and his now ex-girlfriend and their child were still living in Gadsden. Running out of options, he returned to Alabama with producer WillPower. “We got an 8-track recorder in the back of this shitty house in this factory neighborhood worthy of any Harmony Korine film, and we wrote Trunk Muzik<\/em> front to back,” he says. He hustled back to Atlanta to record it, and the tape that set his career ablaze and resulted in his working with legends like Bun B and Big Boi was completed in all of a week and a half.<\/p>\r\n

“I became that shit. I saw the power in it. [And] I felt fulfilled,” he admits. “But I always knew, ‘Wait ‘till they hear the shit I did with Malay.’”<\/p>\r\n

At long last, they’re listening, and the response is as positive as he always believed it would be. Recorded entirely in Nashville’s Blackbird Studios and executively produced by Eminem, his passion project—fittingly titled Love Story<\/em>—is a rootsy, country-tinged rock album brimming with strong lyricism. Finally, he’s struck the right balance.<\/p>\r\n

“I’m not reinventing the wheel. It’s nothing Kid Rock hasn’t done,” he says. “But what is new is my deep appreciation for lyricism in hip hop, [my desire] to be a great lyricist. And a deep appreciation for outlaw country, for raw classic rock. I started to learn how to blend concepts together.”<\/p>\r\n

Indeed he did. The album’s first single, “Till It’s Gone,” is a driving barn burner of a song elevated by Wolf’s melodically sung hook. Radio friendly without sacrificing its soul, it’s an undeniable smash that’s in line with the country’s recent obsession with the culture of rural American life. In fact, “Till It’s Gone” premiered last September on the wildly popular FX drama Sons of Anarchy<\/em>.<\/p>\r\n

“It might be simple, but when I decided to throw on some cowboy boots and ride a Harley with my dad … it makes me emotional thinking about how long it’s taken me to be free,” he says. A smile enters his voice. “It’s the biggest exhale.” <\/p>","media":{"19":{"media_id":4894946,"width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2024\/04\/yelawolf_04-01-24_19_660b100697b76.jpg"},"5":{"media_id":4894947,"width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2024\/04\/yelawolf_04-01-24_5_660b1006c8ae2.jpg"},"6":{"media_id":4894948,"width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2024\/04\/yelawolf_04-01-24_6_660b1006e133e.jpg"},"9":{"media_id":4894949,"width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2024\/04\/yelawolf_04-01-24_9_660b100705d70.jpg"},"20":{"media_id":4894950,"width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2024\/04\/yelawolf_04-01-24_20_660b10071f9d3.jpg"},"7":{"media_id":4894951,"width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2024\/04\/yelawolf_04-01-24_7_660b1007385bf.jpg"},"24":{"media_id":4894952,"width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2024\/04\/yelawolf_04-01-24_24_660b100754484.jpg"},"88":{"media_id":4894953,"width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2024\/04\/yelawolf_04-01-24_88_660b10077369a.jpg"}},"links":[{"link_id":"924207","link_title":"Twitter","link_type_id":"13","link_href":"http:\/\/twitter.com\/Yelawolf","link_target":"_blank"},{"link_id":"931566","link_title":"Youtube 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Patrick Miranda - Vocals
Ira George – Guitar  
Spencer York - Drums
Austin Cressey – Bass

<\/strong>Music and emotion share a timeless physiological, psychological, and spiritual bond. A chord, a melody, or a lyric can lift spirits and inspire. Movements achieve that sort of reaction on their full-length debut, Feel Something<\/em> [Fearless Records]. Threading together spacey guitars, evocative and introspective lyricism, ponderous spoken word, and tight songcraft, the Southern California quartet—Patrick Miranda [vocals], Ira George [guitar], Spencer York [drums], and Austin Cressey [bass]—immediately connect by opening up. That musical empathy quietly launched Movements on an upward trajectory in 2015. Formed by longtime friends, the group landed a deal with Fearless Records after just one local gig. Produced by Will Yip [Tigers Jaw, Title Fight, Turnover, Citizen], their debut EP, Outgrown Things<\/em>, became a fan favorite. Acclaimed by the likes of Alternative Press<\/em> and New Noise Magazine<\/em>, songs like “Nineteen” and “Kept” each respectively amassed over 800K Spotify streams and counting as they have toured nonstop.   Along the way, the boys started working on what would become Feel Something<\/em> before returning to the studio with Yip in February 2017. In the sessions, their signature style crystallized and coalesced. Ultimately, Movements bring emotion to life in each note.<\/p>","description":"

This show is GENERAL ADMISSION with a RESERVED East or West Balcony configuration<\/p>\r\n

Please see below for the different ticket options available on this event<\/p>\r\n

*Access is granted based on your purchased ticket type<\/p>\r\n

*All East and West Balcony tickets have access to the general admission areas<\/p>\r\n

GENERAL ADMISSION TICKETS<\/p>\r\n

First-come, First-served Access to the Floor and Bowl Areas<\/p>\r\n

RESERVED TICKETS<\/p>\r\n

Seated Balcony Access in the East or West Sections with Nearby Bar and Exclusive Restrooms<\/p>","venue":{"venueId":"127278","active":true,"locale":"en-US","localeAvailable":{"1":"en-US"},"title":"Mission Ballroom","address_line":"4242 Wynkoop Street, Denver, CO 80216","address":"4242 Wynkoop Street","city":"Denver","state":"CO","postalCode":"80216","country":"United States","countryCode":"US","timezone":"America\/Denver","ada":null,"keywords":[],"skinCode":"missionballroom","currency":"USD","media":{"21":{"media_id":"4830317","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_21_657a2b73bc5e2.jpg"},"10":{"media_id":"4830318","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_10_657a2b73ef178.jpg"},"11":{"media_id":"4830319","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_11_657a2b7428ddb.jpg"},"12":{"media_id":"4830320","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_12_657a2b74482a2.jpg"},"22":{"media_id":"4830321","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_22_657a2b746875e.jpg"},"60":{"media_id":"4830322","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_60_657a2b7488bb6.jpg"},"61":{"media_id":"4830323","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_61_657a2b74a8968.jpg"}},"links":[{"link_id":1120409,"link_title":"Twitter","link_type_id":"25","link_href":"https:\/\/twitter.com\/missionballroom","link_target":"_blank"},{"link_id":1120411,"link_title":"Facebook Page Co-Host","link_type_id":"24","link_href":"https:\/\/www.facebook.com\/AEGPresentsRM\/","link_target":"_blank"}]},"associations":{"performerIds":["473454","111937","1115732","1116873"],"headliners":[{"performerId":"473454","active":true,"locale":"en-US","keywords":[],"bio":"

Patrick Miranda - Vocals
Ira George – Guitar  
Spencer York - Drums
Austin Cressey – Bass

<\/strong>Music and emotion share a timeless physiological, psychological, and spiritual bond. A chord, a melody, or a lyric can lift spirits and inspire. Movements achieve that sort of reaction on their full-length debut, Feel Something<\/em> [Fearless Records]. Threading together spacey guitars, evocative and introspective lyricism, ponderous spoken word, and tight songcraft, the Southern California quartet—Patrick Miranda [vocals], Ira George [guitar], Spencer York [drums], and Austin Cressey [bass]—immediately connect by opening up. That musical empathy quietly launched Movements on an upward trajectory in 2015. Formed by longtime friends, the group landed a deal with Fearless Records after just one local gig. Produced by Will Yip [Tigers Jaw, Title Fight, Turnover, Citizen], their debut EP, Outgrown Things<\/em>, became a fan favorite. Acclaimed by the likes of Alternative Press<\/em> and New Noise Magazine<\/em>, songs like “Nineteen” and “Kept” each respectively amassed over 800K Spotify streams and counting as they have toured nonstop.   Along the way, the boys started working on what would become Feel Something<\/em> before returning to the studio with Yip in February 2017. In the sessions, their signature style crystallized and coalesced. Ultimately, Movements bring emotion to life in each note.<\/p>","media":{"7":{"media_id":4121800,"width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2019\/01\/movements_01-04-19_7_5c2ea32a2facd.jpg"},"24":{"media_id":4121801,"width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2019\/01\/movements_01-04-19_24_5c2ea32a51105.jpg"},"88":{"media_id":4121802,"width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2019\/01\/movements_01-04-19_88_5c2ea32a70f72.jpg"},"19":{"media_id":4121795,"width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2019\/01\/movements_01-04-19_19_5c2ea3295cb26.jpg"},"6":{"media_id":4121797,"width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2019\/01\/movements_01-04-19_6_5c2ea329c8668.jpg"},"9":{"media_id":4121798,"width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2019\/01\/movements_01-04-19_9_5c2ea329e552b.jpg"},"5":{"media_id":4121796,"width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2019\/01\/movements_01-04-19_5_5c2ea329afcbd.jpg"},"20":{"media_id":4121799,"width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2019\/01\/movements_01-04-19_20_5c2ea32a0dcf3.jpg"}},"links":[{"link_id":"1083664","link_title":"Official Website","link_type_id":"8","link_href":"http:\/\/movementsofficial.com","link_target":"_none"},{"link_id":"1078386","link_title":"Facebook Page","link_type_id":"12","link_href":"https:\/\/www.facebook.com\/MovementsCA\/","link_target":"_none"},{"link_id":"1083665","link_title":"Instagram Page","link_type_id":"49","link_href":"https:\/\/www.instagram.com\/MovementsOfficial\/","link_target":"_none"}]}],"supportingActs":[{"performerId":"111937","active":true,"locale":"en-US","keywords":[],"bio":"

\r\n
Light We Made, which was produced by Will Yip (Nothing, Pity Sex), marks a milestone for the band, as this time around they’ve toned down their hardcore and punk-rock roots, to present a body of work that is dominated by soothing, harmonic tracks. The LP’s coherent mood of transcendent moments are driven by the band experimenting with new sonic elements - weaving in dreamy synth chords, melodic guitar riffs, and atmospheric bass grooves and drum beats to hit home the delivery of the songs’ emotional lyrics.<\/div>\r\n
 <\/div>\r\n
“This album is the culmination of the last 3 years, and how musically the band wanted to be more creative than ever before. We took time off to experience life, pushing ourselves to try things that we previously hadn’t, which in return inspired us to record something that would stand out. This LP is a sonic progression for us, and we’re excited to share it with everyone.”<\/div>\r\n
 <\/div>\r\n
In support of the new LP, Balance and Composure will bring their live set on the road this Fall for a North American headline tour, plus will make an appearance at this year’s Riot Fest in Chicago, and will open for Hum on September 24th in Pomona, CA.<\/div>\r\n<\/div>","media":{"6":{"media_id":"3661269","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2016\/11\/balance-and-composure_11-09-16_6_582385339f612.jpg"},"24":{"media_id":"3661267","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2016\/11\/balance-and-composure_11-09-16_24_58238532870fb.jpg"},"9":{"media_id":"3661268","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2016\/11\/balance-and-composure_11-09-16_9_582385334750b.jpg"},"5":{"media_id":"3661270","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2016\/11\/balance-and-composure_11-09-16_5_5823853403f44.jpg"},"7":{"media_id":"3661271","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2016\/11\/balance-and-composure_11-09-16_7_5823853491cc9.jpg"},"19":{"media_id":"3661272","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2016\/11\/balance-and-composure_11-09-16_19_58238534efcfc.jpg"},"20":{"media_id":"3661273","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2016\/11\/balance-and-composure_11-09-16_20_5823853558cba.jpg"}},"links":[{"link_id":"901563","link_title":"Twitter","link_type_id":"13","link_href":"https:\/\/twitter.com\/balanceandcomp","link_target":"_none"},{"link_id":"901562","link_title":"Facebook Page","link_type_id":"12","link_href":"http:\/\/www.facebook.com\/balanceandcomposure","link_target":"_none"}]},{"performerId":"1115732","active":true,"locale":"en-US","keywords":[],"bio":null,"media":[],"links":[{"link_id":"1110439","link_title":"Instagram","link_type_id":"49","link_href":"https:\/\/www.instagram.com\/midriftofficial\/?hl=en","link_target":"_blank"},{"link_id":"1115790","link_title":"Official Website","link_type_id":"8","link_href":"https:\/\/midriftband.com\/","link_target":"_blank"}]},{"performerId":"1116873","active":true,"locale":"en-US","keywords":[],"bio":"

Niis is a four piece punk band hailing from sunny Los Angeles. Their sound has an element of nostalgia, drawing inspiration from 80s punk and hardcore, while creating a unique sound that is all their own. Known for their fiery energy and crazy live performances, Niis is definitely a band to keep an eye on.<\/p>\r\n

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Page","link_type_id":"12","link_href":"https:\/\/www.facebook.com\/MovementsCA\/","link_target":"_none"}],"olympics":null,"keywords":[]},{"eventId":"1423301","active":true,"createdUTC":"2026-04-22T23:10:13","modifiedUTC":"2026-09-09T17:31:50","locale":"en-US","localeAvailable":{"1":"en-US"},"title":{"presentedBy":null,"presentedByText":null,"headliners":"DJ Shadow<\/a>","headlinersText":"DJ Shadow","supporting":null,"supportingText":null,"tour":"Celebrates 30 Years of Endtroducing","eventTitle":"DJ Shadow<\/a>","eventTitleText":"DJ Shadow"},"age":"16 & Over","publishStatus":1,"private":false,"currency":"USD","currencySymbol":"$","eventDateTime":"2026-10-15T20:00:00","eventDateTimeZone":"America\/Denver","eventDateTimeZoneAbbr":"MDT","eventDateTimeUTC":"2026-10-16T02:00:00","eventDateTimeISO":"2026-10-15T20:00:00-06:00","additionalDates":[],"expirationDateTime":null,"expirationDateTimeUTC":null,"doorDateTime":"2026-10-15T19:00:00","doorDateTimeUTC":"2026-10-16T01:00:00","announceDateTime":"2026-04-28T10:00:00","announceDateTimeTimeZone":"America\/Denver","announceDateTimeUTC":"2026-04-28T16:00:00","presaleDateTime":null,"presaleDateTimeTimeZone":"America\/Denver","presaleDateTimeUTC":null,"presaleEndDateTime":null,"presaleEndDateTimeTimeZone":"America\/Denver","presaleEndDateTimeUTC":null,"onsaleDateTime":"2026-05-01T10:00:00","onsaleDateTimeTimeZone":"America\/Denver","onsaleDateTimeZoneAbbr":"MDT","onsaleDateTimeUTC":"2026-05-01T16:00:00","ticketing":{"statusId":1,"status":"Buy 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For over 30 years, Josh Davis has expressed his passion, taste, and values through the music<\/p>\r\n

he creates as DJ Shadow. The name alone evokes a high watermark for instrumental hip-hop<\/p>\r\n

and composition. From his first masterpiece Endtroducing…, to the genre-hopping UNKLE<\/p>\r\n

release Psyence Fiction, to the otherworldly elegance of The Private Press and its iconic single<\/p>\r\n

“Six Days,” to his underrated Bay Area celebration The Outsider, his work in the ‘90s and first<\/p>\r\n

decade of the 2000s is as essential as it is hard-to-pin-down. In the 2010s, Shadow released<\/p>\r\n

the sprawling The Less You Know, the Better, with its muscular forays into rock music, and<\/p>\r\n

closed the decade with The Mountain Will Fall and Our Pathetic Age, both very ambitious,<\/p>\r\n

risk-taking albums that boasted some of his best rap collaborations by working with Run the<\/p>\r\n

Jewels, Nas, and De La Soul, among others. If there’s a single red thread across this career, it's<\/p>\r\n

his restless ear, always searching to rescue some forgotten gem from the dustbin of music<\/p>\r\n

history or a fresh blast of sound from the cutting edge.<\/p>\r\n

It’s a practice Shadow learned as a young boy, enamored with collecting comic books, baseball<\/p>\r\n

cards, 12-inch records, and precious songs captured to cassette from the radio airwaves late at<\/p>\r\n

night in northern California. With great seriousness and love, he will describe the second-hand<\/p>\r\n

transistor AM radio on which he first heard Grandmaster Flash and the Furious Five’s “The<\/p>\r\n

Message,” when he was 10 years old. Or his mind-expanding encounter with Public Enemy’s<\/p>\r\n

“Rebel Without a Pause” and that single’s howling saxophone blast. At the heart of DJ Shadow’s<\/p>\r\n

musical project is deep listening. “I’m always trying to please or impress the most advanced<\/p>\r\n

listener,” he says. The type of aficionado who will respect the layers upon layers of synth that<\/p>\r\n

went into making a sound that can’t be readily identified but will make you want to share the<\/p>\r\n

track with a friend and say, “This part right here.”<\/p>\r\n

The first sampled words heard on DJ Shadow’s forthcoming album Action Adventure, his<\/p>\r\n

seventh solo LP, are “all my records and tapes.” In fact, they are some of the only words heard<\/p>\r\n

on what is almost an entirely instrumental release; they’re a kind of thesis statement for an<\/p>\r\n

album that has its roots in the drifting, destabilizing days of the COVID lockdown. Action<\/p>\r\n

Adventure is an inward-looking project, made by Shadow alone without any collaborators.<\/p>\r\n

Action Adventure tells the listener: “This is about my relationship to music. My life as a collector<\/p>\r\n

and curator. All my records and tapes, and no one else’s.” The result is the most exciting DJ<\/p>\r\n

“Ozone Scraper” kicks off the album without preamble, just big, propulsive drums. It has the<\/p>\r\n

feeling of transportation, of jet engines lifting the passenger somewhere impossible. One of his<\/p>\r\n

favorites on Action Adventure, “Ozone Scraper” is an invitation to strap in and also sets the<\/p>\r\n

table for the kind of deep listening Shadow loves. The advanced listeners will marvel at the kind<\/p>\r\n

of “special effects,” as Shadow puts it, that went into creating the elusive synth noises. Like a<\/p>\r\n

child marveling at a summer blockbuster, you wonder: How did he do this?<\/p>\r\n

“You Played Me” is a miracle that happened by pure chance. Inspired by the eBay tapes,<\/p>\r\n

Shadow created a beat that had the crackling percussion and burbling synths of classic ‘80s<\/p>\r\n

R&B, like a lost René and Angela hit. “I loaded up the instrumental and looped it on my<\/p>\r\n

computer to play forever,” he explains. Then he started auditioning records in his collection that<\/p>\r\n

he hadn’t processed yet—an experiment to find the vocal in the haystack. “I dropped the needle<\/p>\r\n

on an acapella of a really obscure R&B 12-inch from around ‘84, ‘85 and I thought, ‘That<\/p>\r\n

actually works.’” Still, he wasn’t entirely sure, and he sent the song to his label as a reference<\/p>\r\n

for a potential collaboration… whoever it was needed to have this sound, Shadow told them.<\/p>\r\n

After a few weeks, though, he realized he already had what he needed—the acapella was<\/p>\r\n

correct. “It's an example of one of my favorite aspects of the music I make, which is just 100%<\/p>\r\n

serendipity,” he says. “There are a thousand records sitting next to me that aren't going to work;<\/p>\r\n

the right record got put on at the right moment to change the course of my album. It’s one of my<\/p>\r\n

favorite songs I’ve ever made.”<\/p>\r\n

The album has a cinematic quality, especially in its sequencing. The last quarter, from “Fleeting<\/p>\r\n

Youth” through “Reflecting Pool” and “Forever Changed,” is as cathartic as a well-told story, and<\/p>\r\n

ends on a triumphant note, with “She’s Evolving.” The oldest recording on Action Adventure, it’s<\/p>\r\n

another happy accident that nearly didn’t make the album. Initially Shadow doubted including a<\/p>\r\n

song from the cursed early days of lockdown and planned to end the album with a much sadder<\/p>\r\n

track. But it didn’t sit right and he kept returning to “She’s Evolving”—until it stuck. <\/p>\r\n

The title Action Adventure evokes the halcyon days of video store browsing, and it’s fitting that shadow LP in years.<\/p>\r\n

In March 2020, Shadow narrowly escaped from the European tour for his double-disc release<\/p>\r\n

Our Pathetic Age, landing back home in the Bay Area as the world shuttered. He watched his<\/p>\r\n

two teenage daughters endure homeschooling and tried to process his own emotions about the<\/p>\r\n

tour cut short; an album he was proud of that didn’t get to have its moment in public. “It was a<\/p>\r\n

very intense time,” he recalls. For over a year, he couldn’t imagine making any new music, or<\/p>\r\n

even listening to any contemporary music. “It was as if the music coming out was somehow<\/p>\r\n

tainted by the craziness we were living through, the chaos and upheaval. I needed to<\/p>\r\n

temporarily wallow in a bit of nostalgia, and not necessarily songs I knew”—but music from a<\/p>\r\n

time period that felt less fraught. <\/p>\r\n

Around this same time, in 2021, a friend directed Shadow to an eBay auction of about 200 tapes<\/p>\r\n

that were recorded off the radio from a mix station that serviced the Baltimore-D.C. area in the<\/p>\r\n

‘80s. During that time, he taped Bay Area radio mixes and was able to get his hands on New<\/p>\r\n

York mixes as well, but these mixes felt entirely unique in their blend of dance music, R&B, and<\/p>\r\n

early hip-hop. They had a youthful, “we know no limits” quality that invigorated Shadow at a time<\/p>\r\n

when he desperately needed it.<\/p>\r\n

Shadow began work on Action Adventure on January 1, 2022, and the early tracks pushed him<\/p>\r\n

further into his compositional bag. “I didn't want to write music that was formatted for vocalists. I<\/p>\r\n

wanted to write music that flexed different energies,” he says. Though he isn’t classically<\/p>\r\n

trained, he asked himself questions like “which chord progression would be most natural here,<\/p>\r\n

and which would be least predictable?” and worked according to the inner logic that felt right to<\/p>\r\n

him. His rule for the record was simple: no compromises. “I’m entering my fourth decade doing<\/p>\r\n

this—what do I want to represent? I know that I don’t want to only make beats for some<\/p>\r\n

potential vocalist that I’ve never met, and who may not share my vision. I want this record to<\/p>\r\n

stand or fall on my own credentials.”<\/p>","description":"p>This show is GENERAL ADMISSION with a RESERVED East or West Balcony configuration\r\n

Please see below for the different ticket options available on this event<\/p>\r\n

*Access is granted based on your purchased ticket type<\/p>\r\n

*All East and West Balcony tickets have access to the general admission areas<\/p>\r\n

GENERAL ADMISSION TICKETS<\/p>\r\n

First-come, First-served Access to the Floor and Bowl Areas<\/p>\r\n

RESERVED TICKETS<\/p>\r\n

Seated Balcony Access in the East or West Sections with Nearby Bar and Exclusive Restrooms<\/p>","venue":{"venueId":"127278","active":true,"locale":"en-US","localeAvailable":{"1":"en-US"},"title":"Mission Ballroom","address_line":"4242 Wynkoop Street, Denver, CO 80216","address":"4242 Wynkoop Street","city":"Denver","state":"CO","postalCode":"80216","country":"United States","countryCode":"US","timezone":"America\/Denver","ada":null,"keywords":[],"skinCode":"missionballroom","currency":"USD","media":{"21":{"media_id":"4830317","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_21_657a2b73bc5e2.jpg"},"10":{"media_id":"4830318","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_10_657a2b73ef178.jpg"},"11":{"media_id":"4830319","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_11_657a2b7428ddb.jpg"},"12":{"media_id":"4830320","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_12_657a2b74482a2.jpg"},"22":{"media_id":"4830321","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_22_657a2b746875e.jpg"},"60":{"media_id":"4830322","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_60_657a2b7488bb6.jpg"},"61":{"media_id":"4830323","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_61_657a2b74a8968.jpg"}},"links":[{"link_id":1120409,"link_title":"Twitter","link_type_id":"25","link_href":"https:\/\/twitter.com\/missionballroom","link_target":"_blank"},{"link_id":1120411,"link_title":"Facebook Page Co-Host","link_type_id":"24","link_href":"https:\/\/www.facebook.com\/AEGPresentsRM\/","link_target":"_blank"}]},"associations":{"performerIds":["104140"],"headliners":[{"performerId":"104140","active":true,"locale":"en-US","keywords":[],"bio":"

For over 30 years, Josh Davis has expressed his passion, taste, and values through the music<\/p>\r\n

he creates as DJ Shadow. The name alone evokes a high watermark for instrumental hip-hop<\/p>\r\n

and composition. From his first masterpiece Endtroducing…, to the genre-hopping UNKLE<\/p>\r\n

release Psyence Fiction, to the otherworldly elegance of The Private Press and its iconic single<\/p>\r\n

“Six Days,” to his underrated Bay Area celebration The Outsider, his work in the ‘90s and first<\/p>\r\n

decade of the 2000s is as essential as it is hard-to-pin-down. In the 2010s, Shadow released<\/p>\r\n

the sprawling The Less You Know, the Better, with its muscular forays into rock music, and<\/p>\r\n

closed the decade with The Mountain Will Fall and Our Pathetic Age, both very ambitious,<\/p>\r\n

risk-taking albums that boasted some of his best rap collaborations by working with Run the<\/p>\r\n

Jewels, Nas, and De La Soul, among others. If there’s a single red thread across this career, it's<\/p>\r\n

his restless ear, always searching to rescue some forgotten gem from the dustbin of music<\/p>\r\n

history or a fresh blast of sound from the cutting edge.<\/p>\r\n

It’s a practice Shadow learned as a young boy, enamored with collecting comic books, baseball<\/p>\r\n

cards, 12-inch records, and precious songs captured to cassette from the radio airwaves late at<\/p>\r\n

night in northern California. With great seriousness and love, he will describe the second-hand<\/p>\r\n

transistor AM radio on which he first heard Grandmaster Flash and the Furious Five’s “The<\/p>\r\n

Message,” when he was 10 years old. Or his mind-expanding encounter with Public Enemy’s<\/p>\r\n

“Rebel Without a Pause” and that single’s howling saxophone blast. At the heart of DJ Shadow’s<\/p>\r\n

musical project is deep listening. “I’m always trying to please or impress the most advanced<\/p>\r\n

listener,” he says. The type of aficionado who will respect the layers upon layers of synth that<\/p>\r\n

went into making a sound that can’t be readily identified but will make you want to share the<\/p>\r\n

track with a friend and say, “This part right here.”<\/p>\r\n

The first sampled words heard on DJ Shadow’s forthcoming album Action Adventure, his<\/p>\r\n

seventh solo LP, are “all my records and tapes.” In fact, they are some of the only words heard<\/p>\r\n

on what is almost an entirely instrumental release; they’re a kind of thesis statement for an<\/p>\r\n

album that has its roots in the drifting, destabilizing days of the COVID lockdown. Action<\/p>\r\n

Adventure is an inward-looking project, made by Shadow alone without any collaborators.<\/p>\r\n

Action Adventure tells the listener: “This is about my relationship to music. My life as a collector<\/p>\r\n

and curator. All my records and tapes, and no one else’s.” The result is the most exciting DJ<\/p>\r\n

“Ozone Scraper” kicks off the album without preamble, just big, propulsive drums. It has the<\/p>\r\n

feeling of transportation, of jet engines lifting the passenger somewhere impossible. One of his<\/p>\r\n

favorites on Action Adventure, “Ozone Scraper” is an invitation to strap in and also sets the<\/p>\r\n

table for the kind of deep listening Shadow loves. The advanced listeners will marvel at the kind<\/p>\r\n

of “special effects,” as Shadow puts it, that went into creating the elusive synth noises. Like a<\/p>\r\n

child marveling at a summer blockbuster, you wonder: How did he do this?<\/p>\r\n

“You Played Me” is a miracle that happened by pure chance. Inspired by the eBay tapes,<\/p>\r\n

Shadow created a beat that had the crackling percussion and burbling synths of classic ‘80s<\/p>\r\n

R&B, like a lost René and Angela hit. “I loaded up the instrumental and looped it on my<\/p>\r\n

computer to play forever,” he explains. Then he started auditioning records in his collection that<\/p>\r\n

he hadn’t processed yet—an experiment to find the vocal in the haystack. “I dropped the needle<\/p>\r\n

on an acapella of a really obscure R&B 12-inch from around ‘84, ‘85 and I thought, ‘That<\/p>\r\n

actually works.’” Still, he wasn’t entirely sure, and he sent the song to his label as a reference<\/p>\r\n

for a potential collaboration… whoever it was needed to have this sound, Shadow told them.<\/p>\r\n

After a few weeks, though, he realized he already had what he needed—the acapella was<\/p>\r\n

correct. “It's an example of one of my favorite aspects of the music I make, which is just 100%<\/p>\r\n

serendipity,” he says. “There are a thousand records sitting next to me that aren't going to work;<\/p>\r\n

the right record got put on at the right moment to change the course of my album. It’s one of my<\/p>\r\n

favorite songs I’ve ever made.”<\/p>\r\n

The album has a cinematic quality, especially in its sequencing. The last quarter, from “Fleeting<\/p>\r\n

Youth” through “Reflecting Pool” and “Forever Changed,” is as cathartic as a well-told story, and<\/p>\r\n

ends on a triumphant note, with “She’s Evolving.” The oldest recording on Action Adventure, it’s<\/p>\r\n

another happy accident that nearly didn’t make the album. Initially Shadow doubted including a<\/p>\r\n

song from the cursed early days of lockdown and planned to end the album with a much sadder<\/p>\r\n

track. But it didn’t sit right and he kept returning to “She’s Evolving”—until it stuck. <\/p>\r\n

The title Action Adventure evokes the halcyon days of video store browsing, and it’s fitting that shadow LP in years.<\/p>\r\n

In March 2020, Shadow narrowly escaped from the European tour for his double-disc release<\/p>\r\n

Our Pathetic Age, landing back home in the Bay Area as the world shuttered. He watched his<\/p>\r\n

two teenage daughters endure homeschooling and tried to process his own emotions about the<\/p>\r\n

tour cut short; an album he was proud of that didn’t get to have its moment in public. “It was a<\/p>\r\n

very intense time,” he recalls. For over a year, he couldn’t imagine making any new music, or<\/p>\r\n

even listening to any contemporary music. “It was as if the music coming out was somehow<\/p>\r\n

tainted by the craziness we were living through, the chaos and upheaval. I needed to<\/p>\r\n

temporarily wallow in a bit of nostalgia, and not necessarily songs I knew”—but music from a<\/p>\r\n

time period that felt less fraught. <\/p>\r\n

Around this same time, in 2021, a friend directed Shadow to an eBay auction of about 200 tapes<\/p>\r\n

that were recorded off the radio from a mix station that serviced the Baltimore-D.C. area in the<\/p>\r\n

‘80s. During that time, he taped Bay Area radio mixes and was able to get his hands on New<\/p>\r\n

York mixes as well, but these mixes felt entirely unique in their blend of dance music, R&B, and<\/p>\r\n

early hip-hop. They had a youthful, “we know no limits” quality that invigorated Shadow at a time<\/p>\r\n

when he desperately needed it.<\/p>\r\n

Shadow began work on Action Adventure on January 1, 2022, and the early tracks pushed him<\/p>\r\n

further into his compositional bag. “I didn't want to write music that was formatted for vocalists. I<\/p>\r\n

wanted to write music that flexed different energies,” he says. Though he isn’t classically<\/p>\r\n

trained, he asked himself questions like “which chord progression would be most natural here,<\/p>\r\n

and which would be least predictable?” and worked according to the inner logic that felt right to<\/p>\r\n

him. His rule for the record was simple: no compromises. “I’m entering my fourth decade doing<\/p>\r\n

this—what do I want to represent? I know that I don’t want to only make beats for some<\/p>\r\n

potential vocalist that I’ve never met, and who may not share my vision. I want this record to<\/p>\r\n

stand or fall on my own credentials.”<\/p>","media":{"19":{"media_id":4801450,"width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/10\/dj-shadow_10-30-23_19_653fe2f8d8e59.jpg"},"5":{"media_id":4801451,"width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/10\/dj-shadow_10-30-23_5_653fe2f917ba7.jpg"},"6":{"media_id":4801452,"width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/10\/dj-shadow_10-30-23_6_653fe2f94d25d.jpg"},"9":{"media_id":4801453,"width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/10\/dj-shadow_10-30-23_9_653fe2f969062.jpg"},"20":{"media_id":4801454,"width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/10\/dj-shadow_10-30-23_20_653fe2f98c166.jpg"},"7":{"media_id":4801455,"width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/10\/dj-shadow_10-30-23_7_653fe2f9c3c9e.jpg"},"24":{"media_id":4801456,"width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/10\/dj-shadow_10-30-23_24_653fe2f9e2128.jpg"},"88":{"media_id":4801457,"width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/10\/dj-shadow_10-30-23_88_653fe2fa1de08.jpg"}},"links":[{"link_id":"947192","link_title":"Myspace","link_type_id":"8","link_href":"http:\/\/www.myspace.com\/djshadow","link_target":"_none"},{"link_id":"947193","link_title":"Amazon","link_type_id":"11","link_href":"http:\/\/www.amazon.com\/DJ-Shadow\/e\/B000AQ6OXG\/ref=ntt_mus_dp_pel","link_target":"_none"},{"link_id":"947194","link_title":"Twitter","link_type_id":"13","link_href":"https:\/\/twitter.com\/djshadow","link_target":"_none"},{"link_id":"947195","link_title":"Youtube 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Page","link_type_id":"12","link_href":"https:\/\/www.facebook.com\/djshadow\/","link_target":"_none"},{"link_id":"947194","link_title":"Twitter","link_type_id":"13","link_href":"https:\/\/twitter.com\/djshadow","link_target":"_none"},{"link_id":"947196","link_title":"Featured Video","link_type_id":"15","link_href":"http:\/\/www.youtube.com\/watch?v=ploXN6YFweE","link_target":"_none"}],"olympics":null,"keywords":[]},{"eventId":"1477933","active":true,"createdUTC":"2026-06-03T22:36:10","modifiedUTC":"2026-08-26T21:13:57","locale":"en-US","localeAvailable":{"1":"en-US"},"title":{"presentedBy":null,"presentedByText":null,"headliners":"Afrojack<\/a>","headlinersText":"Afrojack","supporting":"Tiga<\/a>, GLZ, RC3<\/a>","supportingText":"Tiga, GLZ, RC3","tour":"Presents: CONTROL","eventTitle":"Afrojack<\/a>","eventTitleText":"Afrojack"},"age":"16 & Over","publishStatus":1,"private":false,"currency":"USD","currencySymbol":"$","eventDateTime":"2026-10-16T20:00:00","eventDateTimeZone":"America\/Denver","eventDateTimeZoneAbbr":"MDT","eventDateTimeUTC":"2026-10-17T02:00:00","eventDateTimeISO":"2026-10-16T20:00:00-06:00","additionalDates":[],"expirationDateTime":null,"expirationDateTimeUTC":null,"doorDateTime":"2026-10-16T19:00:00","doorDateTimeUTC":"2026-10-17T01:00:00","announceDateTime":"2026-06-18T11:00:00","announceDateTimeTimeZone":"America\/Denver","announceDateTimeUTC":"2026-06-18T17:00:00","presaleDateTime":null,"presaleDateTimeTimeZone":"America\/Denver","presaleDateTimeUTC":null,"presaleEndDateTime":null,"presaleEndDateTimeTimeZone":"America\/Denver","presaleEndDateTimeUTC":null,"onsaleDateTime":"2026-06-25T10:00:00","onsaleDateTimeTimeZone":"America\/Denver","onsaleDateTimeZoneAbbr":"MDT","onsaleDateTimeUTC":"2026-06-25T16:00:00","ticketing":{"statusId":1,"status":"Buy Tickets","presaleURL":null,"ticketURL":"https:\/\/shop.axs.com\/?c=axs&e=20174867067552117","url":"https:\/\/www.axs.com\/events\/1477933\/afrojack-tickets","eventUrl":"https:\/\/www.axs.com\/events\/1477933\/afrojack-tickets","ticketLinkExists":true},"ticketPrice":null,"ticketPriceLow":"$0","ticketPriceHigh":"$0","doorPrice":null,"doorPriceLow":"$0","doorPriceHigh":"$0","bio":"

In the span of less than 2 years, Afrojack has become one of electronic dance music’s major icons. From humble DJ beginnings in his native country of Holland, he has grown to become a multi-award winning, platinum-selling producer. His skills are some of the most sought after in the world, and with two Grammy Awards under his belt, it’s easy to see why. In addition to this, his DJ sets have fast become both iconic and unparalleled, providing an explosive take on the current state of dance music across the board. Starting off in his hometown of Spijkenisse, Nick van de Wall aka Afrojack, quickly made a name for himself with a slew of hard-hitting underground releases, before exploding in 2011 with the unveiling of “Take Over Control” - an instant worldwide club and chart hit going platinum in the USA. This also helped solidify his own imprint Wall Recordings as a pioneering club music brand – a value he holds dear as labelboss and insures with every release.<\/p>\r\n


From there the snowball continued; as well as making club hits and collaborating with the likes of David Guetta (co-writing and producing the world-wide smash “Titanium”), he also began to team up with and write for pop artists around the world. In 2011 he co-wrote and produced “Give Me Everything” for Pitbull and Ne-Yo, which to this day has sold over 5 million copies worldwide. Not to mention his work for Beyonce’s “Run the World (Girls)” & his Grammy nominated remix for Leona Lewis’ “Collide”. The buying public are not the only ones to have noticed his remarkable prowess and has so far been awarded with Grammy Awards for Best Remix (Madonna, “Revolver”) in 2011) and Best Rap\/Hip Hop Track for his co-production duties on Chris Brown’s “Look At Me Now” this year. 2012 continued upwards when his latest single with Shermanology “Can’t Stop Me” went top 10 in Holland and is now all over Top 40 radio in the US, while his newest underground club hit “Rock The House” topped the Beatport charts after just 3 days, making it one of the fastest number one records there ever.<\/p>\r\n

 <\/p>\r\n

 Afrojack’s skills stretch much farther than the mixing desk however; his presence as one of the world’s top performers is solidified almost daily in a gruelling tour schedule. In 2012 alone he began his North American “Jacked” tour with multiple sold out shows featuring his growing posse of Wall artists, before embarking on the same concept throughout Europe with 7 shows a week throughout the summer. On top of his own shows he headlined both EDC NY & Las Vegas to over 300.000 people, as well as the UMF in Miami + Tomorrowland and many other major festivals throughout Europe. His long anticipated yet to be named artist album is nearing completion, with tracks already being roadtested at clubs. A true testament to his prolific profile as a producer and an artist, the long-player will showcase multiple sides of the Afrojack sound – from aggressive to accessible yet always credible. In the pantheon of EDM greats that have risen over the years, Afrojack has earned his place already, but is far from finished with what he has to share. The adventure continues while the beat goes on.<\/p>","description":null,"venue":{"venueId":"127278","active":true,"locale":"en-US","localeAvailable":{"1":"en-US"},"title":"Mission Ballroom","address_line":"4242 Wynkoop Street, Denver, CO 80216","address":"4242 Wynkoop Street","city":"Denver","state":"CO","postalCode":"80216","country":"United States","countryCode":"US","timezone":"America\/Denver","ada":null,"keywords":[],"skinCode":"missionballroom","currency":"USD","media":{"21":{"media_id":"4830317","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_21_657a2b73bc5e2.jpg"},"10":{"media_id":"4830318","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_10_657a2b73ef178.jpg"},"11":{"media_id":"4830319","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_11_657a2b7428ddb.jpg"},"12":{"media_id":"4830320","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_12_657a2b74482a2.jpg"},"22":{"media_id":"4830321","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_22_657a2b746875e.jpg"},"60":{"media_id":"4830322","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_60_657a2b7488bb6.jpg"},"61":{"media_id":"4830323","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_61_657a2b74a8968.jpg"}},"links":[{"link_id":1120409,"link_title":"Twitter","link_type_id":"25","link_href":"https:\/\/twitter.com\/missionballroom","link_target":"_blank"},{"link_id":1120411,"link_title":"Facebook Page Co-Host","link_type_id":"24","link_href":"https:\/\/www.facebook.com\/AEGPresentsRM\/","link_target":"_blank"}]},"associations":{"performerIds":["122023","111185","1109188"],"headliners":[{"performerId":"122023","active":true,"locale":"en-US","keywords":[],"bio":"

As one of electronic music’s most influential global stars, GRAMMY Award-winning producer and DJ AFROJACK continues to push the genre forward through chart-topping hits, underground club records, and boundary-crossing collaborations. Since his breakthrough with the multi-platinum single “Take Over Control,” the Dutch-born, genre-bending musician has lent his production skills to global hits and collaborations with artists including Beyoncé, David Guetta, Sia, Pitbull, and Martin Garrix. Named one of Rolling Stone’s 50 Most Important People in EDM and featured on Forbes’ “30 Under 30” music list, AFROJACK was among the first DJs to secure a Las Vegas residency and remains a headlining fixture with Tao Group, more than a decade into his career at the forefront of dance music.<\/p>\r\n

 <\/p>\r\n

With over 25 million monthly Spotify listeners, AFROJACK continues to evolve his sound and cultural impact into 2026. At Ultra Music Festival in Miami, he delivered a standout dual performance, opening the Main Stage with his underground alias Kapuchon before returning later for a high-energy AFROJACK set, highlighting the full spectrum of his artistry. He also debuted “Awake Tonight” with David Guetta and Sia in front of more than 50,000 fans, marking the trio’s first collaboration together since the global smash hit “Titanium,” and made a surprise appearance during Swedish House Mafia’s set. Beyond the mainstage, his Kapuchon project has continued building momentum within the global house and techno scene through releases including “Hot Sauce” with Miss Monique and GLZ on MEDUZA’s AETERNA label, which reached #1 on Beatport’s melodic house and techno chart. AFROJACK has also continued expanding his club-focused output through releases such as “Control” on Chris Lake’s Black Book Records. This spring also saw AFROJACK return to Coachella for a special Quasar stage performance alongside Shimza, further underscoring his rare ability to move seamlessly between underground club culture and the world’s biggest festival stages.<\/p>\r\n

 <\/p>\r\n

Balancing club-focused innovation with worldwide mainstage dominance, AFROJACK continues to tour internationally while releasing new music through his WALL Recordings label, which has helped launch the careers of the next generation of top DJs. Beyond his own releases, artist development and mentorship remain a major focus through WALL’s expanding creative ecosystem, including a state-of-the-art studio compound and creative campus built to support emerging talent, as well as the WALL PRO Academy created in partnership with Tomorrowland. As he moves between intimate club environments and massive festival stages, AFROJACK remains a defining force in electronic music, consistently shaping the sound and culture of the genre worldwide.<\/p>","media":{"19":{"media_id":5413932,"width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/afrojack_06-18-26_19_6a34243045016.png"},"5":{"media_id":5413933,"width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/afrojack_06-18-26_5_6a342430abe4d.png"},"6":{"media_id":5413934,"width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/afrojack_06-18-26_6_6a342430f355f.png"},"9":{"media_id":5413935,"width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/afrojack_06-18-26_9_6a3424313ad9f.png"},"20":{"media_id":5413936,"width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/afrojack_06-18-26_20_6a342431988f3.png"},"7":{"media_id":5413937,"width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/afrojack_06-18-26_7_6a342431dd4f4.png"},"24":{"media_id":5413938,"width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/afrojack_06-18-26_24_6a34243231f21.png"},"88":{"media_id":5413939,"width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/afrojack_06-18-26_88_6a34243279d58.png"}},"links":[{"link_id":"909231","link_title":"Official Website","link_type_id":"8","link_href":"http:\/\/afrojack.com","link_target":"_blank"},{"link_id":"921653","link_title":"Twitter","link_type_id":"13","link_href":"http:\/\/twitter.com\/#!\/djafrojack","link_target":"_blank"},{"link_id":"962049","link_title":"Youtube VEVO","link_type_id":"14","link_href":"http:\/\/youtube.com\/afrojacktv","link_target":"_none"},{"link_id":"962050","link_title":"Facebook Page","link_type_id":"12","link_href":"http:\/\/facebook.com\/djafrojack","link_target":"_none"},{"link_id":"962625","link_title":"Featured Video","link_type_id":"15","link_href":"http:\/\/www.youtube.com\/watch?v=LL_RhLsiMfs","link_target":"_blank"}]}],"supportingActs":[{"performerId":"111185","active":true,"locale":"en-US","keywords":[],"bio":"

\"The citizen may take a bride, but it is the rifleman who takes a lover. Ultimately we all must choose either the myth or the mountain.” 

The origins of Montreal born DJ-producer-incipient Teutonic legend Tiga lie to the vague and troubling East, where he was weaned on the nefarious milk of the notorious 1980s Indian club scene. “To the unforgiving eye,” he says of the sybaritic night-kingdom, “a world of filth and decadence is revealed. For example, I’m fairly certain that more than a few club owners had an unsavory arrangement with the man who brought the folding chairs. I was at once appalled and enraptured. After that, I had no choice in the matter.”

By 1990, Tiga had returned to Montreal, prodigiously night wise and unsatisfied with the existing local club scene (calling it “the plumage of a bird I cannot bring myself to want.”) With the help of a core group of friends, he began to throw a series of small parties infused with the sense of dead-eyed ennui gleaned from a past littered with acid whores and crazed Indian gamblers. Other innovations which Tiga introduced to Montreal party culture include guest DJs, intense street promotions featuring rival gangs of street acrobats, color flyers, multi-dj sets, and leading the supplicant crowd through the innermost corridors of one’s soul. 

It was this heady time of dizzying innovation and ravenous sexual ambition which culminated in the birth of 1993’s “Solstice,” generally considered to be Montreal’s first genuine rave. (A year earlier, a hyper-prescient Tiga staged “Eclectricity,” the first online rave, a project whose utter failure remains a source of bafflement: “It broke my heart, given my views on diversity. . . I am, I feel, a very interactive person.”) Tiga has since helped to orchestrate no less than ten major events, including “The Orb Live,” “Pure,” and the very first North American appearance of continental illusionist Jean-There. 

In 1994, Tiga bought DNA Records, a small medical data concern, and parlayed it into Montreal’s premiere electronic music boutique. “We’ve always believed in putting the customer first, from helping you find that one minimal house record that will make your collection to offering concerned looks as you wade through the enormous backlog of test results to discover if you are in fact afflicted with a congenital disease.”

In 1996, Tiga mourned the death of actor and poet Tupac Shakur.

That same year, the Montreal dance community found a haven for the boldest feats of dance, where fools are in love with mystery and sex-valor is prized above all else. Sona (meaning literally ‘Liar-dancer’) was initially conceived of by Tiga and his two partners as “a perverse, jeering monolith, because nothing is sacred anymore” but it has evolved into much more. In addition to its place amongst the pantheon of urban groove centers, on weekdays it rents out its facilities, at a very reasonable rate, to a local program dedicated to teaching homeless men to dance properly (“I just think it’s an important project,” Tiga said at the time). 

In 1998, Tiga started Turbo Recordings as an outlet for his wildman organ escapades but he soon found a host of other artists who were willing to be paid to record for him. Turbo has released over 20 albums, 2 samplers, and 12 vinyl twelve inches as well as secured global distribution with Prime, Intergroove and Caroline. Notable releases include Peter Benisch’s “Soundtrack Saga,” Christopher Handlebar’s “To a Time of Asia” and Tiga’s own “Mixed Emotions” and “American Gigolo”

By last year, however, overwork and media saturation began to show their strain, as evidenced by Tiga’s hysterical outburst at a fashion photographer during a promo shoot:

“I’ll sit for your venal cigarette pictures, but I will not indulge you in your game of ‘Eyes! Lies! Surprise!’ I dare you, coward-- call out your cloakmen! What are you waiting for? The truth?!”

Following a month spent riding horses and caring for his voice, Tiga entered the studio with producer Zyntherius “Jori” Hulkonnen and a singular vision: “electro, but mainly about my eyes.” The result, a searing rendition of his former Mother Mio bandmate Corey Hart’s solo smash “Sunglasses at Night,” challenged dancers and seduced critics alike, yet Tiga is coy when asked about its impact, particularly in Germany: “’Sunglasses’ is a sinless child, a gleaming medallion. But is also a trick, a trick of memory. You must understand-- on a whim, we revealed the hidden fire of Europe.”

But fires need tending and lumber. And so be advised of the onslaught of Tiga-powered releases, both recent and forthcoming. They are his craft, his life, his fire:

The immense success garnered by “Sunglasses at Night” was just one facet that catapulted him into the international feeding frenzied world of other electronic music notables. Tiga has remixed for the likes of Martini Bros., Alpinestars, Linda Lamb, Crossover, FC Kahuna, Cabaret Voltaire, Telepopmusik, Felix da Housecat, Fischerspooner, FPU, The Devils (Nick Rhodes), and Danni Minogue. As if this wasn’t enough, he also produced remixes for City Rockers, and singles for Turbo Recordings, Intec, Drumcode, and Electrix all under his TGV moniker, which is his collaborative effort with Mateo Murphy. 

2003 was the year that Tiga released his mix CD on !K7 for their DJ Kicks series. His take on Nelly’s “Hot in Herre”, released for the DJ Kicks compilation, became a huge success and resulted in it being licensed in the UK by Skint, as well as the GAS region by Warner Music. The video, which can be seen at http:\/\/www.eyeballnyc.com\/tiga, features a sardonic view of the hip-hop world through some clever puppet wizardry from Tiga’s brother, Thomas (aka Lord of the Marionette).

Tiga has also lent his vocals to Richard X’s debut album on a track titled “You (Better Let Me Love You X 4) Tonight”. Most recently, Tiga has remixed Alex Kidd’s “Come With Me”, Neon Judgement’s “TV Treated”, Scissor Sister’s cover of Pink Floyd’s “Comfortably Numb”, Junior Jack (feat. Robert Smith)’s “Da Hype”, and Peaches’ “Shake Yer Dix”. Already gaining massive rotation amongst club DJs, Tiga’s latest single, “Pleasure from the Bass” is being released on the Belgian imprint PIAS. 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D.O.D has well and truly found the sweet spot between fun and fame after starting off his DJ career playing in local bars and clubs in his hometown of Bury in Manchester. He chalked up multiple #1s on Beatport and gathered well over a hundred million plays across the most popular streaming portals. Although much of his success on the live front happened overseas with spots at gargantuan festivals such as Tomorrowland, Ultra and Creamfields, he also cultivates a commendable list of UK events, clubs and festivals he’s played at, including Ministry of Sound, Cream and Warehouse Project. His recent sold-out tours across the US and UK followed the success of his first UK Top 40 single, ‘So Much In Love,’ and paved the way for his latest track, ‘Somedays’ with Sonny Fodera and Jazzy, which shot to #5 on the UK Official Top 40 and claimed the #1 spot on the Official Dance Singles Chart.<\/p>","description":null,"venue":{"venueId":"127278","active":true,"locale":"en-US","localeAvailable":{"1":"en-US"},"title":"Mission Ballroom","address_line":"4242 Wynkoop Street, Denver, CO 80216","address":"4242 Wynkoop Street","city":"Denver","state":"CO","postalCode":"80216","country":"United States","countryCode":"US","timezone":"America\/Denver","ada":null,"keywords":[],"skinCode":"missionballroom","currency":"USD","media":{"21":{"media_id":"4830317","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_21_657a2b73bc5e2.jpg"},"10":{"media_id":"4830318","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_10_657a2b73ef178.jpg"},"11":{"media_id":"4830319","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_11_657a2b7428ddb.jpg"},"12":{"media_id":"4830320","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_12_657a2b74482a2.jpg"},"22":{"media_id":"4830321","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_22_657a2b746875e.jpg"},"60":{"media_id":"4830322","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_60_657a2b7488bb6.jpg"},"61":{"media_id":"4830323","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_61_657a2b74a8968.jpg"}},"links":[{"link_id":1120409,"link_title":"Twitter","link_type_id":"25","link_href":"https:\/\/twitter.com\/missionballroom","link_target":"_blank"},{"link_id":1120411,"link_title":"Facebook Page Co-Host","link_type_id":"24","link_href":"https:\/\/www.facebook.com\/AEGPresentsRM\/","link_target":"_blank"}]},"associations":{"performerIds":["251291"],"headliners":[{"performerId":"251291","active":true,"locale":"en-US","keywords":[],"bio":"

D.O.D has well and truly found the sweet spot between fun and fame after starting off his DJ career playing in local bars and clubs in his hometown of Bury in Manchester. He chalked up multiple #1s on Beatport and gathered well over a hundred million plays across the most popular streaming portals. Although much of his success on the live front happened overseas with spots at gargantuan festivals such as Tomorrowland, Ultra and Creamfields, he also cultivates a commendable list of UK events, clubs and festivals he’s played at, including Ministry of Sound, Cream and Warehouse Project. 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PALACE ARE BACK WITH “KID” AND MASSIVE TOUR OF USA + CANADA<\/p>\r\n

Palace have been making music together for over a decade. What started out as carefree jam sessions between Leo Wyndham, Rupert Turner and Matt Hodges in an airless studio in North London has burgeoned into a project that has amassed a global audience more akin to a community than a fanbase.<\/p>\r\n

Their early EPs - Lost In The Night (2014) and Chase The Light (2015) - were recorded in the band’s beloved aforementioned studio, The Arch, and established a DIY ethos that remains intrinsic to the spirit of the band to this day. Four albums followed; So Long Forever (2016), Life After (2019), Shoals (2022) and Ultrasound (2024): each one a musical exploration of a particular feeling in a particular place during a particular time; ranging from grief and the loss of a relationship to the emergence of new love and light. Consequently, it's not easy to sonically classify Palace. Their sound varies from the atmospheric and ethereal to the more grounded notes of Blues and Americana, yet in every song there is still something remarkably identifiable as Palace: an ineffability to the feelings conjured up by the music. In a word, transcendent. Perhaps it is this feeling of transcendence which resonates so deeply with their supporters; loyal fans who, by the time Palace had made their Coachella debut in 2024, welcomed them home to a sold-out show at London’s Hammersmith Apollo. <\/p>\r\n

In early 2025, Palace took a career leap that harkens back to their DIY origin. They released the Greyhound EP on their own label, Palace Presents - a collective they'd started in 2016 as a monthly night at The George Tavern in East London, which had quietly grown into something more intentional. A positive and protected space as Leo described it, away from the usual constraints of the music industry. The EP followed a sold-out run across the USA and Canada to growing crowds of dedicated fans.<\/p>\r\n

Kid was released in April 2026, together with the announcement of a 30 date tour of the USA and Canada in the Fall of 2026, culminating in a show at the Greek Theatre in Los Angeles. “Kid is about longing for a child an ocean away. It’s the ache we feel for our people when we’re separated from them. It doesn’t feel like a sadness or heaviness, but more an affirmation of that love, a primal release sung into the sunset as the road flies by.\"<\/p>\r\n

The journey from an airless studio in North London to the Greek Theatre in Los Angeles is a long one, and by doing things their way, Palace have managed to arrive still recognisably, unmistakably themselves<\/p>","description":"

TIERED PRICING<\/strong>: This event has a tiered pricing structure in the General Admission area. All General Admission tiers have the same access. Once a price level sells out it may no longer be visible or available for selection.<\/p>\r\n

        *Please note: multiple GA price levels may be available at the same time<\/p>\r\n
\r\n

This show is GENERAL ADMISSION with a RESERVED East or West Balcony configuration<\/strong><\/p>\r\n

Please see below for the different ticket options available on this event<\/p>\r\n        *Access is granted based on your purchased ticket type\r\n

 <\/p>\r\n

        *All East and West Balcony tickets have access to the general admission areas<\/p>\r\n
\r\n

GENERAL ADMISSION TICKETS<\/strong>: First-come, First-served Access to the Floor and Bowl Areas<\/p>\r\n
\r\n

RESERVED TICKETS<\/strong>: Seated Balcony Access in the East or West Sections with Nearby Bar and Exclusive Restrooms<\/p>","venue":{"venueId":"127278","active":true,"locale":"en-US","localeAvailable":{"1":"en-US"},"title":"Mission Ballroom","address_line":"4242 Wynkoop Street, Denver, CO 80216","address":"4242 Wynkoop Street","city":"Denver","state":"CO","postalCode":"80216","country":"United States","countryCode":"US","timezone":"America\/Denver","ada":null,"keywords":[],"skinCode":"missionballroom","currency":"USD","media":{"21":{"media_id":"4830317","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_21_657a2b73bc5e2.jpg"},"10":{"media_id":"4830318","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_10_657a2b73ef178.jpg"},"11":{"media_id":"4830319","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_11_657a2b7428ddb.jpg"},"12":{"media_id":"4830320","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_12_657a2b74482a2.jpg"},"22":{"media_id":"4830321","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_22_657a2b746875e.jpg"},"60":{"media_id":"4830322","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_60_657a2b7488bb6.jpg"},"61":{"media_id":"4830323","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_61_657a2b74a8968.jpg"}},"links":[{"link_id":1120409,"link_title":"Twitter","link_type_id":"25","link_href":"https:\/\/twitter.com\/missionballroom","link_target":"_blank"},{"link_id":1120411,"link_title":"Facebook Page Co-Host","link_type_id":"24","link_href":"https:\/\/www.facebook.com\/AEGPresentsRM\/","link_target":"_blank"}]},"associations":{"performerIds":["123749","1123149"],"headliners":[{"performerId":"123749","active":true,"locale":"en-US","keywords":[],"bio":"

PALACE ARE BACK WITH “KID” AND MASSIVE TOUR OF USA + CANADA<\/p>\r\n

Palace have been making music together for over a decade. What started out as carefree jam sessions between Leo Wyndham, Rupert Turner and Matt Hodges in an airless studio in North London has burgeoned into a project that has amassed a global audience more akin to a community than a fanbase.<\/p>\r\n

Their early EPs - Lost In The Night (2014) and Chase The Light (2015) - were recorded in the band’s beloved aforementioned studio, The Arch, and established a DIY ethos that remains intrinsic to the spirit of the band to this day. Four albums followed; So Long Forever (2016), Life After (2019), Shoals (2022) and Ultrasound (2024): each one a musical exploration of a particular feeling in a particular place during a particular time; ranging from grief and the loss of a relationship to the emergence of new love and light. Consequently, it's not easy to sonically classify Palace. Their sound varies from the atmospheric and ethereal to the more grounded notes of Blues and Americana, yet in every song there is still something remarkably identifiable as Palace: an ineffability to the feelings conjured up by the music. In a word, transcendent. Perhaps it is this feeling of transcendence which resonates so deeply with their supporters; loyal fans who, by the time Palace had made their Coachella debut in 2024, welcomed them home to a sold-out show at London’s Hammersmith Apollo. <\/p>\r\n

In early 2025, Palace took a career leap that harkens back to their DIY origin. They released the Greyhound EP on their own label, Palace Presents - a collective they'd started in 2016 as a monthly night at The George Tavern in East London, which had quietly grown into something more intentional. A positive and protected space as Leo described it, away from the usual constraints of the music industry. The EP followed a sold-out run across the USA and Canada to growing crowds of dedicated fans.<\/p>\r\n

Kid was released in April 2026, together with the announcement of a 30 date tour of the USA and Canada in the Fall of 2026, culminating in a show at the Greek Theatre in Los Angeles. “Kid is about longing for a child an ocean away. It’s the ache we feel for our people when we’re separated from them. It doesn’t feel like a sadness or heaviness, but more an affirmation of that love, a primal release sung into the sunset as the road flies by.\"<\/p>\r\n

The journey from an airless studio in North London to the Greek Theatre in Los Angeles is a long one, and by doing things their way, Palace have managed to arrive still recognisably, unmistakably themselves<\/p>","media":{"19":{"media_id":5372112,"width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/04\/palace_04-22-26_19_69e8d56d554c5.jpg"},"5":{"media_id":5372113,"width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/04\/palace_04-22-26_5_69e8d56da0f38.jpg"},"6":{"media_id":5372114,"width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/04\/palace_04-22-26_6_69e8d56ddba18.jpg"},"9":{"media_id":5372115,"width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/04\/palace_04-22-26_9_69e8d56e254cd.jpg"},"20":{"media_id":5372116,"width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/04\/palace_04-22-26_20_69e8d56e61c61.jpg"},"7":{"media_id":5372117,"width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/04\/palace_04-22-26_7_69e8d56ea25d4.jpg"},"24":{"media_id":5372118,"width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/04\/palace_04-22-26_24_69e8d56ee47a9.jpg"},"88":{"media_id":5372119,"width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/04\/palace_04-22-26_88_69e8d56f30a2e.jpg"}},"links":[{"link_id":"1098554","link_title":"Official Website","link_type_id":"8","link_href":"https:\/\/www.wearepalace.com\/","link_target":"_blank"},{"link_id":"1098555","link_title":"Facebook Page","link_type_id":"12","link_href":"https:\/\/www.facebook.com\/wearepalace\/","link_target":"_blank"},{"link_id":"1098556","link_title":"Instagram","link_type_id":"49","link_href":"https:\/\/www.instagram.com\/wearepalace\/","link_target":"_blank"},{"link_id":"1098557","link_title":"Twitter","link_type_id":"13","link_href":"https:\/\/twitter.com\/wearepalace\/","link_target":"_blank"}]}],"supportingActs":[{"performerId":"1123149","active":true,"locale":"en-US","keywords":[],"bio":"

After years of touring with his band ISLAND, Rollo took advantage of some time away from the road to explore a new side of his songwriting and sound.<\/p>\r\n

The first chapter saw him writing rain-soaked lo-fi beats in his Hackney bedroom during lockdown. The result’ - Out My Window’ gained him valuable support and led to invitations to join both Palace and Skinshape on their 2024 UK and European tours.<\/p>\r\n

The second chapter emerged on the road. Rollo began reimagining his existing catalogue for acoustic guitar, loop pedal, and bowed strings, developing the arrangements night after night in front of live audiences. The response was so strong that these versions were later recorded and released as a separate body of work - the ‘Strings’ EP<\/p>\r\n

A trip to subtropical North Florida then pushed things further. Joining long-time collaborators The Still Brothers in a shaded suburban studio, Rollo found inspiration in the slow, warm rhythm of life around him. The experience became the foundation for his debut album, a collection of songs shaped by memories of the lazy rhythm of life in the town.<\/p>\r\n

Rollo's sound is always evolving, collecting stories, experiences, and influences from every corner of the journey.<\/p>\r\n

 <\/p>","media":{"19":{"media_id":"5428343","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/07\/rollo-doherty_07-15-26_19_6a57f6d05e3cc.jpg"},"5":{"media_id":"5428344","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/07\/rollo-doherty_07-15-26_5_6a57f6d0b7bda.jpg"},"6":{"media_id":"5428345","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/07\/rollo-doherty_07-15-26_6_6a57f6d0f1bb9.jpg"},"9":{"media_id":"5428346","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/07\/rollo-doherty_07-15-26_9_6a57f6d139550.jpg"},"20":{"media_id":"5428347","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/07\/rollo-doherty_07-15-26_20_6a57f6d17c921.jpg"},"7":{"media_id":"5428348","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/07\/rollo-doherty_07-15-26_7_6a57f6d1bdd0e.jpg"},"24":{"media_id":"5428349","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/07\/rollo-doherty_07-15-26_24_6a57f6d2051cc.jpg"},"88":{"media_id":"5428350","width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/07\/rollo-doherty_07-15-26_88_6a57f6d241e25.jpg"}},"links":[]}],"additionalPerformers":[]},"media":{"17":{"media_id":"5431543","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/07\/palace-tickets_10-20-26_17_6a5fc4122a2ca.jpg"},"1":{"media_id":"5431544","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/07\/palace-tickets_10-20-26_1_6a5fc41278505.jpg"},"2":{"media_id":"5431545","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/07\/palace-tickets_10-20-26_2_6a5fc412b7a09.jpg"},"4":{"media_id":"5431546","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/07\/palace-tickets_10-20-26_4_6a5fc413037a7.jpg"},"18":{"media_id":"5431547","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/07\/palace-tickets_10-20-26_18_6a5fc4134301e.jpg"},"3":{"media_id":"5431548","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/07\/palace-tickets_10-20-26_3_6a5fc41382918.jpg"},"23":{"media_id":"5431549","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/07\/palace-tickets_10-20-26_23_6a5fc413c2873.jpg"},"86":{"media_id":"5431550","width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/07\/palace-tickets_10-20-26_86_6a5fc4140db6c.jpg"},"121":{"media_id":"5431551","width":716,"height":896,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/07\/palace-tickets_10-20-26_121_6a5fc41483a53.png"}},"relatedMedia":{"1":{"media_id":"5431544","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/07\/palace-tickets_10-20-26_1_6a5fc41278505.jpg"},"2":{"media_id":"5431545","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/07\/palace-tickets_10-20-26_2_6a5fc412b7a09.jpg"},"3":{"media_id":"5431548","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/07\/palace-tickets_10-20-26_3_6a5fc41382918.jpg"},"4":{"media_id":"5431546","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/07\/palace-tickets_10-20-26_4_6a5fc413037a7.jpg"},"23":{"media_id":"5431549","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/07\/palace-tickets_10-20-26_23_6a5fc413c2873.jpg"},"17":{"media_id":"5431543","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/07\/palace-tickets_10-20-26_17_6a5fc4122a2ca.jpg"},"18":{"media_id":"5431547","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/07\/palace-tickets_10-20-26_18_6a5fc4134301e.jpg"},"86":{"media_id":"5431550","width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/07\/palace-tickets_10-20-26_86_6a5fc4140db6c.jpg"},"81":{"media_id":0,"width":"1770","height":"580","file_name":"https:\/\/s.axs.com\/axs\/bundles\/aegaxs\/images\/defaults\/1\/1_1770_580.png"},"102":{"media_id":0,"width":"860","height":"400","file_name":"https:\/\/s.axs.com\/axs\/bundles\/aegaxs\/images\/defaults\/1\/1_860_400.png"}},"links":[{"link_id":"1098555","link_title":"Facebook Page","link_type_id":"12","link_href":"https:\/\/www.facebook.com\/wearepalace\/","link_target":"_blank"},{"link_id":"1098557","link_title":"Twitter","link_type_id":"13","link_href":"https:\/\/twitter.com\/wearepalace\/","link_target":"_blank"}],"olympics":null,"keywords":[]},{"eventId":"1355568","active":true,"createdUTC":"2026-02-27T18:34:35","modifiedUTC":"2026-09-18T16:47:51","locale":"en-US","localeAvailable":{"1":"en-US"},"title":{"presentedBy":null,"presentedByText":null,"headliners":"Odd Mob<\/a>","headlinersText":"Odd Mob","supporting":null,"supportingText":null,"tour":null,"eventTitle":"Odd Mob<\/a>","eventTitleText":"Odd Mob"},"age":"16 & 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Known for his genre-defying approach, Odd Mob has cemented his place at the forefront of global electronic music. He broke through with the 2014 hit \u2018Is It A Banger\u2019, which charted in the Australian triple j \u2018Hottest 100\u2019 and has since amassed over 8 million streams. Since then, Odd Mob has released a string of hits like \u2018Intrinsic\u2019, \u2018Lithium\u2019 and \u2018LEFT TO RIGHT\u2019\u2019, while collaborating with LA producer OMNOM on tracks such as \u2018Losing Control\u2019, \u2018Mind Awake, Body Asleep\u2019, and \u2018All Day, All Night\u2019, pushing him past 260+ million streams across platforms. The past 12 months has seen Odd Mob release official remixes for John Summit, Dom Dolla, Chris Lake, Sub Focus, Jax Jones & D.O.D. Adam Beyer & Green Velvet, Sofi Tukker, ODESZA, and Felix Jaehn. Meanwhile, his bootleg series under the Oddities brand has earned millions of plays, thanks to his constant innovation and boundary-pushing sound, which has caught the attention of industry titans like Diplo, Fisher, Calvin Harris, and Tiesto. His 2022 single, \u2018LEFT TO RIGHT\u2019, based around Soulja Boy\u2019s \u2018Crank That\u2019, received massive support from top-tier DJs such as Skrillex, Dom Dolla, Fred Again.., Disclosure, and Chris Lake, propelling him into the global spotlight. Odd Mob continued his winning streak in 2023 with a packed tour schedule, including sets at EDC, Coachella, and Shambhala. His collaboration with OMNOM, \u2018Losing Control\u2019, became an underground club hit, soaring to #1 on Beatport\u2019s Top 100 chart, while garnering over 1.5 million streams within two weeks. 2024 was another landmark year for Odd Mob, with highlights including a massive sold out headline show at LA\u2019s iconic Hollywood Palladium, two performances at Tomorrowland, EDC Las Vegas, Parookaville, and supporting Swedish House Mafia at Ushuaia in Ibiza as part of his first ever European Tour. Since this huge run of shows, one of his most recent releases is an official rework of the 2003 global hit \u2018Get Busy\u2019 with Sean Paul and has already surpassed 46 million streams, topping the ARIA and UK Upfront Club charts. The collaboration also reached #3 on the Beatport Top 100; spending 9 weeks in the top 10 with an on going #1 chart in the Bass House chart, where it currently remains. 2025 is shaping up to be another milestone year for Odd Mob, with a massive new collaboration with dance music icon Ti\u00ebsto, a packed global tour schedule, and a string of appearances including Coachella, Shambhala, EDC, Beyond Wonderland, Space Miami, Elrow, and a highly anticipated return to Ibiza this August, not to mention a new Las Vegas residency at Wynn for the year ahead. Building on his nonstop momentum, Odd Mob was personally selected by John Summit as direct support for his recent sold-out Australian tour. Now, Odd Mob is set to take center stage with his own sold-out headline show series, coming to Australia this September, with stops in Perth, Melbourne, Sydney, and his hometown of Brisbane. Cementing his status as one of the most innovative forces in electronic music, Odd Mob continues on his rapid rise to the top.","description":null,"venue":{"venueId":"127278","active":true,"locale":"en-US","localeAvailable":{"1":"en-US"},"title":"Mission Ballroom","address_line":"4242 Wynkoop Street, Denver, CO 80216","address":"4242 Wynkoop Street","city":"Denver","state":"CO","postalCode":"80216","country":"United States","countryCode":"US","timezone":"America\/Denver","ada":null,"keywords":[],"skinCode":"missionballroom","currency":"USD","media":{"21":{"media_id":"4830317","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_21_657a2b73bc5e2.jpg"},"10":{"media_id":"4830318","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_10_657a2b73ef178.jpg"},"11":{"media_id":"4830319","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_11_657a2b7428ddb.jpg"},"12":{"media_id":"4830320","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_12_657a2b74482a2.jpg"},"22":{"media_id":"4830321","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_22_657a2b746875e.jpg"},"60":{"media_id":"4830322","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_60_657a2b7488bb6.jpg"},"61":{"media_id":"4830323","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_61_657a2b74a8968.jpg"}},"links":[{"link_id":1120409,"link_title":"Twitter","link_type_id":"25","link_href":"https:\/\/twitter.com\/missionballroom","link_target":"_blank"},{"link_id":1120411,"link_title":"Facebook Page Co-Host","link_type_id":"24","link_href":"https:\/\/www.facebook.com\/AEGPresentsRM\/","link_target":"_blank"}]},"associations":{"performerIds":["1115835"],"headliners":[{"performerId":"1115835","active":true,"locale":"en-US","keywords":[],"bio":"For Australian producer and DJ, Odd Mob, there are no limits in sight as he continues to soar with each innovative production. Known for his genre-defying approach, Odd Mob has cemented his place at the forefront of global electronic music. He broke through with the 2014 hit ‘Is It A Banger’, which charted in the Australian triple j ‘Hottest 100’ and has since amassed over 8 million streams. Since then, Odd Mob has released a string of hits like ‘Intrinsic’, ‘Lithium’ and ‘LEFT TO RIGHT’’, while collaborating with LA producer OMNOM on tracks such as ‘Losing Control’, ‘Mind Awake, Body Asleep’, and ‘All Day, All Night’, pushing him past 260+ million streams across platforms. The past 12 months has seen Odd Mob release official remixes for John Summit, Dom Dolla, Chris Lake, Sub Focus, Jax Jones & D.O.D. Adam Beyer & Green Velvet, Sofi Tukker, ODESZA, and Felix Jaehn. Meanwhile, his bootleg series under the Oddities brand has earned millions of plays, thanks to his constant innovation and boundary-pushing sound, which has caught the attention of industry titans like Diplo, Fisher, Calvin Harris, and Tiesto. 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Method of delivery is AXS Mobile<\/strong> only<\/p>\n

TIERED PRICING<\/strong>: This event has a tiered pricing structure in the General Admission area. All General Admission tiers have the same access. Once a price level sells out it may no longer be visible or available for selection.
\n*Please note: multiple GA price levels may be available at the same time<\/p>\n

SCALING<\/strong>
\nThis show is GENERAL ADMISSION with a GA VIP East or West Balcony configuration. Please see below for the different ticket options available on this event
\n*Access is granted based on your purchased ticket type
\n*All East and West Balcony tickets have access to the general admission areas<\/p>\n

GENERAL ADMISSION TICKETS<\/strong>
\nFirst-come, First-served Access to the Floor and Bowl Areas<\/p>\n

GA VIP TICKETS<\/strong>
\nFirst-come, First-served Preferred Standing Room Only Balcony Viewing Area in the East or West Sections with Nearby Bar and Exclusive Restrooms<\/p>","venue":{"venueId":"127278","active":true,"locale":"en-US","localeAvailable":{"1":"en-US"},"title":"Mission Ballroom","address_line":"4242 Wynkoop Street, Denver, CO 80216","address":"4242 Wynkoop Street","city":"Denver","state":"CO","postalCode":"80216","country":"United 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Star All-Stars<\/a>","supportingText":"Easy Star All-Stars","tour":"Getting Killed Again Tour","eventTitle":"Geese<\/a>","eventTitleText":"Geese"},"age":"16 & 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New York City\u2019s Geese return with their highly anticipated 3rd studio album, \u2018Getting Killed\u2019. After being approached by Kenneth \u2018Kenny Beats\u2019 Blume at a music festival, Geese tracked the album in his LA studio over the course of ten fast-paced days. With scant time for overdubbing, the finished project emerges as something of a chaotic comedy, shambolic in structure but passionately performed, informed by an exacting vision. Garage riffs are layered upon Ukrainian choir samples; hissing drum machines pulse softly behind screeching guitars; strange, lullaby-esque songs are interspersed with furious, repetitive experiments. With \u2018Getting Killed,\u2019 Geese balances a disarming new tenderness with an intensified anger, seemingly trading their love of classic rock for a disdain for music itself.<\/div>","description":"

TICKET LIMIT<\/strong>: There is a 4 ticket limit per household. Orders exceeding this limit may be cancelled without notification<\/p>\n

Method of Delivery is AXS Mobile ID for all tickets<\/p>\n

Geese have partnered with PLUS1 so that $1 per ticket goes to supporting organizations driving positive change in their communities. www.plus1.org<\/p>\n

Ticket Transfer Delay <\/strong><\/p>\n

The event organizer has decided that ticket transfer will be delayed for this event. Ticket transfer will be available on or about 5\/15\/2026. Please review the terms of AXS\u2019s Purchase Agreement (axs.com\/purchaseagreement) for more information.<\/p>\n

Resale Not Enabled <\/strong><\/p>\n

The event organizer has decided that resale of tickets on AXS Resale will not be immediately available for this event but may become available at a later date. Please review the terms of AXS\u2019s Purchase Agreement (axs.com\/purchaseagreement) for more information.<\/p>\n

Resale tickets may exceed face value and prices are NOT set by the artist or artist team.<\/p>\n

This show is GENERAL ADMISSION with a RESERVED East or West Balcony configuration<\/p>\n

Please see below for the different ticket options available on this event<\/p>\n

*Access is granted based on your purchased ticket type<\/p>\n

*All East and West Balcony tickets have access to the general admission areas<\/p>\n

GENERAL ADMISSION TICKETS<\/p>\n

First-come, First-served Access to the Floor and Bowl Areas<\/p>\n

RESERVED TICKETS<\/p>\n

Seated Balcony Access in the East or West Sections with Nearby Bar and Exclusive Restrooms<\/p>","venue":{"venueId":"127278","active":true,"locale":"en-US","localeAvailable":{"1":"en-US"},"title":"Mission Ballroom","address_line":"4242 Wynkoop Street, Denver, CO 80216","address":"4242 Wynkoop Street","city":"Denver","state":"CO","postalCode":"80216","country":"United States","countryCode":"US","timezone":"America\/Denver","ada":null,"keywords":[],"skinCode":"missionballroom","currency":"USD","media":{"21":{"media_id":"4830317","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_21_657a2b73bc5e2.jpg"},"10":{"media_id":"4830318","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_10_657a2b73ef178.jpg"},"11":{"media_id":"4830319","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_11_657a2b7428ddb.jpg"},"12":{"media_id":"4830320","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_12_657a2b74482a2.jpg"},"22":{"media_id":"4830321","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_22_657a2b746875e.jpg"},"60":{"media_id":"4830322","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_60_657a2b7488bb6.jpg"},"61":{"media_id":"4830323","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_61_657a2b74a8968.jpg"}},"links":[{"link_id":1120409,"link_title":"Twitter","link_type_id":"25","link_href":"https:\/\/twitter.com\/missionballroom","link_target":"_blank"},{"link_id":1120411,"link_title":"Facebook Page Co-Host","link_type_id":"24","link_href":"https:\/\/www.facebook.com\/AEGPresentsRM\/","link_target":"_blank"}]},"associations":{"performerIds":["208246","105862"],"headliners":[{"performerId":"208246","active":true,"locale":"en-US","keywords":[],"bio":"

\r\n

Ripping up the expected blueprint Geese set with their 2021 debut Projector<\/em> and the cowboy rock follow-up of 2023’s 3D Country, Getting Killed <\/em>puts the very idea of conventional rock structures in the band’s crosshairs. Working at a feverish clip with renowned producer Kenneth Blume over a month-long stretch, Geese emerged wielding a sharp, novel new vision for the genre, sporting wry smiles and a resolute confidence. The album was crowned the number one album of the year on numerous Best of 2025 lists including TIME, The New Yorker, The New York Times and more. 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- WAREHOUSE.WAVS TOUR (360 SHOW)","headlinersText":"Whethan - WAREHOUSE.WAVS TOUR (360 SHOW)","supporting":"Super Computer","supportingText":"Super Computer","tour":null,"eventTitle":"Whethan<\/a> - WAREHOUSE.WAVS TOUR (360 SHOW)","eventTitleText":"Whethan - WAREHOUSE.WAVS TOUR (360 SHOW)"},"age":"16 & Over","publishStatus":1,"private":false,"currency":"USD","currencySymbol":"$","eventDateTime":"2026-10-31T20:00:00","eventDateTimeZone":"America\/Denver","eventDateTimeZoneAbbr":"MDT","eventDateTimeUTC":"2026-11-01T02:00:00","eventDateTimeISO":"2026-10-31T20:00:00-06:00","additionalDates":[],"expirationDateTime":null,"expirationDateTimeUTC":null,"doorDateTime":"2026-10-31T20:00:00","doorDateTimeUTC":"2026-11-01T02:00:00","announceDateTime":"2026-05-26T10:00:00","announceDateTimeTimeZone":"America\/Denver","announceDateTimeUTC":"2026-05-26T16:00:00","presaleDateTime":null,"presaleDateTimeTimeZone":"America\/Denver","presaleDateTimeUTC":null,"presaleEndDateTime":null,"presaleEndDateTimeTimeZone":"America\/Denver","presaleEndDateTimeUTC":null,"onsaleDateTime":"2026-05-29T10:00:00","onsaleDateTimeTimeZone":"America\/Denver","onsaleDateTimeZoneAbbr":"MDT","onsaleDateTimeUTC":"2026-05-29T16:00:00","ticketing":{"statusId":1,"status":"Buy Tickets","presaleURL":null,"ticketURL":"https:\/\/shop.axs.com\/?c=axs&e=20174867067390813","url":"https:\/\/www.axs.com\/events\/1455601\/whethan-warehouse-wavs-tour-360-show-tickets","eventUrl":"https:\/\/www.axs.com\/events\/1455601\/whethan-warehouse-wavs-tour-360-show-tickets","ticketLinkExists":true},"ticketPrice":null,"ticketPriceLow":"$0","ticketPriceHigh":"$0","doorPrice":null,"doorPriceLow":"$0","doorPriceHigh":"$0","bio":"

For Whethan, evolution happens in real-time. He doesn’t wait around or look back. Instead, he forges ahead, making the most of not only each song, show, and album, but of every second, minute, hour, and day. The gold-selling Chicago-based artist, producer, and remixer consistently canvases new creative territory from a place of pure curiosity. Committed to constant perpetual motion, he never stops searching for peaks to summit and barriers to break.<\/p>\r\n

 <\/p>\r\n

Once again, he confidently pushes forward on a series of singles and his 2021 second full-length album for Atlantic Records.<\/p>\r\n

 <\/p>\r\n

“I’ve been in the electronic music community for a while, but I’m really exploring now because I’m more comfortable with who I am,” he reveals. “I’m growing up and experimenting at the same time. The music is exciting and real because of it. I want to keep evolving and reaching people who haven’t heard me.”<\/p>\r\n

 <\/p>\r\n

At this point, an awful lot of people have<\/em> heard Whethan…<\/p>\r\n

 <\/p>\r\n

Since 2015, he has quietly emerged as an influential and inescapable force in not only the electronic genre, but popular music at large. Beyond tallying over 1 billion global streams and counting, he notably became “the young artist ever on Australia’s Future Classics<\/em>.”<\/em>  He earned a gold single with “Good Nights” [feat. Mascolo] from 2018’s Life of a Wallflower, Vol. 1<\/em> and notably collaborated with everyone from Dua Lipa, Charli XCX, and K.FLAY to Tom Morello of Rage Against The Machine, Portugal. The Man, Jeremih, The Knocks, and Wafia. During 2020, he reached another high watermark with his debut album, FANTASY<\/em>.  It incited tastemaker applause courtesy of Billboard<\/em>, SPIN<\/em>, Earmilk<\/em>, Flaunt<\/em>, American Songwriter<\/em>, OnestoWatch<\/em>, Dancing Astronaut<\/em>, EDM.com<\/em>, ThisSongIsSick<\/em>, and more. Along the way, he graced bills of marquee festivals such as Coachella<\/em>, Lollapalooza<\/em>, Outside Lands<\/em>, and Electric Daisy Carnival<\/em> in addition to selling out a co-headliner at the legendary Red Rocks Amphitheatre and topping the lineup of MTV’s Snowglobe Music Festival<\/em>.<\/p>\r\n

 <\/p>\r\n

As he continued to create throughout the Global Pandemic, advice from one of his heroes, Skrillex, echoed in the back of his mind.<\/p>\r\n

 <\/p>\r\n

“Skrillex told me you should make music for your inner child,” he recalls. “That always stuck with me. It was a revelation. I want to always be excited about what I’m doing.”<\/p>\r\n

 <\/p>\r\n

After touring heavily for the last few years, he maximized his time off the road. He produced five tracks on Oliver Tree’s critically acclaimed debut album, Ugly Is Beautiful<\/em>. Combing Soundcloud for music, he immersed himself in the burgeoning hyperpop movement at the same time.<\/p>\r\n

 <\/p>\r\n

“After putting out FANTASY<\/em>, I took a break from my solo material,” he elaborates. “I wanted to go outside of the box and work on all types of music. I knew doing that would lead me back to music as an artist.”<\/p>\r\n

 <\/p>\r\n

His instincts proved correct. He reached out to rising hyperpop star Glaive and genre-bending ericdoa and cooked up the 2021 single “Think You Right.” On the track, synths shift like tectonic plates underneath hypnotic vocal interplay. Meanwhile, strings underscore a hook teeming with uncontainable energy.<\/p>\r\n

 <\/p>\r\n

“I was able to work with Glaive and ericdoa very naturally,” he states. “I didn’t feel like I was sacrificing my sound or integrity. These guys were all about getting crazy with the production. They wanted me to be as Whethan as I could be. There was a ton of freedom, so it’s a very special song to me. It’s a big moment. It’s pretty much what I want the next project to sound like. It absolutely set the tone.”<\/p>\r\n

Working with the likes of Matt Ox, midwxst, Yeat, Reocragun, Slump6s, and many more on tracks, he continues to widen the scope of his sound.<\/p>\r\n

 <\/p>\r\n

“I hate doing the same thing twice,” he affirms. “I love surprising people and keeping them on the edge of their seats. I want to make music that can be played for everyone on the biggest scale possible. I love synths, crazy video game sounds, and hard bass. Everything is a part of the next chapter.”<\/p>\r\n

In the end, this evolution services a higher calling for Whethan.<\/p>\r\n

 <\/p>\r\n

“When people hear my music, I want them to party and dance,” he leaves off. “I just hope they have a good time.”<\/p>","description":null,"venue":{"venueId":"127278","active":true,"locale":"en-US","localeAvailable":{"1":"en-US"},"title":"Mission Ballroom","address_line":"4242 Wynkoop Street, Denver, CO 80216","address":"4242 Wynkoop Street","city":"Denver","state":"CO","postalCode":"80216","country":"United States","countryCode":"US","timezone":"America\/Denver","ada":null,"keywords":[],"skinCode":"missionballroom","currency":"USD","media":{"21":{"media_id":"4830317","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_21_657a2b73bc5e2.jpg"},"10":{"media_id":"4830318","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_10_657a2b73ef178.jpg"},"11":{"media_id":"4830319","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_11_657a2b7428ddb.jpg"},"12":{"media_id":"4830320","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_12_657a2b74482a2.jpg"},"22":{"media_id":"4830321","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_22_657a2b746875e.jpg"},"60":{"media_id":"4830322","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_60_657a2b7488bb6.jpg"},"61":{"media_id":"4830323","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_61_657a2b74a8968.jpg"}},"links":[{"link_id":1120409,"link_title":"Twitter","link_type_id":"25","link_href":"https:\/\/twitter.com\/missionballroom","link_target":"_blank"},{"link_id":1120411,"link_title":"Facebook Page Co-Host","link_type_id":"24","link_href":"https:\/\/www.facebook.com\/AEGPresentsRM\/","link_target":"_blank"}]},"associations":{"performerIds":["1103819"],"headliners":[{"performerId":"1103819","active":true,"locale":"en-US","keywords":[],"bio":"

For Whethan, evolution happens in real-time. He doesn’t wait around or look back. Instead, he forges ahead, making the most of not only each song, show, and album, but of every second, minute, hour, and day. The gold-selling Chicago-based artist, producer, and remixer consistently canvases new creative territory from a place of pure curiosity. Committed to constant perpetual motion, he never stops searching for peaks to summit and barriers to break.<\/p>\r\n

 <\/p>\r\n

Once again, he confidently pushes forward on a series of singles and his 2021 second full-length album for Atlantic Records.<\/p>\r\n

 <\/p>\r\n

“I’ve been in the electronic music community for a while, but I’m really exploring now because I’m more comfortable with who I am,” he reveals. “I’m growing up and experimenting at the same time. The music is exciting and real because of it. I want to keep evolving and reaching people who haven’t heard me.”<\/p>\r\n

 <\/p>\r\n

At this point, an awful lot of people have<\/em> heard Whethan…<\/p>\r\n

 <\/p>\r\n

Since 2015, he has quietly emerged as an influential and inescapable force in not only the electronic genre, but popular music at large. Beyond tallying over 1 billion global streams and counting, he notably became “the young artist ever on Australia’s Future Classics<\/em>.”<\/em>  He earned a gold single with “Good Nights” [feat. Mascolo] from 2018’s Life of a Wallflower, Vol. 1<\/em> and notably collaborated with everyone from Dua Lipa, Charli XCX, and K.FLAY to Tom Morello of Rage Against The Machine, Portugal. The Man, Jeremih, The Knocks, and Wafia. During 2020, he reached another high watermark with his debut album, FANTASY<\/em>.  It incited tastemaker applause courtesy of Billboard<\/em>, SPIN<\/em>, Earmilk<\/em>, Flaunt<\/em>, American Songwriter<\/em>, OnestoWatch<\/em>, Dancing Astronaut<\/em>, EDM.com<\/em>, ThisSongIsSick<\/em>, and more. Along the way, he graced bills of marquee festivals such as Coachella<\/em>, Lollapalooza<\/em>, Outside Lands<\/em>, and Electric Daisy Carnival<\/em> in addition to selling out a co-headliner at the legendary Red Rocks Amphitheatre and topping the lineup of MTV’s Snowglobe Music Festival<\/em>.<\/p>\r\n

 <\/p>\r\n

As he continued to create throughout the Global Pandemic, advice from one of his heroes, Skrillex, echoed in the back of his mind.<\/p>\r\n

 <\/p>\r\n

“Skrillex told me you should make music for your inner child,” he recalls. “That always stuck with me. It was a revelation. I want to always be excited about what I’m doing.”<\/p>\r\n

 <\/p>\r\n

After touring heavily for the last few years, he maximized his time off the road. He produced five tracks on Oliver Tree’s critically acclaimed debut album, Ugly Is Beautiful<\/em>. Combing Soundcloud for music, he immersed himself in the burgeoning hyperpop movement at the same time.<\/p>\r\n

 <\/p>\r\n

“After putting out FANTASY<\/em>, I took a break from my solo material,” he elaborates. “I wanted to go outside of the box and work on all types of music. I knew doing that would lead me back to music as an artist.”<\/p>\r\n

 <\/p>\r\n

His instincts proved correct. He reached out to rising hyperpop star Glaive and genre-bending ericdoa and cooked up the 2021 single “Think You Right.” On the track, synths shift like tectonic plates underneath hypnotic vocal interplay. Meanwhile, strings underscore a hook teeming with uncontainable energy.<\/p>\r\n

 <\/p>\r\n

“I was able to work with Glaive and ericdoa very naturally,” he states. “I didn’t feel like I was sacrificing my sound or integrity. These guys were all about getting crazy with the production. They wanted me to be as Whethan as I could be. There was a ton of freedom, so it’s a very special song to me. It’s a big moment. It’s pretty much what I want the next project to sound like. It absolutely set the tone.”<\/p>\r\n

Working with the likes of Matt Ox, midwxst, Yeat, Reocragun, Slump6s, and many more on tracks, he continues to widen the scope of his sound.<\/p>\r\n

 <\/p>\r\n

“I hate doing the same thing twice,” he affirms. “I love surprising people and keeping them on the edge of their seats. I want to make music that can be played for everyone on the biggest scale possible. I love synths, crazy video game sounds, and hard bass. Everything is a part of the next chapter.”<\/p>\r\n

In the end, this evolution services a higher calling for Whethan.<\/p>\r\n

 <\/p>\r\n

“When people hear my music, I want them to party and dance,” he leaves off. “I just hope they have a good 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Tickets","presaleURL":null,"ticketURL":"https:\/\/shop.axs.com\/?c=axs&e=20174867067781266","url":"https:\/\/www.axs.com\/events\/1525103\/orville-peck-tickets","eventUrl":"https:\/\/www.axs.com\/events\/1525103\/orville-peck-tickets","ticketLinkExists":true},"ticketPrice":null,"ticketPriceLow":"$0","ticketPriceHigh":"$0","doorPrice":null,"doorPriceLow":"$0","doorPriceHigh":"$0","bio":"

The first voices you\u2019ll hear on Orville Peck\u2019s fourth studio album are Emmylou Harris, Noah Cyrus and Allison Russell, harmonizing bluegrass on \u201cPrologue (Eulogy Of A Man Turned Mule)\u201d as they introduce Mule, a sweeping, chronological epic that narrativizes the year 2023\u2014or, as Orville knows it, the year he \u201chit rock bottom before finally getting sober.\u201d The image is stark and cinematic: three iconic musicians from different generations and genres within country music, \u201cstanding over a metaphorical coffin with me inside of it, singing about how much of a waste of my life was, as if I had died in the Bowery Hotel the night I overdosed in 2023.\u201d <\/p>\n
\n

Flash back to three years ago: it\u2019s January, and Orville\u2019s just returned home from a trip with his partner that culminated in their breakup (and a promise to return to each other later that fall for a check-in, opening the for what each hoped would be a substantial period of growth and time apart). Single and alone in Los Angeles, as we find him on \u201cBig \u2018Ol House,\u201d Orville gives in to his destructive impulses: drinking, partying, drugging. \u201cI\u2019d be sitting alone inside my house feeling like a prisoner, trapped inside something I\u2019d earned and something I never thought I would have growing up,\u201d he says. \u201cYet I was feeling like I could never escape what had become this prison for myself to act out and be depressed in.\u201d <\/p>\n
\n

Where Pony, Bronco, and Stampede wove together bits and pieces of Orville\u2019s life and learnings, Mule takes a linear (though not always straight) path through the hardest year of the artist\u2019s life. Its title (also the album\u2019s closing track) gets its name from a simple place of inspiration and comparison: \u201cTo me, the image of a mule is somehow misunderstood,\u201d Orville says. \u201cA mule is the offspring of a horse and a donkey bred specifically for work. Mules cannot reproduce. They are trapped between two worlds, maybe always trying to figure out which one they belong to. They are known allegorically for being hard-working, stubborn, a burden, resilient. And it\u2019s also a nickname for those who traffic drugs. Mules work in their own time and in their own way: built by choice and yet never to be recreated. Singular and alone. I think that it is hard to be a mule\u2026 but I\u2019m also glad that I am one.\u201d <\/p>\n
\n

After \u201cBig \u2018Ol House,\u201d we\u2019re thrust into \u201cAlready Gone,\u201d which, on its surface, appears joyful and carefree\u2014but its lyrics about being thrown into \u2018the slammer\u201d stand in stark opposition to its hand-clapping melodies. \u201cAt the time, I didn\u2019t believe I had a problem, but I begrudgingly agreed to go to rehab at the behest of my team,\u201d he remembers. \u201cI was in such a chaotic, egotistical state of mind that I didn\u2019t take it seriously, which is why \u2018Already Gone\u2019 is one of the most upbeat, fun songs on the album, but it\u2019s actually filled with a lot of darkness.\u201d <\/p>\n
\n

Orville calls \u201cRehab Blues\u201d his \u201chokum\u201d song, referencing the country western sonic trope that historically combined comedy, wit, and poignant lyrics. \u201cWhen I was in rehab in California, I wished that I could die or leave or escape\u2014I just did not want to be there,\u201d he says. The song\u2019s first verse immediately fulfills its hokum ambition: \u201cThey\u2019re always knocking at the door \/ You get a bed but you use the floor \/ They watch you take the pills \/ No thrills \/ No TV after 9,\u201d he croons before imagining evening news stories about his untimely demise. \u201cI wanted to give a comedic spin given where my head was at. The bridge especially is quite funny, where my fantasies of escaping present themselves as an almost circus-like eruption of friends and ridiculous instruments causing a scene in my mind.\u201d <\/p>\n
\n

With rehab done, Orville\u2019s journey was only just beginning. \u201cI didn\u2019t leave sober,\u201d he says. \u201cI left thinking that now at least I had control of my drinking and that I wasn\u2019t an alcoholic, that I was smarter than that, that I was better than other people that had gone to rehab\u2014or at least that I was different. So I went straight back to partying and being insane.\u201d That story gets told in all its messy glory (and embarrassment) on \u201cRing The Bell,\u201d the chorus of which finds Orville singing about \u201canother reckless man \/ with a masterplan \/ to get himself kicked out of hell\u201d and how \u201cif you get blacked out \/ you don\u2019t have to pout \/ there\u2019s another round that\u2019s ready to go.\u201d (\u201cFull peak chaos era,\u201d Orville jokes.) <\/p>\n
\n

\u201cBlue Skies\u201d were certainly ahead, though not right away, and not in the way he sings about on the song of the same name. Slow, drawn-out percussion and dramatic strings underscore Orville\u2019s lush harmonizing and howling as he croons about (as he describes it) \u201cdescending back into darkness, even darker than ever before I went to rehab\u201d before a discordant crash-out and crescendo. Rock bottom comes one night in downtown New York the summer of 2023 in the form of \u201cThe Fall,\u201d chronicling the moment Orville knew\u2014based on how his choices had begun to impact those closest to him\u2014that a change needed to come, and quickly. \u201cThe lyrics are mostly about yearning for missing everything that I had lost in my life at that point: my relationship, my career, and my sanity,\u201d he says. \u201cBut this song is also about finding the clarity that I needed to make a change, clarity that also involved healing some of the resentment I felt towards my ex and myself; this song is the turning point in the album that changes for the better.\u201d <\/p>\n
\n

Mule\u2019s B-side picks up with \u201cCowboy Heart,\u201d a jangling, sprawling long hard look in the mirror with its title lyrics echoed back to him by his mother. \u201cIt starts with me walking down Hollywood Boulevard with seemingly everything I ever wanted in my life: a big career, fans that love to buy my music, money for the first time in my life, a home, a car, and so much more,\u201d he says. \u201cBut then I realize I\u2019ve never been more lost. At the time, I finally decided to get sober. I started to go to meetings, and I got myself a sponsor. The clarity that sobriety gave me not only opened up a lot of work that I had to do in order to get my relationship and my career back, but surprisingly to me, opened up a lot about what I\u2019ve been struggling with in terms of being Orville Peck.\u201d\n\u201cCowboy Heart\u201d also cracks open Mule\u2019s other throughline: the duality of being Orville and the man behind the mask at the same time. <\/p>\n
\n

\u201cThe Breeze, The Grass, The Mourning Dove And Me,\u201d an \u201cimpatient bluegrass shuffle,\u201d continues his trajectory, capturing a moment that year when Orville felt \u201clike the best version of myself: healthier, happier and more grounded than I\u2019d ever been in my entire life.\u201d Here, the bluegrass chorus emerges from the shadows, leading the charge as he uses memories of childhood in South Africa (\u201cdespite moving around, the one thing that has always felt like home are the sounds, the smells, and the sights of being out in the bush\u201d) to help convince his ex that things can be both unfixable and undeniable in equal measure. <\/p>\n
\n

\u201cRun Out of Road\u201d serves as a warning of sorts to \u201cfellow avoidant personalities,\u201d Orville says, \u201cthat their chances with somebody might run thin and that the road that they continue to run down, may one day run out.\u201d Its chorus plainly lays out its truth: \u201cDon\u2019t come running back to me \/ when you run out of road \/ expecting I am still behind \/ the door that you slammed closed.\u201d \u201cAt this point, \u201cI\u2019m sober and healthy, I\u2019ve met back up with my partner, and we are on our way to getting back together\u2014but I found myself with my newfound confidence wondering if I even wanted to be back in a relationship.\u201d <\/p>\n
\n

A partner song follows in \u201cToo Little, Too Late,\u201d an \u201cempowering indie sleaze banger\u201d that traces the reality of a partner returning to the arms of another who may have moved on by the time a reunion was even remotely on the table. \u201cIt encapsulates what it feels like to be finally secure with who you are,\u201d he says. On the 11 o\u2019clock number, \u201cWar Of The Worlds,\u201d a vocal stacked Orville\u2014clearheaded, sober, and calm\u2014tackles the duality of man versus artist once more. \u201cThere\u2019s a strange thing that happens when you become successful or famous or whatever you wanna call it,\u201d he says. \u201cThere\u2019s so much energy coming at you from people who don\u2019t actually know the real you but have assumptions about who you are, who they want you to be, how they want you to appear, and what they want you to do. I didn\u2019t know for a long time that I was too sensitive and poorly equipped to navigate that world and that it wore down a lot of my self-esteem and my peace. I reckon with that solitary tug-of-war in this song.\u201d <\/p>\n
\n

Orville lands the plane on \u201cMule,\u201d a gentle mantra that circles back to the album\u2019s opening, more simplistic bluegrass melodies. \u201cIt\u2019s an observation that things are fragile and that any of us can lose the things we love most in life if we\u2019re not careful or not looking out for ourselves,\u201d he says. \u201cIn a lot of ways it\u2019s also a thank you to those who were with me through this period, and also an empathetic hand toward myself to remember how far I\u2019ve come and how much work it took and will always take. It is also a reminder to people that even when someone looks like they have it all together, you never know what they might be going through.\u201d <\/p>\n
\n

In its 13-song journey, Mule further cements Orville Peck\u2019s singular lock on songwriting, storytelling, and song-making in this industry. Its depths reward multiple revisitations; its melodies and harmonies will continue to surprise and amaze with each repeated listen. Mule might find Orville, at times, at his lowest, but it finds him not only picking up the pieces, but finding a better Orville along the way. <\/p>\n","description":"

TRANSFER DELAY<\/strong>: Fans may begin to transfer tickets 2 weeks after general on sale<\/p>\n

TICKET LIMIT<\/strong>: There is a 6 ticket limit per household. Orders exceeding this limit may be cancelled without notification<\/p>\n

This show is GENERAL ADMISSION with a RESERVED East or West Balcony configuration<\/p>\n

Please see below for the different ticket options available on this event<\/p>\n

*Access is granted based on your purchased ticket type<\/p>\n

*All East and West Balcony tickets have access to the general admission areas<\/p>\n
\n

GENERAL ADMISSION TICKETS<\/p>\n

First-come, First-served Access to the Floor and Bowl Areas<\/p>\n
\n

RESERVED TICKETS<\/p>\n

Seated Balcony Access in the East or West Sections with Nearby Bar and Exclusive Restrooms<\/p>","venue":{"venueId":"127278","active":true,"locale":"en-US","localeAvailable":{"1":"en-US"},"title":"Mission Ballroom","address_line":"4242 Wynkoop Street, Denver, CO 80216","address":"4242 Wynkoop Street","city":"Denver","state":"CO","postalCode":"80216","country":"United States","countryCode":"US","timezone":"America\/Denver","ada":null,"keywords":[],"skinCode":"missionballroom","currency":"USD","media":{"21":{"media_id":"4830317","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_21_657a2b73bc5e2.jpg"},"10":{"media_id":"4830318","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_10_657a2b73ef178.jpg"},"11":{"media_id":"4830319","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_11_657a2b7428ddb.jpg"},"12":{"media_id":"4830320","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_12_657a2b74482a2.jpg"},"22":{"media_id":"4830321","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_22_657a2b746875e.jpg"},"60":{"media_id":"4830322","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_60_657a2b7488bb6.jpg"},"61":{"media_id":"4830323","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_61_657a2b74a8968.jpg"}},"links":[{"link_id":1120409,"link_title":"Twitter","link_type_id":"25","link_href":"https:\/\/twitter.com\/missionballroom","link_target":"_blank"},{"link_id":1120411,"link_title":"Facebook Page Co-Host","link_type_id":"24","link_href":"https:\/\/www.facebook.com\/AEGPresentsRM\/","link_target":"_blank"}]},"associations":{"performerIds":["1106921"],"headliners":[{"performerId":"1106921","active":true,"locale":"en-US","keywords":[],"bio":"

Orville Peck is a country recording artist and songwriter known for his deep baritone voice, strong musicianship and songs that are sincere yet bold in their storytelling. Never confirming his identity, Orville, who is openly gay and lived an itinerant life, is never seen without his signature, fringed mask. Following the release of his self-produced debut album Pony in 2019, Orville signed with Columbia Records and released his Show Pony EP. Released to immediate critical acclaim in 2020, the EP features a duet with global icon Shania Twain and puts Orville’s triumphant songwriting skills and intentional craftsmanship on full display. Orville, known for his unique personal style, has collaborated with many fashion brands including but not limited to Beyoncé’s Ivy Park, Dior, Michael KORS and Pamela Love amongst others. When Orville is not performing or touring, he lends his time to activism and the causes he is committed to.<\/p>","media":{"88":{"media_id":"4896584","width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2024\/04\/orville-peck_04-03-24_88_660dcda7981df.jpg"},"19":{"media_id":"5336157","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/03\/orville-peck_03-02-26_19_69a59adeaba56.png"},"5":{"media_id":"5336158","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/03\/orville-peck_03-02-26_5_69a59adf18831.png"},"6":{"media_id":"5336159","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/03\/orville-peck_03-02-26_6_69a59adf59339.png"},"9":{"media_id":"5336160","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/03\/orville-peck_03-02-26_9_69a59adf8e662.png"},"20":{"media_id":"5336161","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/03\/orville-peck_03-02-26_20_69a59ae028dea.png"},"7":{"media_id":"5336162","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/03\/orville-peck_03-02-26_7_69a59ae075e6a.png"},"24":{"media_id":"5336163","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/03\/orville-peck_03-02-26_24_69a59ae0cc95a.png"}},"links":[{"link_id":"1084720","link_title":"Official 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Formed in 2000 on Long Island, New York, Brand New is an American alternative rock band consisting of Jesse Lacey, Vincent Accardi, Garrett Tierney, and Brian Lane. After signing with Triple Crown Records, the band released their debut album, Your Favorite Weapon, in 2001, establishing themselves within the Long Island emo and pop-punk scene. Their breakthrough second album, Deja Entendu, arrived in 2003 and featured the singles \u201cThe Quiet Things That No One Ever Knows\u201d and \u201cSic Transit Gloria\u2026 Glory Fades.\u201d The album showcased a more mature sound and was later certified Gold in the United States. Following a major-label bidding war, the band signed with DreamWorks\/Interscope and released The Devil and God Are Raging Inside Me in 2006, a record that would become one of the most influential albums of the emo era. In 2009, they put out their fourth album Daisy, reaching No. 6 on the Billboard 200.  Brand New returned in 2017 with Science Fiction, which debuted at No. 1 on the Billboard 200 and received widespread critical acclaim.<\/p>","description":"

This show is GENERAL ADMISSION with a RESERVED East or West Balcony configuration<\/p>\n

Please see below for the different ticket options available on this event<\/p>\n

*Access is granted based on your purchased ticket type <\/p>\n

*All East and West Balcony tickets have access to the general admission areas<\/p>\n
\n

GENERAL ADMISSION TICKETS<\/p>\n

First-come, First-served Access to the Floor and Bowl Areas<\/p>\n
\n

RESERVED TICKETS<\/p>\n

Seated Balcony Access in the East or West Sections with Nearby Bar and Exclusive Restrooms<\/p>

\n
\n<\/p>

Resale Not Enabled <\/p> \n

The event organizer has decided that resale of tickets on AXS Resale will not be immediately available for this event but may become available at a later date. Please review the terms of AXS\u2019s Purchase Agreement (axs.com\/purchaseagreement) for more information. <\/p> \n","venue":{"venueId":"127278","active":true,"locale":"en-US","localeAvailable":{"1":"en-US"},"title":"Mission Ballroom","address_line":"4242 Wynkoop Street, Denver, CO 80216","address":"4242 Wynkoop Street","city":"Denver","state":"CO","postalCode":"80216","country":"United States","countryCode":"US","timezone":"America\/Denver","ada":null,"keywords":[],"skinCode":"missionballroom","currency":"USD","media":{"21":{"media_id":"4830317","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_21_657a2b73bc5e2.jpg"},"10":{"media_id":"4830318","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_10_657a2b73ef178.jpg"},"11":{"media_id":"4830319","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_11_657a2b7428ddb.jpg"},"12":{"media_id":"4830320","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_12_657a2b74482a2.jpg"},"22":{"media_id":"4830321","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_22_657a2b746875e.jpg"},"60":{"media_id":"4830322","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_60_657a2b7488bb6.jpg"},"61":{"media_id":"4830323","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_61_657a2b74a8968.jpg"}},"links":[{"link_id":1120409,"link_title":"Twitter","link_type_id":"25","link_href":"https:\/\/twitter.com\/missionballroom","link_target":"_blank"},{"link_id":1120411,"link_title":"Facebook Page Co-Host","link_type_id":"24","link_href":"https:\/\/www.facebook.com\/AEGPresentsRM\/","link_target":"_blank"}]},"associations":{"performerIds":["104006"],"headliners":[{"performerId":"104006","active":true,"locale":"en-US","keywords":["and N"],"bio":"

Formed in 2000 on Long Island, New York, Brand New is an American alternative rock band consisting of Jesse Lacey, Vincent Accardi, Garrett Tierney, and Brian Lane. After signing with Triple Crown Records, the band released their debut album, Your Favorite Weapon, in 2001, establishing themselves within the Long Island emo and pop-punk scene. Their breakthrough second album, Deja Entendu, arrived in 2003 and featured the singles “The Quiet Things That No One Ever Knows” and “Sic Transit Gloria… Glory Fades.” The album showcased a more mature sound and was later certified Gold in the United States. Following a major-label bidding war, the band signed with DreamWorks\/Interscope and released The Devil and God Are Raging Inside Me in 2006, a record that would become one of the most influential albums of the emo era. In 2009, they put out their fourth album Daisy, reaching No. 6 on the Billboard 200.  Brand New returned in 2017 with Science Fiction, which debuted at No. 1 on the Billboard 200 and received widespread critical acclaim.<\/p>","media":{"19":{"media_id":"5413712","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/brand-new_06-18-26_19_6a34044813dee.jpg"},"5":{"media_id":"5413713","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/brand-new_06-18-26_5_6a3404485ddc4.jpg"},"6":{"media_id":"5413714","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/brand-new_06-18-26_6_6a340448983a3.jpg"},"9":{"media_id":"5413715","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/brand-new_06-18-26_9_6a340448d2cfd.jpg"},"88":{"media_id":"5413719","width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/brand-new_06-18-26_88_6a340449d0aff.jpg"},"20":{"media_id":5413735,"width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/brand-new_06-18-26_20_6a34098bad9b2.jpg"},"7":{"media_id":5413736,"width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/brand-new_06-18-26_7_6a34098c0adb1.jpg"},"24":{"media_id":5413737,"width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/brand-new_06-18-26_24_6a34098c4c155.jpg"}},"links":[{"link_id":"919564","link_title":"Facebook 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\n

For two years, Matt Myers struggled to finish new songs.<\/p>\n

 \"I was all raw emotion,\" says the Houndmouth frontman, who'd spent the previous decade blending rock & roll and American roots music into radio staples like the chart-topping, platinum-selling \"Sedona.\" He'd written four albums in less than 10 years, but inspiration just wasn't showing up anymore. \"I was feeling so much that I just couldn't write anything,\" he adds.<\/p>\n

 The end of one relationship. The beginning of another. The all-consuming feeling of new love. Myers' life had been eventful, both onstage and off, and all that living didn't leave him much time to create. Things changed when he paid a visit to Brad Cook, the Grammy-winning producer who'd overseen Houndmouth's fourth record, Good For You<\/em>. What began as a reunion of two friends soon gave away to something bigger: the restart of Myers' songwriting engines and, in its wake, the creation of Lordy<\/em>.<\/p>\n

 With its naked honesty and uncluttered arrangements, Lordy <\/em>takes a stripped-back approach to Houndmouth's ever-evolving sound. It's an album about surviving, rebuilding, accepting, and thriving once more. Myers wrote most of the record's songs at home, strumming his Martin guitar while sunshine streamed through the kitchen windows. Years ago, he might've composed the record at night, tossing back a few drinks for encouragement. This was different. Clear-headed and wide awake, Myers reclaimed his muse during the daytime hours, starting with songs like \"Tiger Blood\" \u2014 a ragged folk-rocker that builds its way toward a screaming finish \u2014 and the album's gorgeously intimate title track.<\/p>\n

 \"I let unfiltered emotion inform the words,\" he says. \"With several songs, I learned to be ok with just letting some syllables line up, and letting the emotion behind it all do the talking.\"<\/p>\n

 This marked a change from the band's early days. Back then, Myers and company agonized over the precise placement of every snare hit and vocal harmony on albums like Little Neon Limelight<\/em>, <\/em>Houndmouth's commercial breakthrough. Steeped in the influence of 1970s roots-rock, those early records were collaborative efforts that merged Myers' vision \u2014 as a songwriter, vocalist, and fiery lead guitarist \u2014 with the input of his three bandmates. \"I needed those albums to be collaborative projects because I was scared of being completely in charge,\" he admits. \"Maybe that stunted me. This is the first time I've been able to write a record completely on my own, and there's a pressure that comes with that. I had to relearn everything.\"<\/p>\n

 Recording sessions were scattered throughout the course of a year, but Lordy <\/em>still came together quickly. Myers would record a one-take performance of each song on his acoustic guitar, then build it into something bigger with help from other musicians. He told himself not to get lost in the mechanics or the minutia. After all, the goal wasn't be to perfect; it was to capture a moment, allowing the thoughts that swirled inside Myers' head to find the quickest way into his music.<\/p>\n

 Cook played an integral role in Lordy<\/em>'s creation \u2014 not just as a producer, but as a close friend and confidante, too. \"When I visited him in North Carolina for the first time, he walked out of his garage and gave me a big bear hug,\" Myers said. \"He told me he was happy for me, and he gave me a lot of confidence with my new songs.\" Cook also reached out to others, surrounding Myers with a small circle of musicians who, like him, blurred the lines between modern-day indie music and the old-school roots of Americana. Iron & Wine's Sam Beam stopped by the studio during the creation of the album's final track, \"Holy Moses,\" to offer advice and encouragement. MJ Lenderman paid a visit, too, adding his trademark guitar licks \u2014 loose, lo-fi, and full of life \u2014 to multiple tracks. Phil Cook (Megafaun, Hiss Golden Messenger) played on several songs, as did Caleb Hickman, Houndmouth's keyboardist. Hickman and his wife, Kay Robertson, also contributed to the songwriting process, and for Myers, the musical input was uplifting. \"I've spent years working with peers and contemporaries,\" he says, \"but this felt different. I was surrounded by people who were literally trying to pick me up and help me out. They pushed me to do the work.\"<\/p>\n

 Between recording sessions, he headed back to Louisville to rehearse the songs with his bandmates in a warehouse basement. Something about the basement's vibe \u2014 gritty, frills-free, and utterly unlike the restored 19th century house that had served as the band's headquarters for years \u2014 seemed to suit the new music. Steadily, the songs came together. \"Heavy Eyes\" explored the intersection of fatigue and hope, building its way toward a cinematic finish. \"Don't Wanna Talk About\" bounced between scaled-back verses and singalong choruses. \"Never Gonna Die\" turned simplicity into beauty, with Myers singing about challenging relationships over an uncluttered mix of hooks, harmonies, and groove.<\/p>\n

 Lordy <\/em>asks its audience to lean in, listen closely, and engage, kickstarting a new era for Houndmouth. From Golden Age<\/em>'s embrace of shimmering electronics to Good For You<\/em>'s return-to-form focus on American roots music, this is a band that's spent years in evolution, unafraid to examine new sounds and different perspectives. Lordy <\/em>continues that exploration \u2014 and if it often sounds like the most intimate record in the band's catalog, it still packs an emotional punch that lingers long after the music fades.<\/p>\n<\/div>","description":"

This show is GENERAL ADMISSION with a RESERVED East or West Balcony configuration<\/p>\n

Please see below for the different ticket options available on this event<\/p>\n

*Access is granted based on your purchased ticket type<\/p>\n

*All East and West Balcony tickets have access to the general admission areas<\/p>\n

GENERAL ADMISSION TICKETS<\/p>\n

First-come, First-served Access to the Floor and Bowl Areas<\/p>\n

4-Packs are General Admission tickets<\/p>\n

RESERVED TICKETS<\/p>\n

Seated Balcony Access in the East or West Sections with Nearby Bar and Exclusive Restrooms<\/p>","venue":{"venueId":"127278","active":true,"locale":"en-US","localeAvailable":{"1":"en-US"},"title":"Mission Ballroom","address_line":"4242 Wynkoop Street, Denver, CO 80216","address":"4242 Wynkoop Street","city":"Denver","state":"CO","postalCode":"80216","country":"United States","countryCode":"US","timezone":"America\/Denver","ada":null,"keywords":[],"skinCode":"missionballroom","currency":"USD","media":{"21":{"media_id":"4830317","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_21_657a2b73bc5e2.jpg"},"10":{"media_id":"4830318","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_10_657a2b73ef178.jpg"},"11":{"media_id":"4830319","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_11_657a2b7428ddb.jpg"},"12":{"media_id":"4830320","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_12_657a2b74482a2.jpg"},"22":{"media_id":"4830321","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_22_657a2b746875e.jpg"},"60":{"media_id":"4830322","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_60_657a2b7488bb6.jpg"},"61":{"media_id":"4830323","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_61_657a2b74a8968.jpg"}},"links":[{"link_id":1120409,"link_title":"Twitter","link_type_id":"25","link_href":"https:\/\/twitter.com\/missionballroom","link_target":"_blank"},{"link_id":1120411,"link_title":"Facebook Page Co-Host","link_type_id":"24","link_href":"https:\/\/www.facebook.com\/AEGPresentsRM\/","link_target":"_blank"}]},"associations":{"performerIds":["250513"],"headliners":[{"performerId":"250513","active":true,"locale":"en-US","keywords":[],"bio":"

\r\n

For two years, Matt Myers struggled to finish new songs.<\/p>\r\n

 \"I was all raw emotion,\" says the Houndmouth frontman, who'd spent the previous decade blending rock & roll and American roots music into radio staples like the chart-topping, platinum-selling \"Sedona.\" He'd written four albums in less than 10 years, but inspiration just wasn't showing up anymore. \"I was feeling so much that I just couldn't write anything,\" he adds.<\/p>\r\n

 The end of one relationship. The beginning of another. The all-consuming feeling of new love. Myers' life had been eventful, both onstage and off, and all that living didn't leave him much time to create. Things changed when he paid a visit to Brad Cook, the Grammy-winning producer who'd overseen Houndmouth's fourth record, Good For You<\/em>. What began as a reunion of two friends soon gave away to something bigger: the restart of Myers' songwriting engines and, in its wake, the creation of Lordy<\/em>.<\/p>\r\n

 With its naked honesty and uncluttered arrangements, Lordy <\/em>takes a stripped-back approach to Houndmouth's ever-evolving sound. It's an album about surviving, rebuilding, accepting, and thriving once more. Myers wrote most of the record's songs at home, strumming his Martin guitar while sunshine streamed through the kitchen windows. Years ago, he might've composed the record at night, tossing back a few drinks for encouragement. This was different. Clear-headed and wide awake, Myers reclaimed his muse during the daytime hours, starting with songs like \"Tiger Blood\" — a ragged folk-rocker that builds its way toward a screaming finish — and the album's gorgeously intimate title track.<\/p>\r\n

 \"I let unfiltered emotion inform the words,\" he says. \"With several songs, I learned to be ok with just letting some syllables line up, and letting the emotion behind it all do the talking.\"<\/p>\r\n

 This marked a change from the band's early days. Back then, Myers and company agonized over the precise placement of every snare hit and vocal harmony on albums like Little Neon Limelight<\/em>, <\/em>Houndmouth's commercial breakthrough. Steeped in the influence of 1970s roots-rock, those early records were collaborative efforts that merged Myers' vision — as a songwriter, vocalist, and fiery lead guitarist — with the input of his three bandmates. \"I needed those albums to be collaborative projects because I was scared of being completely in charge,\" he admits. \"Maybe that stunted me. This is the first time I've been able to write a record completely on my own, and there's a pressure that comes with that. I had to relearn everything.\"<\/p>\r\n

 Recording sessions were scattered throughout the course of a year, but Lordy <\/em>still came together quickly. Myers would record a one-take performance of each song on his acoustic guitar, then build it into something bigger with help from other musicians. He told himself not to get lost in the mechanics or the minutia. After all, the goal wasn't be to perfect; it was to capture a moment, allowing the thoughts that swirled inside Myers' head to find the quickest way into his music.<\/p>\r\n

 Cook played an integral role in Lordy<\/em>'s creation — not just as a producer, but as a close friend and confidante, too. \"When I visited him in North Carolina for the first time, he walked out of his garage and gave me a big bear hug,\" Myers said. \"He told me he was happy for me, and he gave me a lot of confidence with my new songs.\" Cook also reached out to others, surrounding Myers with a small circle of musicians who, like him, blurred the lines between modern-day indie music and the old-school roots of Americana. Iron & Wine's Sam Beam stopped by the studio during the creation of the album's final track, \"Holy Moses,\" to offer advice and encouragement. MJ Lenderman paid a visit, too, adding his trademark guitar licks — loose, lo-fi, and full of life — to multiple tracks. Phil Cook (Megafaun, Hiss Golden Messenger) played on several songs, as did Caleb Hickman, Houndmouth's keyboardist. Hickman and his wife, Kay Robertson, also contributed to the songwriting process, and for Myers, the musical input was uplifting. \"I've spent years working with peers and contemporaries,\" he says, \"but this felt different. I was surrounded by people who were literally trying to pick me up and help me out. They pushed me to do the work.\"<\/p>\r\n

 Between recording sessions, he headed back to Louisville to rehearse the songs with his bandmates in a warehouse basement. Something about the basement's vibe — gritty, frills-free, and utterly unlike the restored 19th century house that had served as the band's headquarters for years — seemed to suit the new music. Steadily, the songs came together. \"Heavy Eyes\" explored the intersection of fatigue and hope, building its way toward a cinematic finish. \"Don't Wanna Talk About\" bounced between scaled-back verses and singalong choruses. \"Never Gonna Die\" turned simplicity into beauty, with Myers singing about challenging relationships over an uncluttered mix of hooks, harmonies, and groove.<\/p>\r\n

 Lordy <\/em>asks its audience to lean in, listen closely, and engage, kickstarting a new era for Houndmouth. From Golden Age<\/em>'s embrace of shimmering electronics to Good For You<\/em>'s return-to-form focus on American roots music, this is a band that's spent years in evolution, unafraid to examine new sounds and different perspectives. Lordy <\/em>continues that exploration — and if it often sounds like the most intimate record in the band's catalog, it still packs an emotional punch that lingers long after the music fades.<\/p>\r\n<\/div>","media":{"19":{"media_id":"5371796","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/04\/houndmouth_04-21-26_19_69e7f1a23d821.jpg"},"5":{"media_id":"5371797","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/04\/houndmouth_04-21-26_5_69e7f1a280311.jpg"},"6":{"media_id":"5371798","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/04\/houndmouth_04-21-26_6_69e7f1a2b4375.jpg"},"9":{"media_id":"5371799","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/04\/houndmouth_04-21-26_9_69e7f1a2e7c78.jpg"},"20":{"media_id":"5371800","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/04\/houndmouth_04-21-26_20_69e7f1a324b44.jpg"},"7":{"media_id":"5371801","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/04\/houndmouth_04-21-26_7_69e7f1a356e4d.jpg"},"24":{"media_id":"5371802","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/04\/houndmouth_04-21-26_24_69e7f1a38be4a.jpg"},"88":{"media_id":"5371803","width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/04\/houndmouth_04-21-26_88_69e7f1a3c0fc1.jpg"}},"links":[{"link_id":"973478","link_title":"Official 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Page","link_type_id":"12","link_href":"https:\/\/www.facebook.com\/Houndmouth","link_target":"_none"},{"link_id":"973479","link_title":"Twitter","link_type_id":"13","link_href":"https:\/\/twitter.com\/Houndmouth","link_target":"_none"},{"link_id":"1023509","link_title":"Featured Video","link_type_id":"15","link_href":"https:\/\/www.youtube.com\/watch?v=jbzf5X3r2MM","link_target":"_none"}],"olympics":null,"keywords":[]},{"eventId":"1470345","active":true,"createdUTC":"2026-05-28T17:09:19","modifiedUTC":"2026-09-15T20:45:27","locale":"en-US","localeAvailable":{"1":"en-US"},"title":{"presentedBy":null,"presentedByText":null,"headliners":"Daniel Donato<\/a>'s Cosmic Country","headlinersText":"Daniel Donato's Cosmic Country","supporting":"Rattlesnake Milk<\/a>","supportingText":"Rattlesnake Milk","tour":null,"eventTitle":"Daniel Donato<\/a>'s Cosmic Country","eventTitleText":"Daniel Donato's Cosmic Country"},"age":"16 & Over","publishStatus":1,"private":false,"currency":"USD","currencySymbol":"$","eventDateTime":"2026-11-07T20:00:00","eventDateTimeZone":"America\/Denver","eventDateTimeZoneAbbr":"MDT","eventDateTimeUTC":"2026-11-08T03:00:00","eventDateTimeISO":"2026-11-07T20:00:00-07:00","additionalDates":[],"expirationDateTime":null,"expirationDateTimeUTC":null,"doorDateTime":"2026-11-07T19:00:00","doorDateTimeUTC":"2026-11-08T02:00:00","announceDateTime":"2026-06-02T12:00:00","announceDateTimeTimeZone":"America\/Denver","announceDateTimeUTC":"2026-06-02T18:00:00","presaleDateTime":null,"presaleDateTimeTimeZone":"America\/Denver","presaleDateTimeUTC":null,"presaleEndDateTime":null,"presaleEndDateTimeTimeZone":"America\/Denver","presaleEndDateTimeUTC":null,"onsaleDateTime":"2026-06-05T10:00:00","onsaleDateTimeTimeZone":"America\/Denver","onsaleDateTimeZoneAbbr":"MDT","onsaleDateTimeUTC":"2026-06-05T16:00:00","ticketing":{"statusId":1,"status":"Buy Tickets","presaleURL":null,"ticketURL":"https:\/\/shop.axs.com\/?c=axs&e=20174867067427991","url":"https:\/\/www.axs.com\/events\/1470345\/daniel-donatos-cosmic-country-tickets","eventUrl":"https:\/\/www.axs.com\/events\/1470345\/daniel-donatos-cosmic-country-tickets","ticketLinkExists":true},"ticketPrice":null,"ticketPriceLow":"$0","ticketPriceHigh":"$0","doorPrice":null,"doorPriceLow":"$0","doorPriceHigh":"$0","bio":"

There are a lot of musical influences and sources that Daniel Donato has drawn on during his career and that inform Reflector (Retrace Music), the Nashville guitaristsinger-songwriter-band leader's first all-original album. But within those, Donato has carved out a unique and individualized spot for himself, one that speaks to the deep American music heritage that inspires him -- and that he's pushing towards the future with inspired, intentional vigor.<\/p>\n

He calls it Cosmic Country, a moniker that's both self-descriptive and a statement of purpose. It's an organic rock band aesthetic with plenty of roadhouse twang; a showcase for Donato's instrumental virtuosity and facility for melodically infectious songcraft. Bridging Nashville and the Great West, Kentucky and mid-60s northern California, tie-dye and plaid, it's a world of his own, and a wide world of musical adventure at that.<\/p>\n

\"I think Cosmic Country is a tale as old as time, really,\" Donato explains. \"It's yin and yang in a musical form. It's three chords and the truth, and then on the other side it's exploration and bravery. I really went through a lot of years of grinding, and still am, to achieve this sound which is a vehicle for my personality, and the personality is a vehicle for my soul. So (Reflector) is more that than any other record I ever put out.\"<\/p>\n

Reflector's 15 songs offer 66 minutes of ecstatic musical immersion. It's an album in the classic sense of the word, tracks that are individually memorable but sound even better coming one after the other and make the sum greater than the total of its parts. \"We're touching on a lot with this record, which is also why there's so many songs on it,\" acknowledges Donato, whose stinging Fender Telecaster tone is the strongest glue of continuity throughout -- and is positively screaming on tracks such as \"Gotta Get Southbound\" and \"Dance in the Desert Pt. 2.\" \"If you're the kind of person who wants to listen to a record and have a record be a companion with you, then Reflector is going to vibrate in your frequency.\"<\/p>\n

Donato's own musical frequency was tuned at a young age while growing up in Nashville. His father \"picked around a guitar a small bit;\u201d more importantly, he instilled in his son a discerning taste for quality music, filling his son\u2019s ears with legendary music of all genres. The rock meanwhile, came from Guitar Hero; the game was crucial to broadening Donato\u2019s vistas of listening to Jimi Hendrix, Eric Clapton, Jimmy Page, Stevie Ray Vaughan, et al, as well as a particular attraction to Guns N' Roses' \"Paradise City. \"Those players stuck with me and gave me my first foundation of guitar,\" says Donato, whose father taught him his first chords on one of his old guitars. \"I was a strange kid -- still am a strange person. I really didn't have any friends that got me, but the guitar understood me, and I had a vision for what my life could be.\"<\/p>\n

It was Papa Donato who suggested the fledgling and industriously minded (even at just 14) artist start busking in Nashville's lower Broadway area and outside concerts, for eight hours at a time on the weekends. After one of those sessions the two happened by Robert\u2019s Western World, a legendary honky-tonk where local mainstay the Don Kelly Band was onstage \u2013 which was also Donato\u2019s first time playing a Telecaster, through a Fender amplifier no less. \"I played country songs and fell in love with it,\" says Donato, who became a member of the band, playing four hours a night at Robert's (464 shows in total). \"Their songbook was that of my main influences still to this day -- Merle Haggard, Willie Nelson, Waylon Jennings, Bob Wills, Marty Robbins, Bill Monroe, traditional bluegrass music, Hank Williams Sr. -- old-timey music with real stories and emotions that everybody has. It just hooked me right away.\"<\/p>\n

Another piece of the puzzle came through later in Donato\u2019s teenage years -- the Grateful Dead, thanks to a high school American History teacher who gave him a pile of bootleg recordings when he was 18. \"When I discovered Jerry Garcia, there's really never been anyone who writes like that,\" says Donato. \"From there I went on to discover Bob Dylan and all the great writers and made me want to make that part of what I did as well.\"<\/p>\n

The whole package of player, singer, writer and band leader was in place when Donato began working on his own during 2018. It was on display via his first album, A Young Man\u2019s Country in 2020 but refined on Reflector, which features all original songs and finds Donato and his band \u2013 Nathan Aronowitz (keyboards\/vocals), Will McGee (bass\/vocals) and Noah Miller (drums and percussion) --honed from playing more than 200 shows during 2022, after the Covid lockdowns had lifted. That allowed Donato to not just play again but also to road test the songs that would comprise the album and expand the audience.<\/p>\n

\"We were home for less than two weeks between January and September of 2022,\" says Donato. \"There was the existential necessity of going through a staggering amount of growth. All those shows and all those hours of experience really curated my values as an artist. That informed my composition, informed my band-leading...everything that goes into making music that has real value and impact.\"<\/p>\n

Donato had good help in achieving that on Reflector; he enlisted producer Vance Powell, a six-time Grammy Award winner whose eclectic resume ranges from Chris Stapleton and Martina McBride to Phish and Clutch to Buddy Guy and the Jack White universe of the White Stripes, the Raconteurs and the Dead Weather. They'd actually met when Donato was a teen playing at Robert's, and he remembers Powell telling him that \"one day you're gonna make a record, and I want to work with you,\" which made him the perfect candidate to help Donato achieve his far-reaching vision this time out. \"Vance was on damn near every record I enjoyed,\u201d he notes. \"He seemed like the only logical choice to take a band that has country songs and old-timey folky songs that also jams and organize it into a digestible piece.\"<\/p>\n

 It's hard to find a more concise summation of Reflector than that. It kicks off with the joyous Southern rock roll of \"Lose Your Mind,\" a sound echoed in other tracks -- especially the harmony-laden \"High Country\" -- and gets high 'n' lonesome on \"Halfway in Between.\" \"Double Exposure's\" slinky funk is accented by dueling guitar lines, while \"Half Moon Night\" and the instrumental \"Sugar Leg Rag\" feel like a contemporary incarnation of Bill Monroe's Blue Grass Boys. \"Gotta Get Southbound,\" weighing in at nearly eight minutes, dances through its ebb and flow dynamics, and \"Faded Lovin'\" echoes the organic majesty of The Band. Donato and company get their cosmic on with both hip-swaying parts of \"Dance in the Desert\" -- one more acoustic, the other a trippy electric opus -- and the richly melodic odyssey \"Weathervane.\"<\/p>\n

Reflector -- which features Nashville pedal steel legend Paul Franklin on four tracks -- also reflects \"the work I did on myself and the work I did on my art\" during the past three years, according to Donato. \"I really started discovering new psychological and ritual domains I wasn't really aware of,\" he explains. \"The whole concept of Reflector is of a duality. The entire world that you see externally is a reflection of your internal world, so you have this internal world you exist in and this external world you exist in, and that's what this work is about. I like dualities; it allows me to see where each side of the fence post is, and I can paint in the middle.\"<\/p>\n

The middle of anything has never sounded as engrossing and beguiling as Donato makes it on Reflector. These are songs that prompt a listener to hit \"repeat\" and that stick with you long after they've finished playing. They hit the heart, the soul, the mind -- and the cosmos, making it the kind of trip you won't want to end any time soon.<\/p>","description":"GA VIP RAIL First-come, First-served Preferred Standing Room Only Balcony Viewing Area on the front rail in the East Section (House Right) with Nearby Bar and Exclusive Restrooms\n

SCALING<\/p>\n

 <\/p>\n

This show is GENERAL ADMISSION with a GA VIP East or West Balcony configuration<\/p>\n

 <\/p>\n

Please see below for the different ticket options available on this event<\/p>\n

 <\/p>\n

*Access is granted based on your purchased ticket type<\/p>\n

 <\/p>\n

*All East and West Balcony tickets have access to the general admission areas<\/p>\n

 <\/p>\n

 <\/p>\n

GENERAL ADMISSION TICKETS<\/p>\n

 <\/p>\n

First-come, First-served Access to the Floor and Bowl Areas<\/p>\n

 <\/p>\n

 <\/p>\n

GA VIP TICKETS<\/p>\n

 <\/p>\n

First-come, First-served Preferred Standing Room Only Balcony Viewing Area in the East or West Sections with Nearby Bar and Exclusive Restrooms<\/p>","venue":{"venueId":"127278","active":true,"locale":"en-US","localeAvailable":{"1":"en-US"},"title":"Mission Ballroom","address_line":"4242 Wynkoop Street, Denver, CO 80216","address":"4242 Wynkoop Street","city":"Denver","state":"CO","postalCode":"80216","country":"United States","countryCode":"US","timezone":"America\/Denver","ada":null,"keywords":[],"skinCode":"missionballroom","currency":"USD","media":{"21":{"media_id":"4830317","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_21_657a2b73bc5e2.jpg"},"10":{"media_id":"4830318","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_10_657a2b73ef178.jpg"},"11":{"media_id":"4830319","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_11_657a2b7428ddb.jpg"},"12":{"media_id":"4830320","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_12_657a2b74482a2.jpg"},"22":{"media_id":"4830321","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_22_657a2b746875e.jpg"},"60":{"media_id":"4830322","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_60_657a2b7488bb6.jpg"},"61":{"media_id":"4830323","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_61_657a2b74a8968.jpg"}},"links":[{"link_id":1120409,"link_title":"Twitter","link_type_id":"25","link_href":"https:\/\/twitter.com\/missionballroom","link_target":"_blank"},{"link_id":1120411,"link_title":"Facebook Page Co-Host","link_type_id":"24","link_href":"https:\/\/www.facebook.com\/AEGPresentsRM\/","link_target":"_blank"}]},"associations":{"performerIds":["1110113","1116887"],"headliners":[{"performerId":"1110113","active":true,"locale":"en-US","keywords":[],"bio":"

There are a lot of musical influences and sources that Daniel Donato has drawn on during his career and that inform his latest album, Horizon (Retrace Music), his second all-original album. But within those, Donato has carved out a unique and individualized spot for himself, one that speaks to the deep American music heritage that inspires him — and that he’s pushing towards the future with inspired, intentional vigor.<\/p>\r\n

He calls it Cosmic Country, a moniker that’s both self-descriptive and a statement of purpose. It’s an organic rock band aesthetic with plenty of roadhouse twang; a showcase for Donato’s instrumental virtuosity and facility for melodically infectious songcraft. Bridging Nashville and the Great West, Kentucky and mid-60s northern California, tie-dye and plaid, it’s a world of his own, and a wide world of musical adventure at that.<\/p>\r\n

While growing up in Nashville his his father, who turned his young son on to music of all genres, suggested the fledgling and industriously minded (even at just 14) artist start busking in Nashville’s lower Broadway area and outside concerts, for eight hours at a time on the weekends. One night, the two happened by Robert’s Western World where legendary honky-tonk local mainstay the Don Kelly Band were performing. Donato eventually became a member of the band, playing four hours a night at Robert’s (464 shows in total).<\/p>\r\n

Horizons is the follow up to 2023’s Reflector, which received critical acclaim from a wide range of press, including No Depression, Glide Magazine, Magnet Magazine, and more. Donato the subject of features in Rolling Stone, UPROXX, Garden & Gun and Relix. Daniel Donato’s Cosmic Country made their network television debut on CBS Saturday Morning and appeared on The Late Show with Stephen Colbert’s #LateShowMeMusic online series.<\/p>\r\n

The whole package of player, singer, writer and band leader was in place. Three albums in, Daniel Donato’s Cosmic Country, featuring Nathan “Sugarlegg” Aronowitz (keyboards\/guitars\/vocals), Will “Mustang” McGee (bass\/vocals) and Will “Bronco” Clark (drums, percussion\/vocals) are selling out venues throughout the country and bringing their brand of Cosmic Country to an ever growing, passionate fanbase<\/p>","media":{"19":{"media_id":5400340,"width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/daniel-donato_06-01-26_19_6a1dc939e49ef.jpg"},"5":{"media_id":5400341,"width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/daniel-donato_06-01-26_5_6a1dc93a3f2e5.jpg"},"6":{"media_id":5400342,"width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/daniel-donato_06-01-26_6_6a1dc93a7a26c.jpg"},"9":{"media_id":5400343,"width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/daniel-donato_06-01-26_9_6a1dc93ab40b5.jpg"},"20":{"media_id":5400344,"width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/daniel-donato_06-01-26_20_6a1dc93aef9b6.jpg"},"7":{"media_id":5400345,"width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/daniel-donato_06-01-26_7_6a1dc93b3abaa.jpg"},"24":{"media_id":5400346,"width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/daniel-donato_06-01-26_24_6a1dc93b75c82.jpg"},"88":{"media_id":5400347,"width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/daniel-donato_06-01-26_88_6a1dc93bb3afd.jpg"}},"links":[{"link_id":"1097971","link_title":"Instagram","link_type_id":"49","link_href":"https:\/\/www.instagram.com\/thedanieldonato\/","link_target":"_none"},{"link_id":"1097972","link_title":"Official 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93.3 Presents<\/a>","presentedByText":"Channel 93.3 Presents","headliners":"311<\/a>","headlinersText":"311","supporting":"Beach Weather<\/a>, Tunnel Vision<\/a>","supportingText":"Beach Weather, Tunnel Vision","tour":null,"eventTitle":"311<\/a>","eventTitleText":"311"},"age":"16 & Over","publishStatus":1,"private":false,"currency":"USD","currencySymbol":"$","eventDateTime":"2026-11-08T20:00:00","eventDateTimeZone":"America\/Denver","eventDateTimeZoneAbbr":"MDT","eventDateTimeUTC":"2026-11-09T03:00:00","eventDateTimeISO":"2026-11-08T20:00:00-07:00","additionalDates":[],"expirationDateTime":null,"expirationDateTimeUTC":null,"doorDateTime":"2026-11-08T19:00:00","doorDateTimeUTC":"2026-11-09T02:00:00","announceDateTime":"2026-08-11T08:00:00","announceDateTimeTimeZone":"America\/Denver","announceDateTimeUTC":"2026-08-11T14:00:00","presaleDateTime":null,"presaleDateTimeTimeZone":"America\/Denver","presaleDateTimeUTC":null,"presaleEndDateTime":null,"presaleEndDateTimeTimeZone":"America\/Denver","presaleEndDateTimeUTC":null,"onsaleDateTime":"2026-08-14T10:00:00","onsaleDateTimeTimeZone":"America\/Denver","onsaleDateTimeZoneAbbr":"MDT","onsaleDateTimeUTC":"2026-08-14T16:00:00","ticketing":{"statusId":1,"status":"Buy Tickets","presaleURL":null,"ticketURL":"https:\/\/shop.axs.com\/?c=axs&e=20174867067953321","url":"https:\/\/www.axs.com\/events\/1548186\/311-tickets","eventUrl":"https:\/\/www.axs.com\/events\/1548186\/311-tickets","ticketLinkExists":true},"ticketPrice":null,"ticketPriceLow":"$0","ticketPriceHigh":"$0","doorPrice":null,"doorPriceLow":"$0","doorPriceHigh":"$0","bio":"

311 was formed in 1990 in Omaha, Nebraska by five friends: Nick Hexum <\/strong>(vocals\/guitar), Tim Mahoney <\/strong>(guitar), SA Martinez <\/strong>(vocals\/dj), Chad Sexton <\/strong>(drums),<\/strong> and P-Nut <\/strong>(bass).  31 years later, they\u2019re still rocking together.  Widely regarded as one of the most entertaining & dynamic live bands in the U.S., 311 mixes rock, rap, reggae, and funk into their own unique, hybrid sound.  As veterans of 2,000 shows across 27 countries, 311 is one of the longest running original lineups in rock, alongside legends like U2 and Radiohead.<\/p>\n

 <\/p>\n

In Sp<\/strong>ring 2022, <\/strong>311 returns to the road for 20 shows, spanning March 6 \u2013 April 6, including their renowned 311 Day concert event in Las Vegas, March 11 & 12.<\/p>\n

 <\/p>\n

Spring Tour tickets & VIP packages go on pre-sale January 19 & 20, with public sale January 21. All info at 311.com\/shows<\/p>\n

 <\/p>\n

311\u2019s celebrated live shows and dedicated touring schedule have earned them a massive grassroots following nationwide. Their annual, headlining, amphitheater show is one of the most anticipated events of the summer, and a staple of the U.S. Summer touring season.  Past support acts include:  Sublime with Rome, The Offspring, Snoop Dogg, Slightly Stoopid, Cypress Hill, Dirty Heads, The Roots, Matisyahu, and Ziggy Marley. <\/p>\n

 <\/p>\n

311 have released thirteen studio albums, two greatest hits albums, two live albums, three DVD's and a boxed-set, and have sold over 9 million copies in the U.S. <\/strong><\/p>\n

 <\/strong><\/p>\n

Ten albums reached the Top 10 on Billboard's Top 200 Sales Chart - and nine of their singles have reached the Top 10 on Billboard's Alternative Radio Chart <\/strong>(including three #1 singles: Down, Love Song & Don't Tread On Me - along with Amber, All Mixed Up, Come Original, Creatures For Awhile, Hey You and Sunset in July).<\/p>\n

 <\/p>\n

For more info, visit 311.com. <\/strong><\/p>","description":"

This show is GENERAL ADMISSION with a GA VIP East or West Balcony configuration<\/p>\n

Please see below for the different ticket options available on this event<\/p>\n

*Access is granted based on your purchased ticket type<\/p>\n

*All East and West Balcony tickets have access to the general admission areas<\/p>\n
\n

GENERAL ADMISSION TICKETS<\/p>\n

First-come, First-served Access to the Floor and Bowl Areas<\/p>\n
\n

GA VIP TICKETS<\/p>\n

First-come, First-served Preferred Standing Room Only Balcony Viewing Area in the East or West Sections with Nearby Bar and Exclusive Restrooms<\/p>","venue":{"venueId":"127278","active":true,"locale":"en-US","localeAvailable":{"1":"en-US"},"title":"Mission Ballroom","address_line":"4242 Wynkoop Street, Denver, CO 80216","address":"4242 Wynkoop Street","city":"Denver","state":"CO","postalCode":"80216","country":"United States","countryCode":"US","timezone":"America\/Denver","ada":null,"keywords":[],"skinCode":"missionballroom","currency":"USD","media":{"21":{"media_id":"4830317","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_21_657a2b73bc5e2.jpg"},"10":{"media_id":"4830318","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_10_657a2b73ef178.jpg"},"11":{"media_id":"4830319","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_11_657a2b7428ddb.jpg"},"12":{"media_id":"4830320","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_12_657a2b74482a2.jpg"},"22":{"media_id":"4830321","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_22_657a2b746875e.jpg"},"60":{"media_id":"4830322","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_60_657a2b7488bb6.jpg"},"61":{"media_id":"4830323","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_61_657a2b74a8968.jpg"}},"links":[{"link_id":1120409,"link_title":"Twitter","link_type_id":"25","link_href":"https:\/\/twitter.com\/missionballroom","link_target":"_blank"},{"link_id":1120411,"link_title":"Facebook Page Co-Host","link_type_id":"24","link_href":"https:\/\/www.facebook.com\/AEGPresentsRM\/","link_target":"_blank"}]},"associations":{"performerIds":["103931","1117173","951779"],"headliners":[{"performerId":"103931","active":true,"locale":"en-US","keywords":["1","reggae","Nick Hexum","Tim Mahoney","Chad Sext"],"bio":"

311 was formed in 1990 in Omaha, Nebraska by five friends: Nick Hexum <\/strong>(vocals\/guitar), Tim Mahoney <\/strong>(guitar), SA Martinez <\/strong>(vocals\/dj), Chad Sexton <\/strong>(drums),<\/strong> and P-Nut <\/strong>(bass).  31 years later, they’re still rocking together.  Widely regarded as one of the most entertaining & dynamic live bands in the U.S., 311 mixes rock, rap, reggae, and funk into their own unique, hybrid sound.  As veterans of 2,000 shows across 27 countries, 311 is one of the longest running original lineups in rock, alongside legends like U2 and Radiohead.<\/p>\r\n

 <\/p>\r\n

In Sp<\/strong>ring 2022, <\/strong>311 returns to the road for 20 shows, spanning March 6 – April 6, including their renowned 311 Day concert event in Las Vegas, March 11 & 12.<\/p>\r\n

 <\/p>\r\n

Spring Tour tickets & VIP packages go on pre-sale January 19 & 20, with public sale January 21. All info at 311.com\/shows<\/p>\r\n

 <\/p>\r\n

311’s celebrated live shows and dedicated touring schedule have earned them a massive grassroots following nationwide. Their annual, headlining, amphitheater show is one of the most anticipated events of the summer, and a staple of the U.S. Summer touring season.  Past support acts include:  Sublime with Rome, The Offspring, Snoop Dogg, Slightly Stoopid, Cypress Hill, Dirty Heads, The Roots, Matisyahu, and Ziggy Marley. <\/p>\r\n

 <\/p>\r\n

311 have released thirteen studio albums, two greatest hits albums, two live albums, three DVD's and a boxed-set, and have sold over 9 million copies in the U.S. <\/strong><\/p>\r\n

 <\/strong><\/p>\r\n

Ten albums reached the Top 10 on Billboard's Top 200 Sales Chart - and nine of their singles have reached the Top 10 on Billboard's Alternative Radio Chart <\/strong>(including three #1 singles: Down, Love Song & Don't Tread On Me - along with Amber, All Mixed Up, Come Original, Creatures For Awhile, Hey You and Sunset in July).<\/p>\r\n

 <\/p>\r\n

For more info, visit 311.com. <\/strong><\/p>","media":{"103":{"media_id":"3931590","width":860,"height":400,"file_name":"https:\/\/images.discovery-prod.axs.com\/2017\/11\/311_11-13-17_103_5a09ca1866d9b.jpg"},"19":{"media_id":"4441592","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2022\/01\/311_01-10-22_19_61dc90d754432.jpg"},"5":{"media_id":"4441593","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2022\/01\/311_01-10-22_5_61dc90d7ad252.jpg"},"6":{"media_id":"4441594","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2022\/01\/311_01-10-22_6_61dc90d7c5e87.jpg"},"9":{"media_id":"4441595","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2022\/01\/311_01-10-22_9_61dc90d7ec3e2.jpg"},"20":{"media_id":"4441596","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2022\/01\/311_01-10-22_20_61dc90d81827c.jpg"},"7":{"media_id":"4441597","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2022\/01\/311_01-10-22_7_61dc90d8342be.jpg"},"24":{"media_id":"4441598","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2022\/01\/311_01-10-22_24_61dc90d84d3e0.jpg"},"88":{"media_id":"4441599","width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2022\/01\/311_01-10-22_88_61dc90d8706d4.jpg"}},"links":[{"link_id":"864636","link_title":"Facebook Page","link_type_id":"12","link_href":"http:\/\/www.facebook.com\/official311","link_target":"_blank"},{"link_id":"874471","link_title":"Youtube VEVO","link_type_id":"14","link_href":"http:\/\/www.youtube.com\/311VideoVault","link_target":"_blank"},{"link_id":"877576","link_title":"Featured Video","link_type_id":"15","link_href":"https:\/\/www.youtube.com\/watch?v=SUFSB2plwzM","link_target":"_none"},{"link_id":"878908","link_title":"Official Website","link_type_id":"8","link_href":"http:\/\/www.311.com\/","link_target":"_blank"},{"link_id":"911090","link_title":"Twitter","link_type_id":"13","link_href":"http:\/\/twitter.com\/311","link_target":"_blank"}]}],"supportingActs":[{"performerId":"1117173","active":true,"locale":"en-US","keywords":[],"bio":"

Beach Weather is an American rock band based in the fictional town of Beach Weather, U.S.A., and consists of members Nick Santino, Sean Silverman, and Reeve Powers. <\/div>\r\n
 <\/div>\r\n
Over the last few years, Beach Weather has quickly crossed off some of its bucket list goals. You might have caught the band live on Jimmy Kimmel or experienced their loud live show at BottleRock Napa Valley, Hangout Music Festival, and Shaky Knees, or on tour with the likes of The Beaches and lovelytheband.<\/div>\r\n
 <\/div>\r\n
Leaving behind the fictional world of their debut album, Pineapple Sunrise, a fictional resort to escape all anxiety & insecurity, the band’s sophomore album boasts a more confident approach taking place in the desert, where only the strong survive. The desert also plays a role in the bands start, meeting in Arizona. <\/div>\r\n
 <\/div>\r\n
\r\n
“Melt”,  a 12-song record,  captures the maturity, honesty, and storytelling since the band re-sparked their career in the last few years. Following the band’s debut full-length, Pineapple Sunrise, which quickly skyrocketed the band with their multi-platinum single, “Sex, Drugs, Etc.” that peaked at No. 1 on alternative radio, as well as other tracks such as “Unlovable”, “Trouble With This Bed” and “Pineapple Sunrise”, the band expanded on their already diehard cult following known as the BWRRC (Beach Weather Rock N Roll Club).<\/div>\r\n
 <\/div>\r\n
Unlike, Pineapple Sunrise, which was written during the pandemic and thousands of miles away from one other, Melt allowed for all three members to connect down to the minor details. From their shared experiences on the road to the untraditional tracking itself. <\/div>\r\n
 <\/div>\r\n
This record and all previous music was produced and recorded by the band alongside, their producers Sean and Alex Silverman. Sean officially joined the band in 2021. “Sean Silverman could be labeled as a new member, but he was making the tunes with us from the start in 2015. Really, that first EP [What A Drag] was just the Silverman brothers & Nick”, Reeve explains.<\/div>\r\n
 <\/div>\r\n
With all of the opportunities and studios available, the band chose to stick to what worked from the very beginning. “With our first couple of EPs, we were literally recording in our friend’s shed and garage,” Silverman says. “This time around, we explored some traditional studio scenarios, but we fell back on what we've always done: recording in small spaces.” Accordingly, while on the road in early 2024, they continued mixing and tracked vocals in dressing rooms—and were inspired enough to record another song in a hotel room in Boise. 

This process reinforced both Beach Weather’s preferred recording process—and their instinctual approach. “We're throwing a bunch of different colors on the canvas at the same time,” Santino says. “Like, if a song calls for a certain guitar part in that moment, we'll set up an amp and record a part because we know we need to get that idea down. That's why it works in the back of a tour bus and why it works in the dressing room.”

Beach Weather’s electrifying second studio album, Melt<\/em>, reflects this authentic vibe; songs encompass breezy alt-pop (“Deadbeat Blues,” a duet with the vocalist Bel), effervescent pop-rock with a slinky R&B groove, and laid-back, synth-sparkled pop (the moody title track). “Hardcore Romance,” one of the first songs Beach Weather wrote for Melt<\/em>, is also one of their heaviest tunes to date. The band grafts pop melodies and hooks to fuzzed-out guitars, propulsive drums and distorted-coated vocals. <\/div>\r\n
 <\/div>\r\n
Santino, Powers, and Silverman are excited to release Melt<\/em> and share this next chapter of their story. “We've always put our fans and listeners first,” Santino says. “We try to make our records feel like something that they can attach themselves to, like they're a part of something.” Adds Powers: “We want the listener to know who we are inside  just by listening to this new record. We really put all of ourselves into this one.”<\/div>\r\n
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The Living Tombstone <\/strong>has been dubbed \u201cthe internet\u2019s biggest gaming band\u201d - (NME)<\/p>\n

\u201cTLT<\/strong>\u201d as they are known to their legion of fans, are the duo Yoav Landau <\/strong>and Sam Haft<\/strong>. Having created and released music for over eleven years, they have amassed 8 million <\/strong>YouTube subscribers, and their music has achieved over 70 billion streams <\/strong>across platforms. The band is coming off a sold-out North American 2024 tour. Their unique position as both recording artists and influencers in the gaming and \u2018geekdom\u2019 space gives them a significant cultural footprint and history, with multiple RIAA-awarded songs, and even charting at #4 on the Dance\/Electronic chart with their track Five Nights At Freddy\u2019s<\/em>, used in the end credits of the recent Blumhouse\/NBC Universal produced film.<\/p>\n

\u201cOur fans connect to us because they\u2019re obsessed with lore and story. So now we\u2019re giving them a story that belongs entirely to them,\u201d says band member Sam Haft<\/strong>, who portrays the primary vocalist character \u201cRust<\/strong>\u201d onstage. \u201cI don\u2019t think of us as The Living Tombstone <\/strong>- I think of us as the two guys who write the story for The Living Tombstone<\/strong>. The act has its own world and its own characters for people to follow. It\u2019s our job to continue to provide fans with an interesting narrative.\u201d <\/p>\n

Haft<\/strong>, originally a TV and film writer by trade, joined The Living Tombstone <\/strong>as a songwriter-lyricist-vocalist seven years ago, but ask him and he\u2019ll tell you, \u201cThe magic is all Yoav<\/strong>. I\u2019m hardworking and lucky - he\u2019s special.\u201d Founding member Yoav Landau<\/strong>, who portrays the band\u2019s frontman character \u201czero_one<\/strong>\u201d onstage, started TLT <\/strong>as a way to escape an environment in which he never felt like he fit in, as a teenager in Israel. Yoav <\/strong>found an emotional outlet in developing music about his favorite television shows to connect with like-minded communities away from his home and across the world. As soon as he was able, Yoav<\/strong> left college, moved to America, and became a full-time creator.<\/p>\n

\u201cI\u2019m super grateful for the existence of YouTube,\u201d explains Yoav. \u201cThe internet always felt more like a home to me than any one country.\u201d And the more Yoav began to create, the more his \"home country\" of the internet embraced him. Before meeting Haft, he had already amassed hundreds of millions of streams, and one of YouTube\u2019s earliest million subscriber plaques<\/strong>.<\/p>\n

TLT's <\/strong>manager, Octone Records co-founder David Boxenbaum<\/strong>, never thought he would manage an act, but something surprised him when he first encountered TLT<\/strong>. \u201cThese guys disprove the rule, that you can\u2019t just put your music out there and expect people to find it,\u201d he says with a grin. \u201cThese guys put it out there, and millions of people found it.<\/strong>\u201d And he\u2019s right - they have - from major movie studios like Universal Pictures<\/strong>, to A-Listers like Will Smith <\/strong>and Jack Black<\/strong>. TLT <\/strong>has carved out its own little corner of the geek culture zeitgeist.<\/p>\n

TLT <\/strong>encountered Boxenbaum <\/strong>- or \u201cBox<\/strong>\u201d as friends call him - while developing a TV show for Japanese media giant Avex<\/strong>, where he was the head of their music company. It was Box <\/strong>who convinced the act to finally assemble the debut LP album they\u2019d been dreaming up for years, \u201czero_one<\/strong>\u201d, and take it to the industry, where it was embraced by fans and casual listeners alike.<\/p>\n

TLT<\/strong> have in the meantime continued developing projects for TV, video games, and more. In 2021, they released indie horror game In Sound Mind<\/strong><\/em>, which was critically well received and rated \u201coverwhelmingly positive\u201d on Steam. Since re-acquiring the rights to their TV project from Avex<\/strong>, they have independently financed a proof-of-concept to their battle of the bands cartoon, \u201cRock N Rumble<\/em><\/strong>,\u201d with plans to pitch in Q1 2024. In addition, they\u2019ve spun off the concept into a battle of the bands strategy video game, AudioClash: Battle Of The Bands<\/em><\/strong>, currently in beta and seeking a publisher.<\/p>\n

Now newly signed to 10K Projects<\/strong>, TLT is working alongside industry-best alternative producer CJ Baran<\/strong> (Panic! at the Disco<\/a>, COIN<\/a>, One OK Rock<\/a>) on their next album, entitled Rust<\/strong>. \u201cJust as zero_one<\/strong> was an album about looking inward, Rust<\/strong> is an album about looking outward,\u201d says Haft. \u201cIt\u2019s an album about rebellion, dystopia, and an angry optimism that we can create the future we deserve.\u201d Rust<\/strong> releases in 2025.<\/p>","description":"TRANSFER DELAY\nFans may begin to transfer tickets one month after public on sale\n\n

SCALING<\/p>\n

 <\/p>\n

This show is GENERAL ADMISSION with a RESERVED East or West Balcony configuration<\/p>\n

 <\/p>\n

Please see below for the different ticket options available on this event<\/p>\n

 <\/p>\n

*Access is granted based on your purchased ticket type<\/p>\n

 <\/p>\n

*All East and West Balcony tickets have access to the general admission areas<\/p>\n

 <\/p>\n

 <\/p>\n

GENERAL ADMISSION TICKETS<\/p>\n

 <\/p>\n

First-come, First-served Access to the Floor and Bowl Areas<\/p>\n

 <\/p>\n

 <\/p>\n

RESERVED TICKETS<\/p>\n

 <\/p>\n

Seated Balcony Access in the East or West Sections with Nearby Bar and Exclusive Restrooms<\/p>","venue":{"venueId":"127278","active":true,"locale":"en-US","localeAvailable":{"1":"en-US"},"title":"Mission Ballroom","address_line":"4242 Wynkoop Street, Denver, CO 80216","address":"4242 Wynkoop Street","city":"Denver","state":"CO","postalCode":"80216","country":"United States","countryCode":"US","timezone":"America\/Denver","ada":null,"keywords":[],"skinCode":"missionballroom","currency":"USD","media":{"21":{"media_id":"4830317","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_21_657a2b73bc5e2.jpg"},"10":{"media_id":"4830318","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_10_657a2b73ef178.jpg"},"11":{"media_id":"4830319","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_11_657a2b7428ddb.jpg"},"12":{"media_id":"4830320","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_12_657a2b74482a2.jpg"},"22":{"media_id":"4830321","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_22_657a2b746875e.jpg"},"60":{"media_id":"4830322","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_60_657a2b7488bb6.jpg"},"61":{"media_id":"4830323","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_61_657a2b74a8968.jpg"}},"links":[{"link_id":1120409,"link_title":"Twitter","link_type_id":"25","link_href":"https:\/\/twitter.com\/missionballroom","link_target":"_blank"},{"link_id":1120411,"link_title":"Facebook Page Co-Host","link_type_id":"24","link_href":"https:\/\/www.facebook.com\/AEGPresentsRM\/","link_target":"_blank"}]},"associations":{"performerIds":["1114738"],"headliners":[{"performerId":"1114738","active":true,"locale":"en-US","keywords":[],"bio":"

The Living Tombstone <\/strong>has been dubbed “the internet’s biggest gaming band” - (NME)<\/p>\r\n

“TLT<\/strong>” as they are known to their legion of fans, are the duo Yoav Landau <\/strong>and Sam Haft<\/strong>. Having created and released music for over eleven years, they have amassed 8 million <\/strong>YouTube subscribers, and their music has achieved over 70 billion streams <\/strong>across platforms. The band is coming off a sold-out North American 2024 tour. Their unique position as both recording artists and influencers in the gaming and ‘geekdom’ space gives them a significant cultural footprint and history, with multiple RIAA-awarded songs, and even charting at #4 on the Dance\/Electronic chart with their track Five Nights At Freddy’s<\/em>, used in the end credits of the recent Blumhouse\/NBC Universal produced film.<\/p>\r\n

“Our fans connect to us because they’re obsessed with lore and story. So now we’re giving them a story that belongs entirely to them,” says band member Sam Haft<\/strong>, who portrays the primary vocalist character “Rust<\/strong>” onstage. “I don’t think of us as The Living Tombstone <\/strong>- I think of us as the two guys who write the story for The Living Tombstone<\/strong>. The act has its own world and its own characters for people to follow. It’s our job to continue to provide fans with an interesting narrative.” <\/p>\r\n

Haft<\/strong>, originally a TV and film writer by trade, joined The Living Tombstone <\/strong>as a songwriter-lyricist-vocalist seven years ago, but ask him and he’ll tell you, “The magic is all Yoav<\/strong>. I’m hardworking and lucky - he’s special.” Founding member Yoav Landau<\/strong>, who portrays the band’s frontman character “zero_one<\/strong>” onstage, started TLT <\/strong>as a way to escape an environment in which he never felt like he fit in, as a teenager in Israel. Yoav <\/strong>found an emotional outlet in developing music about his favorite television shows to connect with like-minded communities away from his home and across the world. As soon as he was able, Yoav<\/strong> left college, moved to America, and became a full-time creator.<\/p>\r\n

“I’m super grateful for the existence of YouTube,” explains Yoav. “The internet always felt more like a home to me than any one country.” And the more Yoav began to create, the more his \"home country\" of the internet embraced him. Before meeting Haft, he had already amassed hundreds of millions of streams, and one of YouTube’s earliest million subscriber plaques<\/strong>.<\/p>\r\n

TLT's <\/strong>manager, Octone Records co-founder David Boxenbaum<\/strong>, never thought he would manage an act, but something surprised him when he first encountered TLT<\/strong>. “These guys disprove the rule, that you can’t just put your music out there and expect people to find it,” he says with a grin. “These guys put it out there, and millions of people found it.<\/strong>” And he’s right - they have - from major movie studios like Universal Pictures<\/strong>, to A-Listers like Will Smith <\/strong>and Jack Black<\/strong>. TLT <\/strong>has carved out its own little corner of the geek culture zeitgeist.<\/p>\r\n

TLT <\/strong>encountered Boxenbaum <\/strong>- or “Box<\/strong>” as friends call him - while developing a TV show for Japanese media giant Avex<\/strong>, where he was the head of their music company. It was Box <\/strong>who convinced the act to finally assemble the debut LP album they’d been dreaming up for years, “zero_one<\/strong>”, and take it to the industry, where it was embraced by fans and casual listeners alike.<\/p>\r\n

TLT<\/strong> have in the meantime continued developing projects for TV, video games, and more. In 2021, they released indie horror game In Sound Mind<\/strong><\/em>, which was critically well received and rated “overwhelmingly positive” on Steam. Since re-acquiring the rights to their TV project from Avex<\/strong>, they have independently financed a proof-of-concept to their battle of the bands cartoon, “Rock N Rumble<\/em><\/strong>,” with plans to pitch in Q1 2024. In addition, they’ve spun off the concept into a battle of the bands strategy video game, AudioClash: Battle Of The Bands<\/em><\/strong>, currently in beta and seeking a publisher.<\/p>\r\n

Now newly signed to 10K Projects<\/strong>, TLT is working alongside industry-best alternative producer CJ Baran<\/strong> (Panic! at the Disco<\/a>, COIN<\/a>, One OK Rock<\/a>) on their next album, entitled Rust<\/strong>. “Just as zero_one<\/strong> was an album about looking inward, Rust<\/strong> is an album about looking outward,” says Haft. “It’s an album about rebellion, dystopia, and an angry optimism that we can create the future we deserve.” Rust<\/strong> releases in 2025.<\/p>","media":{"19":{"media_id":"5081448","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2025\/02\/the-living-tombstone_02-04-25_19_67a170c4107f9.jpg"},"5":{"media_id":"5081449","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2025\/02\/the-living-tombstone_02-04-25_5_67a170c4ac551.jpg"},"6":{"media_id":"5081450","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2025\/02\/the-living-tombstone_02-04-25_6_67a170c53a281.jpg"},"9":{"media_id":"5081451","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2025\/02\/the-living-tombstone_02-04-25_9_67a170c5be1fd.jpg"},"20":{"media_id":"5081452","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2025\/02\/the-living-tombstone_02-04-25_20_67a170c663e6e.jpg"},"7":{"media_id":"5081453","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2025\/02\/the-living-tombstone_02-04-25_7_67a170c6e9f20.jpg"},"24":{"media_id":"5081454","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2025\/02\/the-living-tombstone_02-04-25_24_67a170c770a3e.jpg"},"88":{"media_id":"5081455","width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2025\/02\/the-living-tombstone_02-04-25_88_67a170c7f34a8.jpg"}},"links":[{"link_id":"1111100","link_title":"Instagram","link_type_id":"49","link_href":"https:\/\/www.instagram.com\/livingtombstone\/","link_target":"_blank"},{"link_id":"1111101","link_title":"Facebook","link_type_id":"12","link_href":"https:\/\/www.facebook.com\/TheLivingTombstoneOfficial\/","link_target":"_blank"},{"link_id":"1111102","link_title":"Instagram","link_type_id":"13","link_href":"https:\/\/twitter.com\/LivingTombstone","link_target":"_blank"}]}],"supportingActs":[],"additionalPerformers":[]},"media":{"17":{"media_id":"5337597","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/03\/the-living-tombstone-tickets_11-15-26_17_69a7459e15600.jpg"},"1":{"media_id":"5337598","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/03\/the-living-tombstone-tickets_11-15-26_1_69a7459e62f0a.jpg"},"2":{"media_id":"5337599","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/03\/the-living-tombstone-tickets_11-15-26_2_69a7459f12093.jpg"},"4":{"media_id":"5337600","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/03\/the-living-tombstone-tickets_11-15-26_4_69a7459fa7c37.jpg"},"18":{"media_id":"5337601","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/03\/the-living-tombstone-tickets_11-15-26_18_69a7459fed0ec.jpg"},"3":{"media_id":"5337602","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/03\/the-living-tombstone-tickets_11-15-26_3_69a745a034fee.jpg"},"23":{"media_id":"5337603","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/03\/the-living-tombstone-tickets_11-15-26_23_69a745a0739bb.jpg"},"86":{"media_id":"5337604","width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/03\/the-living-tombstone-tickets_11-15-26_86_69a745a10e4bd.jpg"}},"relatedMedia":{"1":{"media_id":"5337598","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/03\/the-living-tombstone-tickets_11-15-26_1_69a7459e62f0a.jpg"},"2":{"media_id":"5337599","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/03\/the-living-tombstone-tickets_11-15-26_2_69a7459f12093.jpg"},"3":{"media_id":"5337602","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/03\/the-living-tombstone-tickets_11-15-26_3_69a745a034fee.jpg"},"4":{"media_id":"5337600","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/03\/the-living-tombstone-tickets_11-15-26_4_69a7459fa7c37.jpg"},"23":{"media_id":"5337603","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/03\/the-living-tombstone-tickets_11-15-26_23_69a745a0739bb.jpg"},"17":{"media_id":"5337597","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/03\/the-living-tombstone-tickets_11-15-26_17_69a7459e15600.jpg"},"18":{"media_id":"5337601","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/03\/the-living-tombstone-tickets_11-15-26_18_69a7459fed0ec.jpg"},"86":{"media_id":"5337604","width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/03\/the-living-tombstone-tickets_11-15-26_86_69a745a10e4bd.jpg"},"81":{"media_id":0,"width":"1770","height":"580","file_name":"https:\/\/s.axs.com\/axs\/bundles\/aegaxs\/images\/defaults\/1\/1_1770_580.png"},"102":{"media_id":0,"width":"860","height":"400","file_name":"https:\/\/s.axs.com\/axs\/bundles\/aegaxs\/images\/defaults\/1\/1_860_400.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Elite Wrestling Presents<\/a>","presentedByText":"All Elite Wrestling Presents","headliners":"AEW<\/a> Presents Dynamite","headlinersText":"AEW Presents Dynamite","supporting":null,"supportingText":null,"tour":"All Elite Wrestling In Action","eventTitle":"AEW<\/a> Presents Dynamite","eventTitleText":"AEW Presents Dynamite"},"age":"All Ages","publishStatus":1,"private":false,"currency":"USD","currencySymbol":"$","eventDateTime":"2026-11-18T17:30:00","eventDateTimeZone":"America\/Denver","eventDateTimeZoneAbbr":"MDT","eventDateTimeUTC":"2026-11-19T00:30:00","eventDateTimeISO":"2026-11-18T17:30:00-07:00","additionalDates":[],"expirationDateTime":null,"expirationDateTimeUTC":null,"doorDateTime":"2026-11-18T16:30:00","doorDateTimeUTC":"2026-11-18T23:30:00","announceDateTime":"2026-09-14T10:00:00","announceDateTimeTimeZone":"America\/Denver","announceDateTimeUTC":"2026-09-14T16:00:00","presaleDateTime":null,"presaleDateTimeTimeZone":"America\/Denver","presaleDateTimeUTC":null,"presaleEndDateTime":null,"presaleEndDateTimeTimeZone":"America\/Denver","presaleEndDateTimeUTC":null,"onsaleDateTime":"2026-09-21T10:00:00","onsaleDateTimeTimeZone":"America\/Denver","onsaleDateTimeZoneAbbr":"MDT","onsaleDateTimeUTC":"2026-09-21T16:00:00","ticketing":{"statusId":1,"status":"Buy Tickets","presaleURL":null,"ticketURL":"https:\/\/shop.axs.com\/?c=axs&e=20174867068166784","url":"https:\/\/www.axs.com\/events\/1608376\/aew-presents-dynamite-tickets","eventUrl":"https:\/\/www.axs.com\/events\/1608376\/aew-presents-dynamite-tickets","ticketLinkExists":true},"ticketPrice":null,"ticketPriceLow":"$0","ticketPriceHigh":"$0","doorPrice":null,"doorPriceLow":"$0","doorPriceHigh":"$0","bio":"

All Elite Wrestling in Action<\/strong>

A night at an All Elite Wrestling show is packed with action. Boasting an impressive roster of diverse male and female wrestlers, All Elite Wrestling features a wide variety of wrestling styles and twist-filled plots. A typical AEW night involves being right there for the broadcast of its flagship TBS show, AEW Dynamite, AEW Rampage on TNT, or the newest TNT show, AEW Collision. Be there live to see all the athleticism, big personalities, exciting storylines, and hard-hitting wrestling action that has become synonymous with AEW and expect a night of epic rivalries and unforgettable matches with all the stars you love to watch. <\/div>\n
 <\/div>\n
 <\/div>\n
AEW is NOT<\/span> a MMA format <\/strong><\/div>","description":null,"venue":{"venueId":"127278","active":true,"locale":"en-US","localeAvailable":{"1":"en-US"},"title":"Mission Ballroom","address_line":"4242 Wynkoop Street, Denver, CO 80216","address":"4242 Wynkoop Street","city":"Denver","state":"CO","postalCode":"80216","country":"United States","countryCode":"US","timezone":"America\/Denver","ada":null,"keywords":[],"skinCode":"missionballroom","currency":"USD","media":{"21":{"media_id":"4830317","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_21_657a2b73bc5e2.jpg"},"10":{"media_id":"4830318","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_10_657a2b73ef178.jpg"},"11":{"media_id":"4830319","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_11_657a2b7428ddb.jpg"},"12":{"media_id":"4830320","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_12_657a2b74482a2.jpg"},"22":{"media_id":"4830321","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_22_657a2b746875e.jpg"},"60":{"media_id":"4830322","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_60_657a2b7488bb6.jpg"},"61":{"media_id":"4830323","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_61_657a2b74a8968.jpg"}},"links":[{"link_id":1120409,"link_title":"Twitter","link_type_id":"25","link_href":"https:\/\/twitter.com\/missionballroom","link_target":"_blank"},{"link_id":1120411,"link_title":"Facebook Page Co-Host","link_type_id":"24","link_href":"https:\/\/www.facebook.com\/AEGPresentsRM\/","link_target":"_blank"}]},"associations":{"performerIds":["1106925"],"headliners":[{"performerId":"1106925","active":true,"locale":"en-US","keywords":["AEW","Wrestling"],"bio":"
All Elite Wrestling in Action<\/strong>

A night at an All Elite Wrestling show is packed with action. Boasting an impressive roster of diverse male and female wrestlers, All Elite Wrestling features a wide variety of wrestling styles and twist-filled plots. A typical AEW night involves being right there for the broadcast of its flagship TBS show, AEW Dynamite, AEW Rampage on TNT, or the newest TNT show, AEW Collision. Be there live to see all the athleticism, big personalities, exciting storylines, and hard-hitting wrestling action that has become synonymous with AEW and expect a night of epic rivalries and unforgettable matches with all the stars you love to watch. <\/div>\r\n
 <\/div>\r\n
 <\/div>\r\n
AEW is NOT<\/span> a MMA 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Bonobo's rise has been stealthy but unstoppable and Simon Green, the man behind it all, is now one of the biggest electronic artists of our time, with 6 albums and a revered live show that has seen him play to sold-out crowds across the globe, including multiple shows at Alexandra Palace, Glastonbury, Coachella and Red Rocks Amphitheatre. His last album “Migration” reached #5 in the UK album charts and was GRAMMY nominated along with his subsequent “Linked” single. In 2019 he released the track “Ibrik” via his ‘fabric presents’ compilation and followed up in 2020 with a remix of Mercury Prize winner Michael Kiwanuka’s soulful “Final Days.” <\/span><\/div>\r\n
 <\/span><\/div>\r\n
In 2020 Bonobo teamed up with producer Totally Enormous Extinct Dinosaurs to deliver “Heartbreak,” a track that builds on the foundations of electronic music, tracing a line from the dance floors of 1980’s NYC to today. The 12” is the first to arrive via Bonobo’s new label OUTLIER and expands on the series of club shows and festival stage takeovers under that same banner. Launched at the iconic New York club Output, OUTLIER sees Bonobo playing and curating an array of nights and festivals on either side of the Atlantic which has so far included Field Day, Nuits Sonores, OFFSonar and more, cementing his reputation not just as a prolific producer and musician, but as a DJ and curator too.<\/span><\/div>","description":null,"venue":{"venueId":"127278","active":true,"locale":"en-US","localeAvailable":{"1":"en-US"},"title":"Mission Ballroom","address_line":"4242 Wynkoop Street, Denver, CO 80216","address":"4242 Wynkoop Street","city":"Denver","state":"CO","postalCode":"80216","country":"United States","countryCode":"US","timezone":"America\/Denver","ada":null,"keywords":[],"skinCode":"missionballroom","currency":"USD","media":{"21":{"media_id":"4830317","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_21_657a2b73bc5e2.jpg"},"10":{"media_id":"4830318","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_10_657a2b73ef178.jpg"},"11":{"media_id":"4830319","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_11_657a2b7428ddb.jpg"},"12":{"media_id":"4830320","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_12_657a2b74482a2.jpg"},"22":{"media_id":"4830321","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_22_657a2b746875e.jpg"},"60":{"media_id":"4830322","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_60_657a2b7488bb6.jpg"},"61":{"media_id":"4830323","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_61_657a2b74a8968.jpg"}},"links":[{"link_id":1120409,"link_title":"Twitter","link_type_id":"25","link_href":"https:\/\/twitter.com\/missionballroom","link_target":"_blank"},{"link_id":1120411,"link_title":"Facebook Page Co-Host","link_type_id":"24","link_href":"https:\/\/www.facebook.com\/AEGPresentsRM\/","link_target":"_blank"}]},"associations":{"performerIds":["110740"],"headliners":[{"performerId":"110740","active":true,"locale":"en-US","keywords":[],"bio":"
Bonobo's rise has been stealthy but unstoppable and Simon Green, the man behind it all, is now one of the biggest electronic artists of our time, with 6 albums and a revered live show that has seen him play to sold-out crowds across the globe, including multiple shows at Alexandra Palace, Glastonbury, Coachella and Red Rocks Amphitheatre. His last album “Migration” reached #5 in the UK album charts and was GRAMMY nominated along with his subsequent “Linked” single. In 2019 he released the track “Ibrik” via his ‘fabric presents’ compilation and followed up in 2020 with a remix of Mercury Prize winner Michael Kiwanuka’s soulful “Final Days.” <\/span><\/div>\r\n
 <\/span><\/div>\r\n
In 2020 Bonobo teamed up with producer Totally Enormous Extinct Dinosaurs to deliver “Heartbreak,” a track that builds on the foundations of electronic music, tracing a line from the dance floors of 1980’s NYC to today. The 12” is the first to arrive via Bonobo’s new label OUTLIER and expands on the series of club shows and festival stage takeovers under that same banner. 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LEVEL UP, aka Sonya Broner, feels most at home behind the decks. Originally a battle DJ under the mentorship of the legendary Rob Swift, she later dove into music production after discovering dubstep. Since then, she has continuously refined her sound and live performances, taking fans on an immersive ride through her music.<\/p>\r\n

 <\/p>\r\n

Blending heavy bass and future bass with her own flips of classic dance and emo anthems, LEVEL UP has carved out a distinct style that resonates with crowds worldwide.<\/p>\r\n

 <\/p>\r\n

Since 2021, she has headlined multiple tours across North America and performed globally, with standout appearances at iconic festivals and venues including Red Rocks, Lollapalooza, Electric Daisy Carnival Las Vegas, Bonnaroo, Lost Lands, Beyond Wonderland, Electric Forest, Bass Canyon, and Ultra Music Festival.<\/p>\r\n

 <\/p>\r\n

Her releases span powerhouse labels such as Monstercat, Deadbeats, GRVDNCR, and Buygore, alongside her own imprint, Summoning Circle - with plenty more music on the way. In 2025, she’s continued to soar with a sold-out Sapphire Souls headline tour, high-profile collaborations with rising and established bass acts, and mainstage performances at some of the world’s biggest festivals, solidifying her as one of the most dynamic artists in bass music today.<\/p>","description":"Method of delivery is AXS Mobile only","venue":{"venueId":"127278","active":true,"locale":"en-US","localeAvailable":{"1":"en-US"},"title":"Mission Ballroom","address_line":"4242 Wynkoop Street, Denver, CO 80216","address":"4242 Wynkoop Street","city":"Denver","state":"CO","postalCode":"80216","country":"United States","countryCode":"US","timezone":"America\/Denver","ada":null,"keywords":[],"skinCode":"missionballroom","currency":"USD","media":{"21":{"media_id":"4830317","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_21_657a2b73bc5e2.jpg"},"10":{"media_id":"4830318","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_10_657a2b73ef178.jpg"},"11":{"media_id":"4830319","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_11_657a2b7428ddb.jpg"},"12":{"media_id":"4830320","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_12_657a2b74482a2.jpg"},"22":{"media_id":"4830321","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_22_657a2b746875e.jpg"},"60":{"media_id":"4830322","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_60_657a2b7488bb6.jpg"},"61":{"media_id":"4830323","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_61_657a2b74a8968.jpg"}},"links":[{"link_id":1120409,"link_title":"Twitter","link_type_id":"25","link_href":"https:\/\/twitter.com\/missionballroom","link_target":"_blank"},{"link_id":1120411,"link_title":"Facebook Page Co-Host","link_type_id":"24","link_href":"https:\/\/www.facebook.com\/AEGPresentsRM\/","link_target":"_blank"}]},"associations":{"performerIds":["1109953","1110687","1112106"],"headliners":[{"performerId":"1109953","active":true,"locale":"en-US","keywords":[],"bio":"

LEVEL UP, aka Sonya Broner, feels most at home behind the decks. Originally a battle DJ under the mentorship of the legendary Rob Swift, she later dove into music production after discovering dubstep. Since then, she has continuously refined her sound and live performances, taking fans on an immersive ride through her music.<\/p>\r\n

 <\/p>\r\n

Blending heavy bass and future bass with her own flips of classic dance and emo anthems, LEVEL UP has carved out a distinct style that resonates with crowds worldwide.<\/p>\r\n

 <\/p>\r\n

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SCALING<\/strong>
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Please see below for the different ticket options available on this event
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GENERAL ADMISSION TICKETS<\/strong>
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GA VIP TICKETS<\/strong>
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Since then he has moved on to collaborate with artists such as MUST DIE! and Habstrakt which resulted in ‘Z’ and ‘Ninja Challenge’ which was featured on the Never Say Die and UKF album mixed by SKisM alongside names like Skrillex, Flux Pavilion, Foreign Beggars and more.

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Back in 2004, four lifelong musicians got together down in Florida. Even though they had traveled separate paths, similar lessons learned, wisdom earned, and dues paid united these gentlemen\u2014Myles Kennedy [vocals, guitar], Mark Tremonti [guitar, vocals], Brian Marshall [bass], and Scott Phillips [drums]\u2014as Alter Bridge. Over the ensuing two decades, the band endured countless trials and tribulations, defied every odd, and rose to the head of the pack as a hard rock juggernaut, cementing a singular legacy by selling out arenas, gathering nearly 1 billion streams, inciting international acclaim, and quietly attracting a diehard audience. Beginning with the Top 5 entry of 2004\u2019s gold-certified One Day Remains<\/em>, the band have scored six consecutive Top 20 debuts on the Billboard<\/em> 200. Among a myriad of highlights, Guitarist Magazine<\/em> applauded \u201cBlackbird\u201d for the \u201cGreatest Guitar Solo of All Time<\/em>,\u201d <\/em>the ABIII<\/em> single \u201cIsolation\u201d vaulted to #1 on the Billboard<\/em> Mainstream Rock Chart, 2013\u2019s Fortress<\/em> received rare perfect scores from KERRANG!<\/em> and Total Guitar<\/em>, and Walk The Sky<\/em> shook the Top Rock Albums Chart at #1. Beyond packing O2 Arena and Royal Albert Hall, Classic Rock<\/em> hailed 2022\u2019s Pawns & Kings<\/em> as \u201cthe Rolls-Royce of Alter Bridge records\u201d<\/em> in a 4.5-out-of-5 star review. Plus, the latter LP garnered praise from American Songwriter<\/em>, Guitar World<\/em>, and Loudwire<\/em>, while Billboard<\/em> christened them \u201cone of America\u2019s premiere hard rock quartets<\/em>.\u201d <\/em><\/p>","description":"

 <\/p>\n

TIERED PRICING<\/strong>: This event has a tiered pricing structure in the General Admission area. All General Admission tiers have the same access. Once a price level sells out it may no longer be visible or available for selection.<\/p>\n

        *Please note: multiple GA price levels may be available at the same time<\/p>\n

This show is GENERAL ADMISSION with a RESERVED East or West Balcony configuration<\/strong><\/p>\n

Please see below for the different ticket options available on this event        *Access is granted based on your purchased ticket type<\/p>\n

        *All East and West Balcony tickets have access to the general admission areas<\/p>\n

GENERAL ADMISSION TICKETS<\/strong>: First-come, First-served Access to the Floor and Bowl Areas<\/p>\n

RESERVED TICKETS<\/strong>: Seated Balcony Access in the East or West Sections with Nearby Bar and Exclusive Restrooms<\/p>","venue":{"venueId":"127278","active":true,"locale":"en-US","localeAvailable":{"1":"en-US"},"title":"Mission Ballroom","address_line":"4242 Wynkoop Street, Denver, CO 80216","address":"4242 Wynkoop Street","city":"Denver","state":"CO","postalCode":"80216","country":"United States","countryCode":"US","timezone":"America\/Denver","ada":null,"keywords":[],"skinCode":"missionballroom","currency":"USD","media":{"21":{"media_id":"4830317","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_21_657a2b73bc5e2.jpg"},"10":{"media_id":"4830318","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_10_657a2b73ef178.jpg"},"11":{"media_id":"4830319","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_11_657a2b7428ddb.jpg"},"12":{"media_id":"4830320","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_12_657a2b74482a2.jpg"},"22":{"media_id":"4830321","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_22_657a2b746875e.jpg"},"60":{"media_id":"4830322","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_60_657a2b7488bb6.jpg"},"61":{"media_id":"4830323","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_61_657a2b74a8968.jpg"}},"links":[{"link_id":1120409,"link_title":"Twitter","link_type_id":"25","link_href":"https:\/\/twitter.com\/missionballroom","link_target":"_blank"},{"link_id":1120411,"link_title":"Facebook Page Co-Host","link_type_id":"24","link_href":"https:\/\/www.facebook.com\/AEGPresentsRM\/","link_target":"_blank"}]},"associations":{"performerIds":["103879","792","1110197"],"headliners":[{"performerId":"103879","active":true,"locale":"en-US","keywords":["ter Bridge","Slip To The Void","Isolation","AB III","Mark Tremonti","Brian Marshall","Scott Philips","one day remain"],"bio":"

Back in 2004, four lifelong musicians got together down in Florida. Even though they had traveled separate paths, similar lessons learned, wisdom earned, and dues paid united these gentlemen—Myles Kennedy [vocals, guitar], Mark Tremonti [guitar, vocals], Brian Marshall [bass], and Scott Phillips [drums]—as Alter Bridge. Over the ensuing two decades, the band endured countless trials and tribulations, defied every odd, and rose to the head of the pack as a hard rock juggernaut, cementing a singular legacy by selling out arenas, gathering nearly 1 billion streams, inciting international acclaim, and quietly attracting a diehard audience. Beginning with the Top 5 entry of 2004’s gold-certified One Day Remains<\/em>, the band have scored six consecutive Top 20 debuts on the Billboard<\/em> 200. Among a myriad of highlights, Guitarist Magazine<\/em> applauded “Blackbird” for the “Greatest Guitar Solo of All Time<\/em>,” <\/em>the ABIII<\/em> single “Isolation” vaulted to #1 on the Billboard<\/em> Mainstream Rock Chart, 2013’s Fortress<\/em> received rare perfect scores from KERRANG!<\/em> and Total Guitar<\/em>, and Walk The Sky<\/em> shook the Top Rock Albums Chart at #1. Beyond packing O2 Arena and Royal Albert Hall, Classic Rock<\/em> hailed 2022’s Pawns & Kings<\/em> as “the Rolls-Royce of Alter Bridge records”<\/em> in a 4.5-out-of-5 star review. Plus, the latter LP garnered praise from American Songwriter<\/em>, Guitar World<\/em>, and Loudwire<\/em>, while Billboard<\/em> christened them “one of America’s premiere hard rock quartets<\/em>.” <\/em><\/p>","media":{"19":{"media_id":"5223054","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2025\/09\/alter-bridge_09-03-25_19_68b849ed98616.png"},"5":{"media_id":"5223055","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2025\/09\/alter-bridge_09-03-25_5_68b849ee49b85.png"},"6":{"media_id":"5223056","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2025\/09\/alter-bridge_09-03-25_6_68b849eeafb78.png"},"9":{"media_id":"5223057","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2025\/09\/alter-bridge_09-03-25_9_68b849ef1b5f1.png"},"20":{"media_id":"5223058","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2025\/09\/alter-bridge_09-03-25_20_68b849f06063f.png"},"7":{"media_id":"5223059","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2025\/09\/alter-bridge_09-03-25_7_68b849f0d5eb3.png"},"24":{"media_id":"5223060","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2025\/09\/alter-bridge_09-03-25_24_68b849f16346e.png"},"88":{"media_id":"5223061","width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2025\/09\/alter-bridge_09-03-25_88_68b849f1e361b.png"}},"links":[{"link_id":"864644","link_title":"Facebook Page","link_type_id":"12","link_href":"http:\/\/www.facebook.com\/alterbridge","link_target":"_none"},{"link_id":"874474","link_title":"Youtube VEVO","link_type_id":"14","link_href":"http:\/\/www.youtube.com\/user\/AlterBridgeVEVO","link_target":"_none"},{"link_id":"877578","link_title":"Featured Video","link_type_id":"15","link_href":"http:\/\/www.youtube.com\/watch?v=ZEjM_wF1VBA&feature=fvst","link_target":"_none"},{"link_id":"878937","link_title":"Official Website","link_type_id":"8","link_href":"http:\/\/www.alterbridge.com","link_target":"_none"},{"link_id":"917373","link_title":"Twitter","link_type_id":"13","link_href":"http:\/\/twitter.com\/alterbridge","link_target":"_none"},{"link_id":"937038","link_title":"Amazon","link_type_id":"11","link_href":"http:\/\/www.amazon.com\/gp\/redirect.html?ie=UTF8&location=http:\/\/www.amazon.com\/gp\/product\/B0045ASBY8&tag=aeglive0a-20&linkCode=ur2&camp=1789&creative=9325","link_target":"_none"},{"link_id":"1092126","link_title":"Instagram","link_type_id":"49","link_href":"https:\/\/www.instagram.com\/officialalterbridge\/","link_target":"_none"}]}],"supportingActs":[{"performerId":"792","active":true,"locale":"en-US","keywords":[],"bio":"

There’s a question posed by Big Wreck’s new album, Grace Street: What does it mean to be a rock and roll band in 2017? When you have a bunch of modern rock radio staples to your credit, earned platinum sales status, and shared stages with music icons, where do you go next? The answer is simple: To be an artist these days, one needs to embrace everything, and have the skill and savvy to put it all together with a clear vision of an end result.<\/p>\r\n

Grace Street does this magnificently, confirming that Big Wreck is as vital and engaging today as they were when they first arrived on the scene in 1997. The new album follows the group’s 2014 JUNO-nominated effort Ghosts, but more significantly, front man Ian Thornley’s 2015 debut solo outing Secrets, on which he expanded his songwriting range while taking a more spontaneous approach in the studio. Those elements continued to be explored on Grace Street, Big Wreck’s first collaboration with co-producer Garth Richardson, whose extensive resume includes work with Rage Against The Machine and Red Hot Chili Peppers.<\/p>\r\n

As mutual admirers for many years, it was a long-overdue pairing and both parties took full advantage of the opportunity. Thornley says, “There was a lot of growth from [2012 album] Albatross to Ghosts, and I think Grace Street is the next step in that process. What helped greatly was Garth’s attitude of let’s go further and deeper. We really left no stone unturned as we were making this record.”<\/p>\r\n

The sonic diversity on Grace Street is indeed stunning, with heavy grooving tracks such as lead-off single “One Good Piece Of Me” and “Digging In” rubbing shoulders with the atmospheric “A Speedy Recovery” and the epic seven-minute instrumental “Skybunk Marché.” Other tracks feature added touches such as Miles Davis-style muted trumpet, wine glasses, a sample of Thornley’s daughter’s heartbeat, and a Leslie speaker guitar solo recorded on a mountainside adjacent to Richardson’s B.C. studio.<\/p>\r\n

But at the core of the album are live off the floor performances by Thornley on guitar and keyboards, accompanied by drummer Chuck Keeping and bassist Dave McMillan. (Original founding band member Brian Doherty returns when the band hits the stage). For Thornley, it was imperative to maintain the human element in every aspect of the sessions, resulting in a trip he feels no previous Big Wreck album has taken a listener on before. “Musically, I’m still searching for the stuff that turns me on and takes me somewhere,” he says. “You want to be brought to tears or have the hair on your neck stand up, and if the search for that takes you to new territory, then so be it. You have to follow. It’s like chasing a high, and Garth feels that just as much as we do.”<\/p>\r\n

For the Toronto-born Thornley, that search began in his youth when his classic rock heroes inspired him picked up the guitar. The original Big Wreck line-up, including Brian Doherty, was formed in the early 1990s while all members were attending Berklee College of Music in Boston. After a few years of honing their sound, the band was signed to Atlantic Records, which released their instantly embraced debut album In Loving Memory Of… in 1997. It proved to be a major homecoming for Thornley, as singles “The Oaf,” “That Song” and “Blown Wide Open” were all Top 10 hits in Canada, boosted by the band’s intense live shows.<\/p>\r\n

Big Wreck chose to go their separate ways following the 2001 follow-up album The Pleasure And The Greed, with Thornley quickly forming a new group bearing his surname, which over time brought Dave McMillan into the fold. Although Thornley the band released two commercially successful albums over a nine-year span, Thornley the musician eventually grew disenchanted with the group’s approach, and a rekindling of his friendship with Doherty sparked the notion of a re-born Big Wreck.<\/p>\r\n

It proved to be an astute decision on all fronts, as the “comeback” album Albatross turned in a Top 5 first-week showing on the Canadian Albums Chart, the highest debut of any previous Big Wreck or Thornley release. It would go on to earn a 2013 JUNO nomination for Rock Album of the Year and spawn three Top 10 Canadian Rock Radio singles.<\/p>\r\n

The fresh start invariably led to Thornley’s creative renaissance, with other facets of his life and career eventually following suit. That’s symbolized by his choice to name the new album after his new Toronto address, Grace Street, where Thornley has regained some of the stability that has eluded him over the past few years. What he’s also come to terms with is allowing Big Wreck to be whatever it wants to be, whether that’s a riff-spewing, multi-guitar beast or a vehicle for sonic boundary pushing. There are no longer any limits.<\/p>\r\n

As Thornley explains, “It’s like when you run into someone on vacation and they ask what you do. When I say I’m a musician, they’ll ask what kind of music I play, and I’ll always just say rock and roll. But within that are so many flavours you can’t even begin to describe. And that was really the over-riding goal for Grace Street, to have every song be able to stand on its own as something unique, and I’m really proud that we were able to do that.”<\/p>","media":{"19":{"media_id":"3662319","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2016\/11\/big-wreck_11-11-16_19_5826198c571e7.png"},"6":{"media_id":"3662316","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2016\/11\/big-wreck_11-11-16_6_5826198a9ab49.png"},"9":{"media_id":"3662315","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2016\/11\/big-wreck_11-11-16_9_58261989d3928.png"},"5":{"media_id":"3662317","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2016\/11\/big-wreck_11-11-16_5_5826198b59b50.png"},"7":{"media_id":"3662318","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2016\/11\/big-wreck_11-11-16_7_5826198bd0802.png"},"20":{"media_id":"3662320","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2016\/11\/big-wreck_11-11-16_20_5826198d49473.png"},"24":{"media_id":"3662314","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2016\/11\/big-wreck_11-11-16_24_582619892766e.png"}},"links":[{"link_id":"911765","link_title":"Facebook Page","link_type_id":"12","link_href":"http:\/\/www.facebook.com\/BigWreck","link_target":"_none"},{"link_id":"903454","link_title":"Youtube VEVO","link_type_id":"14","link_href":"http:\/\/www.youtube.com\/user\/bigwreckmusic?feature=watch","link_target":"_none"},{"link_id":"930392","link_title":"Official Website","link_type_id":"8","link_href":"http:\/\/bigwreckmusic.com","link_target":"_none"}]},{"performerId":"1110197","active":true,"locale":"en-US","keywords":[],"bio":"

Chiefly considered a Country rocker, Tim Montana is a true Renaissance man, moonlighting as a TV personality, marksman, father, husband, grill master, songwriter, hot sauce connoisseur, hell-raiser, truck driver, philanthropist and businessman. Raised in a single-wide without electricity in the wilds near Butte, Montana, Tim Montana (yes, it's his real name), spent many years grinding it out by taking odd jobs just to pay the bills (like cleaning kennels, frying chickens, operating a carousel, being a ranch hand) and racked up lifetimes worth of unbelievable stories.<\/p>\r\n

 <\/p>\r\n

With a mix of innate talent, unrelenting hustle, grit, gasoline and magnetic charisma, Montana is now signed with Music Knox Records\/BBR Music Group. Tim released his label debut album (produced by the award-winning Michael Knox), Long Shots<\/em> in April 2021 and is already prepared to release its follow up EP, Reno<\/em>.  While the Long Shots<\/em> title served as a nod to the hard road Montana had to take to achieve his dream and how he overcame his struggles against all odds. Reno<\/em> is a display of gratitude to all of those who have taken a gamble on him and supported him being his authentic self. The music, befitting of its lyrical themes, is Country Rock—but don’t mistake it for Southern. With geography impacting Tim’s musical influences, he’s located somewhere between Seattle and its grunge, Texas’ roadhouse, Nashville’s Country, Wyoming’s Chris LeDoux, and the Heartland’s Rock. The music of both projects embraces hard living, the American experience and the blue-collar way—it’s an ode to the underdogs and screams “hard work pays off,” something Tim knows a lot about.<\/p>\r\n

 <\/p>\r\n

\"It wasn't easy for me on Music Row, but all my life I’ve never let outside factors stand in the way of my aspirations—instead the rejection fueled me to dig my heels in more, get a little scrappier and work even harder,\" he says. \"Now we're doing things in Nashville in a way that hasn't been done before—it’s been a blast and makes those days shoveling shit worth it.”<\/p>\r\n

 <\/p>\r\n

With Reno<\/em>, Tim leaves behind all preconceived notions about what tastemakers are looking for, who he should collaborate with, how a project is supposed to flow or when a project should be released and delivers his favorite and most bona fide music to date. Across the six songs, Tim is unabashedly himself—lyrically, sonically and artistically. It’s a little Rock, a lot of grit, influenced by the West and speaks to his values, beliefs and lifestyle. The self-explanatory “Guy Like Me” even spells out exactly what to expect from him.<\/p>\r\n

 <\/p>\r\n

Unapologetic, relatable and raw, each song is delivered convincingly from the well-seasoned hustler whose gritty vocals add an additional layer of authenticity. The lively merrymaker even shares his more vulnerable thoughts with “Stoned On You,” which finds him at a party having fun but longing to be home enjoying the quiet moments. Chosen as the title track to also be a nod to the type who finds Vegas too gaudy and expensive, opting for the humbler Reno to get their kicks, in “Reno” we see the bluesy aftereffect of getting burnt-out and the yearning to find comfort in vices in the unpretentious \"Biggest Little City in the World.\"<\/p>\r\n

 <\/p>\r\n

 <\/p>\r\n

Always one to embrace the rough-and-tumble and his working-class comrades who aren’t afraid to do the dirty work, his new “American Dream” is an anthem for finding your own kind of happiness that reassures folks that it doesn't have to be cookie cutter, glitzy or picturesque to be accepted or enjoyed. Tim is constantly celebrating the wage-earning lifestyle and all of the plights, circumstances, stories and preferences that stem from that existence. Continuing the sentiment of his previously released, “I Ain’t Ashamed,” about letting your character define you, not your background or circumstance and being proud of who you are—in the “American Dream” video, he invites the world to see the trailer he grew up in, proudly sharing his unrefined meager upbringing.<\/p>\r\n

 <\/p>\r\n

“ I wanted to make sure people know that it’s a celebration of that low class, ‘if you’re not dirty, nobody trusts you’ mountain life. I am Butte American and damn proud of it. It’s character that defines a man.”<\/p>\r\n

 <\/p>\r\n

Tim puts that concept into song with the comforting track, “Real Good People” featuring Colbie Caillat. Which shares a similar vibe and attitude with “Good By Me” (released February 2022) that celebrates the good folks doing good things in the world. The song praises the kindness of others and good heartedness—something Tim holds dear. As passionate advocate for the U.S. military, Tim helps tell the stories of patriots like Rob O'Neill and the late \"American Sniper\" Chris Kyle and supports many fundraising efforts for military families. His second annual Tim Montana & Friends American Thread Sporting Clays Shoot raised $450,000 for two charities that benefit our military, doubling the amount raised in its first year (and then some).<\/p>\r\n

 <\/p>\r\n

 <\/p>\r\n

He's a gregarious personality and struck up friendships with such diverse figures as Kid Rock and the Navy SEAL who led the raid to take down Osama bin Laden, Rob O'Neill. In a uniquely Tim Montana way, he somehow found himself in the company of David Letterman during a trip back home to Montana, and the talk-show host personally invited him to perform the Late Show<\/em> days later. During the pandemic, Montana tapped a smattering of his notable circle of friends (Charlie Sheen, Lee Brice, Chris Kirkpatrick, Michael Ray, Chase Rice, Travis Pastrana, to name a few) for the video for his and Mat Best’s song “Quarantine<\/a>.” He also enlisted Sheen to direct his video for “Mostly Stoned,” off his album, American Thread<\/em> and eventually even purchased the actor’s old tour bus—and subsequently earned his CDL license so he can drive it cross country on tour.<\/p>\r\n

 <\/p>\r\n

In Kid Rock, Montana found a kindred rebel spirit and began one of his most prolific creative periods, opening for the Rap-Rock icon and co-writing two charting singles for Rock's Sweet Southern Sugar<\/em> album: the Top 10 Country hit \"Tennessee Mountain Top\" and the Number 16 Rock anthem \"Greatest Show on Earth.\" The influences of that friendship can be heard in Reno<\/em>’s “California Love,” which samples the iconic 2Pac song for a jam that is sure to crush live.<\/p>\r\n

 <\/p>\r\n

\"The way we write songs is very similar, our performance style is full-throttle and we instantly hit it off,” he says of his relationship with Rock.<\/p>\r\n

 <\/p>\r\n

But it's ZZ Top's legendary Billy F. Gibbons with whom Montana has formed his longest and most prosperous relationship. Natural collaborators, the pair has written, recorded and performed together (as individual artists and as the duo, Whisker Brothers) countless times, co-writing songs like \"This Beard Came Here to Party\" and the aforementioned “California Love.” Montana and Gibbons have even launched their own Whisker Bomb brand, selling two pepper sauce flavors “Original” and “Have Mercy Hot and have recently added salsas and BBQ sauces to their offerings. Whisker Bomb products are available at H-E-B, Pop Shelf by Dollar General and on the Whisker Bomb website.<\/p>\r\n

 <\/p>\r\n

Barbecue is a cornerstone of Montana's life— he regularly posts videos of him and his cohorts cooking his fresh game on an epic grill with his rabid following. A brand ambassador for Traeger Grills, Montana has performed with Dave Grohl at the company's all-star weekend and taught a how-to-barbecue class to music-industry executives. In addition to Traeger, Montana is a spokesperson and influencer for Ravin, CenterPoint, Crosman, Benjamin, Black Rifle Coffee, Snap-On Tools, Polaris, Fender, Gerber, Indian Motorcycles, Kicker Performance Audio, Orange Amplifiers, and more— he also has his own companies (in addition to Whisker Bomb): Tim Montana’s Vigilante Cigars (with Big Sky Cigars) and Ol’ Boy Apparel. He also stars in his own show, “Tim Montana's Wild Side” on Velocity Outdoor Channel and can add actor to his resume, appearing in movies like The Last Son<\/em> and Murder at Yellowstone City<\/em>.<\/p>\r\n

 <\/p>\r\n

With a fourth baby just added to his family, continued songwriting and businesses to keep growing—in addition to touring steadily, headlining his own shows as well as hitting the road with folks like Koe Wetzel, Lee Brice, Travis Tritt and Aaron Lewis<\/p>\r\n

 <\/p>\r\n

How he finds the time to balance it all, we’ll never know but we do know he's nowhere near finished.<\/p>\r\n

 <\/p>\r\n

For Montana, the Big Sky is the limit.<\/p>","media":{"19":{"media_id":"4714277","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/05\/tim-montana_05-23-23_19_646cd053e372a.jpg"},"5":{"media_id":"4714278","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/05\/tim-montana_05-23-23_5_646cd054213f0.jpg"},"6":{"media_id":"4714279","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/05\/tim-montana_05-23-23_6_646cd0544fb1c.jpg"},"9":{"media_id":"4714280","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/05\/tim-montana_05-23-23_9_646cd0546f5f9.jpg"},"20":{"media_id":"4714281","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/05\/tim-montana_05-23-23_20_646cd0548b3ba.jpg"},"7":{"media_id":"4714282","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/05\/tim-montana_05-23-23_7_646cd054ac721.jpg"},"24":{"media_id":"4714283","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/05\/tim-montana_05-23-23_24_646cd054c7ca3.jpg"},"88":{"media_id":"4714284","width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/05\/tim-montana_05-23-23_88_646cd054e883f.jpg"}},"links":[{"link_id":"1098501","link_title":"Official 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Born and raised in Louisiana, Brock Thornton aka Boogie T, has risen from the bayou to bring the low end. Since the tender age of eight, he’s expressed his creativity through writing and playing music. Whether he’s producing dubstep, funk, blues, or anything in between, Boogie T is an entertainer at heart, weaving a variety of musical elements and instruments into his signature sound. Boogie T’s goal in the studio and behind the decks is simple: to make great music and to connect with people.<\/p>\r\n

Boogie T landed his first label release in 2017 on Ganja White Night’s SubCarbon Records with his debut ‘Soul’d Out EP,’ earning him a spot on the iTunes Top 10 Electronic Album charts. Since his debut release, Boogie T has delivered his funky, bass-heavy sound to top-tier labels such as Atlantic\/BigBeat and Ultra Records\/Sony Music. In 2018 (on 4\/20, naturally) Boogie T launched his own record label, Drama Club Recordings, with a mission to deliver his own music, as well as to sign
tracks from some of his favorite artists in bass music. Drama Club Recordings is now home to many Boogie T releases, as well as music from both established peers and promising up-and-comers.<\/p>\r\n

In 2018, Boogie T took his career to new heights with the premiere of his live band, BOOGIE T.RIO, featuring hometown bandmates Andrew 'Yàno' Yanovski on the keys and Frank 'Animal Drums' Castro on drums and percussion. The positive response was immediate, leading BOOGIE T.RIO to release five EPs and perform across North America on their own headline tours in 2019 and 2023, along with appearances at Voodoo Fest, Okeechobee, and Red Rocks.<\/p>\r\n

Boogie T's touring history as a DJ is punctuated by a number of headline tours, most recently including his headline Outbreak Tour in 2023, a whirlwind adventure across over 25 stops sponsored by Monster Energy. This tour not only showcased Boogie T's ability to command the stage and captivate audiences throughout North America, but also reaffirmed his status as a live performance phenomenon. Beyond his own headline tours, Boogie T has become a fixture at some of the world's
top music festivals, gracing the stage at festivals such as Bonnaroo, Coachella, Lollapalooza, and EDC Las Vegas.<\/p>\r\n


Looking ahead, Boogie T is gearing up for another DJ tour in the spring of 2024 and preparing for the highly anticipated third installment of his headline Red Rocks headline, Boogie T On The Rocks III. With a horde of unreleased music and a packed touring schedule on the horizon, it’s only a matter of time before Boogie T brings the bayou to you.<\/p>","description":null,"venue":{"venueId":"127278","active":true,"locale":"en-US","localeAvailable":{"1":"en-US"},"title":"Mission Ballroom","address_line":"4242 Wynkoop Street, Denver, CO 80216","address":"4242 Wynkoop Street","city":"Denver","state":"CO","postalCode":"80216","country":"United States","countryCode":"US","timezone":"America\/Denver","ada":null,"keywords":[],"skinCode":"missionballroom","currency":"USD","media":{"21":{"media_id":"4830317","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_21_657a2b73bc5e2.jpg"},"10":{"media_id":"4830318","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_10_657a2b73ef178.jpg"},"11":{"media_id":"4830319","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_11_657a2b7428ddb.jpg"},"12":{"media_id":"4830320","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_12_657a2b74482a2.jpg"},"22":{"media_id":"4830321","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_22_657a2b746875e.jpg"},"60":{"media_id":"4830322","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_60_657a2b7488bb6.jpg"},"61":{"media_id":"4830323","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_61_657a2b74a8968.jpg"}},"links":[{"link_id":1120409,"link_title":"Twitter","link_type_id":"25","link_href":"https:\/\/twitter.com\/missionballroom","link_target":"_blank"},{"link_id":1120411,"link_title":"Facebook Page Co-Host","link_type_id":"24","link_href":"https:\/\/www.facebook.com\/AEGPresentsRM\/","link_target":"_blank"}]},"associations":{"performerIds":["1102921","1115487"],"headliners":[{"performerId":"1102921","active":true,"locale":"en-US","keywords":[],"bio":"

Born and raised in Louisiana, Brock Thornton aka Boogie T, has risen from the bayou to bring the low end. Since the tender age of eight, he’s expressed his creativity through writing and playing music. Whether he’s producing dubstep, funk, blues, or anything in between, Boogie T is an entertainer at heart, weaving a variety of musical elements and instruments into his signature sound. Boogie T’s goal in the studio and behind the decks is simple: to make great music and to connect with people.<\/p>\r\n

 <\/p>\r\n

Boogie T landed his first label release in 2017 on Ganja White Night’s SubCarbon Records with his debut ‘Soul’d Out EP,’ earning him a spot on the iTunes Top 10 Electronic Album charts. Since his debut release, Boogie T has delivered his funky, bass-heavy sound to top-tier labels such as Atlantic\/BigBeat and Ultra Records\/Sony Music. In 2018 (on 4\/20, naturally) Boogie T launched his own record label, Drama Club Recordings, with a mission to deliver his own music, as well as to sign tracks from some of his favorite artists in bass music. Drama Club Recordings is now home to many Boogie T releases, as well as music from both established peers and promising up-and-comers.<\/p>\r\n

 <\/p>\r\n

In 2018, Boogie T took his career to new heights with the premiere of his live band, BOOGIE T.RIO, featuring hometown bandmates Andrew 'Yàno' Yanovski on the keys and Frank 'Animal Drums' Castro on drums and percussion. The positive response was immediate, leading BOOGIE T.RIO to release five EPs and perform across North America on their own headline tours in 2019 and 2023, along with appearances at Voodoo Fest, Okeechobee, and Red Rocks.<\/p>\r\n

 <\/p>\r\n

Boogie T's touring history as a DJ is punctuated by a number of headline tours, most recently including his headline Outbreak Tour in 2023, a whirlwind adventure across over 25 stops sponsored by Monster Energy. This tour not only showcased Boogie T's ability to command the stage and captivate audiences throughout North America, but also reaffirmed his status as a live performance phenomenon. Beyond his own headline tours, Boogie T has become a fixture at some of the world's top music festivals, gracing the stage at festivals such as Bonnaroo, Coachella, Lollapalooza, and EDC Las Vegas.<\/p>\r\n

 <\/p>\r\n

Looking ahead, Boogie T is gearing up for another DJ tour in the spring of 2024 and preparing for the highly anticipated third installment of his headline Red Rocks headline, Boogie T On The Rocks III<\/em>. With a horde of unreleased music and a packed touring schedule on the horizon, it’s only a matter of time before Boogie T brings the bayou to you.<\/p>","media":{"19":{"media_id":5400667,"width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/boogie-t_06-01-26_19_6a1dfa572a61b.png"},"5":{"media_id":5400668,"width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/boogie-t_06-01-26_5_6a1dfa579512c.png"},"6":{"media_id":5400669,"width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/boogie-t_06-01-26_6_6a1dfa57ec5a1.png"},"9":{"media_id":5400670,"width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/boogie-t_06-01-26_9_6a1dfa5836043.png"},"20":{"media_id":5400671,"width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/boogie-t_06-01-26_20_6a1dfa589734c.png"},"7":{"media_id":5400672,"width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/boogie-t_06-01-26_7_6a1dfa58e17b4.png"},"24":{"media_id":5400673,"width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/boogie-t_06-01-26_24_6a1dfa593af80.png"},"88":{"media_id":5400674,"width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/boogie-t_06-01-26_88_6a1dfa5987bf9.png"}},"links":[{"link_id":"1080961","link_title":"Facebook","link_type_id":"12","link_href":"https:\/\/www.facebook.com\/boogietmusic\/","link_target":"_none"},{"link_id":"1080962","link_title":"Website","link_type_id":"8","link_href":"https:\/\/boogiet.net\/","link_target":"_none"}]}],"supportingActs":[{"performerId":"1115487","active":true,"locale":"en-US","keywords":[],"bio":"

Combining a love for heavy music and weird sounds, Boston native Keith Palmieri, better known as Cyclops has grabbed a foothold in the new era of dubstep. Finding inspiration from legends like Space Laces, Marauda and SVDDEN DEATH, Cyclops has forged his own path combining strange sound design with crushing bass music. Starting as a project from his college dorm room, Keith has gone on to release on Never Say Die: Black Label, Disciple Round Table and Gud Vibrations, remix artists such as Herobust and Quix, and play shows all across the US. Creating tutorials and content for bass music fans, Palmieri hopes to be a voice for up and comers that you can start off knowing no one in the scene and still make a name for yourself.<\/span><\/div>\r\n
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Born and raised in Louisiana, Brock Thornton aka Boogie T, has risen from the bayou to bring the low end. Since the tender age of eight, he’s expressed his creativity through writing and playing music. Whether he’s producing dubstep, funk, blues, or anything in between, Boogie T is an entertainer at heart, weaving a variety of musical elements and instruments into his signature sound. Boogie T’s goal in the studio and behind the decks is simple: to make great music and to connect with people.<\/p>\r\n

Boogie T landed his first label release in 2017 on Ganja White Night’s SubCarbon Records with his debut ‘Soul’d Out EP,’ earning him a spot on the iTunes Top 10 Electronic Album charts. Since his debut release, Boogie T has delivered his funky, bass-heavy sound to top-tier labels such as Atlantic\/BigBeat and Ultra Records\/Sony Music. In 2018 (on 4\/20, naturally) Boogie T launched his own record label, Drama Club Recordings, with a mission to deliver his own music, as well as to sign
tracks from some of his favorite artists in bass music. Drama Club Recordings is now home to many Boogie T releases, as well as music from both established peers and promising up-and-comers.<\/p>\r\n

In 2018, Boogie T took his career to new heights with the premiere of his live band, BOOGIE T.RIO, featuring hometown bandmates Andrew 'Yàno' Yanovski on the keys and Frank 'Animal Drums' Castro on drums and percussion. The positive response was immediate, leading BOOGIE T.RIO to release five EPs and perform across North America on their own headline tours in 2019 and 2023, along with appearances at Voodoo Fest, Okeechobee, and Red Rocks.<\/p>\r\n

Boogie T's touring history as a DJ is punctuated by a number of headline tours, most recently including his headline Outbreak Tour in 2023, a whirlwind adventure across over 25 stops sponsored by Monster Energy. This tour not only showcased Boogie T's ability to command the stage and captivate audiences throughout North America, but also reaffirmed his status as a live performance phenomenon. Beyond his own headline tours, Boogie T has become a fixture at some of the world's
top music festivals, gracing the stage at festivals such as Bonnaroo, Coachella, Lollapalooza, and EDC Las Vegas.<\/p>\r\n


Looking ahead, Boogie T is gearing up for another DJ tour in the spring of 2024 and preparing for the highly anticipated third installment of his headline Red Rocks headline, Boogie T On The Rocks III. With a horde of unreleased music and a packed touring schedule on the horizon, it’s only a matter of time before Boogie T brings the bayou to you.<\/p>","description":null,"venue":{"venueId":"127278","active":true,"locale":"en-US","localeAvailable":{"1":"en-US"},"title":"Mission Ballroom","address_line":"4242 Wynkoop Street, Denver, CO 80216","address":"4242 Wynkoop Street","city":"Denver","state":"CO","postalCode":"80216","country":"United States","countryCode":"US","timezone":"America\/Denver","ada":null,"keywords":[],"skinCode":"missionballroom","currency":"USD","media":{"21":{"media_id":"4830317","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_21_657a2b73bc5e2.jpg"},"10":{"media_id":"4830318","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_10_657a2b73ef178.jpg"},"11":{"media_id":"4830319","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_11_657a2b7428ddb.jpg"},"12":{"media_id":"4830320","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_12_657a2b74482a2.jpg"},"22":{"media_id":"4830321","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_22_657a2b746875e.jpg"},"60":{"media_id":"4830322","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_60_657a2b7488bb6.jpg"},"61":{"media_id":"4830323","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_61_657a2b74a8968.jpg"}},"links":[{"link_id":1120409,"link_title":"Twitter","link_type_id":"25","link_href":"https:\/\/twitter.com\/missionballroom","link_target":"_blank"},{"link_id":1120411,"link_title":"Facebook Page Co-Host","link_type_id":"24","link_href":"https:\/\/www.facebook.com\/AEGPresentsRM\/","link_target":"_blank"}]},"associations":{"performerIds":["1102921"],"headliners":[{"performerId":"1102921","active":true,"locale":"en-US","keywords":[],"bio":"

Born and raised in Louisiana, Brock Thornton aka Boogie T, has risen from the bayou to bring the low end. Since the tender age of eight, he’s expressed his creativity through writing and playing music. Whether he’s producing dubstep, funk, blues, or anything in between, Boogie T is an entertainer at heart, weaving a variety of musical elements and instruments into his signature sound. Boogie T’s goal in the studio and behind the decks is simple: to make great music and to connect with people.<\/p>\r\n

 <\/p>\r\n

Boogie T landed his first label release in 2017 on Ganja White Night’s SubCarbon Records with his debut ‘Soul’d Out EP,’ earning him a spot on the iTunes Top 10 Electronic Album charts. Since his debut release, Boogie T has delivered his funky, bass-heavy sound to top-tier labels such as Atlantic\/BigBeat and Ultra Records\/Sony Music. In 2018 (on 4\/20, naturally) Boogie T launched his own record label, Drama Club Recordings, with a mission to deliver his own music, as well as to sign tracks from some of his favorite artists in bass music. Drama Club Recordings is now home to many Boogie T releases, as well as music from both established peers and promising up-and-comers.<\/p>\r\n

 <\/p>\r\n

In 2018, Boogie T took his career to new heights with the premiere of his live band, BOOGIE T.RIO, featuring hometown bandmates Andrew 'Yàno' Yanovski on the keys and Frank 'Animal Drums' Castro on drums and percussion. The positive response was immediate, leading BOOGIE T.RIO to release five EPs and perform across North America on their own headline tours in 2019 and 2023, along with appearances at Voodoo Fest, Okeechobee, and Red Rocks.<\/p>\r\n

 <\/p>\r\n

Boogie T's touring history as a DJ is punctuated by a number of headline tours, most recently including his headline Outbreak Tour in 2023, a whirlwind adventure across over 25 stops sponsored by Monster Energy. This tour not only showcased Boogie T's ability to command the stage and captivate audiences throughout North America, but also reaffirmed his status as a live performance phenomenon. Beyond his own headline tours, Boogie T has become a fixture at some of the world's top music festivals, gracing the stage at festivals such as Bonnaroo, Coachella, Lollapalooza, and EDC Las Vegas.<\/p>\r\n

 <\/p>\r\n

Looking ahead, Boogie T is gearing up for another DJ tour in the spring of 2024 and preparing for the highly anticipated third installment of his headline Red Rocks headline, Boogie T On The Rocks III<\/em>. With a horde of unreleased music and a packed touring schedule on the horizon, it’s only a matter of time before Boogie T brings the bayou to 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His music has received worldwide support and acknowledgement from reputable platforms such as Spotify, Earmilk, Huffington Post, and countless others. nimino’s social media following has skyrocketed in recent months; growing on Instagram from less than 5,000 followers in November 2022 to 52,739 followers today. His music has also become a TikTok sensation, leading to huge amounts of excitement around his current releases, and amassing half a million streams in under a month on his newest single “Opening Credits,” which has over 1.5 million streams on Spotify at present. 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nimino is one of the most exciting names in electronic music. His 2024 hit I Only Smoke When I Drink has surpassed 250 million streams, charted on the UK Singles Chart, and spent over 20 weeks on Billboard’s Dance\/Electronic Chart. He followed I Only Smoke When I Drink with his Creek EP in March 2025, which was then followed by a series of notable single releases.<\/p>\r\n

nimino has performed at major festivals such as Coachella, Lollapalooza, Leeds Fest, Boomtown, Field Day, Cercle, CRSSD, and Lightning in a Bottle, as well as sold-out headline shows at venues globally.<\/p>\r\n

He is signed to Ninja Tune’s Counter Records.<\/p>\r\n

Before he began releasing and performing music under the moniker nimino, Milo Evans’ musical journey started in his teenage years growing up in the UK as a way to channel his ADHD. Beginning with simple loop-stitching on an Asus laptop, music quickly became an obsession. By the time he finished studying music technology in Brighton, he had created the equivalent of eight albums’ worth of material. His first release as nimino in 2013—a slo-mo, bass-inflected take on Pixies’ Where Is My Mind—marked the beginning of his career when it amassed hundreds of thousands of plays on SoundCloud and earned him the title of Huffington Post’s “Artist of the Month.” <\/p>\r\n

By 2020, nimino had cultivated an engaged community across his social platforms and launched a series called songs for people you may know, where he created custom songs for fans. “I’d go on Instagram, and people would give me ideas to build a song around,” he explains. “It felt like a perfect way to connect with fans and show how fast I could make a decent song in a variety of styles.” Early in the series, someone requested a track that would be the perfect festival opener. “I made something with a long build-up and a huge emotional drop. A week or so later, I played it live, and people went crazy.” That track, Opening Credits, released in 2022, quickly became a fan favorite. <\/p>\r\n

Since then, nimino has released several singles and an EP, with each new release continuing the journey of the nimino character through its artwork. “The nimino character symbolizes the journey my musical tastes have taken—more so by the environments he’s ended up in through no choice of his own. The travels he goes on accompany the music I’m making, and vice versa, but he’s also sort of nothing to do with me personally—just a little guy on an expedition through different spaces, discovering different sounds.” <\/p>","media":{"19":{"media_id":"5403078","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/nimino_06-03-26_19_6a209ff7cb56b.jpg"},"5":{"media_id":"5403079","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/nimino_06-03-26_5_6a209ff81fd70.jpg"},"6":{"media_id":"5403080","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/nimino_06-03-26_6_6a209ff859425.jpg"},"9":{"media_id":"5403081","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/nimino_06-03-26_9_6a209ff892b69.jpg"},"20":{"media_id":"5403082","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/nimino_06-03-26_20_6a209ff8d2c9c.jpg"},"7":{"media_id":"5403083","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/nimino_06-03-26_7_6a209ff919e4a.jpg"},"24":{"media_id":"5403084","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/nimino_06-03-26_24_6a209ff9547d4.jpg"},"88":{"media_id":"5403085","width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/nimino_06-03-26_88_6a209ff990c39.jpg"}},"links":[{"link_id":"1107303","link_title":"Instagram","link_type_id":"49","link_href":"https:\/\/instagram.com\/niminomusic?igshid=NTc4MTIwNjQ2YQ==","link_target":"_blank"},{"link_id":"1107304","link_title":"Facebook","link_type_id":"12","link_href":"https:\/\/www.facebook.com\/niminomusic?mibextid=LQQJ4d","link_target":"_blank"},{"link_id":"1107305","link_title":"Twitter","link_type_id":"13","link_href":"https:\/\/twitter.com\/niminomusic?s=21&t=rOGNPlYu0skc7gRVTKF8qQ","link_target":"_blank"}]}],"supportingActs":[],"additionalPerformers":[]},"media":{"17":{"media_id":"5406815","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/nimino-keep-me-awake-tour-tickets_12-11-26_17_6a2832f325c0a.jpg"},"1":{"media_id":"5406816","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/nimino-keep-me-awake-tour-tickets_12-11-26_1_6a2832f3705fc.jpg"},"2":{"media_id":"5406817","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/nimino-keep-me-awake-tour-tickets_12-11-26_2_6a2832f3b00ba.jpg"},"4":{"media_id":"5406818","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/nimino-keep-me-awake-tour-tickets_12-11-26_4_6a2832f3ed2f9.jpg"},"18":{"media_id":"5406819","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/nimino-keep-me-awake-tour-tickets_12-11-26_18_6a2832f43638f.jpg"},"3":{"media_id":"5406820","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/nimino-keep-me-awake-tour-tickets_12-11-26_3_6a2832f475cf7.jpg"},"23":{"media_id":"5406821","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/nimino-keep-me-awake-tour-tickets_12-11-26_23_6a2832f4b321a.jpg"},"86":{"media_id":"5406822","width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/nimino-keep-me-awake-tour-tickets_12-11-26_86_6a2832f500c38.jpg"},"121":{"media_id":"5406823","width":716,"height":896,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/nimino-keep-me-awake-tour-tickets_12-11-26_121_6a2832f571f0c.png"}},"relatedMedia":{"1":{"media_id":"5406816","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/nimino-keep-me-awake-tour-tickets_12-11-26_1_6a2832f3705fc.jpg"},"2":{"media_id":"5406817","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/nimino-keep-me-awake-tour-tickets_12-11-26_2_6a2832f3b00ba.jpg"},"3":{"media_id":"5406820","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/nimino-keep-me-awake-tour-tickets_12-11-26_3_6a2832f475cf7.jpg"},"4":{"media_id":"5406818","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/nimino-keep-me-awake-tour-tickets_12-11-26_4_6a2832f3ed2f9.jpg"},"23":{"media_id":"5406821","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/nimino-keep-me-awake-tour-tickets_12-11-26_23_6a2832f4b321a.jpg"},"17":{"media_id":"5406815","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/nimino-keep-me-awake-tour-tickets_12-11-26_17_6a2832f325c0a.jpg"},"18":{"media_id":"5406819","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/nimino-keep-me-awake-tour-tickets_12-11-26_18_6a2832f43638f.jpg"},"86":{"media_id":"5406822","width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/nimino-keep-me-awake-tour-tickets_12-11-26_86_6a2832f500c38.jpg"},"81":{"media_id":0,"width":"1770","height":"580","file_name":"https:\/\/s.axs.com\/axs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Over","publishStatus":1,"private":false,"currency":"USD","currencySymbol":"$","eventDateTime":"2026-12-12T20:30:00","eventDateTimeZone":"America\/Denver","eventDateTimeZoneAbbr":"MDT","eventDateTimeUTC":"2026-12-13T03:30:00","eventDateTimeISO":"2026-12-12T20:30:00-07:00","additionalDates":[],"expirationDateTime":null,"expirationDateTimeUTC":null,"doorDateTime":"2026-12-12T20:00:00","doorDateTimeUTC":"2026-12-13T03:00:00","announceDateTime":"2026-06-22T10:00:00","announceDateTimeTimeZone":"America\/Denver","announceDateTimeUTC":"2026-06-22T16:00:00","presaleDateTime":null,"presaleDateTimeTimeZone":"America\/Denver","presaleDateTimeUTC":null,"presaleEndDateTime":null,"presaleEndDateTimeTimeZone":"America\/Denver","presaleEndDateTimeUTC":null,"onsaleDateTime":"2026-06-26T10:00:00","onsaleDateTimeTimeZone":"America\/Denver","onsaleDateTimeZoneAbbr":"MDT","onsaleDateTimeUTC":"2026-06-26T16:00:00","ticketing":{"statusId":1,"status":"Buy 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22-year-old LYNY, aka Alec Leinhauser\u2019s <\/span>growth as an artist has been inescapable. He is pushing the boundaries of electronic music by discovering and combining new cutting-edge sounds with melodic compositions. His approach to bass music is heavily <\/span>influenced by Hip-Hop and trap beats with a splash of R&B.<\/span> He strives to balance his songs with heart wrenching basslines, arpeggiated melodies, hard hitting drums, and often throws in recognizable vocal chops.<\/span> LYNY\u2019s skills as a producer and engineer have landed him placements with Tobi Lou, Lox Chatterbox, and SVRITE.<\/span> <\/span><\/p>\n
<\/span><\/span>\n

Some of LYNY\u2019s stand out tunes include \u2018Noxious\u2019 and \u2018Kill Count\u2019  which have been played out by industry heavy hitters on massive stages. Another one of his popular tunes \u2018Jump Bros!\u2019 is a flip of Destiny Child\u2019s \u2018Jumpin\u2019 mixed with the \u2018Super Smash Bros. Brawl\u2019 theme melody. <\/span>His versatility has allowed him to touch many genres progressing his sound to a very unique place.<\/span>The success of his releases has earned him major support from <\/span>Marshmello, Louis The Child, and Zeds Dead as well as labels such as Majestic Casual and Sable Valley. <\/span><\/p>\n
<\/span><\/span>\n

LYNY is set to play shows all over the states with CloZee, LSDREAM, and NGHTMRE.<\/span><\/p>\n
\u201cMusic has always been a big part of my life. I\u2019ve been producing and writing music for as long as I can remember and it has become an essential form of self expression. I started the LYNY project in 2016 with a vision and goals in mind as I wanted to start fresh on a project with direction. It\u2019s been a non-stop grind of learning the art of production, focusing on creating my own sound, and making tracks that are unusually unique while stressing on keeping them high-quality and clean. There is nothing I would rather be doing and I am super thankful for my journey thus far\u201d<\/span> - LYNY<\/span><\/span>","description":null,"venue":{"venueId":"127278","active":true,"locale":"en-US","localeAvailable":{"1":"en-US"},"title":"Mission Ballroom","address_line":"4242 Wynkoop Street, Denver, CO 80216","address":"4242 Wynkoop Street","city":"Denver","state":"CO","postalCode":"80216","country":"United States","countryCode":"US","timezone":"America\/Denver","ada":null,"keywords":[],"skinCode":"missionballroom","currency":"USD","media":{"21":{"media_id":"4830317","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_21_657a2b73bc5e2.jpg"},"10":{"media_id":"4830318","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_10_657a2b73ef178.jpg"},"11":{"media_id":"4830319","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_11_657a2b7428ddb.jpg"},"12":{"media_id":"4830320","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_12_657a2b74482a2.jpg"},"22":{"media_id":"4830321","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_22_657a2b746875e.jpg"},"60":{"media_id":"4830322","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_60_657a2b7488bb6.jpg"},"61":{"media_id":"4830323","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_61_657a2b74a8968.jpg"}},"links":[{"link_id":1120409,"link_title":"Twitter","link_type_id":"25","link_href":"https:\/\/twitter.com\/missionballroom","link_target":"_blank"},{"link_id":1120411,"link_title":"Facebook Page Co-Host","link_type_id":"24","link_href":"https:\/\/www.facebook.com\/AEGPresentsRM\/","link_target":"_blank"}]},"associations":{"performerIds":["1114174","118268","1110225"],"headliners":[{"performerId":"1114174","active":true,"locale":"en-US","keywords":[],"bio":"

22-year-old LYNY, aka Alec Leinhauser’s <\/span>growth as an artist has been inescapable. He is pushing the boundaries of electronic music by discovering and combining new cutting-edge sounds with melodic compositions. His approach to bass music is heavily <\/span>influenced by Hip-Hop and trap beats with a splash of R&B.<\/span> He strives to balance his songs with heart wrenching basslines, arpeggiated melodies, hard hitting drums, and often throws in recognizable vocal chops.<\/span> LYNY’s skills as a producer and engineer have landed him placements with Tobi Lou, Lox Chatterbox, and SVRITE.<\/span> <\/span><\/p>\r\n
<\/span><\/span>\r\n

Some of LYNY’s stand out tunes include ‘Noxious’ and ‘Kill Count’  which have been played out by industry heavy hitters on massive stages. Another one of his popular tunes ‘Jump Bros!’ is a flip of Destiny Child’s ‘Jumpin’ mixed with the ‘Super Smash Bros. Brawl’ theme melody. <\/span>His versatility has allowed him to touch many genres progressing his sound to a very unique place.<\/span>The success of his releases has earned him major support from <\/span>Marshmello, Louis The Child, and Zeds Dead as well as labels such as Majestic Casual and Sable Valley. <\/span><\/p>\r\n
<\/span><\/span>\r\n

LYNY is set to play shows all over the states with CloZee, LSDREAM, and NGHTMRE.<\/span><\/p>\r\n
“Music has always been a big part of my life. I’ve been producing and writing music for as long as I can remember and it has become an essential form of self expression. I started the LYNY project in 2016 with a vision and goals in mind as I wanted to start fresh on a project with direction. It’s been a non-stop grind of learning the art of production, focusing on creating my own sound, and making tracks that are unusually unique while stressing on keeping them high-quality and clean. There is nothing I would rather be doing and I am super thankful for my journey thus far”<\/span> - LYNY<\/span><\/span>","media":{"19":{"media_id":5414146,"width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/lyny_06-18-26_19_6a343ce3ef775.jpg"},"5":{"media_id":5414147,"width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/lyny_06-18-26_5_6a343ce45287c.jpg"},"6":{"media_id":5414148,"width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/lyny_06-18-26_6_6a343ce489bfc.jpg"},"9":{"media_id":5414149,"width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/lyny_06-18-26_9_6a343ce4c39a1.jpg"},"20":{"media_id":5414150,"width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/lyny_06-18-26_20_6a343ce507611.jpg"},"7":{"media_id":5414151,"width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/lyny_06-18-26_7_6a343ce54e318.jpg"},"24":{"media_id":5414152,"width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/lyny_06-18-26_24_6a343ce59d350.jpg"},"88":{"media_id":5414153,"width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/06\/lyny_06-18-26_88_6a343ce5e2d4e.jpg"}},"links":[{"link_id":"1107968","link_title":"Facebook Page","link_type_id":"12","link_href":"https:\/\/www.facebook.com\/lynyyyy","link_target":"_blank"},{"link_id":"1107969","link_title":"Twitter","link_type_id":"13","link_href":"https:\/\/twitter.com\/lynyofficial","link_target":"_blank"},{"link_id":"1107970","link_title":"Instagram","link_type_id":"49","link_href":"https:\/\/www.instagram.com\/lynyofficial\/","link_target":"_blank"}]}],"supportingActs":[{"performerId":"118268","active":true,"locale":"en-US","keywords":[],"bio":null,"media":[],"links":[{"link_id":"917909","link_title":"Twitter","link_type_id":"13","link_href":"http:\/\/twitter.com\/#!\/nerouk","link_target":"_blank"},{"link_id":"926848","link_title":"Facebook Page","link_type_id":"12","link_href":"https:\/\/www.facebook.com\/nero\/","link_target":"_blank"},{"link_id":"936764","link_title":"Featured Video","link_type_id":"15","link_href":"http:\/\/www.youtube.com\/watch?v=MLsmbHjpv3g","link_target":"_blank"},{"link_id":"940183","link_title":"Official Website","link_type_id":"8","link_href":"http:\/\/www.thisisnero.com","link_target":"_blank"}]},{"performerId":"1110225","active":true,"locale":"en-US","keywords":[],"bio":"

Lizzy Jane, curator of the XO Podcast and XO Radio,  has attacked the musical scene from all angles at a young age. From previously composing music as a vocalist, pianist, and bassist, she has carried her musical knowledge to the electronic scene of production with a fresh twist. Lizzy Jane utilizes her eccentric music taste to accent a passionate twist to the realm of bass music, exploring all sub-genres throughout her productions, she fights to combine the elements of melodic progression and bass synthesis.<\/div>\r\n
 <\/div>\r\n
 <\/div>\r\n
 <\/div>\r\n
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Various belief systems throughout history exalt the number 10 as divine. 10 years comprise a decade, we
traditionally possess 10 fingers and 10 toes, our very decimal system remains based on 10, and so on and so
forth. Trivium grasp for collective perfection on their 10th full-length offering, In The Court of the Dragon
[Roadrunner Records]. Following 22 years, over 1 million units moved, hundreds of sold-out shows, and halfa-billion streams, the GRAMMY\u00ae Award-nominated Florida quartet\u2014Matt Heavy [vocals, guitar], Corey
Beaulieu [guitar], Paolo Gregoletto [bass], and Alex Bent [drums]\u2014deliver a definitive statement cast in
ironclad guitar fireworks, pummeling rhythms, lyrical provocations, and stadium-shaking choruses. It springs
from the past, seizes the present, and hints at the future of Trivium\u2014and metal\u2014all at once.
\u201cGetting to album 10 felt momentous,\u201d says Paolo. \u201cNot many bands get this far, so it had to live up to being
the 10th record. We didn\u2019t know if we were going to be able to tour, so it had to still be impressive enough to
keep everyone\u2019s attention. It was the sole focus for the last ten months. We had to make sure we met the bar
we\u2019ve set for our fans and ourselves.\u201d
\u201cTo be 10 records in is an accomplishment in and of itself,\u201d agrees Corey. \u201cTo us, this music felt special. We\u2019re
the strongest we\u2019ve ever been as friends and as a band. I hope it shows in the songs.\u201d
\u201cI feel like we\u2019re four people who just started a new band with all of the aspirations and dreams in the
world,\u201d exclaims Matt. \u201cI\u2019m excited to go to practice. I\u2019m excited to play our music. I\u2019m very happy to be in
the band with these three guys. 22 years into this thing, that\u2019s incredible.\u201d
Those 22 years have set the stage for this era. Trivium crafted a classic in the form of Ascendancy. It
concluded 2005 as KERRANG!\u2019s \u201cAlbum of the Year,\u201d went gold in the UK, and has since surpassed global
sales of 500,000 copies. Retrospectively, Metal Hammer cited it in the Top 15 of the \u201cThe Greatest Metal
Albums of the Century.\u201d They\u2019ve earned six straight Top 25 debuts on the Billboard Top 200 and six Top 3
debuts on the Top Rock Albums Chart. One of many standouts from 2017\u2019s The Sin and The Sentence, the
single \u201cBetrayer\u201d garnered a GRAMMY\u00ae Award nod in the category of \u201cBest Metal Performance.\u201d The quartet
reached new heights on 2020\u2019s What The Dead Men Say, appearing everywhere from The New York Times,
NPR, Forbes, Billboard, Tech Crunch, and Kotaku to Revolver and Alternative Press. They are the rare band
who can incinerate a stage alongside Metallica and Iron Maiden and hold a captive audience of tens of
thousands on a Twitch stream.
In the midst of the Global Pandemic, the members safely congregated in order to practice and volley ideas
back and forth. During the summer, Alex and his wife moved across the country from California to Florida as
Paolo also relocated back home. Once conditions permitted, they returned to the studio in Full Sail University
with producer Josh Wilbur [Lamb of God, A Day To Remember] in 2021.
\u201cWhen I moved, everything changed,\u201d says Alex. \u201cWe could easily get on a group text to practice or write
virtually anytime. It isn\u2019t like I had to hop on a plane anymore. Everything was so much simpler and
smoother. We weren\u2019t working with any time limitations, and everything paid off.\u201d
It most certainly did\u2026Trivium sent shockwaves through heavy metal with the surprise release of the first
single and title track \u201cIn The Court of The Dragon.\u201d Within a month, the song piled up millions of streams as
Guitar World hailed it as \u201cone of the standout metal tracks of the year.\u201d With its striking renaissance-inspired
artwork, enigmatically unnerving fantasy visual, and conflagration of guttural screams, hammering
percussion, orchestral intro courtesy of Ihsahn [Emperor], and sweeping hooks, it unlocked a gateway into
another realm.
\u201cAs far as the meaning goes, there is no right or wrong answer,\u201d grins Matt. \u201cI want people to come up with
their own interpretations of everything they hear, see, and experience on In The Court of the Dragon. Of
course, I\u2019m obsessed with Scandinavian stories, Vikings, Japanese history, and the tales of Odin, Thor,
Ragnarok, and the end of the world, Paolo was like, \u2018Why don\u2019t we create our own mythology?\u2019 We\u2019ve
definitely used pre-existing myths for inspiration in the past. We created our own myth now.\u201d
Meanwhile, \u201cFeast Of Fire\u201d burns bright with a massive chant hyper-charged by nimble melodic thrash and a
smart-bomb precise solo. \u201cTo us, \u2018Feast Of Fire\u2019 is in the direct lineage of \u2018Dying In Your Arms\u2019, \u2018Unti The
World Goes Cold\u2019, and \u2018Black\u2019,\u201d Matt observes. \u201cWe really fleshed it out perfectly with the chorus, and it was
meant to feel big.\u201d
Then, there\u2019s \u201cLike A Sword Over Damocles.\u201d A hulking groove gives way to a skyscraping refrain uplifted by
thick distortion.
\u201cI had the initial backbone of the song, and I really wanted to do a barnburner,\u201d Corey reveals. \u201cI had
researched the concept. It was a cool story about the struggles of being someone in power and always having
people question you. What happens when the person who\u2019s questioning you has your job and responsibility?
They don\u2019t want it. Paolo built on that idea, and we made our own story. I\u2019m really stoked for everyone to
hear it.\u201d
The near eight-minute \u201cFall Into Your Hands\u201d originated on Matt\u2019s uber popular daily Twitch stream and
organically progressed into one of the most epic compositions in the band\u2019s catalog. However, everything
culminates on \u201cThe Phalanx.\u201d It twists and turns through incendiary leads, heart-wrenching screams, an
entrancing melody, and final symphonic comedown.
\u201cThematically and musically, the song has three acts,\u201d Matt states. \u201cFor as conceptual as it is, it also reflects
our chemistry in the room. Since we\u2019re so technically proficient at our instruments and I spend hours singing
every day on stream, we\u2019re over prepared. For In The Court of the Dragon and What the Dead Men Say, we
went in and played without thinking. We default to technical, elaborate, and long ideas, because that\u2019s what
we grew up on. It all felt natural.\u201d
In the end, Trivium have inched towards this moment for ten albums and finally arrived like never
before as they triumphantly rise In The Court of the Dragon.
\u201cThis album has everything,\u201d Matt leaves off. \u201cIt has the singing, the screaming, the death metal, the
black metal, and the catchy metal. When we have all of those elements together, we\u2019re the happiest. It\u2019s
the key to Trivium.\u201d
\u201cThis is a new chapter,\u201d Paolo concludes. \u201cWe\u2019re crossing into something else. I don\u2019t know what it is,
but I\u2019m excited for it. We have a lot left in us, and I want to prove that.\u201d \u2013 Rick Florino, August 2021
BOILER
For over two decades, Trivium have quietly raised the bar for heavy music by conjuring a near-magic balance
between towering melodic metal infectiousness, extreme metal unpredictability, black metal scope, and a
kick of rock \u2018n\u2019 roll spirit. After forming in 1999, Trivium crafted a classic in the form of Ascendancy. It
concluded 2005 as KERRANG!\u2019s \u201cAlbum of the Year,\u201d went gold in the UK, and has since surpassed global
sales of 500,000 copies. Retrospectively, Metal Hammer cited it in the Top 15 of the \u201cThe Greatest Metal
Albums of the Century.\u201d They\u2019ve earned six straight Top 25 debuts on the Billboard Top 200 and six Top 3
debuts on the Top Rock Albums Chart. One of many standouts from 2017\u2019s The Sin and The Sentence, the
single \u201cBetrayer\u201d garnered a GRAMMY\u00ae Award nod in the category of \u201cBest Metal Performance.\u201d The quartet
reached new heights on 2020\u2019s What The Dead Men Say, appearing everywhere from The New York Times,
NPR, Forbes, Billboard, Tech Crunch, and Kotaku to Revolver and Alternative Press. They are the rare band
who can incinerate a stage alongside Metallica and Iron Maiden and hold a captive audience of tens of
thousands on a Twitch stream. Following 22 years, over 1 million units moved, hundreds of sold-out shows,
and half-a-billion streams, the GRAMMY\u00ae Award-nominated Florida quartet\u2014Matt Heavy [vocals, guitar],
Corey Beaulieu [guitar], Paolo Gregoletto [bass], and Alex Bent [drums]\u2014deliver a definitive statement cast
in ironclad guitar fireworks, pummeling rhythms, lyrical provocations, and stadium-shaking choruses on their
10th full-length offering, In The Court of the Dragon [Roadrunner Records]. It springs from the past, seizes the
present, and hints at the future of Trivium\u2014and metal\u2014all at once.<\/p>","description":"

 <\/p>\n

TIERED PRICING<\/strong>: This event has a tiered pricing structure in the General Admission area. All General Admission tiers have the same access. Once a price level sells out it may no longer be visible or available for selection.<\/p>\n

        *Please note: multiple GA price levels may be available at the same time<\/p>\n
\n

This show is GENERAL ADMISSION with a RESERVED East or West Balcony configuration<\/strong><\/p>\n

Please see below for the different ticket options available on this event<\/p>\n        *Access is granted based on your purchased ticket type\n

 <\/p>\n

        *All East and West Balcony tickets have access to the general admission areas<\/p>\n
\n

GENERAL ADMISSION TICKETS<\/strong>: First-come, First-served Access to the Floor and Bowl Areas<\/p>\n
\n

RESERVED TICKETS<\/strong>: Seated Balcony Access in the East or West Sections with Nearby Bar and Exclusive Restrooms<\/p>","venue":{"venueId":"127278","active":true,"locale":"en-US","localeAvailable":{"1":"en-US"},"title":"Mission Ballroom","address_line":"4242 Wynkoop Street, Denver, CO 80216","address":"4242 Wynkoop Street","city":"Denver","state":"CO","postalCode":"80216","country":"United States","countryCode":"US","timezone":"America\/Denver","ada":null,"keywords":[],"skinCode":"missionballroom","currency":"USD","media":{"21":{"media_id":"4830317","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_21_657a2b73bc5e2.jpg"},"10":{"media_id":"4830318","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_10_657a2b73ef178.jpg"},"11":{"media_id":"4830319","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_11_657a2b7428ddb.jpg"},"12":{"media_id":"4830320","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_12_657a2b74482a2.jpg"},"22":{"media_id":"4830321","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_22_657a2b746875e.jpg"},"60":{"media_id":"4830322","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_60_657a2b7488bb6.jpg"},"61":{"media_id":"4830323","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_61_657a2b74a8968.jpg"}},"links":[{"link_id":1120409,"link_title":"Twitter","link_type_id":"25","link_href":"https:\/\/twitter.com\/missionballroom","link_target":"_blank"},{"link_id":1120411,"link_title":"Facebook Page Co-Host","link_type_id":"24","link_href":"https:\/\/www.facebook.com\/AEGPresentsRM\/","link_target":"_blank"}]},"associations":{"performerIds":["104932","104306","1113008","1109416"],"headliners":[{"performerId":"104932","active":true,"locale":"en-US","keywords":[],"bio":"

Various belief systems throughout history exalt the number 10 as divine. 10 years comprise a decade, we
traditionally possess 10 fingers and 10 toes, our very decimal system remains based on 10, and so on and so
forth. Trivium grasp for collective perfection on their 10th full-length offering, In The Court of the Dragon
[Roadrunner Records]. Following 22 years, over 1 million units moved, hundreds of sold-out shows, and halfa-billion streams, the GRAMMY® Award-nominated Florida quartet—Matt Heavy [vocals, guitar], Corey
Beaulieu [guitar], Paolo Gregoletto [bass], and Alex Bent [drums]—deliver a definitive statement cast in
ironclad guitar fireworks, pummeling rhythms, lyrical provocations, and stadium-shaking choruses. It springs
from the past, seizes the present, and hints at the future of Trivium—and metal—all at once.
“Getting to album 10 felt momentous,” says Paolo. “Not many bands get this far, so it had to live up to being
the 10th record. We didn’t know if we were going to be able to tour, so it had to still be impressive enough to
keep everyone’s attention. It was the sole focus for the last ten months. We had to make sure we met the bar
we’ve set for our fans and ourselves.”
“To be 10 records in is an accomplishment in and of itself,” agrees Corey. “To us, this music felt special. We’re
the strongest we’ve ever been as friends and as a band. I hope it shows in the songs.”
“I feel like we’re four people who just started a new band with all of the aspirations and dreams in the
world,” exclaims Matt. “I’m excited to go to practice. I’m excited to play our music. I’m very happy to be in
the band with these three guys. 22 years into this thing, that’s incredible.”
Those 22 years have set the stage for this era. Trivium crafted a classic in the form of Ascendancy. It
concluded 2005 as KERRANG!’s “Album of the Year,” went gold in the UK, and has since surpassed global
sales of 500,000 copies. Retrospectively, Metal Hammer cited it in the Top 15 of the “The Greatest Metal
Albums of the Century.” They’ve earned six straight Top 25 debuts on the Billboard Top 200 and six Top 3
debuts on the Top Rock Albums Chart. One of many standouts from 2017’s The Sin and The Sentence, the
single “Betrayer” garnered a GRAMMY® Award nod in the category of “Best Metal Performance.” The quartet
reached new heights on 2020’s What The Dead Men Say, appearing everywhere from The New York Times,
NPR, Forbes, Billboard, Tech Crunch, and Kotaku to Revolver and Alternative Press. They are the rare band
who can incinerate a stage alongside Metallica and Iron Maiden and hold a captive audience of tens of
thousands on a Twitch stream.
In the midst of the Global Pandemic, the members safely congregated in order to practice and volley ideas
back and forth. During the summer, Alex and his wife moved across the country from California to Florida as
Paolo also relocated back home. Once conditions permitted, they returned to the studio in Full Sail University
with producer Josh Wilbur [Lamb of God, A Day To Remember] in 2021.
“When I moved, everything changed,” says Alex. “We could easily get on a group text to practice or write
virtually anytime. It isn’t like I had to hop on a plane anymore. Everything was so much simpler and
smoother. We weren’t working with any time limitations, and everything paid off.”
It most certainly did…Trivium sent shockwaves through heavy metal with the surprise release of the first
single and title track “In The Court of The Dragon.” Within a month, the song piled up millions of streams as
Guitar World hailed it as “one of the standout metal tracks of the year.” With its striking renaissance-inspired
artwork, enigmatically unnerving fantasy visual, and conflagration of guttural screams, hammering
percussion, orchestral intro courtesy of Ihsahn [Emperor], and sweeping hooks, it unlocked a gateway into
another realm.
“As far as the meaning goes, there is no right or wrong answer,” grins Matt. “I want people to come up with
their own interpretations of everything they hear, see, and experience on In The Court of the Dragon. Of
course, I’m obsessed with Scandinavian stories, Vikings, Japanese history, and the tales of Odin, Thor,
Ragnarok, and the end of the world, Paolo was like, ‘Why don’t we create our own mythology?’ We’ve
definitely used pre-existing myths for inspiration in the past. We created our own myth now.”
Meanwhile, “Feast Of Fire” burns bright with a massive chant hyper-charged by nimble melodic thrash and a
smart-bomb precise solo. “To us, ‘Feast Of Fire’ is in the direct lineage of ‘Dying In Your Arms’, ‘Unti The
World Goes Cold’, and ‘Black’,” Matt observes. “We really fleshed it out perfectly with the chorus, and it was
meant to feel big.”
Then, there’s “Like A Sword Over Damocles.” A hulking groove gives way to a skyscraping refrain uplifted by
thick distortion.
“I had the initial backbone of the song, and I really wanted to do a barnburner,” Corey reveals. “I had
researched the concept. It was a cool story about the struggles of being someone in power and always having
people question you. What happens when the person who’s questioning you has your job and responsibility?
They don’t want it. Paolo built on that idea, and we made our own story. I’m really stoked for everyone to
hear it.”
The near eight-minute “Fall Into Your Hands” originated on Matt’s uber popular daily Twitch stream and
organically progressed into one of the most epic compositions in the band’s catalog. However, everything
culminates on “The Phalanx.” It twists and turns through incendiary leads, heart-wrenching screams, an
entrancing melody, and final symphonic comedown.
“Thematically and musically, the song has three acts,” Matt states. “For as conceptual as it is, it also reflects
our chemistry in the room. Since we’re so technically proficient at our instruments and I spend hours singing
every day on stream, we’re over prepared. For In The Court of the Dragon and What the Dead Men Say, we
went in and played without thinking. We default to technical, elaborate, and long ideas, because that’s what
we grew up on. It all felt natural.”
In the end, Trivium have inched towards this moment for ten albums and finally arrived like never
before as they triumphantly rise In The Court of the Dragon.
“This album has everything,” Matt leaves off. “It has the singing, the screaming, the death metal, the
black metal, and the catchy metal. When we have all of those elements together, we’re the happiest. It’s
the key to Trivium.”
“This is a new chapter,” Paolo concludes. “We’re crossing into something else. I don’t know what it is,
but I’m excited for it. We have a lot left in us, and I want to prove that.” – Rick Florino, August 2021
BOILER
For over two decades, Trivium have quietly raised the bar for heavy music by conjuring a near-magic balance
between towering melodic metal infectiousness, extreme metal unpredictability, black metal scope, and a
kick of rock ‘n’ roll spirit. After forming in 1999, Trivium crafted a classic in the form of Ascendancy. It
concluded 2005 as KERRANG!’s “Album of the Year,” went gold in the UK, and has since surpassed global
sales of 500,000 copies. Retrospectively, Metal Hammer cited it in the Top 15 of the “The Greatest Metal
Albums of the Century.” They’ve earned six straight Top 25 debuts on the Billboard Top 200 and six Top 3
debuts on the Top Rock Albums Chart. One of many standouts from 2017’s The Sin and The Sentence, the
single “Betrayer” garnered a GRAMMY® Award nod in the category of “Best Metal Performance.” The quartet
reached new heights on 2020’s What The Dead Men Say, appearing everywhere from The New York Times,
NPR, Forbes, Billboard, Tech Crunch, and Kotaku to Revolver and Alternative Press. They are the rare band
who can incinerate a stage alongside Metallica and Iron Maiden and hold a captive audience of tens of
thousands on a Twitch stream. Following 22 years, over 1 million units moved, hundreds of sold-out shows,
and half-a-billion streams, the GRAMMY® Award-nominated Florida quartet—Matt Heavy [vocals, guitar],
Corey Beaulieu [guitar], Paolo Gregoletto [bass], and Alex Bent [drums]—deliver a definitive statement cast
in ironclad guitar fireworks, pummeling rhythms, lyrical provocations, and stadium-shaking choruses on their
10th full-length offering, In The Court of the Dragon [Roadrunner Records]. It springs from the past, seizes the
present, and hints at the future of Trivium—and metal—all at once.<\/p>","media":{"19":{"media_id":5427976,"width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/07\/trivium_07-15-26_19_6a57c42a78bcf.png"},"5":{"media_id":5427977,"width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/07\/trivium_07-15-26_5_6a57c42ad7b26.png"},"6":{"media_id":5427978,"width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/07\/trivium_07-15-26_6_6a57c42b2d7e0.png"},"9":{"media_id":5427979,"width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/07\/trivium_07-15-26_9_6a57c42b6d9e5.png"},"20":{"media_id":5427980,"width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/07\/trivium_07-15-26_20_6a57c42c0bc3e.png"},"7":{"media_id":5427981,"width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/07\/trivium_07-15-26_7_6a57c42c68038.png"},"24":{"media_id":5427982,"width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/07\/trivium_07-15-26_24_6a57c42cc82f2.png"},"88":{"media_id":5427983,"width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/07\/trivium_07-15-26_88_6a57c42d36c49.png"}},"links":[{"link_id":"865259","link_title":"Facebook Page","link_type_id":"12","link_href":"https:\/\/www.facebook.com\/Trivium\/","link_target":"_blank"},{"link_id":"874664","link_title":"Youtube VEVO","link_type_id":"14","link_href":"http:\/\/www.youtube.com\/user\/trivium","link_target":"_blank"},{"link_id":"925571","link_title":"Amazon","link_type_id":"11","link_href":"http:\/\/www.amazon.com\/Trivium\/e\/B00197CRTK\/ref=ntt_mus_gen_pel","link_target":"_blank"},{"link_id":"939204","link_title":"Official Website","link_type_id":"8","link_href":"http:\/\/www.trivium.org\/","link_target":"_blank"},{"link_id":"961806","link_title":"Twitter","link_type_id":"13","link_href":"http:\/\/www.twitter.com\/TriviumOfficial","link_target":"_blank"}]}],"supportingActs":[{"performerId":"104306","active":true,"locale":"en-US","keywords":[],"bio":"

What doesn’t kill you makes you stronger. Perhaps one of the big clichés, but unusually evident when it comes to In Flames and their new album ’Siren Charms’.<\/p>\r\n

To lose one of the musical engines of a band usually means a ticket to the graveyard of bands for an eternal rest among abandoned careers and reasonably forgotten last albums. Sure, history has proven the opposite once or twice - but one could question if anyone has risen from the ashes with such strength and power as In Flames? When guitarist Jesper Strömblad left the band following 2008’s A Sense of Purpose, the harbingers of doom were very vocal on the imminent collapse of the Gothenburg band.<\/p>\r\n

That never happened. In what must be described as a pure backlash, the band delivered its strongest album to date - Sounds of a Playground Fading - which was both awarded for gold-level sales and topped charts in both Sweden and Germany. Siren Charms, the first album with Niclas Engelin as permanent guitarist in the band, cements the greatness hinted at with the previous album; this is a band taking it’s game several steps forward, leaving both imitators and nay-sayers far behind.<\/p>\r\n

The first sign that the band have taken a different route is the choice of studio. Where they previously have recorded at home in Gothenburg, the whole operation was now moved to Berlin and the legendary Hansa Ton Studios. At the Köthener Strasse-location, artists like Iggy Pop, David Bowie, U2 and Killing Joke have all recorded some of rock history’s most spoken of classics, and it is no exaggeration to say that history can be felt in the walls. Here, the band settled in with producer Roberto Laghi and vocal producer Daniel Bergstrand. Based at Hansa since a few years is also swedish mix-engineer Michael Ilbert, who was appointed to mix the album after keyboard-wizard Örjan Örnkloo once again contributed with his characteristic programming and synthesizers. Both guitars Björn Gelotte and vocalist Anders Fridén are convinced that the choice of environment has had an influence on the final results. All details, big and small, interconnect and have given the eleven new songs a darker sound and tone. A darkness and sadness in the music’s atmosphere that anyone who has wandered home drunk through a rainy Kreuzberg at four in the morning can recognize.<\/p>\r\n

If ’Sounds of a Playground fading’ took more than three months to complete, the band gave themselves six weeks to record ’Siren Charms’. They brought ”a bag of riffs” and a hand full of song structures to start off. The method meant a self-inflicted pressure to feed creativity and was a daring move. It also meant that Anders Fridén and Björn Gelotte got to collaborate in a new way as song-writers. Previously, Björns love of classic rock and Fridéns wish to experiment resulted in clashes with both parties claiming ”You ought to think like this… No, YOU ought to think like THIS!”. With the limited time in the studio, they instead had to embrace each other’s different approaches and turn them to strengths.<\/p>\r\n

Daniel Svensson, drummer of In Flames, got demos of the songs with simple programmed drums, and could then add his personal touch to the sessions. Given the intricate and highly intense drumming on the album, one would easily guess that he’d been playing the songs for months, but it is often first-take recordings delivered with laser-sharp precision. Fridén and Gelotte can’t give him enough praise, claiming him to be one of the world’s best drummers who doesn’t make too much fuss around his drumming (”He doesn’t go around doing drum-glove endorsements really”), but always delivers flawless takes in the studio and on stage. Together with bass player Peter Iwers, they create a foundation for the music so solid you could build Burj Khalifa on it.<\/p>\r\n

One of the biggest differences from previous albums comes from Fridén as well. Where he used to mix his vocals with both screaming and growls, Siren Charms is more or less completely fragile and delicate when it comes to the vocal delivery. It is the result of a vocalist with no holds barred, bearing his throat and letting the listener come closer than ever before. It’s intimate, emotional and powerful. The album title refers to the female creatures from the Greek mythology who lured sailors with their singing, only to watch their ships crush against the cliffs and sink. A story that is told in different ways over the albums lyrics and is applicable to the many aspects of the human need to intoxicate ourselves, and submit to seduction. They are fascinating tales of what we are prepared to sacrifice to achieve those states of mind.<\/p>\r\n

Siren Charms secures In Flames position as a metal band that never stands still, and it is doubtlessly a band that continues to take risks, push boundaries and challenge themselves as much as their audience. That the adversities haven’t killed the band is quite obvious - but the question is if In Flames have ever been this strong?<\/p>","media":{"19":{"media_id":4219035,"width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2019\/09\/in-flames_09-19-19_19_5d83ae4c6a2c3.jpg"},"5":{"media_id":4219036,"width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2019\/09\/in-flames_09-19-19_5_5d83ae4cb3984.jpg"},"6":{"media_id":4219037,"width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2019\/09\/in-flames_09-19-19_6_5d83ae4ccd154.jpg"},"9":{"media_id":4219038,"width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2019\/09\/in-flames_09-19-19_9_5d83ae4ce637b.jpg"},"20":{"media_id":4219039,"width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2019\/09\/in-flames_09-19-19_20_5d83ae4d03925.jpg"},"7":{"media_id":4219040,"width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2019\/09\/in-flames_09-19-19_7_5d83ae4d1a78b.jpg"},"24":{"media_id":4219041,"width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2019\/09\/in-flames_09-19-19_24_5d83ae4d33c33.jpg"},"88":{"media_id":4219042,"width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2019\/09\/in-flames_09-19-19_88_5d83ae4d659c3.jpg"}},"links":[{"link_id":"894784","link_title":"Amazon","link_type_id":"11","link_href":"http:\/\/www.amazon.com\/gp\/redirect.html?ie=UTF8&location=http:\/\/www.amazon.com\/In-Flames\/e\/B000APVOQE&tag=aeglive0a-20&linkCode=ur2&camp=1789&creative=9325","link_target":"_none"},{"link_id":"894782","link_title":"Official Website","link_type_id":"8","link_href":"http:\/\/www.inflames.com\/","link_target":"_none"},{"link_id":"894787","link_title":"Youtube VEVO","link_type_id":"14","link_href":"http:\/\/www.youtube.com\/user\/InFlamesGBG","link_target":"_none"},{"link_id":"894786","link_title":"Twitter","link_type_id":"13","link_href":"https:\/\/twitter.com\/InFlames_SWE","link_target":"_none"},{"link_id":"894788","link_title":"Featured Video","link_type_id":"15","link_href":"https:\/\/www.youtube.com\/watch?v=QgLc3DQFXQM","link_target":"_none"},{"link_id":"894783","link_title":"Myspace","link_type_id":"9","link_href":"http:\/\/myspace.com\/inflames","link_target":"_none"},{"link_id":"894785","link_title":"Facebook Page","link_type_id":"12","link_href":"https:\/\/www.facebook.com\/inflames","link_target":"_none"}]},{"performerId":"1113008","active":true,"locale":"en-US","keywords":[],"bio":"

In the southern parts of Sweden, between the two major revered metal cities, Gothenburg and Stockholm lie the small town of Eksjö, just about 60 kilometers from Jönköping. From Eksjö, best known for its old wooden architecture dating back to the 1400th century comes the four-piece metal band we know today, Orbit Culture. Orbit Culture was founded in 2013 by member Niklas Karlsson and ex-member Maximilian Zinsmeister. Both singer and guitarist Niklas and lead guitarist Maximilian did participate in different music constellations back and forth across the county. At the age of  17, Niklas and Maximilian met each other through mutual friends in Eksjö, and through the same love of heavy riffing and writing songs; Niklas and Maximilian decided to start a small jam group.<\/div>\r\n
 <\/div>\r\n
Niklas and Maximilian hired a small rehearsal space in an old power plant station. The intention and passion of writing and recording music were there from the beginning, but exploiting the rehearsal room as a drinking place was a bit more important to the young men during the inception of the band. It wasn’t until early 2013 when Niklas and Maximilian started to really get into the recording techniques due to the boys getting their hands on the Line 6 POD UX1.<\/div>\r\n
  <\/div>\r\n
Niklas quickly started to write songs for their debut EP, ‘Orbit Culture’ along with Maximilian getting his friend, drummer, and ex-bandmate on board from Maximilian’s precious metal project, Abstract Noise to take on the drum parts. Fellow friend and bassist Christoffer Olsson joined the trio and ‘Orbit Culture’ was born. The band spent most of the summer of 2013 indoors to record, mix and produce the first set of songs by Orbit Culture that later would be known as ‘Odyssey’.<\/div>\r\n
 <\/div>\r\n
The EP ‘Orbit Culture’ was self-released by the band first in August 2013 followed by a remaster and a new title with the same set of songs including the instrumental versions in December that same year. Orbit Culture and their debut EP ‘Odyssey’ gained local interest and the band played their first set of shows in their hometown promoting the new EP.<\/div>\r\n
 <\/div>\r\n
The rather small but nonetheless satisfying attention both locally and internationally took the guys by surprise and Niklas quickly started to write on their debut full-length album during the winter. Niklas and the band finished the album in the spring of 2014 and quickly sent off the files for mixing and mastering to fellow friend Klas Blomgren.<\/div>\r\n
 <\/div>\r\n
Orbit Culture’s debut full-length album ‘In Medias Res’ was self-released in July 2014 and shortly after, the band pushed on and recorded their first music video for the track ‘Obscurity’ and played a handful of shows locally to promote the new album. The band and the new album gained more and more fans internationally and the hunt for something more mature sounding began.<\/div>\r\n
 <\/div>\r\n
In 2015, lead guitarist Maximilian decided to leave the band to pursue other interests followed by bassist Christoffer leaving the band to go to university leaving Niklas and Markus the only members left in the band. Though two members and close friends had left the band, Niklas was determined to write and finish the record during the year.<\/div>\r\n
 <\/div>\r\n
Their second full-length album ‘Rasen’ was self-released in the spring of 2016 and the duo of what was left of Orbit Culture was given a lot of attention online due to their single ‘Sun Of All’. Quickly after the release, Niklas and Markus started to search for a new lead guitarist and bassist. A couple of months later, it was announced that Richard Hansson (Bash Brothers, Straight A’s) had taken over the lead guitar parts in Orbit Culture. After joining the band, Richard called his old friend Fredrik Lennartsson (People In Distress) from another small town nearby Eksjö called Vetlanda and asked if he was interested in joining the band. Fredrik Lennartsson packed his stuff and became a member of Orbit Culture that same day.<\/div>\r\n
 <\/div>\r\n
During the late summer of 2016, the band decided to record a music video for their top single ‘Sun Of All’ which they released shortly after. The band gained a lot of attention online and more show opportunities started to rake in. However, no labels were interested as of yet, but the band pushed on and Niklas started to write on their next EP which is known today as ‘Redfog’.<\/div>\r\n
 <\/div>\r\n
Niklas started to analyze his previous work immensely and tried to figure out what mistakes he could avoid and what writing approach he would take with this new set of songs. Heavy drums and big guitars with catchy choruses were the goal. Niklas wrote and recorded for the most part of 2017 alongside playing their well-earned set at the 2017’s Gefle Metal Festival. In late 2017, the band decided to record three different music videos for three of the five songs on the new EP.<\/div>\r\n
 <\/div>\r\n
In March 2018, The band released their first single from the EP ‘Redfog’ called ‘Saw’ with a music video. The song became an instant success in the metal underground scene raking in over 1,600,000 streams on Spotify, and YouTube combined over the course of two years. The second song in line for release was the more mellow and melancholy song ‘See Through Me’ and the band’s take on anxiety in the lyrics became more prominent. The title track ‘Redfog’ hit the cyber world on the 23rd of March and the song finally put the band on the map all over the world. As the year went on, more and more people started to get into Metallica\/Gojira\/Behemoth-influenced Orbit Culture.<\/div>\r\n
 <\/div>\r\n
The band started to get recognized by major labels in the metal music industry. Orbit Culture finally settled their first record deal with Seek & Strike Records in late 2018 sharing a roster with bands like Upon A Burning Body, Kill The Kong, Reckoning Hour, and more.<\/div>\r\n
 <\/div>\r\n
In early 2019, the band landed their first booking agency, Avocado Booking set the band on their first-ever tour supporting Rivers Of Nihil alongside Black Crown Initiate and MOL for the fall of 2019.<\/div>\r\n
 <\/div>\r\n
During the spring and summer, Niklas started to write and record their third full-length album with the first single ‘Nensha’ being released through Seek & Strike Records on the 20th of September on the same day as the band played their first-ever show outside Sweden at Cassiopeia, Berlin on the Rivers Of Nihil Tour.<\/div>\r\n
 <\/div>\r\n
The band finished the tour and returned home to finalize the new album ‘Nija’. Orbit Culture released another single from the album called ‘Rebirth’, continuing the story and concept of ‘Nensha’. The band released their highly praised track ‘The Shadowing’ in late March capping off the trilogy.<\/div>\r\n
 <\/div>\r\n
In between March and April, like many other bands, the band was forced to cancel all of their upcoming shows of 2020 due to the pandemic of COVID-19. The new album ‘Nija’, originally planned for a May release, got postponed to August 7th, 2020. With the free time given during the pandemic, the band started to work on a new music video and single to accompany the release of the album, which later came to be known as the heavy-hitting track ‘Open Eye’.<\/div>\r\n
 <\/div>\r\n
During the summer, the band prepared for their much-anticipated release of 'Nija'. The album Nija was finally released on August 7th, 2020, and it was embraced with critical acclaim from both reviewers and fans across the globe. The album launched the band from the underground metal scene into the top ranks, and with that, countless festival and tour offers started to rake in.<\/div>\r\n
 <\/div>\r\n
With the pandemic still at large around this time, the band was forced to cancel more shows. However, the band felt to utilize the free time given to its fullest extent, so the band quickly headed back to the studio to record a new EP.<\/div>\r\n
 <\/div>\r\n
The EP became known as 'Shaman' and was released in September 2021. The band wanted to stray away from the more mechanical sound of their previous album, 'Nija,' and focus more on writing songs that would fit the live aspect better once the pandemic calmed down, but the band and the rest of the world would have to wait a bit longer.<\/div>\r\n
 <\/div>\r\n
Roll forward the tape to June 2022, when the band entered the Silja Stage at Sweden Rock Festival 2022; the band did not know what to expect or who would show up. To the band's surprise, the fields in front of the stage were completely packed with fans, so it began.<\/div>\r\n
 <\/div>\r\n
Having played at Sweden Rock Festival, Download Festival, Bloodstock, and countless other major festivals around Europe, the band ended their summer opening for In Flames at their exclusive show 'Dalhalla Brinner' in Rättvik, Dalhalla. This was a significant starting point for touring, as In Flames invited the band to open up for In Flames on their US and European tours later the same year.<\/div>\r\n
 <\/div>\r\n
Just before the tour started in September of 2022, the band released their latest single, 'Vultures Of North', from their upcoming new album.<\/div>\r\n
With two hugely successful tours opening up for In Flames in both the US and Europe, the band is now preparing for their new album release, 'Descent'.<\/div>","media":{"19":{"media_id":4640644,"width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/01\/orbit-culture_01-20-23_19_63cad75cc7e47.jpg"},"5":{"media_id":4640645,"width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/01\/orbit-culture_01-20-23_5_63cad75ced1d3.jpg"},"6":{"media_id":4640646,"width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/01\/orbit-culture_01-20-23_6_63cad75d14df8.jpg"},"9":{"media_id":4640647,"width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/01\/orbit-culture_01-20-23_9_63cad75d2b81b.jpg"},"20":{"media_id":4640648,"width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/01\/orbit-culture_01-20-23_20_63cad75d49dd1.jpg"},"7":{"media_id":4640649,"width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/01\/orbit-culture_01-20-23_7_63cad75d6242c.jpg"},"24":{"media_id":4640650,"width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/01\/orbit-culture_01-20-23_24_63cad75d79add.jpg"},"88":{"media_id":4640651,"width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/01\/orbit-culture_01-20-23_88_63cad75d96607.jpg"}},"links":[{"link_id":1106003,"link_title":"Official 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Hailing from Abilene, Texas, Dexter and The Moonrocks have carved a unique niche in the music scene with their innovative blend of Southern Alternative, red-dirt country, and alternative rock, creating a genre their fans affectionately call \"Western SpaceGrunge.\" The band, consisting of lead vocalist and rhythm guitarist James Tuffs, lead guitarist and vocal harmonizer Ryan Anderson, bassist Ty Anderson, and drummer and vocal harmonizer Fox, combines influences from a wide range of artists, including Nirvana, Foo Fighters, Rainbow Kitten Surprise, and Whiskey Myers, to produce a sound that is both earth-shattering and introspective.<\/p>\n

The group's debut single, \"Couch,\" released in August 2021, was a significant hit, captivating audiences with its unique sound. This success was followed by their self-titled EP, featuring standout tracks like \u201cWhere I Steer\u201d and \u201cBehave,\u201d which received overwhelmingly positive responses. Dexter and The Moonrocks' music, characterized by its raw energy, storytelling traditions, and a touch of alien influence, resonates with themes of love, loss, and the human experience.<\/p>\n

Their most recent singles, \"Birds and the Bees\" and \u201cAutopilot, furthered the throughline of their unique blend of moody lyrics and explosive musical style that's become a staple of their artistry. Now, the band looks toward significant growth in 2024, releasing their debut single, \u201cShe Likes Girls\u201d partnered with newly launched Severance Records. An official version of a demo that fans adored from 2022, The Moonrocks explore what it feels like to be told you\u2019re not enough, but someone else is. With a storyline about a guy who\u2019s been left by his girlfriend (for another girl), the sentiment of reconciling heartbreak - and the self-destructive tendencies that permeate from it - continue to give fans a playground to find commonality in shared hurt, and the chance to scream at the top of their lungs.<\/p>\n

This year, Dexter and The Moonrocks prepare for their launch to success. With an electrifying bank of upcoming music, a dynamic digital presence, and a potent team, these Western Space Grunge rockstars look to continue making new fans and serve them by delivering the modern-day tone of what they\u2019re starving for these days: authentic, relatable music that lets people have a voice to feel seen.<\/p>","description":"

This show is GENERAL ADMISSION with a RESERVED East or West Balcony configuration<\/p>\n

Please see below for the different ticket options available on this event<\/p>\n

*Access is granted based on your purchased ticket type<\/p>\n

*All East and West Balcony tickets have access to the general admission areas<\/p>\n

GENERAL ADMISSION TICKETS<\/p>\n

First-come, First-served Access to the Floor and Bowl Areas<\/p>\n

RESERVED TICKETS<\/p>\n

Seated Balcony Access in the East or West Sections with Nearby Bar and Exclusive Restrooms<\/p>","venue":{"venueId":"127278","active":true,"locale":"en-US","localeAvailable":{"1":"en-US"},"title":"Mission Ballroom","address_line":"4242 Wynkoop Street, Denver, CO 80216","address":"4242 Wynkoop Street","city":"Denver","state":"CO","postalCode":"80216","country":"United States","countryCode":"US","timezone":"America\/Denver","ada":null,"keywords":[],"skinCode":"missionballroom","currency":"USD","media":{"21":{"media_id":"4830317","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_21_657a2b73bc5e2.jpg"},"10":{"media_id":"4830318","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_10_657a2b73ef178.jpg"},"11":{"media_id":"4830319","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_11_657a2b7428ddb.jpg"},"12":{"media_id":"4830320","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_12_657a2b74482a2.jpg"},"22":{"media_id":"4830321","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_22_657a2b746875e.jpg"},"60":{"media_id":"4830322","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_60_657a2b7488bb6.jpg"},"61":{"media_id":"4830323","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_61_657a2b74a8968.jpg"}},"links":[{"link_id":1120409,"link_title":"Twitter","link_type_id":"25","link_href":"https:\/\/twitter.com\/missionballroom","link_target":"_blank"},{"link_id":1120411,"link_title":"Facebook Page Co-Host","link_type_id":"24","link_href":"https:\/\/www.facebook.com\/AEGPresentsRM\/","link_target":"_blank"}]},"associations":{"performerIds":["1114219","1122706"],"headliners":[{"performerId":"1114219","active":true,"locale":"en-US","keywords":[],"bio":"

Hailing from Abilene, Texas, Dexter and The Moonrocks have carved a unique niche in the music scene with their innovative blend of Southern Alternative, red-dirt country, and alternative rock, creating a genre their fans affectionately call \"Western SpaceGrunge.\" The band, consisting of lead vocalist and rhythm guitarist James Tuffs, lead guitarist and vocal harmonizer Ryan Anderson, bassist Ty Anderson, and drummer and vocal harmonizer Fox, combines influences from a wide range of artists, including Nirvana, Foo Fighters, Rainbow Kitten Surprise, and Whiskey Myers, to produce a sound that is both earth-shattering and introspective.<\/p>\r\n

The group's debut single, \"Couch,\" released in August 2021, was a significant hit, captivating audiences with its unique sound. This success was followed by their self-titled EP, featuring standout tracks like “Where I Steer” and “Behave,” which received overwhelmingly positive responses. Dexter and The Moonrocks' music, characterized by its raw energy, storytelling traditions, and a touch of alien influence, resonates with themes of love, loss, and the human experience.<\/p>\r\n

Their most recent singles, \"Birds and the Bees\" and “Autopilot, furthered the throughline of their unique blend of moody lyrics and explosive musical style that's become a staple of their artistry. Now, the band looks toward significant growth in 2024, releasing their debut single, “She Likes Girls” partnered with newly launched Severance Records. An official version of a demo that fans adored from 2022, The Moonrocks explore what it feels like to be told you’re not enough, but someone else is. With a storyline about a guy who’s been left by his girlfriend (for another girl), the sentiment of reconciling heartbreak - and the self-destructive tendencies that permeate from it - continue to give fans a playground to find commonality in shared hurt, and the chance to scream at the top of their lungs.<\/p>\r\n

This year, Dexter and The Moonrocks prepare for their launch to success. 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Welcome to WonkyWilla\u2019s strange and colorful bass factory \u2014 a creative mecca where tasty wubs and wild party bangers come to life. His music is like candy for wooks, and fans can\u2019t get enough.

22-year-old, Florida-based Nicholas Olivieri, the mad scientist behind WonkyWilla\u2019s definitive, bass-driven sound, has been building his savory style of club bangers and dizzying sound experiments for anyone with a sweet tooth for wubs, dubs and everything wonky. His intricate soundscapes have been showcased by bass music\u2019s biggest stars including Cannabliss, TVBOO, Ahee, Zingara, A Hundred Drums, Maddy O\u2019Neal and many more.

With tracks like \u201cOrgasmic\u201d surpassing 300k streams and \u201cWook Dancer\u201d approaching 200k on Soundcloud, plus explosive dubstep remixes of iconic tracks like Fergee\u2019s \u201cLondon Bridge\u201d surpassing 150k streams, WonkyWilla has garnered a dedicated fanbase over the last two years. His music is like a good Jawbreaker \u2014 the more you savor it, the more it evolves. But it always sticks with you long after that first taste.

WonkyWilla fanbase is quickly gaining massive notoriety, and his tour history is stacking up fast. In 2023 alone, he\u2019s shared bills with TvBoo, Ahee, Champagne Drip, Super Future, Zingara, Manic Focus and LYNY, with many more announcements coming soon.

Whatever flavor you prefer, WonkyWilla has you covered. His music is as sweet as jolly ranchers and as savory as chocolate \u2014 and WonkyWilla just robbed the whole candy store.<\/p>","description":null,"venue":{"venueId":"127278","active":true,"locale":"en-US","localeAvailable":{"1":"en-US"},"title":"Mission Ballroom","address_line":"4242 Wynkoop Street, Denver, CO 80216","address":"4242 Wynkoop Street","city":"Denver","state":"CO","postalCode":"80216","country":"United States","countryCode":"US","timezone":"America\/Denver","ada":null,"keywords":[],"skinCode":"missionballroom","currency":"USD","media":{"21":{"media_id":"4830317","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_21_657a2b73bc5e2.jpg"},"10":{"media_id":"4830318","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_10_657a2b73ef178.jpg"},"11":{"media_id":"4830319","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_11_657a2b7428ddb.jpg"},"12":{"media_id":"4830320","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_12_657a2b74482a2.jpg"},"22":{"media_id":"4830321","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_22_657a2b746875e.jpg"},"60":{"media_id":"4830322","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_60_657a2b7488bb6.jpg"},"61":{"media_id":"4830323","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_61_657a2b74a8968.jpg"}},"links":[{"link_id":1120409,"link_title":"Twitter","link_type_id":"25","link_href":"https:\/\/twitter.com\/missionballroom","link_target":"_blank"},{"link_id":1120411,"link_title":"Facebook Page Co-Host","link_type_id":"24","link_href":"https:\/\/www.facebook.com\/AEGPresentsRM\/","link_target":"_blank"}]},"associations":{"performerIds":["1121030","1112964","1110993"],"headliners":[{"performerId":"1121030","active":true,"locale":"en-US","keywords":[],"bio":"

Welcome to WonkyWilla’s strange and colorful bass factory — a creative mecca where tasty wubs and wild party bangers come to life. His music is like candy for wooks, and fans can’t get enough.

22-year-old, Florida-based Nicholas Olivieri, the mad scientist behind WonkyWilla’s definitive, bass-driven sound, has been building his savory style of club bangers and dizzying sound experiments for anyone with a sweet tooth for wubs, dubs and everything wonky. His intricate soundscapes have been showcased by bass music’s biggest stars including Cannabliss, TVBOO, Ahee, Zingara, A Hundred Drums, Maddy O’Neal and many more.

With tracks like “Orgasmic” surpassing 300k streams and “Wook Dancer” approaching 200k on Soundcloud, plus explosive dubstep remixes of iconic tracks like Fergee’s “London Bridge” surpassing 150k streams, WonkyWilla has garnered a dedicated fanbase over the last two years. His music is like a good Jawbreaker — the more you savor it, the more it evolves. But it always sticks with you long after that first taste.

WonkyWilla fanbase is quickly gaining massive notoriety, and his tour history is stacking up fast. In 2023 alone, he’s shared bills with TvBoo, Ahee, Champagne Drip, Super Future, Zingara, Manic Focus and LYNY, with many more announcements coming soon.

Whatever flavor you prefer, WonkyWilla has you covered. His music is as sweet as jolly ranchers and as savory as chocolate — and WonkyWilla just robbed the whole candy store.<\/p>","media":{"19":{"media_id":"5212668","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2025\/08\/wonkywilla_08-15-25_19_689f8c7410546.jpg"},"5":{"media_id":"5212669","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2025\/08\/wonkywilla_08-15-25_5_689f8c748def5.jpg"},"6":{"media_id":"5212670","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2025\/08\/wonkywilla_08-15-25_6_689f8c74ed171.jpg"},"9":{"media_id":"5212671","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2025\/08\/wonkywilla_08-15-25_9_689f8c75573dc.jpg"},"20":{"media_id":"5212672","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2025\/08\/wonkywilla_08-15-25_20_689f8c75b16cb.jpg"},"7":{"media_id":"5212673","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2025\/08\/wonkywilla_08-15-25_7_689f8c7615724.jpg"},"24":{"media_id":"5212674","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2025\/08\/wonkywilla_08-15-25_24_689f8c76697d2.jpg"},"88":{"media_id":"5212675","width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2025\/08\/wonkywilla_08-15-25_88_689f8c76c24d8.jpg"}},"links":[{"link_id":"1116885","link_title":"Instagram","link_type_id":"49","link_href":"https:\/\/www.instagram.com\/wonkywillaofficial","link_target":"_blank"},{"link_id":1117535,"link_title":"Facebook Page","link_type_id":"12","link_href":"https:\/\/www.facebook.com\/djWonkyWillaOfficial","link_target":"_blank"}]}],"supportingActs":[{"performerId":"1112964","active":true,"locale":"en-US","keywords":[],"bio":null,"media":[],"links":[{"link_id":1105884,"link_title":"Facebook Page","link_type_id":"12","link_href":"https:\/\/www.facebook.com\/thespongesmusic\/","link_target":"_none"},{"link_id":1105885,"link_title":"Instagram","link_type_id":"49","link_href":"https:\/\/www.instagram.com\/thesponges\/?hl=en","link_target":"_none"}]},{"performerId":"1110993","active":true,"locale":"en-US","keywords":[],"bio":"

“Starting off with keyboards as an infant, he taught himself how to improvise on the piano throughout the years. G-Space has created his own distinct sound that grazes multiple genres, such as; world, funk, jazz, trap, glitch, orchestral, and bass. He tends to play a set that is consisted mainly of his originals and the rest is filled with close friends’ music and other artists that he looks up to. G-Space has nested his way into quickly becoming one of the most interesting acts in the scene. His passionate piano solos can be heard throughout his music, and he has developed a signature sound.

Not only does he play on multiple instruments and create amazing electronic music to match it, he has added a unique visual aspect to his performance. It’s called ‘Tricking’ which by definition, is a style “of extreme sport where the “athletes” do cool, fast, beautiful flips and kicks without any wires or trampolines, performed to music,” (Defined from Urban Dictionary.) While playing the keytar on stage he is able to do a backflip and other insanely physically demanding and talented tricking skills. Having this special type of performance has been getting him recognized by many, as he has played Imagine Festival, Ultra Festival, and has just recently finished his ‘Euro-Trip Tour’ which spanned across several countries in Europe.”<\/p>","media":{"19":{"media_id":"4452827","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2022\/02\/g-space_02-01-22_19_61f9690950d8f.png"},"5":{"media_id":"4452828","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2022\/02\/g-space_02-01-22_5_61f96909956da.png"},"6":{"media_id":"4452829","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2022\/02\/g-space_02-01-22_6_61f96909bc7ca.png"},"9":{"media_id":"4452830","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2022\/02\/g-space_02-01-22_9_61f96909e1524.png"},"20":{"media_id":"4452831","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2022\/02\/g-space_02-01-22_20_61f9690a5fd94.png"},"7":{"media_id":"4452832","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2022\/02\/g-space_02-01-22_7_61f9690a9826d.png"},"24":{"media_id":"4452833","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2022\/02\/g-space_02-01-22_24_61f9690acd77d.png"},"88":{"media_id":"4452834","width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2022\/02\/g-space_02-01-22_88_61f9690bcaccb.png"}},"links":[{"link_id":"1101133","link_title":"Facebook","link_type_id":"12","link_href":"https:\/\/www.facebook.com\/gspacemusic","link_target":"_blank"},{"link_id":"1101134","link_title":"Instagram","link_type_id":"49","link_href":"https:\/\/www.instagram.com\/gspacemusic\/","link_target":"_blank"},{"link_id":"1101136","link_title":"Official 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STS9’s innate sense of innovation is grounded by the group’s desire to forge universal connections. Seamlessly integrating their exploratory and improvisation-based music with a fully immersive light show, each performance is a transcendent celebration of humanity. The group continues to find ways to build community, consistently spearheading charitable efforts and founding its own independent record label, 1320 Records.<\/p>\r\n

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Sometimes inspiration strikes from the immersion of living in a far away place. The view of the ocean. The sound of a rainforest at sunrise. The smell of an open-air market. The embrace of the wild human experience. However,maybe the nostalgia for a certain place might be attributed instead to a feeling, or a time, or even a person. Sometimes, inspiration stems from a place that everyone can relate to, but maybe no one's actually been. This is the music of The Hip Abduction, the vibrant St. Petersburg, FL-based collective that formed over a mutual appreciation for West African and early Jamaican reggae\/dub music.<\/p>\r\n

The Hip Abduction began through informal jam sessions and quickly coalesced into a sound that attracted national attention. For Gold Under the Glow, the band’s third full album releasing on March 11, 2016, THA engage an indie pop acumen alongside a highly emotive and roots driven sound. Recorded in Nashville, Gold Under the Glow was produced by Dabney Morris (Wild Cub) who is credited with incorporating synth-pop teeth into the band’s global foundation and summery vibe. It’s a smart blending of world pop and club aesthetics that appeals to both audiences.<\/p>\r\n

For this collection of songs, the musicians, David New (lead vocals, guitar), Pat Klemawesch (kamale ngoni,guitar, vocals), Chris Powers (bass), Dave Johnson (baritone and tenor sax), Paul Chlapowski (keyboards), and Matt Poynter (drums, vocals), found themselves drawn to a more modern synth-based sound. The track “All I Need” is a sultry romance, but the danceable rhythm and iridescent keyboards add polish. Silky vocals and building melodies are underscored by lush violin in “Awake,” a song that surges with intention and passion that is
at once personal and universal.<\/p>\r\n

Songs like the bouncy “Before We Lose Our Mind,” the first official single from Gold Under the Glow, are sure to take listeners to a sun-drenched happy place. The track, with its booming percussion, handclaps and heart-lifting lyrics confirm, “As a wild child knows, there is a place where the mind becomes an island.” The percussion is both organic and synthesized while a swell of background vocals offsets New’s warm delivery. During the bridge, the musicians stretch out in cosmic refrain before catapulting back onto the dance floor.<\/p>\r\n

The kamale ngoni, a 12-string lute-bridge-harp from West Africa, sets the vibe in a rhythmic cascade on “Stand Up for Love”. The track’s deep grooves and swirling electronics are at once organic and pop-savvy, while Johnson’s slow-burning sax solo adds to its propulsive energy. Mystical and pulsating, the kamale ngoni also leads off on the evocative “Ka’iwi” penned by Klemawesch. The song is built on layers of African instrumentation, sounds culled from nature, crunchy guitars, and space-age warbles.<\/p>\r\n

Although Gold Under the Glow may seem a departure from THA’s 2014 sophomore release produced by Michael Goldwasser (Easy Star All-Stars, Rebelution, Corey Harris) - an album that debuted at No. 5 on the Billboard Reggae charts and No. 2 on the iTunes Reggae charts - the spirit of one-drop rhythms and skanking guitars can still be felt at the heart of some of the album’s rootsiest tracks. The distillation of island vibes translates in the dubstyled and sensual “Lifted”, which hits both the heart and the hips. Meanwhile, “Crazy”, an energetic ode to escaping the frustrations of the rat race, sparkles melodically while the rhythm hints at Calypso beats, steel drum
tones and congas.<\/p>\r\n

The Hip Abduction has shared stages with the likes of Ziggy Marley, Umphrey’s McGee, Thievery Corporation, Dawes, Galactic, and .moe and has performed at Sunfest, Wanee Music Festival, Suwanee Hulaween, Orange Blossom Jamboree, Tropical Heatwave Music Festival and The BIG What?. The coming year promises national tour dates with exciting appearances at festivals including Shaky Knees, Slide Into Spring Fest and more. Fans should also be on the lookout for surf footage and travel photos from this Florida coastline collective.<\/p>","description":"

SCALING<\/p>\r\n

This show is GENERAL ADMISSION with a GA VIP East or West Balcony configuration<\/p>\r\n

Please see below for the different ticket options available on this event<\/p>\r\n

*Access is granted based on your purchased ticket type<\/p>\r\n

*All East and West Balcony tickets have access to the general admission areas<\/p>\r\n

GENERAL ADMISSION TICKETS<\/p>\r\n

First-come, First-served Access to the Floor and Bowl Areas<\/p>\r\n

GA VIP TICKETS<\/p>\r\n

First-come, First-served Preferred Standing Room Only Balcony Viewing Area in the East or West Sections with Nearby Bar and Exclusive Restrooms<\/p>","venue":{"venueId":"127278","active":true,"locale":"en-US","localeAvailable":{"1":"en-US"},"title":"Mission Ballroom","address_line":"4242 Wynkoop Street, Denver, CO 80216","address":"4242 Wynkoop Street","city":"Denver","state":"CO","postalCode":"80216","country":"United States","countryCode":"US","timezone":"America\/Denver","ada":null,"keywords":[],"skinCode":"missionballroom","currency":"USD","media":{"21":{"media_id":"4830317","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_21_657a2b73bc5e2.jpg"},"10":{"media_id":"4830318","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_10_657a2b73ef178.jpg"},"11":{"media_id":"4830319","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_11_657a2b7428ddb.jpg"},"12":{"media_id":"4830320","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_12_657a2b74482a2.jpg"},"22":{"media_id":"4830321","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_22_657a2b746875e.jpg"},"60":{"media_id":"4830322","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_60_657a2b7488bb6.jpg"},"61":{"media_id":"4830323","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_61_657a2b74a8968.jpg"}},"links":[{"link_id":1120409,"link_title":"Twitter","link_type_id":"25","link_href":"https:\/\/twitter.com\/missionballroom","link_target":"_blank"},{"link_id":1120411,"link_title":"Facebook Page Co-Host","link_type_id":"24","link_href":"https:\/\/www.facebook.com\/AEGPresentsRM\/","link_target":"_blank"}]},"associations":{"performerIds":["1041060","795867","1108612","1110506"],"headliners":[{"performerId":"1041060","active":true,"locale":"en-US","keywords":[],"bio":"

Sometimes inspiration strikes from the immersion of living in a far away place. The view of the ocean. The sound of a rainforest at sunrise. The smell of an open-air market. The embrace of the wild human experience. However,maybe the nostalgia for a certain place might be attributed instead to a feeling, or a time, or even a person. Sometimes, inspiration stems from a place that everyone can relate to, but maybe no one's actually been. This is the music of The Hip Abduction, the vibrant St. Petersburg, FL-based collective that formed over a mutual appreciation for West African and early Jamaican reggae\/dub music.<\/p>\r\n

The Hip Abduction began through informal jam sessions and quickly coalesced into a sound that attracted national attention. For Gold Under the Glow, the band’s third full album releasing on March 11, 2016, THA engage an indie pop acumen alongside a highly emotive and roots driven sound. Recorded in Nashville, Gold Under the Glow was produced by Dabney Morris (Wild Cub) who is credited with incorporating synth-pop teeth into the band’s global foundation and summery vibe. It’s a smart blending of world pop and club aesthetics that appeals to both audiences.<\/p>\r\n

For this collection of songs, the musicians, David New (lead vocals, guitar), Pat Klemawesch (kamale ngoni,guitar, vocals), Chris Powers (bass), Dave Johnson (baritone and tenor sax), Paul Chlapowski (keyboards), and Matt Poynter (drums, vocals), found themselves drawn to a more modern synth-based sound. The track “All I Need” is a sultry romance, but the danceable rhythm and iridescent keyboards add polish. Silky vocals and building melodies are underscored by lush violin in “Awake,” a song that surges with intention and passion that is
at once personal and universal.<\/p>\r\n

Songs like the bouncy “Before We Lose Our Mind,” the first official single from Gold Under the Glow, are sure to take listeners to a sun-drenched happy place. The track, with its booming percussion, handclaps and heart-lifting lyrics confirm, “As a wild child knows, there is a place where the mind becomes an island.” The percussion is both organic and synthesized while a swell of background vocals offsets New’s warm delivery. During the bridge, the musicians stretch out in cosmic refrain before catapulting back onto the dance floor.<\/p>\r\n

The kamale ngoni, a 12-string lute-bridge-harp from West Africa, sets the vibe in a rhythmic cascade on “Stand Up for Love”. The track’s deep grooves and swirling electronics are at once organic and pop-savvy, while Johnson’s slow-burning sax solo adds to its propulsive energy. Mystical and pulsating, the kamale ngoni also leads off on the evocative “Ka’iwi” penned by Klemawesch. The song is built on layers of African instrumentation, sounds culled from nature, crunchy guitars, and space-age warbles.<\/p>\r\n

Although Gold Under the Glow may seem a departure from THA’s 2014 sophomore release produced by Michael Goldwasser (Easy Star All-Stars, Rebelution, Corey Harris) - an album that debuted at No. 5 on the Billboard Reggae charts and No. 2 on the iTunes Reggae charts - the spirit of one-drop rhythms and skanking guitars can still be felt at the heart of some of the album’s rootsiest tracks. The distillation of island vibes translates in the dubstyled and sensual “Lifted”, which hits both the heart and the hips. Meanwhile, “Crazy”, an energetic ode to escaping the frustrations of the rat race, sparkles melodically while the rhythm hints at Calypso beats, steel drum
tones and congas.<\/p>\r\n

The Hip Abduction has shared stages with the likes of Ziggy Marley, Umphrey’s McGee, Thievery Corporation, Dawes, Galactic, and .moe and has performed at Sunfest, Wanee Music Festival, Suwanee Hulaween, Orange Blossom Jamboree, Tropical Heatwave Music Festival and The BIG What?. The coming year promises national tour dates with exciting appearances at festivals including Shaky Knees, Slide Into Spring Fest and more. Fans should also be on the lookout for surf footage and travel photos from this Florida coastline collective.<\/p>","media":[],"links":[{"link_id":"1049194","link_title":"Official Website","link_type_id":"8","link_href":"https:\/\/thehipabduction.com\/","link_target":"_none"},{"link_id":"1049195","link_title":"Featured Video","link_type_id":"15","link_href":"https:\/\/www.youtube.com\/watch?v=auz9dk3nlzk","link_target":"_none"},{"link_id":"1049196","link_title":"Facebook Page","link_type_id":"12","link_href":"https:\/\/www.facebook.com\/thehipabduction","link_target":"_none"},{"link_id":"1049197","link_title":"Twitter","link_type_id":"13","link_href":"https:\/\/twitter.com\/thehipabduction","link_target":"_none"},{"link_id":1049367,"link_title":"Instagram","link_type_id":"49","link_href":"https:\/\/www.instagram.com\/thehipabduction\/","link_target":"_none"}]}],"supportingActs":[{"performerId":"795867","active":true,"locale":"en-US","keywords":[],"bio":"

Ripe’s new album Bright Blues<\/em> is a collection of 12 songs full of sleek grooves and bold melodies that the Boston quartet put together to help ride out tough times, an anthem for better days ahead.<\/div>\r\n
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“The wildest thing for me is that the record simultaneously sounds like it has the scars of everything we’ve been through and also that it doesn’t — it’s joyful music, which is very exciting given that it was made in the middle of getting hit in the stomach,” says singer Robbie Wulfsohn, who came together with guitarist Jon Becker, drummer Sampson Hellerman and trombonist Calvin Barthel while they were all studying at Berklee College of Music.<\/div>\r\n
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The band drew acclaim from the likes of the Boston Globe<\/em>, Huffington Post<\/em> and WXPN with their first full-length, Joy in the Wild Unknown<\/em>. Their streams on Spotify surged past 56 million as they conquered stages at festivals including Bonnaroo, Firefly, SweetWater and Bottlerock, and sold tens of thousands of tickets across the US, including selling out the iconic House of Blues Boston and Brooklyn Steel.  <\/div>\r\n
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Bright Blues<\/em> is their first release after signing to indie powerhouse Glassnote Records and their first release working with outside co-writers. Teaming up on production with Noah Conrad (BTS, Niall Horan) and Ryan Linvill (Olivia Rodrigo, Dermot Kennedy) helped bring the high-energy, freewheeling stage show to the recording studio, with the result being an album that shows the full scope of the band’s abilities as writers and performers. The live show has always been at the core of who Ripe is, and now the recorded music can stand alongside it as an all-encompassing representation of who the band is and where they are going.<\/div>\r\n
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Bright Blues is available worldwide on March 10th, 2023 via Glassnote Records.<\/div>","media":{"88":{"media_id":"4610627","width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2022\/11\/ripe_11-17-22_88_637665820bc6b.jpg"},"19":{"media_id":"4610628","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2022\/11\/ripe_11-17-22_19_637665d59bb43.jpg"},"5":{"media_id":"4610629","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2022\/11\/ripe_11-17-22_5_637665d5c6563.jpg"},"6":{"media_id":"4610630","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2022\/11\/ripe_11-17-22_6_637665d5dfe36.jpg"},"9":{"media_id":"4610631","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2022\/11\/ripe_11-17-22_9_637665d6094cf.jpg"},"20":{"media_id":"4610632","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2022\/11\/ripe_11-17-22_20_637665d624104.jpg"},"7":{"media_id":"4610633","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2022\/11\/ripe_11-17-22_7_637665d643487.jpg"},"24":{"media_id":"4610634","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2022\/11\/ripe_11-17-22_24_637665d667f58.jpg"}},"links":[{"link_id":"1048065","link_title":"Official Website","link_type_id":"8","link_href":"http:\/\/www.ripetheband.com\/","link_target":"_none"},{"link_id":"1048066","link_title":"Facebook Page","link_type_id":"12","link_href":"https:\/\/www.facebook.com\/RipeMusic\/","link_target":"_none"},{"link_id":"1048067","link_title":"Twitter","link_type_id":"13","link_href":"https:\/\/twitter.com\/ripe_love","link_target":"_none"},{"link_id":"1088951","link_title":"Instagram","link_type_id":"49","link_href":"https:\/\/www.instagram.com\/ripelove\/","link_target":"_none"},{"link_id":"1088952","link_title":"Youtube","link_type_id":"14","link_href":"https:\/\/www.youtube.com\/channel\/UCdc607mtldpUdKO7ME49f5Q","link_target":"_none"}]},{"performerId":"1108612","active":true,"locale":"en-US","keywords":[],"bio":"Kevin Bong, aka ‘KBONG’ is a multi-instrumental artist who is well known for his “key” role in reggae band Stick Figure. Touring with the group since 2012, KBong has solidified his place as one of the top keyboard players in today’s current Reggae scene.  As Bong says, “Music is an expression of ourselves; it’s an art form. Whether you’re playing for one person or a thousand, music soothes the soul.” Through his music, KBong hopes to inspire others to approach life with a positive mindset and maybe even pick up instruments themselves: “I encourage people to play music no matter what age! It’s never too late.”  In Bong’s music you can hear a mix of catchy acoustic guitar riffs and surf vibes, as well as influences ranging from reggae to hip hop. Regardless of the influences, once you hear his style you’ll be hooked because it’s fresh and pleasing to the 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Page","link_type_id":"12","link_href":"https:\/\/www.facebook.com\/thehipabduction","link_target":"_none"},{"link_id":"1049197","link_title":"Twitter","link_type_id":"13","link_href":"https:\/\/twitter.com\/thehipabduction","link_target":"_none"},{"link_id":"1049195","link_title":"Featured Video","link_type_id":"15","link_href":"https:\/\/www.youtube.com\/watch?v=auz9dk3nlzk","link_target":"_none"}],"olympics":null,"keywords":[]},{"eventId":"1572637","active":true,"createdUTC":"2026-08-14T17:58:55","modifiedUTC":"2026-08-17T15:58:44","locale":"en-US","localeAvailable":{"1":"en-US"},"title":{"presentedBy":null,"presentedByText":null,"headliners":"SoDown<\/a>","headlinersText":"SoDown","supporting":null,"supportingText":null,"tour":"The SoDown Picture Show","eventTitle":"SoDown<\/a>","eventTitleText":"SoDown"},"age":"16 & 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\"To be SoDown is to seize every opportunity, explore new grounds, try new things and ultimately live the most epic life possible. This universe is far too beautiful and life is simply too short to not do what makes you happy. Unconditional love is the most powerful force in the world and Bass Music is my way of expressing it.\"

Ehren River Wright, better known as SoDown, is tattooing his own signature on the world of dance music, illuminating a vibrant destiny for the saxophone playing producer. His live sets are saturated with vigor and animation, breathing life into a myriad of electronic sub-genres. Combining a palpable groove with thunderous, bass-centric aromas, SoDown creates an unparalleled atmosphere. His versatility is limitless, showcased via his GetDown Key- his personal genre atlas which falls into three separate categories, SoHeavy, SoGroovy, and SoChill. Between his unbound inspiration, and acute attention to the technicalities of production, SoDown curates an immersive, sensory experience both in the studio and on stage. His charismatic persona has prompted a dedicated fan following. SoDown has commanded stages at Red Rocks, Coachella, Electric Forest, Global Dance, Sonic Bloom, and more. At the heels of his own triumphs, SoDown is only just beginning.<\/p>","description":null,"venue":{"venueId":"127278","active":true,"locale":"en-US","localeAvailable":{"1":"en-US"},"title":"Mission Ballroom","address_line":"4242 Wynkoop Street, Denver, CO 80216","address":"4242 Wynkoop Street","city":"Denver","state":"CO","postalCode":"80216","country":"United States","countryCode":"US","timezone":"America\/Denver","ada":null,"keywords":[],"skinCode":"missionballroom","currency":"USD","media":{"21":{"media_id":"4830317","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_21_657a2b73bc5e2.jpg"},"10":{"media_id":"4830318","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_10_657a2b73ef178.jpg"},"11":{"media_id":"4830319","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_11_657a2b7428ddb.jpg"},"12":{"media_id":"4830320","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_12_657a2b74482a2.jpg"},"22":{"media_id":"4830321","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_22_657a2b746875e.jpg"},"60":{"media_id":"4830322","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_60_657a2b7488bb6.jpg"},"61":{"media_id":"4830323","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_61_657a2b74a8968.jpg"}},"links":[{"link_id":1120409,"link_title":"Twitter","link_type_id":"25","link_href":"https:\/\/twitter.com\/missionballroom","link_target":"_blank"},{"link_id":1120411,"link_title":"Facebook Page Co-Host","link_type_id":"24","link_href":"https:\/\/www.facebook.com\/AEGPresentsRM\/","link_target":"_blank"}]},"associations":{"performerIds":["1102348"],"headliners":[{"performerId":"1102348","active":true,"locale":"en-US","keywords":[],"bio":"

\"To be SoDown is to seize every opportunity, explore new grounds, try new things and ultimately live the most epic life possible. This universe is far too beautiful and life is simply too short to not do what makes you happy. Unconditional love is the most powerful force in the world and Bass Music is my way of expressing it.\"

Ehren River Wright, better known as SoDown, is tattooing his own signature on the world of dance music, illuminating a vibrant destiny for the saxophone playing producer. His live sets are saturated with vigor and animation, breathing life into a myriad of electronic sub-genres. Combining a palpable groove with thunderous, bass-centric aromas, SoDown creates an unparalleled atmosphere. His versatility is limitless, showcased via his GetDown Key- his personal genre atlas which falls into three separate categories, SoHeavy, SoGroovy, and SoChill. Between his unbound inspiration, and acute attention to the technicalities of production, SoDown curates an immersive, sensory experience both in the studio and on stage. His charismatic persona has prompted a dedicated fan following. SoDown has commanded stages at Red Rocks, Coachella, Electric Forest, Global Dance, Sonic Bloom, and more. At the heels of his own triumphs, SoDown is only just beginning.<\/p>","media":[],"links":[{"link_id":"1045272","link_title":"Facebook Page","link_type_id":"12","link_href":"https:\/\/www.facebook.com\/sodownbassmusic\/","link_target":"_none"},{"link_id":"1045273","link_title":"Official Website","link_type_id":"8","link_href":"http:\/\/www.imsodown.com","link_target":"_none"},{"link_id":"1045274","link_title":"Featured Video","link_type_id":"15","link_href":"https:\/\/www.youtube.com\/watch?v=61WSBSUBmJ0","link_target":"_none"},{"link_id":"1067890","link_title":"Twitter","link_type_id":"13","link_href":"https:\/\/twitter.com\/sodownbassmusic","link_target":"_none"},{"link_id":"1067891","link_title":"Instagram","link_type_id":"49","link_href":"https:\/\/www.instagram.com\/sodownbassmusic\/","link_target":"_none"},{"link_id":"1067892","link_title":"Youtube 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Page","link_type_id":"12","link_href":"https:\/\/www.facebook.com\/sodownbassmusic\/","link_target":"_none"},{"link_id":"1067890","link_title":"Twitter","link_type_id":"13","link_href":"https:\/\/twitter.com\/sodownbassmusic","link_target":"_none"},{"link_id":"1045274","link_title":"Featured Video","link_type_id":"15","link_href":"https:\/\/www.youtube.com\/watch?v=61WSBSUBmJ0","link_target":"_none"}],"olympics":null,"keywords":[]},{"eventId":"1610511","active":true,"createdUTC":"2026-09-11T18:42:06","modifiedUTC":"2026-09-16T21:50:41","locale":"en-US","localeAvailable":{"1":"en-US"},"title":{"presentedBy":null,"presentedByText":null,"headliners":"Dylan Scott<\/a>","headlinersText":"Dylan Scott","supporting":"Graham Barham<\/a>, Cody Lohden","supportingText":"Graham Barham, Cody Lohden","tour":"Dear Big City Tour","eventTitle":"Dylan Scott<\/a>","eventTitleText":"Dylan Scott"},"age":"16 & 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Soon","presaleURL":null,"ticketURL":"https:\/\/shop.axs.com\/?c=axs&e=20174867068173206","url":"https:\/\/www.axs.com\/events\/1610511\/dylan-scott-tickets","eventUrl":"https:\/\/www.axs.com\/events\/1610511\/dylan-scott-tickets","ticketLinkExists":true},"ticketPrice":null,"ticketPriceLow":"$0","ticketPriceHigh":"$0","doorPrice":null,"doorPriceLow":"$0","doorPriceHigh":"$0","bio":"

Despite a multi-Platinum story and seven No. 1 singles, including two fresh smashes in 2025 alone, Curb Records hitmaker Dylan Scott has always kept an underdog mindset. A rowdy roughneck with a romantic side \u2013 one whose modern edge was sharpened by timeless, emotional twang \u2013 the consummate family man broke out with the epic triple-Platinum devotion of \u201cMy Girl\u201d in 2016 and followed up with scrappy, under-the-radar consistency. Chart-topping heart-forward anthems like \u201cCan\u2019t Have Mine (Find You <\/span>A<\/span> Girl),\u201d \u201cNobody\u201d and \u201cNew Truck\u201d all reached RIAA-certified status, but last year launched the crooner into the stratosphere. Posting back-to-back No. 1s with Gold-certified \u201cBoys Back Home\u201d (with Dylan Marlowe) and Platinum-certified \u201cThis Town\u2019s Been Too Good to Us,\u201d Scott wrapped 2025 as the third most-played country artist of 2025 and continues his hot streak with his latest No. 1, Platinum-certified \u201cWhat He\u2019ll Never Have,\u201d which was honored by ASCAP as one of the most-performed country songs of 2025. With <\/span>nearly 5<\/span> billion career streams, legions of fans and countless sold-out shows to his credit, his stardom has somehow grown in relative stealth. But with his third full album, <\/span><\/span>Easy Does It<\/span>, <\/span>he\u2019s<\/span> not sweating. <\/span>Sure<\/span> of himself, his talent and his fans, Scott heads toward a new creative chapter with total confidence. Featuring 11 tracks, his signature vocal and vivid intensity take center stage on a set defined by personal truth \u2013 whether through heartbreak, romantic <\/span>devotion<\/span> or small-town dedication. He now takes his current single \u201cDear Big City\u201d to Country radio, balancing small-town roots with big city dreams, while \u201cGirl <\/span>From<\/span> Louisiana\u201d creates buzz online. The in-demand live act spent last year on his <\/span><\/span>Country <\/span>Till<\/span> I Die Tour<\/span><\/span>, headlining his biggest venues yet including his first-ever arenas and record-breaking attendance, and his <\/span>Easy Does It Tour. <\/span>He wrapped his headlining <\/span>Till I <\/span>Can\u2019t<\/span> I Will Tour<\/span><\/span> earlier this summer and will embark on his <\/span>Dear Big City Tour<\/span> in January 2027.<\/span><\/p>","description":"

Resale Not Enabled <\/strong> <\/p> \n

The event organizer has decided that resale of tickets on AXS Resale will not be immediately available for this event but may become available at a later date. Please review the terms of AXS\u2019s Purchase Agreement (axs.com\/purchaseagreement) for more information. <\/p>
\n\n

This show is GENERAL ADMISSION with a RESERVED East or West Balcony configuration<\/p>\n

Please see below for the different ticket options available on this event<\/p>\n

*Access is granted based on your purchased ticket type <\/p>\n

*All East and West Balcony tickets have access to the general admission areas<\/p>\n
\n

GENERAL ADMISSION TICKETS<\/p>\n

First-come, First-served Access to the Floor and Bowl Areas<\/p>\n
\n

RESERVED TICKETS<\/p>\n

Seated Balcony Access in the East or West Sections with Nearby Bar and Exclusive Restrooms<\/p>

\n
\n<\/p>","venue":{"venueId":"127278","active":true,"locale":"en-US","localeAvailable":{"1":"en-US"},"title":"Mission Ballroom","address_line":"4242 Wynkoop Street, Denver, CO 80216","address":"4242 Wynkoop Street","city":"Denver","state":"CO","postalCode":"80216","country":"United States","countryCode":"US","timezone":"America\/Denver","ada":null,"keywords":[],"skinCode":"missionballroom","currency":"USD","media":{"21":{"media_id":"4830317","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_21_657a2b73bc5e2.jpg"},"10":{"media_id":"4830318","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_10_657a2b73ef178.jpg"},"11":{"media_id":"4830319","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_11_657a2b7428ddb.jpg"},"12":{"media_id":"4830320","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_12_657a2b74482a2.jpg"},"22":{"media_id":"4830321","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_22_657a2b746875e.jpg"},"60":{"media_id":"4830322","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_60_657a2b7488bb6.jpg"},"61":{"media_id":"4830323","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_61_657a2b74a8968.jpg"}},"links":[{"link_id":1120409,"link_title":"Twitter","link_type_id":"25","link_href":"https:\/\/twitter.com\/missionballroom","link_target":"_blank"},{"link_id":1120411,"link_title":"Facebook Page Co-Host","link_type_id":"24","link_href":"https:\/\/www.facebook.com\/AEGPresentsRM\/","link_target":"_blank"}]},"associations":{"performerIds":["1053264","1116525"],"headliners":[{"performerId":"1053264","active":true,"locale":"en-US","keywords":[],"bio":"

Despite a multi-Platinum story and seven No. 1 singles, including two fresh smashes in 2025 alone, Curb Records hitmaker Dylan Scott has always kept an underdog mindset. A rowdy roughneck with a romantic side – one whose modern edge was sharpened by timeless, emotional twang – the consummate family man broke out with the epic triple-Platinum devotion of “My Girl” in 2016 and followed up with scrappy, under-the-radar consistency. Chart-topping heart-forward anthems like “Can’t Have Mine (Find You <\/span>A<\/span> Girl),” “Nobody” and “New Truck” all reached RIAA-certified status, but last year launched the crooner into the stratosphere. Posting back-to-back No. 1s with Gold-certified “Boys Back Home” (with Dylan Marlowe) and Platinum-certified “This Town’s Been Too Good to Us,” Scott wrapped 2025 as the third most-played country artist of 2025 and continues his hot streak with his latest No. 1, Platinum-certified “What He’ll Never Have,” which was honored by ASCAP as one of the most-performed country songs of 2025. With <\/span>nearly 5<\/span> billion career streams, legions of fans and countless sold-out shows to his credit, his stardom has somehow grown in relative stealth. But with his third full album, <\/span><\/span>Easy Does It<\/span>, <\/span>he’s<\/span> not sweating. <\/span>Sure<\/span> of himself, his talent and his fans, Scott heads toward a new creative chapter with total confidence. Featuring 11 tracks, his signature vocal and vivid intensity take center stage on a set defined by personal truth – whether through heartbreak, romantic <\/span>devotion<\/span> or small-town dedication. He now takes his current single “Dear Big City” to Country radio, balancing small-town roots with big city dreams, while “Girl <\/span>From<\/span> Louisiana” creates buzz online. The in-demand live act spent last year on his <\/span><\/span>Country <\/span>Till<\/span> I Die Tour<\/span><\/span>, headlining his biggest venues yet including his first-ever arenas and record-breaking attendance, and his <\/span>Easy Does It Tour. <\/span>He wrapped his headlining <\/span>Till I <\/span>Can’t<\/span> I Will Tour<\/span><\/span> earlier this summer and will embark on his <\/span>Dear Big City Tour<\/span> in January 2027.<\/span><\/p>","media":{"19":{"media_id":"5465720","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/09\/dylan-scott_09-10-26_19_6aa31a329a5f7.png"},"5":{"media_id":"5465721","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/09\/dylan-scott_09-10-26_5_6aa31a3307faf.png"},"6":{"media_id":"5465722","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/09\/dylan-scott_09-10-26_6_6aa31a334b76a.png"},"9":{"media_id":"5465723","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/09\/dylan-scott_09-10-26_9_6aa31a338a260.png"},"20":{"media_id":"5465724","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/09\/dylan-scott_09-10-26_20_6aa31a342971e.png"},"7":{"media_id":"5465725","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/09\/dylan-scott_09-10-26_7_6aa31a348662d.png"},"24":{"media_id":"5465726","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/09\/dylan-scott_09-10-26_24_6aa31a34de606.png"},"88":{"media_id":"5465727","width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/09\/dylan-scott_09-10-26_88_6aa31a35524ac.png"}},"links":[{"link_id":"1032823","link_title":"Facebook Page","link_type_id":"12","link_href":"http:\/\/www.facebook.com\/dylanscottcountry","link_target":"_blank"},{"link_id":"1107420","link_title":"Official Website","link_type_id":"8","link_href":"https:\/\/dylanscottcountry.com\/","link_target":"_blank"},{"link_id":"1107421","link_title":"Instagram","link_type_id":"49","link_href":"https:\/\/www.instagram.com\/dylanscottcountry\/","link_target":"_blank"},{"link_id":"1107422","link_title":"Twitter","link_type_id":"13","link_href":"https:\/\/twitter.com\/dylanscottcntry","link_target":"_blank"},{"link_id":"1107423","link_title":"Youtube VEVO","link_type_id":"14","link_href":"https:\/\/www.youtube.com\/user\/DylanScottCountry","link_target":"_blank"}]}],"supportingActs":[{"performerId":"1116525","active":true,"locale":"en-US","keywords":[],"bio":"

Hailing from a rural Louisiana village called Oak Ridge, singer\/songwriter Graham Barham infuses his music with so many unforgettable images specific to small Southern towns: moss ponds and magnolia trees, pickup trucks and one-lane roads, to name just a few. But as shown on his debut breakout singles —the Nashville-based musician has a rare gift for turning that homespun storytelling into songs epic in emotional scope showcasing his singular brand of country: soulful, straight from the heart, and steeped in lived-in detail.<\/p>\r\n

The son of a farmer and a schoolteacher, Barham grew up on his family’s farm and got his start singing in church as a little kid. By age 10 he’d taught himself to play guitar and begun writing songs of his own, mining inspiration from classic country artists like George Strait. “I pretty much fell in love with songwriting right away, but coming from a place that’s extremely blue-collar, I didn’t understand how to make a living from music,” says Barham. “But when I was 16 my best friend’s mom passed away and I wrote a song for her and played it at her funeral, which was the first time I really saw how much power music could have on people. That was a huge turning point for me, and I knew I had to find a way to write songs forever.”<\/p>\r\n

At age 18, Barham moved to Nashville and soon started writing for other artists, steadily honing the potent balance of humanity and honesty and self-aware humor that now defines his lyrics. Mostly produced by Will Bundy (a songwriter\/producer who’s also worked with Keith Urban, Thomas Rhett, and Jason Aldean), Barham’s debut body of work delivers plenty of bittersweet reflection on the ups and downs of finding your way in the world. “A lot of my songs are about the man I’m trying to become, but I also want to be truthful about who I am presently and the man I was in the past. I hope people can connect with what I’m saying, and that it gives them that feeling when you listen to a song and you need to start it back up right away. It’s a kind of feeling you can’t even put to words—but I hope it affects them in a very positive 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The Movement has been winning the hearts and minds of alt-reggae fans since their inception in 2003. Drawing inspiration from Sublime, 311, Slightly Stoopid, and John Brown's Body, they've made a name for themselves as reggae shapeshifters with a foundation of insightful lyrics and heavy drum and bass. Today the band consists of founding member, lead vocalist and guitarist <\/span>Joshua Swain <\/span>, bassist <\/span>Jason Schmidt <\/span>, drummer <\/span>Gary Jackson <\/span>, keyboardist\/multi-instrumentalist <\/span>Matt Goodwin, <\/span>and saxophonist\/percussionist <\/span>Kyle Jerome <\/span>. Their seventh studio album, <\/span>Ways Of The World <\/em>(2019) debuted at #1 in the Billboard Reggae Chart, and remained in the Top 10 for more than 40 consecutive weeks. The band’s ninth studio album <\/span>VISIONS <\/em>– out July 18, 2025 on the band’s R4RE Records imprint – features collaborations with Stick Figure, The Elovaters, 311, Tribal Seeds, and The Green. With VISIONS, Swain charts a celestial and cerebral path through the cosmos, and straight into the consciousness, leaving a renewed sense of wonder and purpose. As always for The Movement, the only path is forward; pushing the boundaries and the future of alternative reggae.<\/span><\/p>","description":"

SCALING<\/p>\r\n

 <\/p>\r\n

This show is GENERAL ADMISSION with a GA VIP East or West Balcony configuration<\/p>\r\n

 <\/p>\r\n

Please see below for the different ticket options available on this event<\/p>\r\n

 <\/p>\r\n

*Access is granted based on your purchased ticket type<\/p>\r\n

 <\/p>\r\n

*All East and West Balcony tickets have access to the general admission areas<\/p>\r\n

 <\/p>\r\n

 <\/p>\r\n

GENERAL ADMISSION TICKETS<\/p>\r\n

 <\/p>\r\n

First-come, First-served Access to the Floor and Bowl Areas<\/p>\r\n

 <\/p>\r\n

 <\/p>\r\n

GA VIP TICKETS<\/p>\r\n

 <\/p>\r\n

First-come, First-served Preferred Standing Room Only Balcony Viewing Area in the East or West Sections with Nearby Bar and Exclusive Restrooms<\/p>","venue":{"venueId":"127278","active":true,"locale":"en-US","localeAvailable":{"1":"en-US"},"title":"Mission Ballroom","address_line":"4242 Wynkoop Street, Denver, CO 80216","address":"4242 Wynkoop Street","city":"Denver","state":"CO","postalCode":"80216","country":"United States","countryCode":"US","timezone":"America\/Denver","ada":null,"keywords":[],"skinCode":"missionballroom","currency":"USD","media":{"21":{"media_id":"4830317","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_21_657a2b73bc5e2.jpg"},"10":{"media_id":"4830318","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_10_657a2b73ef178.jpg"},"11":{"media_id":"4830319","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_11_657a2b7428ddb.jpg"},"12":{"media_id":"4830320","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_12_657a2b74482a2.jpg"},"22":{"media_id":"4830321","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_22_657a2b746875e.jpg"},"60":{"media_id":"4830322","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_60_657a2b7488bb6.jpg"},"61":{"media_id":"4830323","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_61_657a2b74a8968.jpg"}},"links":[{"link_id":1120409,"link_title":"Twitter","link_type_id":"25","link_href":"https:\/\/twitter.com\/missionballroom","link_target":"_blank"},{"link_id":1120411,"link_title":"Facebook Page Co-Host","link_type_id":"24","link_href":"https:\/\/www.facebook.com\/AEGPresentsRM\/","link_target":"_blank"}]},"associations":{"performerIds":["112230","109722","1109575"],"headliners":[{"performerId":"112230","active":true,"locale":"en-US","keywords":[],"bio":"

The Movement has been winning the hearts and minds of alt-reggae fans since their inception in 2003. Drawing inspiration from Sublime, 311, Slightly Stoopid, and John Brown's Body, they've made a name for themselves as reggae shapeshifters with a foundation of insightful lyrics and heavy drum and bass. Today the band consists of founding member, lead vocalist and guitarist <\/span>Joshua Swain <\/span>, bassist <\/span>Jason Schmidt <\/span>, drummer <\/span>Gary Jackson <\/span>, keyboardist\/multi-instrumentalist <\/span>Matt Goodwin, <\/span>and saxophonist\/percussionist <\/span>Kyle Jerome <\/span>. Their seventh studio album, <\/span>Ways Of The World <\/em>(2019) debuted at #1 in the Billboard Reggae Chart, and remained in the Top 10 for more than 40 consecutive weeks. The band’s ninth studio album <\/span>VISIONS <\/em>– out July 18, 2025 on the band’s R4RE Records imprint – features collaborations with Stick Figure, The Elovaters, 311, Tribal Seeds, and The Green. With VISIONS, Swain charts a celestial and cerebral path through the cosmos, and straight into the consciousness, leaving a renewed sense of wonder and purpose. As always for The Movement, the only path is forward; pushing the boundaries and the future of alternative reggae.<\/span><\/p>","media":{"19":{"media_id":"4860352","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2024\/02\/the-movement_02-07-24_19_65c3e71450ad4.jpg"},"5":{"media_id":"4860353","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2024\/02\/the-movement_02-07-24_5_65c3e714861e2.jpg"},"6":{"media_id":"4860354","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2024\/02\/the-movement_02-07-24_6_65c3e714af966.jpg"},"9":{"media_id":"4860355","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2024\/02\/the-movement_02-07-24_9_65c3e714d3a14.jpg"},"88":{"media_id":"4860359","width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2024\/02\/the-movement_02-07-24_88_65c3e715748a4.jpg"},"20":{"media_id":"4860384","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2024\/02\/the-movement_02-07-24_20_65c3eab82a857.png"},"7":{"media_id":"4860385","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2024\/02\/the-movement_02-07-24_7_65c3eab87f165.png"},"24":{"media_id":"4860386","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2024\/02\/the-movement_02-07-24_24_65c3eab8b45f4.png"}},"links":[{"link_id":"924519","link_title":"Featured Video","link_type_id":"15","link_href":"http:\/\/www.youtube.com\/watch?v=MvnZ-1Z-pC8&feature=youtu.be","link_target":"_blank"},{"link_id":"926516","link_title":"Youtube VEVO","link_type_id":"14","link_href":"http:\/\/www.youtube.com\/user\/themovementvibe","link_target":"_blank"},{"link_id":"926969","link_title":"Twitter","link_type_id":"13","link_href":"http:\/\/twitter.com\/themovementvibe","link_target":"_blank"},{"link_id":"934966","link_title":"Facebook Page","link_type_id":"12","link_href":"http:\/\/www.facebook.com\/themovementvibe","link_target":"_blank"},{"link_id":"935016","link_title":"Official Website","link_type_id":"8","link_href":"http:\/\/www.themovementvibe.com\/","link_target":"_blank"}]},{"performerId":"109722","active":true,"locale":"en-US","keywords":["llie Bud"],"bio":"

Colin Patrick Harper hails from the Bermuda Islands. In the music industry, he is known as the reggae artist Collie Buddz. Buddz was born on August 21, 1984 in New Orleans, Louisiana. After graduating from high school, he attended Full Sail University in Orlando, FL, where he decided to study studio engineering. Upon graduating from college in 2006, Buddz began looking for work in the recording industry as a performer or producer. One of his first major gigs was working with recording star Shaggy on the single \"Mad Mad World\" from Shaggy's new album entitled Intoxication, which was release in 2007. That was the same year he released his self-titled debut album with Sony Music. The album was a moderate success, but well-received by critics. WWE (World Wrestling Enterprises) fans would immediately recognize Buddz's voice from the entrance theme (\"SOS\") for WWE superstar wrestler Kofi Kingston, which was included on the 2008 compilation WWE The Music, Vol. 8. Over the next year, he would continue making guest appearances on the works of other artists. It is no small coincidence that his stage name \"Buddz\" is slang for marijuana. There have been photographs taken of the artist holding bongs and other pot-smoking paraphernalia over the years. Of course, other reggae artist such as Bob Marley have made weed seem an essential part of the reggae lifestyle. At the end of the decade, Buddz started his own record label called Harper Digital. When not working in the studio, he found himself selling out venue after venue on one of his many exhaustive tours. In 2011, he would finally release his second album entitled Playback. As was the case with the first album, this album was a modest success commercially, but the critics loved his work. With a couple of albums and a good reputation under his belt, Buddz is a frequent performer at many of the major reggae festivals around the world.<\/span>

More recently he has been in the studio finishing up his most recent fully self produced album 'Hybrid' which will be coming out in the Spring of 2019. Singles from the album like 'Love & Reggae' and 'Bounce It' have already topped charts and given fans a good insight into how the rest of the album will 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Justin Furstenfeld is certainly never one to mince words. Whether on or offstage, the Blue October singer-songwriter tells it like it is. It’s no surprise then that on a recent afternoon, Furstenfeld is nothing less than blunt in his assessment of his iconic band’s breakthrough album. “It's fucking beauty! It's gorgeous! It’s timeless!” the singer says with zero hesitation. He’s speaking to Foiled, Blue October’s epic and undeniably enduring 2006 landmark LP, a 14-track collection that temporarily sent the Houston-bred band into the stratosphere thanks to seminal singles including “Hate Me” and “Into The Ocean.”<\/div>\r\n
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And while on first glance it might appear the musician is lavishing praise upon his band’s most well-known project, it’s anything but hubris. Rather, Furstenfeld is speaking to the appreciation and love he’s come to feel for the project, notably the knowledge of what that specific body of work did and continues to do for him, for his band, for his overall mental well-being, for his journey to the present. Because for as much as Foiled initially sent Furstenfeld and Blue October’s life into a manic whirlwind, now, as the singer looks back on it 20 years in the rearview, and particularly as the band prepares to launch a yearlong Foiled 20th-anniversary celebration, the singer has come to realize what a true blessing his band’s most beloved body of work has been in his life.<\/div>\r\n
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“So now here we are,” Furstenfeld says as Blue October which includes drummer Jeremy Furstenfeld, multi-instrumentalist Ryan Delahoussaye, bassist Matt Noveskey, and lead guitarist Will Knaak prepare to hit the road this fall for a Foiled headline tour where they’ll play the classic album in its entirety. “Let’s show and remind everyone just how special and eclectic that album was,” the singer says of Foiled. “And, most importantly, how much we wore our heart on our sleeve for it.”<\/div>\r\n
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Written chiefly by Furstenfeld and produced by Furstenfeld and Dave Castel, the collection balances deeply confessional lyrics with soaring melodies and emotional honesty that would become Blue October’s hallmark. Foiled is a dangerous and devious album, a collection of delightfully disturbing poetic songs. It oozes with authenticity (see dark love songs including “You Make Me Smile” and “She’s My Ride Home”) and bubbles with transparency. Even when the melodies were undoubtedly irresistible, as was the case with standout single “Hate Me,” the message was forever intensely personal and heartfelt.<\/div>\r\n
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In many ways, Foiled was the culmination of everything Blue October had worked for. After releasing their second album while signed to Universal Records, 1999’s Consent to Treatment, the band was subsequently dropped by the label the following year. Three years later, however, off the success of “Calling You,” the first single off what would become their third full-length LP, History for Sale, the band was re-signed by Universal Republic.<\/div>\r\n
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It was Foiled however and the process that got the band there that changed everything for Blue October. Furstenfeld largely disappeared while writing Foiled. Feeling misunderstood, he isolated himself and wrote with a feverish obsession, as well as with the need to finally dissect the maddening beauty behind depression, addiction and mental illness – obstacles that had haunted him for his entire life to that point. With no one to watch or judge him, and without anyone to cast doubt over his creative process, he bled onto paper with a level of brutal honesty previously unseen. This album would go on to burn like wildfire connecting with millions of people around the world by giving a face and a name to the demons collectively.<\/div>\r\n
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This emotional experience endured while writing Foiled colors the album with a palpably raw sentiment; it’s almost hot to the touch. Blue October’s deeply committed fanbase, as well as the general public, responded to it near immediately upon release: Foiled cracked the Billboard Rock Chart Top 10, was eventually RIAA-certified platinum.<\/div>\r\n
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And while Foiled marked a breakthrough moment for the band, it was truly only the beginning for Blue October: the album’s deeply personal songwriting and emotionally resonant sound not only cemented the Houston-bred band as one of rock’s most distinctive voices, but the deep connection it forged with their fanbase through the album’s highly personal lyrics remains palpable today. As the band’s global presence has continually grown. Blue October’s catalog now surpasses one billion streams and continues to climb – new listeners continue to discover Foiled alongside the band’s ever-expansive catalog that followed in its wake.<\/div>\r\n
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At the time however, Furstenfeld readily admits he could hardly enjoy all the supposedly great things happening around him and the band: not only was the singer in the throes of a heavy drug addiction, but with the singer breaking his leg backstage during an early date on the Foiled headline tour directly coinciding with the height of mania surrounding the band and project Blue October was subsequently forced to cancel the remainder of that tour. Just as soon as everything had seemingly taken off for Blue October, it felt as if things were crashing down.<\/div>\r\n
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As documented in the stunning 2020 documentary, Get Back Up, the next few years for Blue October were plagued by Furstenfeld’s deepening drug addiction as well as interband turmoil. In May 2012, Furstenfeld entered rehab and he has been sober ever since. His recovery journey has transformed not only the band’s music, but also his personal outlook on life. “It’s a fucking awesome life right now,” he says proudly with a smile.<\/div>\r\n
 <\/div>\r\n
To that end, now 20 years after Foiled’s release, as the band prepares to celebrate the album’s two-decade anniversary, Furstenfeld finally is able to enjoy all that the transformative 2006 LP brought into his and his band’s life. In short, he says he believes everything played out as it should.<\/div>\r\n
 <\/div>\r\n
“It did what it's supposed to do,” he says of the album in retrospect. I'm the most spiritually beautiful, calm, peaceful, amazing person and father that I never was before.”<\/div>\r\n
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And while on the surface the Foiled anniversary might appear to be backward-looking, for Furstenfeld it’s a lesson and exercise in how the past can shape the present. “That's why we're doing an anniversary tour for it now. It's so cool. You gotta celebrate the fact that we made that music. And now look where we are because of it. It's such a blessing.”<\/div>\r\n
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 <\/div>","description":"

SCALING<\/p>\r\n

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This show is GENERAL ADMISSION with a RESERVED East or West Balcony configuration<\/p>\r\n

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Please see below for the different ticket options available on this event<\/p>\r\n

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*Access is granted based on your purchased ticket type<\/p>\r\n

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*All East and West Balcony tickets have access to the general admission areas<\/p>\r\n

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 <\/p>\r\n

GENERAL ADMISSION TICKETS<\/p>\r\n

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First-come, First-served Access to the Floor and Bowl Areas<\/p>\r\n

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RESERVED TICKETS<\/p>\r\n

 <\/p>\r\n

Seated Balcony Access in the East or West Sections with Nearby Bar and Exclusive Restrooms<\/p>","venue":{"venueId":"127278","active":true,"locale":"en-US","localeAvailable":{"1":"en-US"},"title":"Mission Ballroom","address_line":"4242 Wynkoop Street, Denver, CO 80216","address":"4242 Wynkoop Street","city":"Denver","state":"CO","postalCode":"80216","country":"United States","countryCode":"US","timezone":"America\/Denver","ada":null,"keywords":[],"skinCode":"missionballroom","currency":"USD","media":{"21":{"media_id":"4830317","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_21_657a2b73bc5e2.jpg"},"10":{"media_id":"4830318","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_10_657a2b73ef178.jpg"},"11":{"media_id":"4830319","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_11_657a2b7428ddb.jpg"},"12":{"media_id":"4830320","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_12_657a2b74482a2.jpg"},"22":{"media_id":"4830321","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_22_657a2b746875e.jpg"},"60":{"media_id":"4830322","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_60_657a2b7488bb6.jpg"},"61":{"media_id":"4830323","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_61_657a2b74a8968.jpg"}},"links":[{"link_id":1120409,"link_title":"Twitter","link_type_id":"25","link_href":"https:\/\/twitter.com\/missionballroom","link_target":"_blank"},{"link_id":1120411,"link_title":"Facebook Page Co-Host","link_type_id":"24","link_href":"https:\/\/www.facebook.com\/AEGPresentsRM\/","link_target":"_blank"}]},"associations":{"performerIds":["103982"],"headliners":[{"performerId":"103982","active":true,"locale":"en-US","keywords":["Blue October"],"bio":"

Justin Furstenfeld is certainly never one to mince words. Whether on or offstage, the Blue October singer-songwriter tells it like it is. It’s no surprise then that on a recent afternoon, Furstenfeld is nothing less than blunt in his assessment of his iconic band’s breakthrough album. “It's fucking beauty! It's gorgeous! It’s timeless!” the singer says with zero hesitation. He’s speaking to Foiled, Blue October’s epic and undeniably enduring 2006 landmark LP, a 14-track collection that temporarily sent the Houston-bred band into the stratosphere thanks to seminal singles including “Hate Me” and “Into The Ocean.”<\/div>\r\n
 <\/div>\r\n
And while on first glance it might appear the musician is lavishing praise upon his band’s most well-known project, it’s anything but hubris. Rather, Furstenfeld is speaking to the appreciation and love he’s come to feel for the project, notably the knowledge of what that specific body of work did and continues to do for him, for his band, for his overall mental well-being, for his journey to the present. Because for as much as Foiled initially sent Furstenfeld and Blue October’s life into a manic whirlwind, now, as the singer looks back on it 20 years in the rearview, and particularly as the band prepares to launch a yearlong Foiled 20th-anniversary celebration, the singer has come to realize what a true blessing his band’s most beloved body of work has been in his life.<\/div>\r\n
 <\/div>\r\n
“So now here we are,” Furstenfeld says as Blue October which includes drummer Jeremy Furstenfeld, multi-instrumentalist Ryan Delahoussaye, bassist Matt Noveskey, and lead guitarist Will Knaak prepare to hit the road this fall for a Foiled headline tour where they’ll play the classic album in its entirety. “Let’s show and remind everyone just how special and eclectic that album was,” the singer says of Foiled. “And, most importantly, how much we wore our heart on our sleeve for it.”<\/div>\r\n
 <\/div>\r\n
Written chiefly by Furstenfeld and produced by Furstenfeld and Dave Castel, the collection balances deeply confessional lyrics with soaring melodies and emotional honesty that would become Blue October’s hallmark. Foiled is a dangerous and devious album, a collection of delightfully disturbing poetic songs. It oozes with authenticity (see dark love songs including “You Make Me Smile” and “She’s My Ride Home”) and bubbles with transparency. Even when the melodies were undoubtedly irresistible, as was the case with standout single “Hate Me,” the message was forever intensely personal and heartfelt.<\/div>\r\n
 <\/div>\r\n
In many ways, Foiled was the culmination of everything Blue October had worked for. After releasing their second album while signed to Universal Records, 1999’s Consent to Treatment, the band was subsequently dropped by the label the following year. Three years later, however, off the success of “Calling You,” the first single off what would become their third full-length LP, History for Sale, the band was re-signed by Universal Republic.<\/div>\r\n
 <\/div>\r\n
It was Foiled however and the process that got the band there that changed everything for Blue October. Furstenfeld largely disappeared while writing Foiled. Feeling misunderstood, he isolated himself and wrote with a feverish obsession, as well as with the need to finally dissect the maddening beauty behind depression, addiction and mental illness – obstacles that had haunted him for his entire life to that point. With no one to watch or judge him, and without anyone to cast doubt over his creative process, he bled onto paper with a level of brutal honesty previously unseen. This album would go on to burn like wildfire connecting with millions of people around the world by giving a face and a name to the demons collectively.<\/div>\r\n
 <\/div>\r\n
This emotional experience endured while writing Foiled colors the album with a palpably raw sentiment; it’s almost hot to the touch. Blue October’s deeply committed fanbase, as well as the general public, responded to it near immediately upon release: Foiled cracked the Billboard Rock Chart Top 10, was eventually RIAA-certified platinum.<\/div>\r\n
 <\/div>\r\n
And while Foiled marked a breakthrough moment for the band, it was truly only the beginning for Blue October: the album’s deeply personal songwriting and emotionally resonant sound not only cemented the Houston-bred band as one of rock’s most distinctive voices, but the deep connection it forged with their fanbase through the album’s highly personal lyrics remains palpable today. As the band’s global presence has continually grown. Blue October’s catalog now surpasses one billion streams and continues to climb – new listeners continue to discover Foiled alongside the band’s ever-expansive catalog that followed in its wake.<\/div>\r\n
 <\/div>\r\n
At the time however, Furstenfeld readily admits he could hardly enjoy all the supposedly great things happening around him and the band: not only was the singer in the throes of a heavy drug addiction, but with the singer breaking his leg backstage during an early date on the Foiled headline tour directly coinciding with the height of mania surrounding the band and project Blue October was subsequently forced to cancel the remainder of that tour. Just as soon as everything had seemingly taken off for Blue October, it felt as if things were crashing down.<\/div>\r\n
 <\/div>\r\n
As documented in the stunning 2020 documentary, Get Back Up, the next few years for Blue October were plagued by Furstenfeld’s deepening drug addiction as well as interband turmoil. In May 2012, Furstenfeld entered rehab and he has been sober ever since. His recovery journey has transformed not only the band’s music, but also his personal outlook on life. “It’s a fucking awesome life right now,” he says proudly with a smile.<\/div>\r\n
 <\/div>\r\n
To that end, now 20 years after Foiled’s release, as the band prepares to celebrate the album’s two-decade anniversary, Furstenfeld finally is able to enjoy all that the transformative 2006 LP brought into his and his band’s life. In short, he says he believes everything played out as it should.<\/div>\r\n
 <\/div>\r\n
“It did what it's supposed to do,” he says of the album in retrospect. I'm the most spiritually beautiful, calm, peaceful, amazing person and father that I never was before.”<\/div>\r\n
 <\/div>\r\n
And while on the surface the Foiled anniversary might appear to be backward-looking, for Furstenfeld it’s a lesson and exercise in how the past can shape the present. “That's why we're doing an anniversary tour for it now. It's so cool. You gotta celebrate the fact that we made that music. And now look where we are because of it. It's such a blessing.”<\/div>\r\n
 <\/div>\r\n
 <\/div>\r\n
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Tickets","presaleURL":null,"ticketURL":"https:\/\/shop.axs.com\/?c=axs&e=20174867067953342","url":"https:\/\/www.axs.com\/events\/1551531\/michelle-branch-everywhere-and-back-again-tour-tickets","eventUrl":"https:\/\/www.axs.com\/events\/1551531\/michelle-branch-everywhere-and-back-again-tour-tickets","ticketLinkExists":true},"ticketPrice":null,"ticketPriceLow":"$0","ticketPriceHigh":"$0","doorPrice":null,"doorPriceLow":"$0","doorPriceHigh":"$0","bio":"

Michelle Branch was seventeen years old when she signed to Madonna\u2019s Maverick Records. In 2001, she released her highly acclaimed debut album, The Spirit Room, which featured the hit singles \u201cEverywhere,\u201d MTV Video Music Award Viewer\u2019s Choice winner, \u201cAll You Wanted\u201d and \u201cGoodbye to You,\u201d and ushered in a new era of young women writing and performing their own songs. The album went on to sell three million copies worldwide, and was certified double-Platinum in the US, Platinum in Japan, Gold in Australia and Canada, and Silver in the UK, among others.<\/p>\n

Branch won a Grammy Award for her 2002 collaboration with Carlos Santana, \u201cThe Game of Love,\u201d which peaked at No. 5 on Billboard\u2019s Hot 100, No. 1 on the Billboard Adult Contemporary chart, and became a major international hit. Her second album, 2003\u2019s Hotel Paper, debuted at No. 2 on the US Billboard album chart and was a top 10 hit around the world. Certified Platinum in the US, and Gold in Australia, Canada and Japan, it spawned the hit single \u201cAre You Happy Now?,\u201d which was nominated for a Grammy for Best Female Rock Performance. Branch was also nominated for Best New Artist.<\/p>\n

In 2006, Branch found success with Jessica Harp as modern-country duo The Wreckers, whose debut Stand Still, Look Pretty was praised by critics for breaking down barriers between pop and country. The Gold-certified album spawned the hit single \u201cLeave the Pieces,\u201d which topped the Hot Country Songs chart for several weeks, and earned Branch her fourth Grammy nomination, as well as fan favorites \u201cMy Oh My\u201d and \u201cTennessee.\u201d<\/p>\n

In 2017, Branch released her critically acclaimed fourth album, Hopeless Romantic, co-produced with Patrick Carney of The Black Keys. Paste said of it, \u201cSprinkled with gorgeous, transparent and colorful synths, Hopeless Romantic casts Branch as a newly matured lover and songwriter and is indeed likely to succeed at satisfying diehards and welcoming in new devotees.\u201d In 2022, Branch released The Trouble With Fever, further showcasing the evolution of her sound and her grounded, relatable songwriting.<\/p>\n

Recently, Branch announced Everywhere And Back Again, a new project celebrating 25 years in music by revisiting the songs, stories and cultural moments that have shaped her career. The project is led by \u201cThe Game of Love\u201d by New Radicals and Michelle Branch, a newly reimagined version of Branch\u2019s Grammy-winning hit. To celebrate the launch, Branch hosted MBTV Presents Everywhere And Back Again: Live in Front of a Studio Audience. This one-night-only event was inspired by the MTV and TRL era that helped introduce her music to a generation of fans.<\/p>\n

More than a reflection on the past, Everywhere And Back Again marks the beginning of an exciting new chapter for Branch, setting the stage for more new original music to come very soon!<\/p>","description":"

Michelle Branch has partnered with PLUS1 so that $1 per ticket goes to The ALS Association and their work making ALS livable and curing it.<\/p>\n

Ticket Transfer Delay<\/p>\n

The event organizer has decided that ticket transfer will be delayed for this event. Ticket transfer will be available on or about 09\/21\/2026. Please review the terms of AXS\u2019s Purchase Agreement (axs.com\/purchaseagreement) for more information.<\/p>\n

This show is GENERAL ADMISSION with a RESERVED East or West Balcony configuration<\/p>\n

Please see below for the different ticket options available on this event<\/p>\n

*Access is granted based on your purchased ticket type<\/p>\n

*All East and West Balcony tickets have access to the general admission areas<\/p>\n

GENERAL ADMISSION TICKETS<\/p>\n

First-come, First-served Access to the Floor and Bowl Areas<\/p>\n

RESERVED TICKETS<\/p>\n

Seated Balcony Access in the East or West Sections with Nearby Bar and Exclusive Restrooms<\/p>","venue":{"venueId":"127278","active":true,"locale":"en-US","localeAvailable":{"1":"en-US"},"title":"Mission Ballroom","address_line":"4242 Wynkoop Street, Denver, CO 80216","address":"4242 Wynkoop Street","city":"Denver","state":"CO","postalCode":"80216","country":"United States","countryCode":"US","timezone":"America\/Denver","ada":null,"keywords":[],"skinCode":"missionballroom","currency":"USD","media":{"21":{"media_id":"4830317","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_21_657a2b73bc5e2.jpg"},"10":{"media_id":"4830318","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_10_657a2b73ef178.jpg"},"11":{"media_id":"4830319","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_11_657a2b7428ddb.jpg"},"12":{"media_id":"4830320","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_12_657a2b74482a2.jpg"},"22":{"media_id":"4830321","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_22_657a2b746875e.jpg"},"60":{"media_id":"4830322","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_60_657a2b7488bb6.jpg"},"61":{"media_id":"4830323","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_61_657a2b74a8968.jpg"}},"links":[{"link_id":1120409,"link_title":"Twitter","link_type_id":"25","link_href":"https:\/\/twitter.com\/missionballroom","link_target":"_blank"},{"link_id":1120411,"link_title":"Facebook Page Co-Host","link_type_id":"24","link_href":"https:\/\/www.facebook.com\/AEGPresentsRM\/","link_target":"_blank"}]},"associations":{"performerIds":["104509"],"headliners":[{"performerId":"104509","active":true,"locale":"en-US","keywords":[],"bio":"

Michelle Branch was seventeen years old when she signed to Madonna’s Maverick Records. In 2001, she released her highly acclaimed debut album, The Spirit Room, which featured the hit singles “Everywhere,” MTV Video Music Award Viewer’s Choice winner, “All You Wanted” and “Goodbye to You,” and ushered in a new era of young women writing and performing their own songs. The album went on to sell three million copies worldwide, and was certified double-Platinum in the US, Platinum in Japan, Gold in Australia and Canada, and Silver in the UK, among others.<\/p>\r\n

Branch won a Grammy Award for her 2002 collaboration with Carlos Santana, “The Game of Love,” which peaked at No. 5 on Billboard’s Hot 100, No. 1 on the Billboard Adult Contemporary chart, and became a major international hit. Her second album, 2003’s Hotel Paper, debuted at No. 2 on the US Billboard album chart and was a top 10 hit around the world. Certified Platinum in the US, and Gold in Australia, Canada and Japan, it spawned the hit single “Are You Happy Now?,” which was nominated for a Grammy for Best Female Rock Performance. Branch was also nominated for Best New Artist.<\/p>\r\n

In 2006, Branch found success with Jessica Harp as modern-country duo The Wreckers, whose debut Stand Still, Look Pretty was praised by critics for breaking down barriers between pop and country. The Gold-certified album spawned the hit single “Leave the Pieces,” which topped the Hot Country Songs chart for several weeks, and earned Branch her fourth Grammy nomination, as well as fan favorites “My Oh My” and “Tennessee.”<\/p>\r\n

In 2017, Branch released her critically acclaimed fourth album, Hopeless Romantic, co-produced with Patrick Carney of The Black Keys. Paste said of it, “Sprinkled with gorgeous, transparent and colorful synths, Hopeless Romantic casts Branch as a newly matured lover and songwriter and is indeed likely to succeed at satisfying diehards and welcoming in new devotees.” In 2022, Branch released The Trouble With Fever, further showcasing the evolution of her sound and her grounded, relatable songwriting.<\/p>\r\n

Recently, Branch announced Everywhere And Back Again, a new project celebrating 25 years in music by revisiting the songs, stories and cultural moments that have shaped her career. The project is led by “The Game of Love” by New Radicals and Michelle Branch, a newly reimagined version of Branch’s Grammy-winning hit. To celebrate the launch, Branch hosted MBTV Presents Everywhere And Back Again: Live in Front of a Studio Audience. This one-night-only event was inspired by the MTV and TRL era that helped introduce her music to a generation of fans.<\/p>\r\n

More than a reflection on the past, Everywhere And Back Again marks the beginning of an exciting new chapter for Branch, setting the stage for more new original music to come very soon!<\/p>","media":{"103":{"media_id":"3837882","width":860,"height":400,"file_name":"https:\/\/images.discovery-prod.axs.com\/2017\/05\/michelle-branch_05-04-17_103_590b732903b33.jpg"},"20":{"media_id":"5427653","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/07\/michelle-branch_07-15-26_20_6a56d681ce0b9.png"},"7":{"media_id":"5427654","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/07\/michelle-branch_07-15-26_7_6a56d6824d7c7.png"},"24":{"media_id":"5427655","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/07\/michelle-branch_07-15-26_24_6a56d682acf7e.png"},"19":{"media_id":5427656,"width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/07\/michelle-branch_07-15-26_19_6a56d72624a68.png"},"5":{"media_id":5427657,"width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/07\/michelle-branch_07-15-26_5_6a56d72693415.png"},"6":{"media_id":5427658,"width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/07\/michelle-branch_07-15-26_6_6a56d726d8e45.png"},"9":{"media_id":5427659,"width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/07\/michelle-branch_07-15-26_9_6a56d72721c57.png"},"88":{"media_id":5427660,"width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2026\/07\/michelle-branch_07-15-26_88_6a56d727694cb.png"}},"links":[{"link_id":"884767","link_title":"Fan 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Page","link_type_id":"12","link_href":"https:\/\/www.facebook.com\/MichelleBranch\/","link_target":"_blank"},{"link_id":"909010","link_title":"Twitter","link_type_id":"13","link_href":"http:\/\/www.twitter.com\/michellebranch","link_target":"_blank"},{"link_id":"884772","link_title":"Featured Video","link_type_id":"15","link_href":"https:\/\/youtu.be\/9AN2-dWaytw","link_target":"_blank"}],"olympics":null,"keywords":[]},{"eventId":"1617575","active":true,"createdUTC":"2026-09-17T17:39:55","modifiedUTC":"2026-09-23T20:31:36","locale":"en-US","localeAvailable":{"1":"en-US"},"title":{"presentedBy":null,"presentedByText":null,"headliners":"Braxton Keith<\/a>","headlinersText":"Braxton Keith","supporting":"Tyla Rodrigues<\/a>","supportingText":"Tyla Rodrigues","tour":"Told You Once Tour","eventTitle":"Braxton Keith<\/a>","eventTitleText":"Braxton Keith"},"age":"16 & Over","publishStatus":1,"private":false,"currency":"USD","currencySymbol":"$","eventDateTime":"2027-03-18T20:00:00","eventDateTimeZone":"America\/Denver","eventDateTimeZoneAbbr":"MDT","eventDateTimeUTC":"2027-03-19T02:00:00","eventDateTimeISO":"2027-03-18T20:00:00-06:00","additionalDates":[],"expirationDateTime":null,"expirationDateTimeUTC":null,"doorDateTime":"2027-03-18T19:00:00","doorDateTimeUTC":"2027-03-19T01:00:00","announceDateTime":"2026-09-21T09:00:00","announceDateTimeTimeZone":"America\/Denver","announceDateTimeUTC":"2026-09-21T15:00:00","presaleDateTime":null,"presaleDateTimeTimeZone":"America\/Denver","presaleDateTimeUTC":null,"presaleEndDateTime":null,"presaleEndDateTimeTimeZone":"America\/Denver","presaleEndDateTimeUTC":null,"onsaleDateTime":"2026-09-25T10:00:00","onsaleDateTimeTimeZone":"America\/Denver","onsaleDateTimeZoneAbbr":"MDT","onsaleDateTimeUTC":"2026-09-25T16:00:00","ticketing":{"statusId":1,"status":"Coming Soon","presaleURL":null,"ticketURL":"https:\/\/shop.axs.com\/?c=axs&e=20174867068208037","url":"https:\/\/www.axs.com\/events\/1617575\/braxton-keith-tickets","eventUrl":"https:\/\/www.axs.com\/events\/1617575\/braxton-keith-tickets","ticketLinkExists":true},"ticketPrice":null,"ticketPriceLow":"$0","ticketPriceHigh":"$0","doorPrice":null,"doorPriceLow":"$0","doorPriceHigh":"$0","bio":"

With a sound and style honed in the honky tonks of Texas and beyond, Braxton Keith is part of a new generation of country singer-songwriter \u2013 one leading a revival of its core creative tenants.<\/p>\n

Featuring an earnest love of the \u201880s country aesthetic \u2013 and all but addicted to the rush of the stage \u2013 Keith has spent the last few years of life as a proud road dog, schooling new fans of the timeless power of a revved up band and rich organic twang. But while his what-you-see-is-what-you-get approach remains firmly rooted in tradition, that doesn\u2019t mean he\u2019s staying put. This Warner Music Nashville newcomer lives one state line at a time.<\/p>\n

\u201cI love the honky tonk country twang and I wouldn\u2019t trade it for anything,\u201d the rising star explains. \u201cBut honestly, I\u2019m just thinking about getting up and playing another show. This is just the beginning. This is where the hard work starts.\u201d<\/p>\n

A proud Texas native who these days splits time between San Antonio and Nashville, Keith was born in Midland, Texas, steeped in country mystique. Learning to play piano from his grandmother \u2013 a woman who loved the Cadillac cool of stars like Porter Wagoner \u2013 he grew up singing, drawn like a magnet to the sonic storytelling of gritty tunes like \u201cThe Carroll County Accident\u201d (an all-time family favorite).<\/p>\n

Diving deep into the pure-country form, Keith picked up a guitar and soon had a taste for hard twang and tales of the heart, writing his own classically-inspired songs in a grungy, cluttered garage. He never took it seriously until college, when a friend convinced the unknown-but-obvious talent to record one \u2013 just so he\u2019d have something to share with his future kids.<\/p>\n

\u201cI did it \u2013 and I never stopped,\u201d Keith says. \u201cI caught this little honky tonk bug, and now I\u2019m traveling the country for a living. Started out writing songs in our garage, now I\u2019m writing songs in Nashville. It\u2019s crazy.\u201d<\/p>\n

Leaving school behind to earn his place in Texas\u2019 vibrant live-music scene, Keith and a band of brothers have now been touring nonstop since 2020, racking up untold miles and hundreds of floorboard-shaking shows. Blending throwback-tonk with a sharp, barbed-wire vocal recalling stars like Tracy Lawrence (plus a little borderland buzz of San Antonio Spanish influence), Keith became a regular face in venues all across his home state, and then looked beyond.<\/p>\n

Relentless nationwide touring and a series of self-released singles and EPs have helped build a solid social media following. He arrived in Nashville for the first time in 2021, and has since been finetuning his natural songwriting style \u2013 timeless tunes of love, loss and life steeped in the energy and attitude of a Texan dancehall, but made for a wider audience.<\/p>\n

\u201cThere\u2019s something romantic about the country music scene in Texas \u2013 it\u2019s that connection with that crowd,\u201d Keith explains. \u201cIt doesn\u2019t matter what day of the week it is, whether it\u2019s an old raggedy bar or wherever the hell you are, they\u2019re going to show up, and I fell in love with creating moments with those fans. I just try to imagine it\u2019s a 90-minute show for me, but it\u2019s a lifetime experience for them.\u201d<\/p>\n

Featured on taste-making playlists like Spotify\u2019s New Boots and Breakout Country, Keith\u2019s 2024 single \u201cCozy\u201d leads the way for a new chapter, highlighting the rising star\u2019s fresh take on a classic style. A silky-smooth two-step with an unmistakable vocal tone, the clever, co-written message of warning for a romantic rival sets Keith apart from the pack.<\/p>\n

\u201cIt\u2019s a very different song \u2013 unlike anything I hear on country radio today,\u201d he says. \u201cIt\u2019s just a very honest, vibey, Ronnie Millsap-style \u201880s country song. In today\u2019s world it\u2019s an interesting song, and from the moment we wrote it I was like, \u2018This is something special.\u2019\u201d<\/p>\n

More new music is planned for 2025 release, as Keith continues exploring the contours of a uniquely country sound and style. Merging past and present with the timeless edge of a band-leading troubadour, he\u2019ll stay on the road, too, crossing time zones like he\u2019s gliding across a honky tonk floor.<\/p>\n

\u201cThe touring never stops \u2013 especially for an artist like me,\u201d he admits. \u201cI hope people have a damn good time when they come out, and I hope the show was great. And if they pick up the record, I hope they get a taste of that.\u201d<\/p>","description":"

 <\/p>\n

TIERED PRICING<\/strong>: This event has a tiered pricing structure in the General Admission area. All General Admission tiers have the same access. Once a price level sells out it may no longer be visible or available for selection.<\/p>\n

        *Please note: multiple GA price levels may be available at the same time<\/p>\n
\n

This show is GENERAL ADMISSION with a RESERVED East or West Balcony configuration<\/strong><\/p>\n

Please see below for the different ticket options available on this event<\/p>\n        *Access is granted based on your purchased ticket type\n

 <\/p>\n

        *All East and West Balcony tickets have access to the general admission areas<\/p>\n
\n

GENERAL ADMISSION TICKETS<\/strong>: First-come, First-served Access to the Floor and Bowl Areas<\/p>\n
\n

RESERVED TICKETS<\/strong>: Seated Balcony Access in the East or West Sections with Nearby Bar and Exclusive Restrooms<\/p>","venue":{"venueId":"127278","active":true,"locale":"en-US","localeAvailable":{"1":"en-US"},"title":"Mission Ballroom","address_line":"4242 Wynkoop Street, Denver, CO 80216","address":"4242 Wynkoop Street","city":"Denver","state":"CO","postalCode":"80216","country":"United States","countryCode":"US","timezone":"America\/Denver","ada":null,"keywords":[],"skinCode":"missionballroom","currency":"USD","media":{"21":{"media_id":"4830317","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_21_657a2b73bc5e2.jpg"},"10":{"media_id":"4830318","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_10_657a2b73ef178.jpg"},"11":{"media_id":"4830319","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_11_657a2b7428ddb.jpg"},"12":{"media_id":"4830320","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_12_657a2b74482a2.jpg"},"22":{"media_id":"4830321","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_22_657a2b746875e.jpg"},"60":{"media_id":"4830322","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_60_657a2b7488bb6.jpg"},"61":{"media_id":"4830323","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_61_657a2b74a8968.jpg"}},"links":[{"link_id":1120409,"link_title":"Twitter","link_type_id":"25","link_href":"https:\/\/twitter.com\/missionballroom","link_target":"_blank"},{"link_id":1120411,"link_title":"Facebook Page Co-Host","link_type_id":"24","link_href":"https:\/\/www.facebook.com\/AEGPresentsRM\/","link_target":"_blank"}]},"associations":{"performerIds":["1112932","1121121"],"headliners":[{"performerId":"1112932","active":true,"locale":"en-US","keywords":[],"bio":"

Choosing that straight-talking declaration for the name of his debut album, the Midland, Texas, native joins a wave of new artists both schooled on the classics, and built for the moment. But with the wind firmly at his back, Keith hits a target many aim for, and few reach. Making classic country sound fresh once more.<\/p>\r\n

“Traditional is cool,” the singer-songwriter says, matching his mustachioed, self-assured bearing with the talented hustle to back it up. “I like the vibes this album brings back. It’s just a big flashing reminder that country music’s cool. All the rappers are in on it. All the rock and roll guys are, too. It can be anything right now, so why not take country back to what it was?”<\/p>\r\n

Featuring 15 songs which trace a circle around the whole of country tradition, Real Damn Deal finds Keith in the midst of a steep, exponential career climb. He was raised on classic icons like Porter Wagoner, Ronnie Milsap and George Strait, then built a Texas-sized reputation as a must-see live act out of college. But since then he’s busted out of the Lone Star circuit completely, signing a major label record deal with Warner Records Nashville, traveling the country in a fleet of buses and accumulating 400 million streams across the globe.<\/p>\r\n

A constant schedule in 2025 included over 130 shows, a headline tour powered by a ravenous social media following and his Grand Ole Opry debut. Last year also saw Keith’s first RIAA GOLD certification for his deceptively chilly hit, “Cozy,” plus a series of attention-grabbing singles and acclaim from Rolling Stone, Billboard, American Songwriter and more. All hailed his throwback twang and Keith’s 2026 This Ain’t My First Tour Tour continued, keeping his road-dog credentials current. More U.S. dates and a run of Australian shows are on tap for this spring, but a full-length album debut, proudly rooted in the swagger, sway and stylistic stretch of a Texas dancehall? That will only fuel his rise<\/p>\r\n

To that end, Real Damn Deal was assembled over Keith’s last two years of growth, with the young star carving out time to write and record between lengthy trips on tour. He co-penned 10 of 15 songs, showcasing a little of every classic country flavor found under the neon. Hot Texas honky tonk and joyful Western swing. Epic midnight balladry, and two-step anthems lost in head-spinning romance. The ache of a cowboy with a full glass, but an empty barstool beside him.<\/p>\r\n

Each is delivered with Keith’s crisp, high-and-lonesome vocal twang, as he glides from one dancehall theme to the next. Whether it’s the reckless abandon of young love, or the reflective pain of a good thing gone to waste, his passion for pure-country expression is boundless.<\/p>\r\n

“It’s all over the place, and as country as we could make it in every way, shape and form,” Keith explains. “I think a lot of that comes from us being on the road 24\/7 – I want to put out every form of country music you possibly can, from campfire to as Western as it can get. I want to do all of it.”<\/p>\r\n

Featuring a rush of confidence (and a swaggering hook best described as deliciously rebellious), “Real Damn Deal” sets the tone, opening the set with a shuffling trad-country beat and twinkling honky-tonk keys. A tribute to his nothing-to-hide style, Keith co-wrote the tune with Brice Long and Paul Sikes – and says it captures a revelation he felt on his first day in Nashville, way back in 2021. Strutting through the capitol of country music, Keith looked around and suddenly realized how much he stuck out. “There’s definitely a lot of country music in Nashville,” he says. “But there wasn’t as many cowboy hats and boots and jeans as I thought there was going to be.”<\/p>\r\n

Aiming to be the agent of change he now seeks, new single “I Ain’t Tryin'” takes Keith’s country comeback beyond nostalgia. A full-on Western Swing anthem complete with a Bob Wills “haw haw!,” bright fiddle melodies bound from one beat to the next, with mellow steel guitar and fleet-footed rhythms beneath. Leaning on some supremely casual charisma, Keith playfully calls all country fans to join him – both in the sweet embrace of a renaissance, and out on the dance floor. The track was written by Long with Will Jones and 19-year-old fiddle player Carson Peters (who also plays on the record), showing his movement’s youth<\/p>\r\n

In fact, unbridled energy stands side-by-side with the set’s deep appreciation for the past. Alex Torrez and David Dorn co-produce a well mixed track list – including the intricate “Mrs. Green,” a gentle roots proposition co-written by the “King of Americana” Jim Lauderdale with Bob Minner. Keith tips his hat to the lyrical brilliance of Roger Miller on the Hall of Famer’s aching “Am I All Alone,” and nods to inspiration from both Marty Robbins and Ronnie Milsap on the vivid ballad “I Dreamed You Dreamed of Me.” “I want to pay some respect to these older guys,” he explains. \"The greatest respect, though, comes from continuing their legacy.\"<\/p>\r\n

Tracks like the desolate “Hurt By Heart” (featuring Mae Estes) capture a pair of wounded souls in the throws of agony – both feeling the pain in their own way. “She blows it out of the water,” Keith says of his vocal foil, who adds a tender sophistication to the slow-burning countrypolitan duet. “That’s How Hearts Get Broken” turns a beer-soaked roadhouse romance into an instant-classic hookup anthem, written by Chris and Morgane Stapleton with Liz Rose. And in the quiet, border-town stillness of “Always Leaving Something” (James Melton, Jessie Jo Dillon, and Clint Daniels), Keith keeps a stiff upper lip – even as he’s left in the dust.<\/p>\r\n

The ‘90s come alive through richly-textured romps like “Little Bit by Little Bit,” and with the fevered attraction of early single “Prescription.” Emptiness gets a soundtrack with the saccharine “White Walls” – an everything-goes lament rising to epic levels of ain’t-over-it angst. And while “Don’t No More” staggers under the weight of a crushing heartache, “I Own This Bar” revels in fun-filled flirtation. Cleverly co-penned with Liz Rose and Phil O'Donnell, Keith channels his inner Jerry Reed on that, as a pair of smooth talkers meet their match. It’s a fun-filled reminder that you can’t B.S. a B.S.’er.<\/p>\r\n

Meanwhile, previously released favorites like “Wind Blows” capture the easy-rolling spirit of a West Texas road dog who still craves the highway, and the serene “Baby You Do” revolves around a love for the ages. With a pounding Red Dirt heart, the wistful ballad captures the timeless draw of better days – days which once were great, but now exist only in memory. Yet that’s not how Keith thinks of this sound he can’t quit. He aims to keep it alive, and see it thrive once more. No matter what you call it.<\/p>\r\n


“It’s like a pair of jeans that come back in style – it’s just good old country music, and I feel like it’s time for that to come back around,” he says. “This is just a beginning. I want to explore all avenues of country music.<\/p>\r\n

 <\/p>\r\n

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A remarkable new talent in the realm of country music, Tyla Rodrigues is a breath of fresh air in country music. Tyla Rodrigues is different. Showing incredible maturity, grace and ambition, Tyla stands away from the crowd with her soulful voice, heartfelt lyrics, and captivating stage presence. In an era of country music full of derivative artists and overwrought songs, Tyla Rodrigues delivers an obvious appreciation for classic country songs and stories. Born and raised with a deep love and understanding of traditional country sounds, Tyla has managed to blend the timeless essence of the genre with her own soulful style. With a natural ability to connect with her audience, Rodrigues has become a sought-after performer at some of the most prestigious festivals in Australia - Groundwater Country Music Festival, Tamworth Country Music Festival, and Gympie Music Muster, where she has graced the stages with her mesmerising performances. 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Distinct Motive is a Canadian producer\/DJ creating explorative, visceral bass music for the masses. He quickly made a name for himself with his dark and minimal production style.<\/div>\r\n
 <\/div>\r\n
 <\/div>\r\n
Paying homage to the early aesthetic of dubstep while building a sound unique unto himself, he has put his respective hometown of Toronto on the map in international bass music circles, advocating for the original, dub-influenced side of dubstep to elated audiences across North America and Europe. Distinct Motive has gained support from many great dubstep acts\/foundational figures such as Mala, Truth, J.Sparrow and J:Kenzo.<\/div>\r\n
 <\/div>\r\n
 <\/div>\r\n
With 5 vinyl releases under his belt from 2016-2019 on imprints such as Deep Dark & Dangerous to J.Sparrow’s Navy Cut, Distinct Motive has proven to be a staple in the new wave of the deeper sounds.<\/div>","description":null,"venue":{"venueId":"127278","active":true,"locale":"en-US","localeAvailable":{"1":"en-US"},"title":"Mission Ballroom","address_line":"4242 Wynkoop Street, Denver, CO 80216","address":"4242 Wynkoop Street","city":"Denver","state":"CO","postalCode":"80216","country":"United States","countryCode":"US","timezone":"America\/Denver","ada":null,"keywords":[],"skinCode":"missionballroom","currency":"USD","media":{"21":{"media_id":"4830317","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_21_657a2b73bc5e2.jpg"},"10":{"media_id":"4830318","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_10_657a2b73ef178.jpg"},"11":{"media_id":"4830319","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_11_657a2b7428ddb.jpg"},"12":{"media_id":"4830320","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_12_657a2b74482a2.jpg"},"22":{"media_id":"4830321","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_22_657a2b746875e.jpg"},"60":{"media_id":"4830322","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_60_657a2b7488bb6.jpg"},"61":{"media_id":"4830323","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_61_657a2b74a8968.jpg"}},"links":[{"link_id":1120409,"link_title":"Twitter","link_type_id":"25","link_href":"https:\/\/twitter.com\/missionballroom","link_target":"_blank"},{"link_id":1120411,"link_title":"Facebook Page Co-Host","link_type_id":"24","link_href":"https:\/\/www.facebook.com\/AEGPresentsRM\/","link_target":"_blank"}]},"associations":{"performerIds":["1120994"],"headliners":[{"performerId":"1120994","active":true,"locale":"en-US","keywords":[],"bio":"
Distinct Motive is a Canadian producer\/DJ creating explorative, visceral bass music for the masses. He quickly made a name for himself with his dark and minimal production style.<\/div>\r\n
 <\/div>\r\n
 <\/div>\r\n
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The Japanese art of kintsugi is to take something broken and make it more beautiful than before; shards of ceramic put back together with gold-flecked glue, the cracks a proud part of the object. It\u2019s a concept that\u2019s central to Broken Machine, the second album from Southend-formed, South-east-based five-piece Nothing But Thieves, whose slow-burning self-titled 2015 debut made them a big deal worldwide\u2013 but fractured them too.

That debut album found fans in foreign territories first, from Korea to Japan, the States and Europe, and gained the young band respect from pillars of the modern rock community \u2013 among them Muse, who took them out as support band on their 2016 arena tour. When the album campaign came to an end in December last year, it was marked with a celebratory homecoming headline gig at landmark venue O2 Academy Brixton - a sure sign that the UK had caught up. \u201cIt was a real moment to reflect,\u201d says frontman Conor Mason. \u201cWe went to school together. We started playing in [guitarist Dom Craik\u2019s] garage together. Now we're playing Brixton together, somewhere we\u2019ve been thousands of times over the years to see bands.\u201d<\/p>\n

As well as being a celebration, the end of the tour was a relief too. Fearful of the dreaded \u2018second album slump\u2019, Nothing But Thieves spent two years on the road working on the follow-up to their debut, and recorded swathes of it while touring America.<\/p>\n

\u201cI was really struggling with the whole lack of sleep and being away on the road for a year straight,\u201d says Conor. \u201cI had so many conversations with the guys about it; I remember getting home from this long stretch, seven months, and thinking, 'I don't know if I can do this any more, I'm losing my mind.\u2019 Everything was just a struggle for us but these guys really helped me through it more than anything \u2013 because I felt like if I didn't get their support I wouldn\u2019t have wanted to continue. It affected us in terms of what we wanted to put out for this next album. I like that in that hard time we've come out with a few songs about it, turning something really dark into something quite beautiful.\u201d<\/p>\n

The experience \u2013 turning personal unravelling into a shared experience \u2013 informed the record they were making. Feeling the way they did, and reacting to the growing uncertainty in the world around them, Nothing But Thieves began to construct an album that revolved around a theme: systems of control. It\u2019s an album fuelled equally by late night discussions about the big stuff in life and by falling into YouTube wormholes watching clips of the radical orator Christopher Hitchins. In real terms, it means they\u2019ve absorbed the big issues of the day and spat them out as fully formed anthems.<\/p>\n

Among them are kinetic title track Broken Machine, the anthemic Sorry and the escapist fantasy Amsterdam, the storming song with which the band announced their return. \u201cIt\u2019s about being enclosed and frustrated,\u201d says Conor, \u201cThat lyric 'I left my heart in Amsterdam' was us thinking, \u2018That might be the end of it...\u2019\u201d<\/p>\n

\u201cWe didn't set out to write a concept album, but it's as close to a concept album as we could go without making one,\u201d says Joe. \u201cIt's about systems we perceive to be automatic but when you actually look at them, they really aren't, whether that's mental health, religion, the political system \u2013 just challenging those systems. When you're writing an album it's a snapshot of the times. If you're writing an album in 2016, 2017, you're going to write about Trump and Brexit and mental health. I think you'd be doing yourself and everyone else a disservice if politics wasn't referenced in some way.\u201d<\/p>\n

Though written on the road, the album was chiselled into shape in the early months of 2017. Armed with 90 percent of a record in well-polished demos, they took off to an AirBnB in Hastings, set up a studio for a week, and even performed an acoustic gig for their dinner at a local pub. They then took the demos to producer Mike Crossey, famed for his work on Arctic Monkeys\u2019 second album, among many others, and described by Dom as \u201ccreative, inventive, fearless and calm,\u201d and worked on the finished record in LA.<\/p>\n

Together they crafted the band\u2019s demos into 11 tracks that, like the debut, celebrate eclecticism and songcraft. \u201cWe weren't setting out to write something completely different, but I would say we experimented more, tried to push the boundaries, tried to capture something that pushed us outside of our comfort zone,\u201d says Dom. \u201cIf a song made us feel a bit odd, that's good.\u201d In fact, it\u2019s that spirit that motivates them. \u201cThe mantra of the band is to not regurgitate any ideas,\u201d says Conor.<\/p>\n

Less of a consideration is whether their songs are arena-ready anthems, despite road testing their last collection while on tour with Muse. That, they say, will come naturally. \u201cIt shouldn\u2019t be a conscious thing to write those kinds of songs. Sorry and Particles could be deemed big arena songs, but they could equally have been tiny and indie \u2013 we didn't set out to write them as massive tunes.\u201d<\/p>\n

Actually, say the band, they hope simply to keep growing as they have in those incredible two years since their debut. Their main goal is more noble. \u201cWe're a guitar band with a really modern take on music,\u201d says Conor. \u201cWe're trying to be on the forefront. We play guitars, but we're not a rock band in the traditional way, because we're trying to modernise and push the boundaries of what you're supposed to sound like as a band.\u201d<\/p>","description":"

Ticket Transfer Delay <\/strong><\/p>\nThe event organizer has decided that ticket transfer will be delayed for this event. Ticket transfer will be available on or about 6\/19\/2026. Please review the terms of AXS\u2019s Purchase Agreement (axs.com\/purchaseagreement) for more information.\n

Resale Not Enabled <\/strong><\/p>\nThe event organizer has decided that resale of tickets on AXS Resale will not be immediately available for this event but may become available at a later date. Please review the terms of AXS\u2019s Purchase Agreement (axs.com\/purchaseagreement) for more information.\n

This show is GENERAL ADMISSION with a RESERVED East or West Balcony configuration<\/p>\n

Please see below for the different ticket options available on this event<\/p>\n

*Access is granted based on your purchased ticket type<\/p>\n

*All East and West Balcony tickets have access to the general admission areas<\/p>\n

GENERAL ADMISSION TICKETS<\/p>\n

First-come, First-served Access to the Floor and Bowl Areas<\/p>\n

RESERVED TICKETS<\/p>\n

Seated Balcony Access in the East or West Sections with Nearby Bar and Exclusive Restrooms<\/p>","venue":{"venueId":"127278","active":true,"locale":"en-US","localeAvailable":{"1":"en-US"},"title":"Mission Ballroom","address_line":"4242 Wynkoop Street, Denver, CO 80216","address":"4242 Wynkoop Street","city":"Denver","state":"CO","postalCode":"80216","country":"United States","countryCode":"US","timezone":"America\/Denver","ada":null,"keywords":[],"skinCode":"missionballroom","currency":"USD","media":{"21":{"media_id":"4830317","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_21_657a2b73bc5e2.jpg"},"10":{"media_id":"4830318","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_10_657a2b73ef178.jpg"},"11":{"media_id":"4830319","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_11_657a2b7428ddb.jpg"},"12":{"media_id":"4830320","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_12_657a2b74482a2.jpg"},"22":{"media_id":"4830321","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_22_657a2b746875e.jpg"},"60":{"media_id":"4830322","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_60_657a2b7488bb6.jpg"},"61":{"media_id":"4830323","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_61_657a2b74a8968.jpg"}},"links":[{"link_id":1120409,"link_title":"Twitter","link_type_id":"25","link_href":"https:\/\/twitter.com\/missionballroom","link_target":"_blank"},{"link_id":1120411,"link_title":"Facebook Page Co-Host","link_type_id":"24","link_href":"https:\/\/www.facebook.com\/AEGPresentsRM\/","link_target":"_blank"}]},"associations":{"performerIds":["1096093"],"headliners":[{"performerId":"1096093","active":true,"locale":"en-US","keywords":[],"bio":"

Since forming in 2012, the five-piece have amassed a fiercely dedicated global fanbase, translating into billions of streams, 1.2 million album sales and multiple gold and platinum records around the world. 2025 marked a decade since the release of their self-titled debut, and with four top-ten albums under their belt, including their first UK Number One with 2023's Dead Club City, their live footprint has grown to match their chart momentum. Having played
thousands of shows globally, their last UK tour saw them cement their arena status, culminating in two landmark, sold-out nights at Wembley Arena and Amsterdam’s Ziggo Dome. 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Ages","publishStatus":1,"private":false,"currency":"USD","currencySymbol":"$","eventDateTime":"2027-04-23T19:00:00","eventDateTimeZone":"America\/Denver","eventDateTimeZoneAbbr":"MDT","eventDateTimeUTC":"2027-04-24T01:00:00","eventDateTimeISO":"2027-04-23T19:00:00-06:00","additionalDates":[],"expirationDateTime":null,"expirationDateTimeUTC":null,"doorDateTime":"2027-04-23T18:00:00","doorDateTimeUTC":"2027-04-24T00:00:00","announceDateTime":"2026-09-22T11:00:00","announceDateTimeTimeZone":"America\/Denver","announceDateTimeUTC":"2026-09-22T17:00:00","presaleDateTime":null,"presaleDateTimeTimeZone":"America\/Denver","presaleDateTimeUTC":null,"presaleEndDateTime":null,"presaleEndDateTimeTimeZone":"America\/Denver","presaleEndDateTimeUTC":null,"onsaleDateTime":"2026-09-25T10:00:00","onsaleDateTimeTimeZone":"America\/Denver","onsaleDateTimeZoneAbbr":"MDT","onsaleDateTimeUTC":"2026-09-25T16:00:00","ticketing":{"statusId":1,"status":"Coming 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Formed in 2011, The Interrupters came together when the Bivona brothers\u2014guitarist Kevin Bivona, bassist Justin Bivona, and drummer Jesse Bivona\u2014found themselves on various bills with Aimee (Interrupter) as a solo artist. Upon bonding over musical tastes, the four formed The Interrupters and delivered their self-titled debut in 2014. The Interrupters have shared stages with bands such as Rancid, blink-182, Green Day, Bad Religion, and many other stalwarts of the punk scene solidifying the band\u2019s status as a dynamic force. The band released their fourth studio album In The Wild in August 2022.<\/p>","description":"

TICKET LIMIT<\/strong>: There is a 6 ticket limit per household. Orders exceeding this limit may be cancelled without notification<\/p>\n

SCALING<\/strong>
This show is GENERAL ADMISSION<\/strong> with a RESERVED<\/strong> East or West Balcony configuration
Please see below for the different ticket options available on this event
*Access is granted based on your purchased ticket type
*All East and West Balcony tickets have access to the general admission areas<\/p>\n

GENERAL ADMISSION TICKETS<\/strong>
First-come, First-served Access to the Floor and Bowl Areas<\/p>\n

RESERVED TICKETS<\/strong>
Seated Balcony Access in the East or West Sections with Nearby Bar and Exclusive Restrooms<\/p>\n

The Interrupters have partnered with PLUS1 so that $1 from every ticket sold goes to support War Child and their work protecting children and their families in conflict zones.<\/p>","venue":{"venueId":"127278","active":true,"locale":"en-US","localeAvailable":{"1":"en-US"},"title":"Mission Ballroom","address_line":"4242 Wynkoop Street, Denver, CO 80216","address":"4242 Wynkoop Street","city":"Denver","state":"CO","postalCode":"80216","country":"United States","countryCode":"US","timezone":"America\/Denver","ada":null,"keywords":[],"skinCode":"missionballroom","currency":"USD","media":{"21":{"media_id":"4830317","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_21_657a2b73bc5e2.jpg"},"10":{"media_id":"4830318","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_10_657a2b73ef178.jpg"},"11":{"media_id":"4830319","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_11_657a2b7428ddb.jpg"},"12":{"media_id":"4830320","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_12_657a2b74482a2.jpg"},"22":{"media_id":"4830321","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_22_657a2b746875e.jpg"},"60":{"media_id":"4830322","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_60_657a2b7488bb6.jpg"},"61":{"media_id":"4830323","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2023\/12\/mission-ballroom_denver_12-13-23_61_657a2b74a8968.jpg"}},"links":[{"link_id":1120409,"link_title":"Twitter","link_type_id":"25","link_href":"https:\/\/twitter.com\/missionballroom","link_target":"_blank"},{"link_id":1120411,"link_title":"Facebook Page Co-Host","link_type_id":"24","link_href":"https:\/\/www.facebook.com\/AEGPresentsRM\/","link_target":"_blank"}]},"associations":{"performerIds":["1005894","1104137"],"headliners":[{"performerId":"1005894","active":true,"locale":"en-US","keywords":[],"bio":"

Formed in 2011, The Interrupters came together when the Bivona brothers—guitarist Kevin Bivona, bassist Justin Bivona, and drummer Jesse Bivona—found themselves on various bills with Aimee (Interrupter) as a solo artist. Upon bonding over musical tastes, the four formed The Interrupters and delivered their self-titled debut in 2014. The Interrupters have shared stages with bands such as Rancid, blink-182, Green Day, Bad Religion, and many other stalwarts of the punk scene solidifying the band’s status as a dynamic force. The band released their fourth studio album In The Wild in August 2022.<\/p>","media":{"19":{"media_id":"4624516","width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2022\/12\/the-interrupters_12-12-22_19_63975df1ea199.jpg"},"5":{"media_id":"4624517","width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2022\/12\/the-interrupters_12-12-22_5_63975df22e98f.jpg"},"6":{"media_id":"4624518","width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2022\/12\/the-interrupters_12-12-22_6_63975df25a8e3.jpg"},"9":{"media_id":"4624519","width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2022\/12\/the-interrupters_12-12-22_9_63975df2780f1.jpg"},"20":{"media_id":"4624520","width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2022\/12\/the-interrupters_12-12-22_20_63975df29d377.jpg"},"7":{"media_id":"4624521","width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2022\/12\/the-interrupters_12-12-22_7_63975df2bee4c.jpg"},"24":{"media_id":"4624522","width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2022\/12\/the-interrupters_12-12-22_24_63975df2e5a55.jpg"},"88":{"media_id":"4624523","width":1200,"height":628,"file_name":"https:\/\/images.discovery-prod.axs.com\/2022\/12\/the-interrupters_12-12-22_88_63975df322192.jpg"}},"links":[{"link_id":"1061283","link_title":"Facebook Page","link_type_id":"12","link_href":"https:\/\/www.facebook.com\/wearetheinterrupters","link_target":"_blank"},{"link_id":"1078086","link_title":"Official Website","link_type_id":"8","link_href":"https:\/\/wearetheinterrupters.com\/","link_target":"_blank"},{"link_id":"1078087","link_title":"Twitter","link_type_id":"13","link_href":"https:\/\/twitter.com\/Interruptweets","link_target":"_blank"},{"link_id":"1078088","link_title":"Instagram","link_type_id":"49","link_href":"https:\/\/www.instagram.com\/interrupstagram\/","link_target":"_blank"},{"link_id":"1082066","link_title":"Featured Video","link_type_id":"15","link_href":"https:\/\/www.youtube.com\/watch?v=Yq2jJLswL8I","link_target":"_blank"}]}],"supportingActs":[{"performerId":"1104137","active":true,"locale":"en-US","keywords":[],"bio":"

After making waves with his debut album SCUM and the seven-track CIVIL DISORDER<\/em>, RAT BOY has teamed up with Tim Armstrong to produce his new album titled INTERNATIONALLY UNKNOWN<\/em>. The 12-track collection is available now via Parlophone and Armstrong’s Hellcat Records label.<\/em><\/p>\r\n

RAT BOY first found Armstrong’s punk\/hip-hop band The Transplants in his father’s record collection, and subsequently delved into his back catalog with Rancid and Operation Ivy. RAT BOY had repeatedly mentioned his admiration of Armstrong in interviews, which led to the L.A. punk veteran discovering the young Essex upstart.<\/p>\r\n

Separated by 30 years of age and the Atlantic Ocean, RAT BOY and Armstrong sound like the very definition of an odd couple. But they immediately connected on their first phone call, through a shared love for mixing the visceral energy of punk with hip-hop beats. In many ways, it’s hardly surprising: both musicians share similar influences and often reflect on their upbringing in their lyrics.<\/p>\r\n

The pair met in Los Angeles at Armstrong’s Shiprec Studios where he had just finished producing The Interrupters latest album and immediately captured three demos on their first day together, with members of The Interrupters backing them on bass and drums. Not only did they have chemistry but they had a wealth of unorthodox creative ideas, such as chopping up live drums before filtering them through an old tape machine or RAT BOY playing Armstrong’s left-handed guitar upside down.<\/p>\r\n

The momentum was such that the project was entirely written and recorded during three visits, which amounted to a total of two months’ work. RAT BOY’s live band joined him in Los Angeles, while other collaborators include former Aggrolites bassist J Bonner and The Interrupters’ vocalist Aimee Interrupter. John King of The Dust Brothers (Beastie Boys, Beck) also contributed production.<\/p>\r\n

“I wanted to do this completely differently because ‘SCUM’ took so long, and I was learning the whole way through making it,” says RAT BOY. “I wanted to make something more personal and raw, which reflected me more. I was trying to find that sweet spot between hip-hop and punk, and Tim really understands that stuff. I’ve never really spoken to anyone else who love hip-hop and punk like I do.”<\/p>\r\n

The result is twelve tracks which amplify RAT ROY’s rabble-rousing riot act to a new level. He’s drawing on diverse influences which echo, at various points, The Clash, Beastie Boys, The Prodigy, Rebel MC, Green Day and Run DMC.<\/p>","media":{"19":{"media_id":4182509,"width":678,"height":399,"file_name":"https:\/\/images.discovery-prod.axs.com\/2019\/06\/rat-boy_06-07-19_19_5cfaced14d4ed.jpg"},"5":{"media_id":4182510,"width":318,"height":187,"file_name":"https:\/\/images.discovery-prod.axs.com\/2019\/06\/rat-boy_06-07-19_5_5cfaced17fa2d.jpg"},"6":{"media_id":4182511,"width":238,"height":140,"file_name":"https:\/\/images.discovery-prod.axs.com\/2019\/06\/rat-boy_06-07-19_6_5cfaced1a4178.jpg"},"9":{"media_id":4182512,"width":134,"height":79,"file_name":"https:\/\/images.discovery-prod.axs.com\/2019\/06\/rat-boy_06-07-19_9_5cfaced1c38de.jpg"},"20":{"media_id":4182513,"width":564,"height":564,"file_name":"https:\/\/images.discovery-prod.axs.com\/2019\/06\/rat-boy_06-07-19_20_5cfaced1e3ba7.jpg"},"7":{"media_id":4182514,"width":220,"height":220,"file_name":"https:\/\/images.discovery-prod.axs.com\/2019\/06\/rat-boy_06-07-19_7_5cfaced21141c.jpg"},"24":{"media_id":4182515,"width":322,"height":322,"file_name":"https:\/\/images.discovery-prod.axs.com\/2019\/06\/rat-boy_06-07-19_24_5cfaced22ce90.jpg"}},"links":[{"link_id":"1061565","link_title":"Facebook 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 <\/p>\r\n

TIERED PRICING<\/strong>: This event has a tiered pricing structure in the General Admission area. All General Admission tiers have the same access. Once a price level sells out it may no longer be visible or available for selection.<\/p>\r\n

        *Please note: multiple GA price levels may be available at the same time<\/p>\r\n

GENERAL ADMISSION TICKETS<\/p>\r\n

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